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Paris, Texas: A Screenplay Deconstructed – Exploring Wim Wenders' Masterpiece
Introduction:
Wim Wenders' Paris, Texas isn't just a film; it's a cinematic poem, a haunting exploration of memory, family, and the American landscape. Its screenplay, a masterclass in understated storytelling, has captivated audiences and critics for decades. This post delves deep into the Paris, Texas screenplay, examining its structure, themes, and the masterful writing that elevates it to a modern classic. We'll explore its impactful dialogue, evocative imagery, and the subtle nuances that make it a truly unforgettable cinematic experience. Prepare to journey into the heart of a screenplay that transcends its words, leaving an indelible mark on the viewer's soul.
The Power of Omission: What the Paris, Texas Screenplay Doesn't Say
The Paris, Texas screenplay is a testament to the power of "showing, not telling." Wenders and co-writer Sam Shepard masterfully employ visual storytelling, letting the vast Texas landscape and the characters' actions speak volumes. Long stretches of dialogue are absent, replaced by poignant silences and lingering shots that communicate more than words ever could. This deliberate omission forces the audience to actively participate in the narrative, filling in the gaps with their own interpretations and emotional responses. This technique contributes significantly to the film's enigmatic and haunting quality.
The Unspoken History
The screenplay cleverly avoids explicitly detailing the past traumas of Travis and Jane. Their history unfolds slowly, through fragmented memories, cryptic conversations, and Jane's heartbreaking performances. This approach to storytelling creates a sense of mystery and allows the audience to piece together the narrative alongside Travis, experiencing his emotional journey firsthand. The lack of direct exposition heightens the emotional impact and allows for a more deeply personal connection with the characters.
Character Development Through Action and Reaction:
The screenplay relies heavily on visual cues and subtle interactions to portray the depth and complexity of its characters. Travis's initial withdrawn nature, his hesitant re-entry into society, and his eventual, halting attempts at connection are all meticulously crafted through actions and reactions, rather than explicit exposition.
Travis's Transformation: A Silent Journey
Travis's journey isn't marked by grand pronouncements or dramatic confessions. Instead, the screenplay reveals his gradual healing through his interactions with his son Hunter, his brother Walt, and his estranged wife Jane. The subtle shifts in his demeanor, his increasingly engaged body language, and the quiet moments of shared intimacy are all powerful indicators of his internal transformation.
The Landscape as a Character:
The vast, desolate beauty of the Texas landscape is more than just a backdrop in Paris, Texas. It's an active participant in the narrative, mirroring the emotional states of the characters and reflecting their inner turmoil. The seemingly endless expanse of desert, the stark motel rooms, and the glittering city lights of Houston – all contribute to the overall atmosphere and thematic resonance.
Symbolism of Space and Isolation
The expansive landscapes symbolize Travis's emotional isolation and the vastness of his past trauma. The emptiness reflects his inner void, while the occasional glimpses of human connection offer fleeting moments of hope and redemption. The screenplay uses the setting to heighten the feeling of loneliness and the monumental task Travis faces in rebuilding his life.
Dialogue: Sparse Yet Powerful:
Despite its reliance on visual storytelling, the dialogue in Paris, Texas is incredibly impactful. Each line carries significant weight, often laden with unspoken meaning and emotional subtext. The screenplay's sparse use of dialogue enhances the power of the words that are spoken, making every exchange resonate deeply with the audience.
The Weight of Unspoken Words
Silence plays a crucial role in the screenplay's effectiveness. The long pauses, the averted gazes, and the unsaid words communicate as much, if not more, than any lengthy dialogue could. This technique keeps the audience engaged and leaves space for personal interpretation.
Conclusion:
The Paris, Texas screenplay is a masterwork of understated storytelling. By skillfully utilizing visual cues, evocative imagery, and sparsely used but powerfully impactful dialogue, Wim Wenders and Sam Shepard crafted a narrative that transcends its words, leaving a lasting impression on the viewer long after the credits roll. Its exploration of memory, family, and redemption continues to resonate with audiences, securing its place as a cinematic classic. The screenplay's genius lies in its ability to convey profound emotion and meaning through what is not said, creating a truly unforgettable and deeply moving cinematic experience.
FAQs:
1. What makes the Paris, Texas screenplay so unique? Its unique blend of visual storytelling, sparse dialogue, and the powerful use of the landscape to convey emotion creates a deeply affecting and unforgettable cinematic experience.
2. How does the screenplay develop its characters? The characters are developed primarily through their actions, reactions, and subtle interactions, rather than through lengthy exposition or backstories.
3. What is the significance of the Texas landscape in the film? The landscape functions as a character itself, reflecting the characters' emotional states and contributing to the overall atmosphere of isolation and redemption.
4. What are the key themes explored in the Paris, Texas screenplay? The screenplay explores themes of memory, family, communication, redemption, and the power of the past to shape the present.
5. Why is the screenplay considered a classic? Its innovative approach to storytelling, masterful character development, and enduring emotional impact have ensured its lasting relevance and critical acclaim, cementing its status as a cinematic classic.
| paris texas screenplay: Paris, Texas Sam Shepard, Wim Wenders, 1983 |
| paris texas screenplay: Paris, Texas , 2002 |
| paris texas screenplay: Reading and Writing a Screenplay Isabelle Raynauld, 2019-04-12 Reading and Writing a Screenplay takes you on a journey through the many possible ways of writing, reading and imagining fiction and documentary projects for cinema, television and new media. It explores the critical role of a script as a document to be written and read with both future readers and the future film it will be giving life to in mind. The book explores the screenplay and the screenwriting process by approaching the film script in three different ways: how it is written, how it is read and how it can be rewritten. Combining contemporary screenwriting practices with historical and academic context, Isabelle Raynauld provides key analytical tools and reading strategies for conceptualizing and scripting projects based on the impact different writing styles can have on readers, with various examples ranging from early cinema to new media and new platforms throughout. This title offers an alternative, thought-provoking and inspiring approach to reading and writing a screenplay that is ideal for directors, producers, actors, students, aspiring screenwriters and readers interested in understanding how an effective screenplay is created. |
| paris texas screenplay: Motel Chronicles Sam Shepard, 2001-01-01 Motel Chronicles reveals the fast-moving and sometimes surprising world of the man behind the plays that have made Sam Shepard a live legend in the theater. Shepard chronicles his own life birth in Illinois, childhood memories of Guam, Pasadena and rural Southern California, adventures as ranch hand, waiter, rock musician, dramatist, and film actor. Scenes from this book form the basis of his play Superstitions, and of the film (directed by Wim Wenders) Paris, Texas, winner of the Golden Palm Award at the 1984 Cannes Film Festival. |
| paris texas screenplay: Selling a Screenplay Syd Field, 1989-11-01 - Breaks Down the Business of Screenwriting - Explains What the Buyer Looks For - Shows You What to Do to Get in the Door - Tackles the Pitching Process - Provides Personal Insights from Famous Screenwriters Everybody has a story to tell. Everybody wants to write the great American screenplay. But what do you do after it’s written? How do you sell it? Studio honchos. Development Executives. Independent Producers. What do they want? Do you need an agent or manager to get it into production? Selling a screenplay can mean earning $250,000 or more, so competition is fierce. Syd Field gives you an insider’s look at the movie and TV industry, packed with essential tips from the pros. Selling a Screenplay is a must-have guide for every screenwriter, filled with frank real-life advice from Hollywood’s most powerful deal makers and most celebrated screenwriters. They all started somewhere. |
| paris texas screenplay: Paris, Texas Sam Shepard, 1984 Now, for the first time, the screenplay of Wim Wenders' cult classic film, loosely based on Sam Shepard's Motel Chronicles, is available in trade paperback. Filmed in the American southwest, Paris, Texas is the contemporary story of a man's journey, actual and psychological, toward the recovery of his past. The film starred Harry Dean Stanton, Nastassja Kinski, Dean Stockwell, and Aurore Clement.--Cover |
| paris texas screenplay: Understanding Screenwriting Tom Stempel, 2008-04-15 No Marketing Blurb |
| paris texas screenplay: Spy of the First Person Sam Shepard, 2017-12-05 The final work from the Pulitzer Prize–winning writer, actor, and musician, drawn from his transformative last days In searing, beautiful prose, Sam Shepard’s extraordinary narrative leaps off the page with its immediacy and power. It tells in a brilliant braid of voices the story of an unnamed narrator who traces, before our rapt eyes, his memories of work, adventure, and travel as he undergoes medical tests and treatments for a condition that is rendering him more and more dependent on the loved ones who are caring for him. The narrator’s memories and preoccupations often echo those of our current moment—for here are stories of immigration and community, inclusion and exclusion, suspicion and trust. But at the book’s core, and his, is family—his relationships with those he loved, and with the natural world around him. Vivid, haunting, and deeply moving, Spy of the First Person takes us from the sculpted gardens of a renowned clinic in Arizona to the blue waters surrounding Alcatraz, from a New Mexico border town to a condemned building on New York City’s Avenue C. It is an unflinching expression of the vulnerabilities that make us human—and an unbound celebration of family and life. |
| paris texas screenplay: The Euro-American Cinema Peter Lev, 1993-08-01 This book will engage all those interested in the history and aesthetics of world cinema, as well as anyone concerned with cultural change in late twentieth-century Western Europe and the United States. |
| paris texas screenplay: The 101 Habits of Highly Successful Screenwriters Karl Iglesias, 2011-10-15 Takes a look into the lives and workspaces of screenwriters, who share their best practices in their own writing careers. |
| paris texas screenplay: The Palgrave Handbook of Script Development Stayci Taylor, Craig Batty, 2022-01-04 The Palgrave Handbook of Script Development provides the first comprehensive overview of international script development practices. Across 40 unique chapters, readers are guided through the key challenges, roles and cultures of script development, from the perspectives of creators of original works, those in consultative roles and those giving broader contextual case studies. The authors take us inside the writers’ room, alongside the script editor, between development conversations, and outside the mainstream and into the experimental. With authors spanning upwards of 15 countries, and occupying an array of roles – including writer, script editor, producer, script consultant, executive, teacher and scholar, this is a truly international perspective on how script development functions (or otherwise) across media and platforms. Comprising four parts, the handbook guides readers behind the scenes of script development, exploring unique contexts, alternative approaches, specific production cultures and global contexts, drawing on interviews, archives, policy, case study research and the insider track. With its broad approach to a specialised practice, the Palgrave Handbook of Script Development is for anyone who practices, teaches or studies screenwriting and screen production. |
| paris texas screenplay: Written in the West Wim Wenders, 2000 In preparation for shooting the film Paris, Texas in late 1983, director Wim Wenders traveled the West equipped with a 5 x 6 medium format camera searching out subjects and locations that would bring that desolate landscape to life. For several months he drove the empty highways of Texas, Arizona, New Mexico and California, transfixed by the vastness of a country saturated with light and color and energized by the American cowboy mystique. Even in the twentieth century, it was a landscape that had lost none of its evocative, mythic power. This collection of lush, colorful photographs magnificently displays what Wenders' practiced eye sought out: dramatic and visually arresting images, haunting vistas, and the poetic dilapidation of a country touched by man but ruled by nature. An enlightening interview with the photographer reveals the many ways that Wenders, a European traveling in a distinctly American landscape, was both moved by and bemused by what he considers the heartland of the American Dream. It is this sensibility, along with Wenders enormous photographic talents, that lend this collection a unique quality, and that allow us to experience the West in a whole new, brilliantly colorful light. |
| paris texas screenplay: Quichotte Salman Rushdie, 2019-09-03 SHORTLISTED FOR THE BOOKER PRIZE Quichotte is a love story of profound tenderness and humanity from a great storyteller at his brilliant best. Wise, beautifully written, as heartbreaking as it is wildly comic, its characters unforgettable, its plot dazzlingly suspenseful, it illuminates our corrupt times where fact is so often indiscernible from fiction. Quichotte, an aging travelling salesman obsessed with TV, is on a quest for love. Unfortunately, his daily diet of reality TV, sitcoms, films and soaps has distorted his ability to separate fantasy from reality. He wishes an imaginary son, Sancho, into existence, while obsessively writing love letters to a celebrity he knows only through his screen. Together the two innocents set off across America in Quichotte's trusty Chevy Cruze to find her and convince her of his love. Quichotte's story is told by Sam DuChamp, a mediocre spy novelist in the midst of a midlife crisis, and as the stories of DuChamp and Quichotte intertwine, we are taken on a wild, picaresque journey through a familiar country on the edge of moral and spiritual collapse. |
| paris texas screenplay: My Dead Book Nate Lippens, 2024-10-22 A rumination on survival, queer aging, and estrangement that was a finalist for the Republic of Consciousness Prize. My dead friends are back. I lie in bed at night and see them. Haunted by insomnia and the past as he approaches his fiftieth birthday, the narrator of My Dead Book flips through scenes of his youth and memories of dozens of friends who are no longer with him. Living alone and working odd jobs in Wisconsin, he ruminates on survival, queer aging, his years as a teenage throwaway, and estrangement, wondering whether he has outlived his place in the world. First published in 2021, Lippens’s debut novel was hailed as “a brutally acerbic novel of queer pessimism” (Donna Marcus, AnOther Magazine). As Lindsay Lerman observed in Southwest Review, “My Dead Book is not transgressive because it follows a gay man as he struggles to survive on the fringes of multiple worlds. … It is continually transgressing. It’s a living book (a living dead book), moving around in time, making tangential connections.” This new edition includes an introduction by LAMBDA Literary Award-winning American poet and writer, Eileen Myles. |
| paris texas screenplay: Big Wonderful Thing Stephen Harrigan, 2019-10-01 The story of Texas is the story of struggle and triumph in a land of extremes. It is a story of drought and flood, invasion and war, boom and bust, and of the myriad peoples who, over centuries of conflict, gave rise to a place that has helped shape the identity of the United States and the destiny of the world. “I couldn’t believe Texas was real,” the painter Georgia O’Keeffe remembered of her first encounter with the Lone Star State. It was, for her, “the same big wonderful thing that oceans and the highest mountains are.” Big Wonderful Thing invites us to walk in the footsteps of ancient as well as modern people along the path of Texas’s evolution. Blending action and atmosphere with impeccable research, New York Times best-selling author Stephen Harrigan brings to life with novelistic immediacy the generations of driven men and women who shaped Texas, including Spanish explorers, American filibusters, Comanche warriors, wildcatters, Tejano activists, and spellbinding artists—all of them taking their part in the creation of a place that became not just a nation, not just a state, but an indelible idea. Written in fast-paced prose, rich with personal observation and a passionate sense of place, Big Wonderful Thing calls to mind the literary spirit of Robert Hughes writing about Australia or Shelby Foote about the Civil War. Like those volumes it is a big book about a big subject, a book that dares to tell the whole glorious, gruesome, epically sprawling story of Texas. |
| paris texas screenplay: Seduced Sam Shepard, 1979 THE STORY: Henry Hackamore, reputed to be the richest man in the world, is now a bearded, aged recluse, who lives on the top floor of a Caribbean luxury hotel, attended by his bodyguard-nurse, Raul. Paranoid, desperately lonely and obsessed by a fe |
| paris texas screenplay: Big Fish Daniel Wallace, 2012-05-15 The classic novel that inspired the beloved Tim Burton film and the Broadway musical. In his prime, Edward Bloom was an extraordinary man. He could outrun anybody. He never missed a day of school. He saved lives and tamed giants. Animals loved him, people loved him, women loved him. He knew more jokes than any man alive. At least that’s what he told his son, William. But now Edward Bloom is dying, and William wants desperately to know the truth about his elusive father—this indefatigable teller of tall tales—before it’s too late. So, using the few facts he knows, William re-creates Edward’s life in a series of legends and myths, through which he begins to understand his father’s great feats, and his great failings. The result is hilarious and wrenching, tender and outrageous. |
| paris texas screenplay: Sam Shepard V8 Pt 4 Johan Callens, 2005-06-28 This volume, the second of two, contains the proceedings of the Shepard conference organized in Brussels, 28-30 May 1993, by the Belgian-Luxembourg American Studies Association and the Free University of Brussels. |
| paris texas screenplay: Two Prospectors Sam Shepard, Johnny Dark, 2013-10-15 Pulitzer Prize-winning author of plays such as True West, Fool For Love, and Buried Child, and Academy Award-nominated actor in many films, including The Right Stuff, Sam Shepard is arguably America's finest working dramatist. He has said many times that he will never write a memoir. But he has written intensively about his inner life and creative work to his former father-in-law and housemate, Johnny Dark. This book gathers nearly 40 years of their correspondence, which provides the most honest and complete record of Shepard's professional and personal lives that he is ever likely to publish. The book is illustrated with Dark's candid, revealing photographs of Shepard and their mutual family across many years, as well as facsimiles of numerous letters.It makes a perfect companion to Treva Wurmfeld's recent film, Shepard & Dark-- |
| paris texas screenplay: Conversations with Sam Shepard Jackson R. Bryer, Robert M. Dowling, Mary C. Hartig, 2021-09-30 A prolific playwright, Sam Shepard (1943–2017) wrote fifty-six produced plays, for which he won many awards, including a Pulitzer Prize. He was also a compelling, Oscar-nominated film actor, appearing in scores of films. Shepard also published eight books of prose and poetry and was a director (directing the premiere productions of ten of his plays as well as two films); a musician (a drummer in three rock bands); a horseman; and a plain-spoken intellectual. The famously private Shepard gave a significant number of interviews over the course of his public life, and the interviewers who respected his boundaries found him to be generous with his time and forthcoming on a wide range of topics. The selected interviews in Conversations with Sam Shepard begin in 1969 when Shepard, already a multiple Obie winner, was twenty-six and end in 2016, eighteen months before his death from complications of ALS at age seventy-three. In the interim, the voice, the writer, and the man evolved, but there are themes that echo throughout these conversations: the indelibility of family; his respect for stage acting versus what he saw as far easier film acting; and the importance of music to his work. He also speaks candidly of his youth in California, his early days as a playwright in New York City, his professionally formative time in London, his interests and influences, the mythology of the American Dream, his own plays, and more. In Conversations with Sam Shepard, the playwright reveals himself in his own words. |
| paris texas screenplay: Dramatic Story Structure Edward J. Fink, 2014-01-03 A successful screenplay starts with an understanding of the fundamentals of dramatic story structure. In this practical introduction, Edward J. Fink condenses centuries of writing about dramatic theory into ten concise and readable chapters, providing the tools for building an engaging narrative and turning it into an agent-ready script. Fink devotes chapters to expanding on the six basic elements of drama from Aristotle’s Poetics (plot, character, theme, dialogue, sound, and spectacle), the theory and structure of comedy, as well as the concepts of unity, metaphor, style, universality, and catharsis. Key terms and discussion questions encourage readers to think through the components of compelling stories and put them into practice, and script formatting guidelines ensure your finished product looks polished and professional. Dramatic Story Structure is an essential resource not only for aspiring screenwriters, but also for experienced practitioners in need of a refresher on the building blocks of storytelling. |
| paris texas screenplay: Four Screenplays Syd Field, 2009-09-30 Yes, you can write a great screenplay. Let Syd Field show you how. “I based Like Water for Chocolate on what I learned in Syd's books. Before, I always felt structure imprisoned me, but what I learned was structure really freed me to focus on the story.”—Laura Esquivel Technology is transforming the art and craft of screenwriting. How does the writer find new ways to tell a story with pictures, to create a truly outstanding film? Syd Field shows what works, why, and how in four extraordinary films: Thelma & Louise, Terminator 2: Judgement Day, The Silence of the Lambs, and Dances with Wolves. Learn how: Callie Khouri, in her first movie script, Thelma & Louise, rewrote the rules for good road movies and played against type to create a new American classic. James Cameron, writer/director of Terminator 2: Judgement Day, created a sequel integrating spectacular special effects and a story line that transformed the Terminator, the quintessential killing machine, into a sympathetic character. This is how an action film is written. Ted Tally adapted Thomas Harris's chilling 350-page novel, The Silence of the Lambs, into a riveting 120-page script—a lesson in the art and craft of adapting novels into film. Michael Blake, author of Dances with Wolves, achieved every writer's dream as he translated his novel into an uncompromising film. Learn how he used transformation as a spiritual dynamic in this work of mythic sweep. Informative and utterly engrossing, Four Screenplays belongs in every writer's library, next to Syn Field's highly acclaimed companion volumes, Screenplay, The Screenwriter's Workbook, and Selling a Screenplay. “If I were writing screenplays . . . I would carry Syd Field around in my back pocket wherever I went.”—Steven Bochco, writer/producer/director, L.A. Law, Hill Street Blues |
| paris texas screenplay: The Screenwriter's Workbook Syd Field, 2008-12-18 At last! The classic screenwriting workbook—now completely revised and updated—from the celebrated lecturer, teacher, and bestselling author, Syd Field: “the most sought-after screenwriting teacher in the world”* No one knows more about screenwriting than Syd Field—and now the ultimate Hollywood insider shares his secrets and expertise, completely updating his bestselling workbook for a new generation of screenwriters. Filled with new material—including fresh insights and anecdotes from the author and analyses of films from Pulp Fiction to Brokeback Mountain—The Screenwriter’s Workbook is your very own hands-on workshop, the book that allows you to participate in the processes that have made Syd Field’s workshops invaluable to beginners and working professionals alike. Follow this workbook through to the finish, and you’ll end up with a complete and salable script! Learn how to:• Define the idea on which your script will be built• Create the model—the paradigm—that professionals use• Bring your characters to life• Write dialogue like a pro• Structure your screenplay for success from the crucial first pages to the final actHere are systematic instructions, easy-to-follow exercises, a clear explanation of screenwriting basics, and expert advice at every turn—all the moment-to-moment, line-by-line help you need to transform your initial idea into a professional screenplay that’s earmarked for success.The Perfect Companion Volume to Syd Field’s Revised and Updated Edition of Screenplay: The Foundations of Screenwriting*Hollywood Reporter |
| paris texas screenplay: The Cambridge Guide to Literature in English Dominic Head, 2006-01-26 This illustrated and fully updated Third Edition of The Cambridge Guide to Literature in English is the most authoritative and international survey of world literature in English available. The Guide covers everything from Old English to contemporary writing from all over the English-speaking world. There are entries on writers from Britain and Ireland, the USA, Canada, India, Africa, South Africa, New Zealand, the South Pacific and Australia, as well as on many important poems, novels, literary journals and plays. This new edition has been brought completely up to date with more than 280 new author entries, most of them for living authors. The general reader will find it fascinating to browse and to discover many new writers and works, while students will find it an invaluable resource for daily use. This is a unique work of reference for the twenty-first century that no reader or library should be without. |
| paris texas screenplay: Deforming American Political Thought Michael J. Shapiro, 2006-10-20 By affirming the relativity of the American historical imagination, political theorist Michael J. Shapiro offers a powerful polemic against ethnocentric interpretations of American culture and politics. Deforming American Political Thought analyzes issues that range from the nature of Thomas Jefferson's vision of an egalitarian nation to the persistence of racial inequality. Shapiro offers a multifaceted argument that transcends the myopic scope of traditional political discourse. Deforming American Political Thought illustrates the various ways in which history, architecture, film, music, literature, and art provide approaches to the comprehension of diverse facets of American political thought from the founding to the present. Using these seemingly disparate disciplines as a framework, Shapiro paints a picture of American political philosophy that is as distinctive as it enlightening. Shapiro explores the historically vital role of dissenting points of view in American politics and asserts its continuing importance in today's political landscape. Exploring such diverse works as slave narratives, contemporary films, genre fiction, and blues and jazz music, Shapiro reveals that there have always been dissenting voices casting doubt on the moral purpose and exceptionalism of the American mind. An unprecedented inquiry into American politics, Deforming American Political Thought will surely serve to reinvigorate discussions about the essence of American political thought. |
| paris texas screenplay: The Nightfields Joanna Klink, 2020-07-07 A WASHINGTON POST BEST POETRY COLLECTION OF 2020 A new collection from a poet whose books are an amazing experience: harrowing, ravishing, essential, unstoppable (Louise Glück) Joanna Klink's fifth book begins with poems of personal loss--a tree ripped out by a windstorm, a friendship broken off after decades, the nearing death of parents. Other poems take on the cost of not loving fully, or are written from bewilderment at the accumulation of losses and at the mercilessness of having, as one ages, to rule things out. There are elegies for friends, and a group of devotional poems. The Nightfields closes with thirty-one metaphysical poems inspired by the artist James Turrell's Roden Crater, an extinct volcano in Arizona that Turrell has been transforming into an observatory for the perception of time. The sequence unfolds as a series of revelations that begin in psychic fear and move gradually toward the possibility of infinitude and connection. |
| paris texas screenplay: 1985 [Anonymus AC00557330], 1985 |
| paris texas screenplay: Altman on Altman David Thompson, 2011-04-07 In Altman on Altman, one of American cinema's most incorrigible mavericks reflects on a brilliant career. Robert Altman served a long apprenticeship in movie-making before his great breakthrough, the Korean War comedy M*A*S*H (1969). It became a huge hit and won the Palme d'Or at Cannes, but also established Altman's inimitable use of sound and image, and his gift for handling a repertory company of actors. The 1970s then became Altman's decade, with a string of masterpieces: McCabe and Mrs Miller, The Long Goodbye, Thieves Like Us, Nashville . . . In the 1980s Altman struggled to fund his work, but he was restored to prominence in 1992 with The Player, an acerbic take on Hollywood. Short Cuts, an inspired adaptation of Raymond Carver, and the Oscar-winning Gosford Park, underscored his comeback. Now he recalls the highs and lows of his career trajectory to David Thompson in this definitive interview book, part of Faber's widely acclaimed Directors on Directors series. 'Hearing in his own words in Altman on Altman just how much of his films occur spontaneously, as a result of last-minute decisions on set, is fascinating . . . For film lovers, this is just about indispensable.' Ben Sloan, Metro London |
| paris texas screenplay: Seven Plays Sam Shepard, 1986 |
| paris texas screenplay: A Study Guide for Sam Shepard's "Curse of the Starving Class" Gale, Cengage Learning, 2016 A Study Guide for Sam Shepard's Curse of the Starving Class, excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs. |
| paris texas screenplay: Directing Michael Rabiger, 2014-06-20 Directing: Film Techniques and Aesthetics is a comprehensive manual that has inspired tens of thousands of readers worldwide to realize their artistic vision and produce well-constructed films. Filled with practical advice on every stage of production, this is the book you will return to throughout your career. Directing covers the methods, technologies, thought processes, and judgments that a director must use throughout the fascinating process of making a film. It emphasizes low-cost digital technology, which allows cutting-edge creativity and professionalism on shoestring budgets. And, recognizing that you learn best by doing, the book includes dozens of practical hands-on projects and activities to help you master technical and conceptual skills. Just as important as surmounting technological hurdles is the conceptual and authorial side of filmmaking. This book provides an unusually clear view of the artistic process, particularly in working with actors. It offers eminently practical tools and exercises to help you develop credible and compelling stories with your cast, hone your narrative skills, and develop your artistic identity. This book shows you how to surpass mere technical proficiency and become a storyteller with a distinctive voice and style. This edition has been streamlined and thoroughly revised for greater ease of use. Other updates include: * current information on digital technology * an expanded section on directing actors that cross-references thirty exercises * new questionnaires to help you pinpoint a film's aesthetic needs and assess where your vocational strengths lie; and much more. The companion web site includes teaching notes, checklists, and useful forms and questionnaires: http://books.elsevier.com/companions/9780240808826 |
| paris texas screenplay: Spencer Tracy Is Not Dead Sam Shepard, 2016-05-16 A Vintage Shorts “Short Story Month” Selection The ride to the tiny village in Mexico where he’s due to film has not been easy. The actor has to first put up with Gunther, a maniac German driver in a tuxedo, the Narcos who insist on excavating the contents of their car, the customs official in Mexico who sends him back across the border, and an embittered woman in the Mexican consulate for whom he must play Spencer Tracy. From the Pulitzer Prize-winner, “the greatest playwright of our generation,” director, prose-stylist, musician, and actor Sam Shepard—Spencer Tracy Is not Dead, selected from Cruising Paradise, is a gleaming testament to Shepard's mastery and a tender portrait of American masculinity on the road. An ebook short. |
| paris texas screenplay: The Road Story and the Rebel , This cultural history reveals the unique qualities of road stories and follows the evolution from the Beats' postwar literary adventures to today's postmodern reality television shows. Tracing the road story as it moves to both LeRoi Jones's critique of the Beats' romanticization of blacks as well as to the mainstream in the 1960s with CBS's Route 66, Mills also documents the rebel subcultures of novelist Ken Kesey and the Merry Pranksters, who used film and LSD as inspiration on a cross-country bus trip, and she examines the sexualization of male mobility and biker mythology in the films Scorpio Rising, The Wild Angels, and Easy Rider. Mills addresses how the filmmakers of the 1970s - Coppola, Scorsese, and Bogdanovich - flourished in New Hollywood with road films that reflected mainstream audiences and how feminists Joan Didion and Betty Friedan subsequently critiqued them. A new generation of women and minority storytellers gain clout and bring genre remapping to the national consciousness, Mills explains, as the road story evolves from such novels as Song of Solomon to films like Thelma and Louise and television's Road Rules 2. |
| paris texas screenplay: The Rolling Thunder Logbook Sam Shepard, 2012-01-19 Autumn, 1975: The Rolling Thunder Revue - a rag-tag variety show, a travelling gypsy circus - swept across the Northeast US. Bob Dylan helmed the chaotic caravan, gathering a host of stars in his wake: Joan Baez, Roger McGuinn, Ramblin' Jack Elliott, T-Bone Burnett, Joni Mitchell and others. The Pulitzer-Prize winning playwright Sam Shepard was invited to write a Fellini-esque film out of the chaos. Throughout the many moods and moments of his travels he kept an impressionistic logbook of life on the road, replete with poetry, sketches and intimate accounts: This is that logbook. Updated with a myriad of candid photographs - many never before published - a foreword by T-Bone Burnett and a poetical preface from Sam Shepard, The Rolling Thunder Logbook perfectly captures the camaraderie, isolation, head games and pill-popping mayhem of the tour, providing a window into Dylan's singular talent, enigmatic charisma, and vision of America. “The Rolling Thunder Revue was more fun than the law allows. By a long shot. It was a bus full of musicians and singers and painters hurtling through the dead of night, making a movie, writing songs, and playing some of the most incendiary, intense, and inspired rock ‘n’ roll, before or since.” T-Bone Burnett |
| paris texas screenplay: The Alchemist Paulo Coelho, 2015-02-24 A special 25th anniversary edition of the extraordinary international bestseller, including a new Foreword by Paulo Coelho. Combining magic, mysticism, wisdom and wonder into an inspiring tale of self-discovery, The Alchemist has become a modern classic, selling millions of copies around the world and transforming the lives of countless readers across generations. Paulo Coelho's masterpiece tells the mystical story of Santiago, an Andalusian shepherd boy who yearns to travel in search of a worldly treasure. His quest will lead him to riches far different—and far more satisfying—than he ever imagined. Santiago's journey teaches us about the essential wisdom of listening to our hearts, of recognizing opportunity and learning to read the omens strewn along life's path, and, most importantly, to follow our dreams. |
| paris texas screenplay: The One Inside Sam Shepard, 2018-01-16 This searing, extraordinarily evocative narrative opens with a man in his house at dawn, surrounded by aspens, coyotes cackling in the distance as he quietly navigates the distance between present and past. As memory overtakes him, he sees the bygone America of his childhood: the farmland and the feedlots, the railyards and the diners—and, most hauntingly, his father’s young girlfriend, with whom he also became involved, setting into motion a tragedy that has stayed with him. His complex interiority is filtered through views of mountains and deserts as he drives across the country, propelled by Benzedrine, rock and roll, and a restlessness born out of exile. The rhythms of theater, the language of poetry, and a flinty humor combine in this stunning meditation on the nature of experience, at once celebratory, surreal, poignant, and unforgettable. |
| paris texas screenplay: Eastwood, Shepard, & Bly Gail Jardine, 1998 |
| paris texas screenplay: Movies of the 80s Jürgen Müller, 2002 This book's 140 A-Z entries include synopses, film stills, and production photos. |
| paris texas screenplay: The Movie Book DK, 2016-01-05 Learn about the visual and performing arts in The Movie Book. Part of the fascinating Big Ideas series, this book tackles tricky topics and themes in a simple and easy to follow format. Learn about Movies in this overview guide to the subject, great for beginners looking to learn and experts wishing to refresh their knowledge alike! The Movie Book brings a fresh and vibrant take on the topic through eye-catching graphics and diagrams to immerse yourself in. This captivating book will broaden your understanding of Movies, with: - More than 100 of the best movies ever made worldwide - Packed with facts, charts, timelines and graphs to help explain core concepts - A visual approach to big subjects with striking illustrations and graphics throughout - Easy to follow text makes topics accessible for people at any level of understanding The Movie Book is the perfect introduction to the rich history of cinema like never before - from the golden age of black-and-white films to international art-house and 21st-century sci-fi, aimed at adults with an interest in the subject and students wanting to gain more of an overview. Here you’ll discover more than 100 of the best movies ever made, uncovering the key themes and big ideas behind the world's most celebrated cinematic gems. Your Movie Questions, Simply Explained This book brings cinema to life with iconic quotes and film stills, posters, biographies of directors, actors, and actresses, along with narrative timelines and infographics exploring key themes. If you thought it was difficult to learn about the best cinematic masterpieces, The Movie Book presents key information in an easy to follow layout. Learn everything about your favorite movies, as well as celebrated classics and the films to watch before you die, through iconic quotes and stills, posters, biographies, memorabilia and narrative timelines, through fantastic mind maps and step-by-step summaries. The Big Ideas Series With millions of copies sold worldwide, The Movie Book is part of the award-winning Big Ideas series from DK. The series uses striking graphics along with engaging writing, making big topics easy to understand. |
| paris texas screenplay: The Films of Wim Wenders Robert Phillip Kolker, Peter Beicken, 1993-01-29 The authors trace the development of one of the most well-known directors of the New German Cinema that flourished in the 1970s and early 1980s. Examining Wim Wenders' career from his early film school productions through his mature works of the 1970s, this book also analyses the most recent works, as well as the themes and preoccupations that unite his oeuvre. As the authors note, Wenders' works have been profoundly influenced by American films, especially the 'road movie' genre. His own work often features characters who are always on the move, in an attempt to capture a glimpse of their identity and place in the world. They also represent a generation of postwar Germans seeking to redeem themselves and the history of their country by turning to American popular culture, particularly its music and movies. |
Cinephilia & Beyond
Created Date: 2013/10/24 13:50
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