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The Making of Citizen Kane: A Cinematic Masterpiece Forged in Controversy
Orson Welles's Citizen Kane isn't just a film; it's a cinematic legend, a groundbreaking achievement that continues to inspire awe and analysis decades after its release. This post delves deep into the fascinating and often turbulent journey of Citizen Kane's creation, exploring its innovative techniques, the creative clashes, and the enduring legacy that cemented its place as one of cinema's greatest films. We'll uncover the behind-the-scenes stories, the technical innovations, and the lasting impact this masterpiece has had on filmmaking.
The Genesis of an Idea: From Newspaper Mogul to Cinematic Icon
The inspiration for Citizen Kane stemmed from the life of William Randolph Hearst, a powerful newspaper magnate known for his immense wealth and controversial personal life. While Welles never explicitly stated that Kane was Hearst, the parallels are undeniable and fueled much of the controversy surrounding the film's release. Welles, however, cleverly crafted a fictional narrative, allowing for creative liberties while subtly echoing the real-life drama. This strategic approach shielded him from direct legal repercussions while still capturing the essence of Hearst's life and the corrupting influence of power. The initial idea, however, wasn't just a simple biographical portrayal; Welles envisioned a complex narrative structure, a visual feast that would challenge conventional filmmaking norms.
The Innovative Narrative Structure: A Revolutionary Approach to Storytelling
One of the most remarkable aspects of Citizen Kane is its non-linear storytelling. The film unfolds through the perspectives of various individuals who knew Charles Foster Kane, each offering a piece of the puzzle. This fragmented narrative, assembled through flashbacks and shifting viewpoints, keeps the audience engaged in piecing together the mystery of "Rosebud." This revolutionary approach completely defied the typical chronological storytelling of the time, showcasing Welles's bold vision and his mastery of narrative technique. This unconventional structure wasn't just a stylistic choice; it mirrored the elusive and fragmented nature of memory and the difficulty of truly knowing another person.
Technical Brilliance: Pushing the Boundaries of Cinematography
Citizen Kane wasn't just groundbreaking in its narrative structure; it also revolutionized cinematic techniques. Gregg Toland's cinematography is legendary, employing innovative techniques like deep focus, low-angle shots, and unconventional lighting to create a visually stunning and emotionally resonant experience.
Deep Focus and its Impact: Clarity and Ambiguity
Deep focus, a technique that keeps both foreground and background sharply in focus, allowed Welles to create a sense of depth and complexity within each frame. This technique was revolutionary at the time and added to the film's layered meaning and ambiguity. Instead of directing the viewer's eye, deep focus allowed multiple elements of the scene to tell a story simultaneously, enhancing the film's richness and intrigue.
Low Angle Shots and Power Dynamics: A Visual Metaphor
The strategic use of low-angle shots throughout the film emphasized Kane's power and dominance, visually reinforcing his rise and fall. Conversely, high-angle shots were used to depict his vulnerability and isolation, cleverly manipulating the audience's perception of the character. These choices weren't arbitrary; they formed a vital part of the visual language used to convey Kane's complex personality and his journey.
The Production Challenges: A Story of Creative Tensions and Triumph
The making of Citizen Kane wasn't without its challenges. Welles, at the young age of 25, faced numerous obstacles, including creative clashes with studio executives and budgetary constraints. The pressure from RKO Pictures, who financed the project, added to the already immense undertaking of producing such an ambitious and unconventional film.
The Clash with Hearst: A Powerful Enemy
The most significant hurdle was the opposition from William Randolph Hearst himself. Hearst, recognizing his own life reflected in Kane, launched a powerful campaign to suppress the film's release. This included negative reviews, attempts to buy the negative, and other tactics to prevent its distribution. The controversy surrounding the film, however, ironically generated a lot of publicity, piquing audiences' interest and fueling its legendary status.
The Legacy of Citizen Kane: An Enduring Influence on Cinema
Despite the challenges, Citizen Kane premiered to critical acclaim (albeit mixed due to Hearst's influence), launching Orson Welles into international stardom. Its innovative techniques, complex narrative, and powerful themes profoundly impacted the future of filmmaking. The film's influence can be seen in countless films that followed, cementing its place as a cornerstone of cinematic history. Its legacy extends far beyond its technical innovations, it redefined what was possible in storytelling and continues to inspire filmmakers to this day.
Conclusion
The making of Citizen Kane was a remarkable journey, a testament to Orson Welles's visionary genius and unwavering determination. It's a story of innovation, controversy, and ultimately, triumph. The film’s lasting impact on the art of cinema is undeniable, serving as a constant source of inspiration and analysis for filmmakers and cinephiles alike. Its non-linear narrative, groundbreaking cinematography, and enduring themes continue to captivate audiences and solidify its status as a true cinematic masterpiece.
FAQs
1. Was Citizen Kane a box office success? No, Citizen Kane was not a box office success upon its initial release, partly due to Hearst's smear campaign and partly due to its unconventional style which alienated some audiences. However, it gained critical acclaim and over time became a cultural phenomenon.
2. What is "Rosebud"? "Rosebud" is the enigmatic word uttered by Kane on his deathbed, a symbol of his lost innocence and the unattainable past. The revelation of "Rosebud" as a simple sled at the end of the film is both poignant and thought-provoking.
3. How did Hearst attempt to suppress the film? Hearst used his considerable influence to launch a smear campaign against Welles and the film, attempting to negatively impact its reception through negative press coverage and influencing distributors.
4. What made Gregg Toland's cinematography so innovative? Toland's innovative use of deep focus, low-angle shots, and chiaroscuro lighting created a unique visual style that was revolutionary for its time, contributing significantly to the film's overall impact.
5. What is the lasting impact of Citizen Kane on filmmaking? Citizen Kane significantly impacted filmmaking through its innovative use of narrative structure, cinematography, and its exploration of complex themes. Its influence can be seen in countless films that followed, making it a cornerstone of cinematic history.
| the making of citizen kane: The Making of Citizen Kane, Revised Edition Robert L. Carringer, 1996-10-24 Citizen Kane, widely considered the greatest film ever made, continues to fascinate critics and historians as well as filmgoers. While credit for its genius has traditionally been attributed solely to its director, Orson Welles, Carringer's pioneering study documents the shared creative achievements of Welles and his principal collaborators. The Making of Citizen Kane, copiously illustrated with rare photographs and production documents, also provides an in-depth view of the operations of the Hollywood studio system. This new edition includes a revised preface and overview of criticism, an updated chronology of the film's reception history, a reconsideration of the locus of responsibility of Welles's ill-fated The Magnificent Ambersons, and new photographs. |
| the making of citizen kane: Making of Citizen Kane, Revised Edition Robert L. Carringer, 1986 Citizen Kane, widely considered the greatest film ever made, continues to fascinate critics and historians as well as filmgoers. While credit for its genius has traditionally been attributed solely to its director, Orson Welles, Carringer's pioneering study documents the shared creative achievements of Welles and his principal collaborators. The Making of Citizen Kane, copiously illustrated with rare photographs and production documents, also provides an in-depth view of the operations of the Hollywood studio system. This new edition includes a revised preface and overview of criticism, an updated chronology of the film's reception history, a reconsideration of the locus of responsibility of Welles's ill-fated The Magnificent Ambersons, and new photographs. |
| the making of citizen kane: The Making of Citizen Kane Robert L. Carringer, 1985 Discusses the script, art direction, and cinematography of Orson Welles' most famous film, argues that it was a collaborative effort, and examines Welles' other efforts for RKO |
| the making of citizen kane: Citizen Kane Harlan Lebo, 2022-01-18 A comprehensive history of the trials, tribulations, and triumphs behind the creation of one of the greatest films of all time, Citizen Kane. CITIZEN KANE: A Filmmaker's Journey is an updated and expanded softcover of Lebo's 2016 hardcover that traces the creation of Orson's Welles's classic film. This filmland history is itself a sinister tale of conspiracy, blackmail, and Coummunist witch hunts, while detailing the extraordinary rise of Welles, the legend who, at 23 years old, defied the studio system and became a Hollywood icon simply by making the greatest film of all time. |
| the making of citizen kane: The Citizen Kane Book Pauline Kael, Herman Jacob Mankiewicz, Orson Welles, 1971 |
| the making of citizen kane: Young Orson Patrick McGilligan, 2015-11-17 “A remarkable, eye-opening biography . . . McGilligan’s Orson is a Welles for a new generation, [a portrait] in tune with Patti Smith’s Just Kids.”—A. S. Hamrah, Bookforum No American artist or entertainer has enjoyed a more dramatic rise than Orson Welles. At the age of sixteen, he charmed his way into a precocious acting debut in Dublin’s Gate Theatre. By nineteen, he had published a book on Shakespeare and toured the United States. At twenty, he directed a landmark all-black production of Macbeth in Harlem, and the following year masterminded the legendary WPA production of Marc Blitzstein’s agitprop musical The Cradle Will Rock. After founding the Mercury Theatre, he mounted a radio production of The War of the Worlds that made headlines internationally. Then, at twenty-four, Welles signed a Hollywood contract granting him unprecedented freedom as a writer, director, producer, and star—paving the way for the creation of Citizen Kane, considered by many to be the greatest film in history. Drawing on years of deep research, acclaimed biographer Patrick McGilligan conjures the young man’s Wisconsin background with Dickensian richness and detail: his childhood as the second son of a troubled industrialist father and a musically gifted, politically active mother; his youthful immersion in theater, opera, and magic in nearby Chicago; his teenage sojourns through rural Ireland, Spain, and the Far East; and his emergence as a maverick theater artist. Sifting fact from legend, McGilligan unearths long-buried writings from Welles’s school years; delves into his relationships with mentors Dr. Maurice Bernstein, Roger Hill, and Thornton Wilder; explores his partnerships with producer John Houseman and actor Joseph Cotten; reveals the truth of his marriage to actress Virginia Nicolson and rumored affairs with actresses Dolores Del Rio and Geraldine Fitzgerald (including a suspect paternity claim); and traces the story of his troubled brother, Dick Welles, whose mysterious decline ran counter to Orson’s swift ascent. And, through it all, we watch in awe as this whirlwind of talent—hailed hopefully from boyhood as a “genius”—collects the raw material that he and his co-writer, the cantankerous Herman J. Mankiewicz, would mold into the story of Charles Foster Kane. Filled with insight and revelation—including the surprising true origin and meaning of “Rosebud”—Young Orson is an eye-opening look at the arrival of a talent both monumental and misunderstood. |
| the making of citizen kane: Orson Welles Simon Callow, 2016-10-06 In One-Man Band, the third volume in his epic survey of Orson Welles life and work, Simon Callow again probes in comprehensive and penetrating detail into one of the most complex artists of the twentieth century, looking closely at the triumphs and failures of an ambitious one-man assault on one medium after another theatre, radio, film, television, even, at one point, ballet in each of which his radical and original approach opened up new directions and hitherto unglimpsed possibilities. The book begins with Welles self-exile from America, and his realisation that he could only function happily as an independent film-maker, a one-man band; by 1964, he had filmed Othello, which took three years to complete, Mr Arkadin, the biggest conundrum in his output, and his masterpiece Chimes at Midnight, as well as Touch of Evil, his sole return to Hollywood and, like all too many of his films, wrested from his grasp and re-edited. Along the way he made inroads into the fledgling medium of television and a number of stage plays, including Moby-Dick, considered by theatre historians to be one of the seminal productions of the century. Meanwhile, his private life was as dramatic as his professional life. The book shows what it was like to be around Welles, and, with a precision rarely attempted before, what it was like to be him, in which lies the answer to the old riddle: whatever happened to Orson Welles? |
| the making of citizen kane: Interpreting the Moving Image Noel Carroll, 1998-05-28 A collection of film essays by the well-respected critic, Noël Carroll. |
| the making of citizen kane: My Lunches with Orson Peter Biskind, 2013-07-16 Based on long-lost recordings, a set of riveting and revealing conversations with America's great cultural provocateur There have long been rumors of a lost cache of tapes containing private conversations between Orson Welles and his friend the director Henry Jaglom, recorded over regular lunches in the years before Welles died. The tapes, gathering dust in a garage, did indeed exist, and this book reveals for the first time what they contain. Here is Welles as he has never been seen before: talking intimately, disclosing personal secrets, reflecting on the highs and lows of his astonishing Hollywood career, the people he knew—FDR, Winston Churchill, Charlie Chaplin, Marlene Dietrich, Laurence Olivier, David Selznick, Rita Hayworth, and more—and the many disappointments of his last years. This is the great director unplugged, free to be irreverent and worse—sexist, homophobic, racist, or none of the above— because he was nothing if not a fabulator and provocateur. Ranging from politics to literature to movies to the shortcomings of his friends and the many films he was still eager to launch, Welles is at once cynical and romantic, sentimental and raunchy, but never boring and always wickedly funny. Edited by Peter Biskind, America's foremost film historian, My Lunches with Orson reveals one of the giants of the twentieth century, a man struggling with reversals, bitter and angry, desperate for one last triumph, but crackling with wit and a restless intelligence. This is as close as we will get to the real Welles—if such a creature ever existed. |
| the making of citizen kane: What Ever Happened to Orson Welles? Joseph McBride, 2006-10-13 At the age of twenty-five, Orson Welles (1915–1985) directed, co-wrote, and starred in Citizen Kane, widely regarded as the greatest film ever made. But Welles was such a revolutionary filmmaker that he found himself at odds with the Hollywood studio system. His work was so far ahead of its time that he never regained the wide popular following he had once enjoyed as a young actor-director on the radio. What Ever Happened to Orson Welles?: A Portrait of an Independent Career challenges the conventional wisdom that Welles’s career after Kane was a long decline and that he spent his final years doing little but eating and making commercials while squandering his earlier promise. In this intimate and often surprising personal portrait, Joseph McBride shows instead how Welles never stopped directing radical, adventurous films and was always breaking new artistic ground as a filmmaker. McBride is the first author to provide a comprehensive examination of the films of Welles's artistically rich yet little-known later period in the United States (1970–1985), when McBride knew and worked with him. McBride reports on Welles's daringly experimental film projects, including the legendary 1970–1976 unfinished film The Other Side of the Wind, Welles’s satire of Hollywood during the “Easy Rider era”; McBride gives a unique insider perspective on Welles from the viewpoint of a young film critic playing a spoof of himself in a cast headed by John Huston and Peter Bogdanovich. To put Welles’s widely misunderstood later years into context, What Ever Happened to Orson Welles? reexamines the filmmaker’s entire life and career. McBride offers many fresh insights into the collapse of Welles’s Hollywood career in the 1940s, his subsequent political blacklisting, and his long period of European exile. An enlightening and entertaining look at Welles's brilliant and enigmatic career as a filmmaker, What Ever Happened to Orson Welles? serves as a major reinterpretation of Welles’s life and work. McBride clears away the myths that have long obscured Welles’s later years and have caused him to be falsely regarded as a tragic failure. McBride’s revealing portrait of this great artist will change the terms of how Orson Welles is understood as a man, an actor, a political figure, and a filmmaker. |
| the making of citizen kane: Orson Welles's Last Movie Josh Karp, 2015-04-21 Journalist Josh Karp shines a spotlight on the making of The Other Side of the Wind—the final unfinished film from the auteur of Citizen Kane in Orson Welles’s Last Movie, the basis of Oscar-winning director Morgan Neville’s Netflix Original Documentary, They’ll Love Me When I’m Dead. In the summer of 1970, legendary but self-destructive director Orson Welles returned to Hollywood from years of self-imposed exile in Europe and decided it was time to make a comeback movie. Coincidentally, it was the story of a legendary self-destructive director who returns to Hollywood from years of self-imposed exile in Europe. Welles swore it wasn’t autobiographical. The Other Side of the Wind was supposed to take place during a single day, and Welles planned to shoot it in eight weeks. It took six years during his lifetime—only to be finally completed more than thirty years after his death by The Last Picture Show director Peter Bogdanovich, who narrates the film, and released by Netflix. Orson Welles’s Last Movie is a fast-paced, behind-the-scenes account of the bizarre, hilarious, and remarkable making of what has been called “the greatest home movie that no one has ever seen.” Funded by the shah of Iran’s brother-in-law, and based on a script that Welles rewrote every night for years, the film was a final attempt to one-up his own best work. It’s a production best encompassed by its star—the celebrated director of The Maltese Falcon, John Huston—who described the making of the film as “an adventure shared by desperate men that finally came to nothing.” |
| the making of citizen kane: The Citizen Kane Crash Course in Cinematography David Worth, 2008 A graphic textbook that provides a fictional account of how legendary filmmakers, Orson Welles and Gregg Toland, learned the art of cinematography. |
| the making of citizen kane: Citizen Kane Orson Welles, Herman Jacob Mankiewicz, Pauline Kael, 2002 Originally published: London: Martin Secker & Warburg Ltd, 1971. |
| the making of citizen kane: Orson Welles Simon Callow, 1996 A brilliant biography of the young Orson Welles, from his prodigious childhood and youth, his triumphs with the Mercury Theatre, to the making of Citizen Kane. Vivid, vastly entertaining, this is the definitive Welles biography. |
| the making of citizen kane: The Complete Idiot's Guide to Screenwriting Skip Press, 2000 Provides advice for aspiring screenwriters on how to write scripts for television and motion pictures, including what topics are popular, how to rework scenes, and how to sell screenplays in Hollywood. |
| the making of citizen kane: Citizen Kane Laura Mulvey, 2019-07-25 Citizen Kane's reputation as one of the greatest films of all time is matched only by the accumulation of critical commentary that surrounds it. What more can there be to say about a masterpiece so universally acknowledged? Laura Mulvey, in a fresh and original reading, illuminates the richness of the film, both thematically and stylistically, relating it to Welles's political background and its historical context. In a lucid and perceptive critique she also investigates the psychoanalytic structure that underlies the film's presentation of Kane's biography, for once taking seriously what Orson Welles himself disparagingly referred to as 'dollar-book Freud.' In her foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Laura Mulvey focuses on the film's politics, highlighting the contemporary 'rhymes' in Kane's portrayal of a scandal-prone press baron in a time of economic crisis. |
| the making of citizen kane: Making Movies with Orson Welles Gary Graver, 2011-10-28 In 1958, soon after his arrival in Los Angeles, Gary Graver caught a showing of die recently released Touch of Evil. Upon viewing the B classic, Graver decided he wanted to be a director and spent many years honing his craft, as both a cinematographer and a director, not to mention writer, actor, and producerùmuch like his idol, Orson Welles. In 1970, when Graver learned that Welles was in town, he impulsively called the director and offered his services as a cameraman. It was only the second time in Welles's career that he had received such an offer from a cinematographer, the other from Gregg Toland who worked on Citizen Kane. Book jacket. |
| the making of citizen kane: The Magnificent Ambersons Robert L. Carringer, 1993 An indispensable reference work. . . . Anyone with a serious interest in movies will want to have it.--James Naremore, author of Acting in the Cinema |
| the making of citizen kane: Orson Welles's Citizen Kane James Naremore, 2004 'Citizen Kane' is a largely admired and significant film. This volume represents the essential writings on 'Kane'. It gives the reader a lively set of critical interpretations, together with the necessary production information, historical background and technical understanding to comprehend the film's larger cultural significance. |
| the making of citizen kane: Teaching Sound Film R. J. Cardullo, 2016-10-26 Teaching Sound Film: A Reader is a film analysis-and-criticism textbook that contains 35 essays on 35 geographically diverse, historically significant sound films. The countries represented here are France, Italy, England, Belgium, Russia, India, China, Cuba, Germany, Japan, Russia, Romania, Czechoslovakia, Brazil, Taiwan, Austria, Afghanistan, South Korea, Finland, Burkina Faso, Mexico, Iran, Israel, Colombia, and the United States. The directors represented include Jean Renoir, Orson Welles, Akira Kurosawa, Federico Fellini, Woody Allen, Aki Kaurismäki, Ken Loach, Tomás Gutiérrez Alea, Abbas Kiarostami, Michael Haneke, and Hong Sang-soo. Written with university students (and possibly also advanced high school students) in mind, the essays in Teaching Sound Film: A Reader cover some of the central films treated—and central issues raised—in today’s cinema courses and provide students with practical models to help them improve their own writing and analytical skills. These essays are clear and readable—that is, sophisticated and meaty yet not overly technical or jargon-heavy. This makes them perfect introductions to their respective films as well as important contributions to the field of film studies in general. Moreover, this book’s scholarly apparatus features credits, images, bibliographies for all films discussed, filmographies for all the directors, a list of topics for writing and discussion, a glossary of film terms, and an appendix containing three essays, respectively, on film acting, avant-garde cinema, and theater vs. film. |
| the making of citizen kane: The Genius of the System Thomas Schatz, 2015-06-02 At a time when the studio is making a stunning comeback, film historian Thomas Schatz provides an indispensable account of Hollywood's tradional blend of business and art. This book lays to rest the persistent myth that businesspeople and producers stifle artistic talent and reveals instead the genius of a system of collaboration and conflict. Working from industry documents, Schatz traces the development of house styles, the rise and fall of careers, and the making-and unmaking-of movies, from Frankenstein to Spellbound to Grand Hotel. Richly illustrated and highly readable, The Genius of the System gives the definitive view of the workings of the Old Hollywood and the foundations of the New. |
| the making of citizen kane: A Century of Films Derek Malcolm, 2000 Invited by The Guardian newspaper to explore his choice of 100 films in the millennium in a weekly column spanning two years, film writer and critic Derek Malcolm set out on a project which has attracted much attention. This book is a critical celebration of unparalleled knowledge and understanding of what cinema can achieve. Malcolm not only pleases to filmgoers, but introduces readers to films that they may not yet have discovered. |
| the making of citizen kane: The Brothers Mankiewicz Sydney Ladensohn Stern, 2019-10-02 Winner of the 2020 Peter C. Rollins Book Award Longlisted for the 2020 Moving Image Book Award by the Kraszna-Krausz Foundation Named a 2019 Richard Wall Memorial Award Finalist by the Theatre Library Association Herman J. (1897–1953) and Joseph L. Mankiewicz (1909–1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture’s only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture. Despite triumphs as diverse as Monkey Business and Cleopatra, and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have—a career in New York theater. Herman, formerly an Algonquin Round Table habitué, New York Times and New Yorker theater critic, and playwright-collaborator with George S. Kaufman, never reconciled himself to screenwriting. He gambled away his prodigious earnings, was fired from all the major studios, and drank himself to death at fifty-five. While Herman drifted downward, Joe rose to become a critical and financial success as a writer, producer, and director, though his constant philandering with prominent stars like Joan Crawford, Judy Garland, and Gene Tierney distressed his emotionally fragile wife who eventually committed suicide. He wrecked his own health using uppers and downers in order to direct Cleopatra by day and finish writing it at night, only to be very publicly fired by Darryl F. Zanuck, an experience from which Joe never fully recovered. For this award-winning dual portrait of the Mankiewicz brothers, Sydney Ladensohn Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men. |
| the making of citizen kane: Medical and Dental Expenses , 1990 |
| the making of citizen kane: Orson Welles in Italy Alberto Anile, 2013-09-25 Fleeing a Hollywood that spurned him, Orson Welles arrived in Italy in 1947 to begin his career anew. Far from being welcomed as the celebrity who directed and starred in Citizen Kane, his six-year exile in Italy was riddled with controversy, financial struggles, disastrous love affairs, and failed projects. Alberto Anile's book depicts the artist's life and work in Italy, including his reception by the Italian press, his contentious interactions with key political figures, and his artistic output, which culminated in the filming of Othello. Drawing on revelatory new material on the artist's personal and professional life abroad, Orson Welles in Italy also chronicles Italian cinema's transition from the social concerns of neorealism to the alienated characters in films such as Federico Fellini's La Dolce Vita, amid the cultural politics of postwar Europe and the beginnings of the cold war. |
| the making of citizen kane: Everything Is Cinema Richard Brody, 2008-05-13 From New Yorker film critic Richard Brody, Everything Is Cinema: The Working Life of Jean-Luc Godard presents a serious-minded and meticulously detailed . . . account of the lifelong artistic journey of one of the most influential filmmakers of our age (The New York Times). When Jean-Luc Godard wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Unlike any earlier films, Godard's work shifts fluidly from fiction to documentary, from criticism to art. The man himself also projects shifting images—cultural hero, fierce loner, shrewd businessman. Hailed by filmmakers as a—if not the—key influence on cinema, Godard has entered the modern canon, a figure as mysterious as he is indispensable. In Everything Is Cinema, critic Richard Brody has amassed hundreds of interviews to demystify the elusive director and his work. Paying as much attention to Godard's technical inventions as to the political forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless, to the grand vision of his later years. He vividly depicts Godard's wealthy conservative family, his fluid politics, and his tumultuous dealings with women and fellow New Wave filmmakers. Everything Is Cinema confirms Godard's greatness and shows decisively that his films have left their mark on screens everywhere. |
| the making of citizen kane: Olympia Taylor Downing, 2017-10-07 Leni Riefenstahl's Olympia (1938) is one of the most controversial films ever made. Capitalising on the success of Triumph of the Will (1935), her propaganda film for the Nazi Party, Riefenstahl secured Hitler's approval for her grandiose plans to film the 1936 Berlin Olympics. The result was a work as notorious for its politics as celebrated for its aesthetic power. This revised edition includes new material on Riefenstahl's film-making career before Olympia and her close relationship with Hitler. Taylor Downing also discusses newly-available evidence on the background to the film's production that conclusively proves that the film was directly commissioned by Hitler and funded through Goebbels's Ministry of Propaganda and not, as Riefenstahl later claimed, commissioned independently from the Nazi state by the Olympic authorities. In writing this edition, Taylor Downing has been given access to a magnificent new restoration of the original version of the film by the International Olympic Committee. |
| the making of citizen kane: Acting in Film Michael Caine, 2000-02-01 (Applause Books). A master actor who's appeared in an enormous number of films, starring with everyone from Nicholson to Kermit the Frog, Michael Caine is uniquely qualified to provide his view of making movies. This revised and expanded edition features great photos, with chapters on: Preparation, In Front of the Camera Before You Shoot, The Take, Characters, Directors, On Being a Star, and much more. Remarkable material ... A treasure ... I'm not going to be looking at performances quite the same way ... FASCINATING! Gene Siskel |
| the making of citizen kane: Orson Welles Barbara Leaming, 2004-07 ...[A] beautifully researched, valuable study of one of America's most influential and mysterious artists. ...[What] makes this book remarkable is Welle's own contribution. His comments, opinions, interviews cut in and out of the narrative with an almost cinematic force. -Patricia Bosworth |
| the making of citizen kane: Presentation Zen Garr Reynolds, 2009-04-15 FOREWORD BY GUY KAWASAKI Presentation designer and internationally acclaimed communications expert Garr Reynolds, creator of the most popular Web site on presentation design and delivery on the Net — presentationzen.com — shares his experience in a provocative mix of illumination, inspiration, education, and guidance that will change the way you think about making presentations with PowerPoint or Keynote. Presentation Zen challenges the conventional wisdom of making slide presentations in today’s world and encourages you to think differently and more creatively about the preparation, design, and delivery of your presentations. Garr shares lessons and perspectives that draw upon practical advice from the fields of communication and business. Combining solid principles of design with the tenets of Zen simplicity, this book will help you along the path to simpler, more effective presentations. |
| the making of citizen kane: Orson Welles Orson Welles, 2002 It is only in the editing studio that he possesses absolute control. With scholarly erudition, Welles revels in the plays of Shakespeare and discusses their adaptation to stage and screen. He assesses rival directors and eminent actors, offers penetrating analyses of Citizen Kane, Touch of Evil, Chimes at Midnight, and The Third Man, and declares that he never made a film that lacked an ethical point-of-view. Book jacket. |
| the making of citizen kane: The Films of Orson Welles Charles Higham, 1970 |
| the making of citizen kane: Andre Bazin's New Media André Bazin, 2014-10-03 André Bazin’s writings on cinema are among the most influential reflections on the medium ever written. Even so, his critical interests ranged widely and encompassed the “new media” of the 1950s, including television, 3D film, Cinerama, and CinemaScope. Fifty-seven of his reviews and essays addressing these new technologies—their artistic potential, social influence, and relationship to existing art forms—have been translated here for the first time in English with notes and an introduction by leading Bazin authority Dudley Andrew. These essays show Bazin’s astute approach to a range of visual media and the relevance of his critical thought to our own era of new media. An exciting companion to the essential What Is Cinema? volumes, André Bazin’s New Media is excellent for classroom use and vital for anyone interested in the history of media. |
| the making of citizen kane: If - Rudyard Kipling, 1918 |
| the making of citizen kane: Rosebud David Thomson, 1997-09-30 A New York Times Notable Book of the Year Easily the best book on Orson Welles. --The New Yorker Orson Welles arrived in Hollywood as a boy genius, became a legend with a single perfect film, and then spent the next forty years floundering. But Welles floundered so variously, ingeniously, and extravagantly that he turned failure into a sustaining tragedy--his thing, his song. Now the prodigal genius of the American cinema finally has the biographer he deserves. For, as anyone who has read his novels and criticism knows, David Thomson is one of our most perceptive and splendidly opinionated writers on film. In Rosebud, Thomson follows the wild arc of Welles's career, from The War of the Worlds broadcast to the triumph of Citizen Kane, the mixed triumph of The Magnificent Ambersons, and the strange and troubling movies that followed. Here, too, is the unfolding of the Welles persona--the grand gestures, the womanizing, the high living, the betrayals. Thomson captures it all with a critical acumen and stylistic dash that make this book not so much a study of Welles's life and work as a glorious companion piece to them. Insightful, controversial, and highly readable--Rosebud is biography at its best. --Cleveland Plain Dealer |
| the making of citizen kane: Backwards and in Heels Alicia Malone, 2017-08 Tells the history of women in film in a different way, with stories about incredible ladies who made their mark throughout each era of Hollywood. From the first women directors, to the iconic movie stars, and present day activists. |
| the making of citizen kane: Orson Welles on Shakespeare Richard France, 2013-04-15 This volume is the only publication available of the fully annotated playscripts of Wells' W.P.A Federal Theatre Project and Mercury Theatre adaptations, including the Voodoo Macbeth, the modern-dress Julius Caesar and Welles' compilation of history plays, Five Kings. |
| the making of citizen kane: Mank Richard Meryman, 1978 This is a detailed look at the up-and-down life of writer Herman Mankiewicz. |
| the making of citizen kane: Latin American Cinema Paul A. Schroeder Rodríguez, 2016-03-08 This book charts a comparative history of Latin America’s national cinemas through ten chapters that cover every major cinematic period in the region: silent cinema, studio cinema, neorealism and art cinema, the New Latin American Cinema, and contemporary cinema. Schroeder Rodríguez weaves close readings of approximately fifty paradigmatic films into a lucid narrative history that is rigorous in its scholarship and framed by a compelling theorization of the multiple discourses of modernity. The result is an essential guide that promises to transform our understanding of the region’s cultural history in the last hundred years by highlighting how key players such as the church and the state have affected cinema’s unique ability to help shape public discourse and construct modern identities in a region marked by ongoing struggles for social justice and liberation. |
| the making of citizen kane: The Hottentot Venus Rachel Holmes, 2016-05-19 The acclaimed biography of Sarah Baartman, once a slave and later a showgirl 'A significant and timely book ... Holmes has produced a laceratingly powerful story' Frances Wilson, Literary Review 'Impeccable ... In telling her extraordinary story, Holmes's fascinating book illuminates the forces which dominated her age, and resound in our own' Sunday Telegraph In 1810 the slave turned showgirl Sarah Baartman, London's most famous curiosity, became its legal cause célèbre. Famed for her exquisite physique – in particular her shapely bottom – she was stared at, stripped, pinched, painted, worshipped and ridiculed. This talented, tragic young South African woman became a symbol of exploitation, colonialism – and defiance. In this scintillating and vividly written book Rachel Holmes traces the full arc of Baartman's extraordinary life for the first time. |
THE REAL FASCINATION OF CITIZEN KANE WELLES’S …
THE REAL FASCINATION OF CITIZEN KANE: WELLES’S MASTERPIECE RECONSIDERED 25 Kane explores the nature of consciousness chiefly by presenting various points of view on a shifting, multiplaned world. We enter Kane’s consciousness as he dies, before we have even met him; he is less a character than a stylized image.
654 Robert L. Carringer Orson Welles and Gregg Toland …
1.-List of the equipment Toland brought from Goldwyn for shooting Citizen Kane. Toland was the first major cinematographer to use the new blimpless Mitchell cam- era, the BNC. The 24 mm Cooke was the fastest lens in common use at the time. 4. Details of the production history that follow are based on my research in the Citizen
Courtesy of Alvin Lin. Used with permission. Alvin Lin 2/17/05 ...
Citizen Kane: the audience is actually transported back in time to various instances of Kane’s life. One basic element of human nature is to hold on to one’s past. As we grow older, we cling to elements of our pasts, even if they may be only symbolic objects of past times. The object we hold on to most tightly is our memory, which unfortunately
Citizen Kane - Varieur Film Studies
The Battle Over Citizen Kane and again in the 1999 dramatic film RKO 281. A resultant joke noted, with heavy innuendo, that Hearst and/or Kane died "with 'Rosebud' on his lips. • Although “Rosebud” provides a simplistic explanation of Kane’s character, the film’s closing shot focuses
Rethinking Film History: Bazin 's Impact in England
Citizen Kane , Cinemascope, Movie magazine Sacrilege : the dedication is translated 'At Bazin'1 I came upon this cryptic sentence early in the spring of 1960, as a student just out of my teens, already becoming more absorbed in cinema than in the Classics degree syllabus - …
The Making Of Citizen Kane Revised Edition Copy - dev.mnu
The Making Of Citizen Kane Revised Edition Downloaded from dev.mnu.edu by guest NEVEAH STERLING What Ever Happened to Orson Welles? Viking Adult A collection of film essays by the well-respected critic, Noël Carroll. The Brothers Mankiewicz Random House First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
The Eyes of Orson Welles: A markedly political approach to …
May 17, 2019 · Welles is known for a number of enduring works, including Citizen Kane (1941), The Magnificent Ambersons (1942), The Lady from ... you were making Citizen Kane, you and cinematographer Gregg Toland
Narration, Desire, and a Lady from Shanghai - JSTOR
Citizen Kane probably affords the classic illustration of this ten-sion, since it is a narrative about the all-consuming desires of its ... Thompson's search for an "angle" on Kane's life represents a way of making some sense of both his life and death for …
TREASURES FROM THE YALE FILM ARCHIVE CITIZEN KANE …
CITIZEN KANE opened to almost universal critical acclaim. The New York Times said that it “comes close to being the most sensational film ever made in Hollywood” (praise guaranteed to evoke the industry’s envy). But it flopped at the box office, largely because Hearst, having failed
EDITING - California State University, Northridge
making a graphic match • Editing need not be graphically continuous • Graphically discontinuous editng can be more noticeable – clash from shot to shot, e.g. Citizen Kane (1941, Orson Welles), Night and Fog (1956, Alain Resnais)
HUMANITIES INSTITUTE Ali A. Ünal CITIZEN KANE (1941) …
CITIZEN KANE (1941) Orson Welles OVERVIEW ... After making a name for himself in theatre and radio, Welles signed with the RKO Pictures to write and direct two motion pictures, a deal that was unprecedented at the time in terms of the creative control Welles enjoyed. His directorial debut, Citizen Kane, would go on to become arguably the
CITIZEN KANE Orson Welles EXT. XANADU - FAINT DAWN
window, we see reflected the ripe, dreary landscape of Mr. Kane's estate behind and the dawn sky. DISSOLVE: INT. KANE'S BEDROOM - FAINT DAWN - 1940 A very long shot of Kane's enormous bed, silhouetted against the enormous window. DISSOLVE: INT. KANE'S BEDROOM - FAINT DAWN - 1940 A snow scene. An incredible one. Big, impossible flakes of snow, a too
Citizen Kane Full Cast & Crew - Grosse Pointe Public Schools
Citizen Kane (1941) Full Cast & Crew Directed by Orson Welles Writing Credits Herman J. Mankiewicz... (original screen play) & Orson Welles... (original screen play) ... Mary Kane Ruth Warrick... Emily Monroe Norton Kane Ray Collins... James W. Gettys Erskine Sanford... Herbert Carter. Everett Sloane... Mr. Bernstein
Brendan Gregory T/RS 288 Parables in Pop Culture Dr. …
Citizen Kane: A Parable of Ecclesiastes and Perils of the American Dream The film Citizen Kane has been widely acclaimed as one of the best films, if not the best, ever made. Directed by Orson Welles and released in 1941, Citizen Kane centers around the life of newly deceased media mogul Charles Foster Kane, whose famous last words, Rosebud,
Citizen Kane (1941) directed by Orson Welles Professor …
• But in Citizen Kane, the music (a famous score by Bernard Hermann), art direction, special effects, editing, make-up, and many other jobs crucial to the film’s success were by industry professionals. • Perhaps most importantly, the film’s cinematography, for which it is much ...
RKO SOUNDSTAGES - Wellesnet
From the 2015 edition of Citizen Kane—A Filmmaker’s Journey by Harlan Lebo citizenkanebook.com. Questions or comments: leboprojects@gmail.com RKO SOUNDSTAGES RKO (Culver City) Stages The RKO soundstages on Washington Boulevard in Culver City, now part of the Culver Studios, are identified with the same numbers today as in 1940. Here
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The Making of Citizen Kane, Revised Edition 1996-10-24 citizen kane widely considered the greatest film ever made continues to fascinate critics and historians as well
Citizen Kane (1941) directed by Orson Welles Professor …
• But in Citizen Kane, the music (a famous score by Bernard Hermann), art direction, special effects, editing, make-up, and many other jobs crucial to the film’s success were by industry professionals. • Perhaps most importantly, the film’s cinematography, for which it is much ...
The souThern pover Ty published by law CenTer
2 ‘sovereign’ citizen Kane On May 20, 2010, a man and his son opened fire on police officers in West Memphis, Ark., killing two and wounding two others before being killed themselves. Cop-killers Jerry and Joe Kane were members of the rapidly growing “sover-eign citizens” movement that may now be 300,000 strong.
Rosebud, Dead or Alive: Narrative and Symbolic Structure in …
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Camden Council Library Services Movie Club - Camden …
Citizen Kane (1941) Discussion Questions 1. Some critics at the time of release felt that the structure was entirely out of place... Of course I understand that Kane having been a newspaper publisher, Welles treated his death from a newspaper angle in short staccato flashes. I do not object to that, but I do object to his beginning with Kane's ...
CHAPTER The story of journalism - McGraw Hill Education
Highlights from the history of journalism, from Mark Twain and Lois Lane to “Citizen Kane.” 8 The birth of journalism How newspapers were established in America — and how the fight for a free press led to war. 10 News in the19th century Mass media dominated city streets, while yellow journalism gave reporters a bad name.
Two Review Essays: Anti-Union Clichés float On the …
Citizen Kane and How Green was My Valley: Have We Sold Ourselves Short? Gloria McMillan, University of Arizona Anti-Union Clichés float On the Waterfront: Rhetorical Analysis of the Film (This essay is dedicated to Claudia Cassidy, the late arts critic of The Chicago Tribune)
ANTH 404_1: THE SELF IN CULTURE: JUNG AND CITIZEN …
Page 1 of 21 ANTH 404_1: THE SELF IN CULTURE: JUNG AND CITIZEN KANE Slide #1 Slide Title: The Self in Culture: Jung and Citizen Kane Slide Content : Audio: [Professor Jeannette Mageo]: Today we are going to be talking more about the theories of Carl Gustav Jung and the movie you just watched, Citizen Kane.
THE REAL FASCINATION OF CITIZEN KANE WELLES’S …
living Kane, through their own eyes? Is Citizen Kane, then, one large piece of chicanery, a contribution less to film art, according to Charles Thomas Samuels (171), than to the art of making films? (For a doubly negative view, that Citizen Kane is essentially both one large piece of chicanery and a retrogression in screen
Workbook Answer Key UNIT 8
made Citizen Kane in 1941. Passive: Citizen Kane was made by Orson Welles in 1941. 5. Active: Dorothea Lange took Waterfront Demonstration in 1934. Passive: Waterfront Demonstration was taken by Dorothea Lange in 1934. Exercise 7 1. to visit the Rodin Museum 2. Rodin’s The Thinker is kept there 3. have over 6600 sculptures, a drawing collection,
The Making Of Citizen Kane - wclc2018.iaslc.org
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Art and Nature in Welles' Xanadu - JSTOR
the narrative materials of Citizen Kane. These narrative materials are also split into two parts, the first displaying the process by which the young Charles Kane is corrupted by an acquisitive materialistic society, and the second showing Kane's abortive attempt to transmute Susan Alexander's minimal talents into full stature as an opera singer.
DEREE COLLEGE SYLLABUS FOR: CIN4OXX ACTING AND THE …
Demonstrate understanding of film making processes in relation to acting. 3. Experiment with contemporary camera acting techniques. 4. Create on-camera scenes for critique. ... The Battle over Citizen Kane. PBS documentary. 1996. Kubrick, V.... Making The Shining. BBC documentary. 1980.
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Application for Senior Citizen Homestead Exemption KANE COUNTY ASSESSMENT OFFICE 719 Batavia Avenue, Building C Geneva, Illinois 60134-3000 Voice: (630) 208-3818 Fax: (630) 208-3824 Section 1: Instructions A. Taxpayer eligibility. To be eligible for the exemption, the taxpayer must be at least 65 years of age by December 31 of the assessment year.
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2nd Grade Math Iep Goals (2024) - netsec.csuci.edu
A. Number Sense and Operations Goal: Given 10 addition problems with sums up to 20, [Student Name] will correctly solve 8 problems with 80% accuracy within 10 minutes, as measured by teacher observation and weekly
CITIZEN KANE Written by Herman J. Mankiewicz Orson Welles
INT. KANE'S BEDROOM - FAINT DAWN - A very long shot of Kane's enormous bed, silhouetted against the enormous window. DISSOLVE: INT. KANE'S BEDROOM - FAINT DAWN - SNOW SCENE. An incredible one. Big, impossible flakes of snow, a too picturesque farmhouse and a snow man. The jingling of sleigh bells in the musical score now makes an ironic
Bernard Herrmann: Psycho - Pearson qualifications
his work on film scores such as Citizen Kane, Jason and the Argonauts, Fahrenheit 451 and Taxi Driver. He won an Academy Award (‘Oscar’) in 1941 for his score for The Devil and Daniel Webster. His name is particularly associated with the films of Alfred Hitchcock,
ORSON WELLES’ INTERMEDIAL VERSIONS OF …
Altman, in ‘Deep-Focus Sound: Citizen Kane and the Radio Aesthetic’, studies the characteristics and structure of radio broadcast in the 1930s, applying them to a minute study of the sound design in Citizen Kane. This is the only study to the best of my knowledge that does the type of research found in this thesis. 2
The Rosebud Enigma: Rethinking American Montage in the …
Citizen Kane (941). The film can be characterized by the way that Mr, Welles manipulates various virtual images of the past on the screen that the witnesses of Kane's life actualize from their memories, Here, the issue is on Orson Welles' new technique of montage, With these speculations, I will survey how the parallel montage operates in ...
The Making Of Citizen Kane Revised Edition Copy
This book delves into The Making Of Citizen Kane Revised Edition. The Making Of Citizen Kane Revised Edition is a vital topic that needs to be grasped by everyone, from students and scholars to the general public. This book will furnish
“Citizen Kane” Movie Questions: Pick 6 questions to answer
Feature films before Citizen Kane tended to be very straight- forward in their treatment of time. Flash-backs and Flash-forwards were extremely rare. A typical film of the time would have started with a very young Kane and progressed through his life, period by period, until his death. Instead, Welles OPENS with the death of its hero!
MALICE IN WONDERLAND - IJPC
281, a film about the making of Citizen Kane, Hedda is portrayed as a manipulative intruder who sets up Louella and tries to get her fired because she did not know that the film Citizen Kane was going to be about Hearst. However, in her autobiography Hedda writes that she was appalled
CHAPTER The story of journalism - McGraw Hill Education
Highlights from the history of journalism, from Mark Twain and Lois Lane to “Citizen Kane.” 8 The birth of journalism How newspapers were established in America — and how the fight for a free press led to war. 10 News in the19th century Mass media dominated city streets, while yellow journalism gave reporters a bad name. 12 News in the ...
The Making Of Citizen Kane By Robert L Carringer
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KANE COUNTY COURT SERVICES Citizen’s Complaint Form
Illinois Compiled Statutes sections 720 ILCS 5/31-4 and 5/26-1 state it is a criminal offense for any person to knowingly submit false information or transmit false information to a peace/public officer knowing there is no
Agnès Varda: A Conversation - “Women
Agnès Varda has been making films for over three decades now, starting out at a time when less than a handful of women were directing. Varda’s longevity as a serious filmmaker, her capacity for survival, is in itself moving, as other august figures have come and gone, their trajectories played out by death or burn-out in one form or another.
The Golden Era of Hollywood: The Making of The Wizard of …
The Golden Era of Hollywood: The Making of The Wizard of Oz Gone with and the Wind . By Kalie Rudolph. Beginning in the late 1920s, Hollywood's Golden Era was magical. People traveled from near and far to try to make it into show business. Metro-Goldwyn-Mayer, better known as MGM, was the top studio of the era and strove to
The Making Of Citizen Kane By Robert L Carringer
Sep 17, 2023 · discussing the making of citizen kane it is edms.ncdmb.gov.ng 2 / 8. that of gregg toland the iconic cinematographer who turned the film into''citizen kane at 70 the legacy of the film and its director May 23rd, 2020 - as times film critic a …
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The Making Of Citizen Kane Revised Edition (Download Only)
The Making Of Citizen Kane Revised Edition Book Review: Unveiling the Magic of Language In an electronic digital era where connections and knowledge reign supreme, the enchanting power of language has be much more apparent than ever. Its ability to stir emotions, provoke thought, and instigate transformation is actually remarkable.
