Kabuki Consists Of Only One Category History Plays

Kabuki Consists of Only One Category: History Plays? Debunking the Myth

Are you fascinated by the vibrant world of Kabuki theatre? Perhaps you’ve heard the misconception that Kabuki solely consists of history plays, a dramatic simplification of a rich and diverse theatrical tradition. This post will delve into the fascinating reality of Kabuki, exploring its diverse genres and debunking the common myth that it’s limited to historical narratives. We'll unpack the true breadth of Kabuki's storytelling, revealing its captivating variety and long-standing influence on Japanese culture.

The Allure of Kabuki: More Than Just History

The statement "Kabuki consists of only one category: history plays" is categorically inaccurate. While jidaimono (historical dramas) form a significant part of the Kabuki repertoire, they are far from the only genre. The richness and depth of Kabuki lie in its diverse range of plays, each with its own unique style and themes. To understand Kabuki truly, we must move beyond this simplistic characterization.

Exploring the Diverse Genres of Kabuki

Kabuki's vibrant landscape encompasses several distinct categories, each offering a unique theatrical experience:

1. Jidaimono (Historical Plays): The Foundation, Not the Limit

It's true that jidaimono plays, depicting historical events and figures, hold a prominent position in Kabuki. These productions often feature elaborate costumes, dramatic sword fights, and sweeping narratives from Japan's past. Famous examples include stories centered around legendary samurai or pivotal moments in Japanese history. However, their dominance shouldn't overshadow the existence of other equally important genres.

2. Sewamono (Domestic Plays): The Everyday Stories

In contrast to the grandeur of jidaimono, sewamono focuses on the lives and struggles of ordinary people. These plays delve into everyday themes of love, family conflict, and social issues, offering a relatable and often poignant glimpse into daily life during various historical periods. Sewamono provides a stark counterpoint to the epic scale of the historical dramas, showcasing the versatility of Kabuki's storytelling.

3. Shosagoto (Dance Plays): The Art of Movement

These pieces emphasize graceful dance and stylized movements, often accompanied by beautiful music. Shosagoto showcase the technical skill and artistry of Kabuki performers, elevating the art form beyond simply dialogue and narrative to include stunning displays of physical prowess and expression. While narrative might be less central, the visual storytelling is captivating.

4. Kyogen (Farce Plays): Laughter and Satire

Adding a touch of levity to the dramatic repertoire, kyogen are comedic interludes often incorporating slapstick and satirical elements. They serve as a crucial element in balancing the intense emotions of other genres and offer the audience a moment of lighthearted relief.

5. Newer Genres and Adaptations: A Continuously Evolving Art Form

Kabuki is not a static art form. Throughout its history, it has adapted and incorporated new themes and styles. Contemporary Kabuki incorporates modern stories and issues, demonstrating the art form's capacity for continuous evolution and relevance. This adaptability ensures that Kabuki remains engaging and relevant to modern audiences.

Why the Misconception Persists?

The misconception that Kabuki solely comprises history plays likely stems from several factors:

Prominent Examples: The most widely known Kabuki plays in the West are often jidaimono, due to their dramatic nature and visual appeal. This disproportionate exposure can lead to a skewed perception of the genre's entirety.
Accessibility: Information on Kabuki in non-Japanese languages might focus more on the readily understandable historical narratives, neglecting the complexity of its other forms.
Simplified Explanations: General introductions to Kabuki sometimes oversimplify the vastness of its repertoire for brevity, inadvertently reinforcing this inaccurate belief.

The Importance of Understanding Kabuki's Full Spectrum

Dismissing Kabuki as solely historical dramas would be a grave misunderstanding. The true beauty and power of Kabuki lie in its versatility, its capacity to explore a broad range of human experiences, and its continuous adaptation to societal changes. Appreciating its diverse genres allows for a far richer and more complete understanding of this significant aspect of Japanese cultural heritage.


Conclusion

The assertion that "Kabuki consists of only one category: history plays" is a profound oversimplification. Kabuki's enduring appeal stems from its multifaceted nature, encompassing historical dramas, domestic plays, dance dramas, farces, and continually evolving contemporary works. To truly grasp the magnificence of Kabuki, we must recognize and celebrate the richness and diversity of its various genres. Only then can we appreciate the full extent of its artistic contributions and its enduring significance in Japanese culture.


FAQs

1. What is the typical length of a Kabuki performance? Kabuki performances can range from a few hours to an entire day, depending on the number of acts and plays being presented.

2. Are Kabuki plays always performed in Japanese? While traditionally performed in Japanese, some modern adaptations or international productions might include subtitles or translations.

3. What makes Kabuki costumes so unique? Kabuki costumes are renowned for their elaborate designs, vibrant colors, and the use of symbolic elements that convey character and status.

4. How can I learn more about Kabuki? You can explore documentaries, books, online resources, and attend Kabuki performances to deepen your understanding.

5. Is Kabuki still a popular art form in Japan? Yes, Kabuki remains a cherished and influential art form in Japan, continuing to attract both traditional and modern audiences.


  kabuki consists of only one category history plays: A Cultural History of Theatre Jack Clair Watson, Grant Fletcher McKernie, 1993 This comprehensive, multicultural text presents the history of theater within a framework of cultural and social ideas.
  kabuki consists of only one category history plays: Historical Dictionary of Japanese Traditional Theatre Samuel L. Leiter, 2014-10-30 Historical Dictionary of Japanese Traditional Theatre is the only dictionary that offers detailed comprehensive coverage of the most important terms, people, and plays in the four principal traditional Japanese theatrical forms—nō, kyōgen, bunraku, and kabuki—supplemented with individual historical essays on each form. This updated edition adds well over 200 plot summaries representing each theatrical form in addition to: a chronology; introductory essay; appendixes; an extensive bibliography; over 1500 cross-referenced entries on important terms; brief biographies of the leading artists and writers; and plot summaries of significant plays. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Japanese theatre.
  kabuki consists of only one category history plays: Rising from the Flames Samuel L. Leiter, 2009 On August 15, 1945, when the war ended, almost all of Tokyo and Osaka's theaters had been destroyed or heavily damaged by American bombs. The Japanese urban infrastructure was reduced to dust, and so, one might have thought, would be the nation's spirit, especially in the face of nuclear bombing and foreign occupation. Yet, less than two weeks after the atom bombs had been dropped, theater began to show signs of life. Before long, all forms of Japanese theater were back on stage, and from death's ashes arose the flower of art. Rising from the Flames contains sixteen essays, many accompanied by photographic illustrations, by thirteen specialists. They explore the triumphs and tribulations of Occupation-period (1945-1952) theater, and cover not only such traditional forms as kabuki, no, kyogen, bunraku puppet theater (as well as the traditional marionette theater, the Yuki-za), and the comic narrator's art of rakugo, but also the modern genres of shingeki, musical comedy, and the all-female Takarazuka Revue. Among the numerous topics discussed are censorship, theater reconstruction, politics, internationalization, unionization, the search for a national identity through drama, and the treatment of the emperor on the pre- and postwar stage. The essays in this volume examine how Japanese theater, subject to oppressive thought control by prewar authorities, responded to the new--if temporarily limited--freedom allowed by the American occupiers, attesting to Japan's remarkable resilience in the face of national defeat.
  kabuki consists of only one category history plays: The Princeton Companion to Classical Japanese Literature Earl Miner, Robert E. Morrell, Hiroko Odagiri, 2020-09-01 The description for this book, The Princeton Companion to Classical Japanese Literature, will be forthcoming.
  kabuki consists of only one category history plays: Kabuki Costume Ruth M. Shaver, 2013-01-15 The attire of the feudal lords and ladies of old Japan, warriors, priest, courtesans, Edo-period dandies geisha, footmen, farmers— in fact, the whole array of Kabuki's colorful characters-is discussed in fascinating detail in this Japanese Kabuki book. From kimono and armor to undergarments, from wigs to foot gear, from swords to hair garments—no aspect of costume accessories is overlooked. Textiles and textile designs, in all their profusion of weaves, colors, and patterns, are carefully taken note of, and a number of important traditional designs are illustrate. Make-up and headdress varying formats of costume for specific roles, styles of tying the obi--all are expertly described. Of the numerous books in English dealing with the Kabuki theater of Japan, none so far has devoted itself exclusively to costume. Kabuki is compelling bringing about such art forms, yet it is the costumes that create the intrinsic, eye catching spectacle. Praise for Kabuki Costume: A product of over fourteen years of meticulous study, Shaver's unique and authoritative analysis of the labyrinthine complexities of Kabuki costumery not only provides…a valuable reference work for scholar, but also an apt introduction for anyone seeking to understand the principles of Japanese visual arts and theatrical conventions.—Choice Reviews
  kabuki consists of only one category history plays: The Dictionary of Art Jane Turner, 1996
  kabuki consists of only one category history plays: Internal and External Narrative Generation Based on Post-Narratology: Emerging Research and Opportunities Ogata, Takashi, 2020-01-03 Narrative generation can be applied to systematic frameworks that cover theoretical and philosophical thoughts of narratives and narrative generation, analytical research of related narrative genres and narrative works, and narrative works writing and creation using narrative generation systems. The design and development of narrative generation systems refers to the themes regarding narrative work creation as arts and literature through narrative generation systems beyond narrative generation systems as a technology. Internal and External Narrative Generation Based on Post-Narratology: Emerging Research and Opportunities is an essential scholarly publication that explores the creation of narrative systems using practical frameworks and advanced narrative analysis. Highlighting a range of topics such as marketing, synthetic narrative, and application systems, this book is ideal for academicians, information technology professionals, designers, developers, researchers, and students.
  kabuki consists of only one category history plays: Kabuki Plays on Stage. Volume 2 James R. Brandon, Samuel L. Leiter, 2002-05-31 Kabuki Plays On Stage represents a monumental achievement in Japanese theatre studies, being the first collection of kabuki play translations to be published in twenty-five years. Fifty-one plays, published in four volumes, vividly trace kabuki's changing relations to Japanese society during the premodern era. Volume 1 consists of thirteen plays that showcase early kabuki's scintillating and boisterous styles of performance and illustrates the contrasting dramatic techniques cultivated by actors in Edo (Tokyo) and Kamigata (Osaka and Kyoto). The twelve plays translated in Volume 2 cover a brief period, but one that saw important developments in kabuki architecture, acting, dance, and the manipulation of characters and themes. As the series title indicates, the plays were translated to capture the vivacity of performances on stage. The translations, each accompanied by a thorough introduction that contextualizes the play, are based not only on published texts, but performance scripts and the study of the plays as they are performed in theatres today. Each volume is lavishly illustrated with rare woodblock prints in full color of Tokugawa- and Meiji-period productions as well as color and black-and-white photographs of contemporary performances.
  kabuki consists of only one category history plays: A Kabuki Reader Samuel L. Leiter, 2015-02-12 Unique in any Western language, this is an invaluable resource for the study of one of the world's great theatrical forms. It includes essays by established experts on Kabuki as well as younger scholars now entering the field, and provides a comprehensive survey of the history of Kabuki; how it is written, produced, staged, and performed; and its place in world theater. Compiled by the editor of the influential Asian Theater Journal, the book covers four essential areas - history, performance, theaters, and plays - and includes a translation of one Kabuki play as an illustration of Kabuki techniques.
  kabuki consists of only one category history plays: Japanese Dolls Alan Scott Pate, 2012-05-29 Japanese Dolls: The Fascinating World of Ningyo, is a wealth of information for Japanese art collectors, Asian doll collectors and doll enthusiasts of all levels and interests. Full of beautiful photographs, the book details 18 kinds of widely collected, obtainable and affordable, antique and vintage dolls and figurines (ningyo). Author Alan Scott Pate--the leading American expert on Japanese dolls--writes in illuminating detail about the traditions of each type of doll and shares practical tips on how to collect this amazing Japanese art form. Included in this guide to Japanese ningyo are: Festival dolls: hina-ningyo, musha-ningyo, tableau dolls Display dolls: saga-ningyo, gosho-ningyo, isho-ningyo, iki-ningyo Wood dolls: kamo-ningyo, nara-ningyo, kokeshi-ningyo Clay dolls: fushimi-ningyo, hakata-ningyo Mechanical dolls: karakuri-ningyo, kobe-ningyo Theatrical dolls: bunraku-ningyo, takeda-ningyo Play dolls: ichimatsu-ningyo, keue saiko
  kabuki consists of only one category history plays: Acting Mary Beth Osnes, 2001-12-07 A groundbreaking, cross-cultural reference work exploring the diversity of expression found in rituals, festivals, and performances, uncovering acting techniques and practices from around the world. Acting: An International Encyclopedia explores the amazing diversity of dramatic expression found in rituals, festivals, and live and filmed performances. Its hundreds of alphabetically arranged, fully referenced entries offer insights into famous players, writers, and directors, as well as notable stage and film productions from around the world and throughout the history of theater, cinema, and television. The book also includes a surprising array of additional topics, including important venues (from Greek amphitheaters to Broadway and Hollywood), acting schools (the Actor's Studio) and companies (the Royal Shakespeare), performance genres (from religious pageants to puppetry), technical terms of the actor's art, and much more. It is a unique resource for exploring the techniques performers use to captivate their audiences, and how those techniques have evolved to meet the demands of performing through Greek masks and layers of Kabuki makeup, in vast halls or tiny theaters, or for the unforgiving eye of the camera.
  kabuki consists of only one category history plays: Fanning the Flames William W. Kelly, 2012-02-01 Fanning the Flames examines the worlds of fans in the exuberant and commercialized popular culture of contemporary Japan. The works collected here profile denizens of all-night rap clubs; sumo stable patrons; passionate fan clubs of a professional baseball team; enthusiasts of traditional rakugo storytelling; a club of middle-aged female fans of a popular music star; youthful followers of Japan's longest-running rock band; vinyl record collectors; and a thriving community of girls and women who produce and devour amateur comics. Grounded in close, often extended fieldwork with the fans themselves, each case study is an effort to understand both the personal pleasures and political economies of fandoms. The contributors explore the many ways that fans in and of Japanese mass culture actively search for intimacy and identity amid the powerful corporate structures that produce the leisure and entertainment of today's Japan.
  kabuki consists of only one category history plays: The Encyclopedia of World Theater Martin Esslin, 1977
  kabuki consists of only one category history plays: Drama on Drama Nicole Boireau, 1997-05-13 This book gives an in-depth and invigorating analysis of reflexivity in recent British drama - the way drama comments on drama. The interplay of dramatic forms, the cross-fertilization of historical traditions are explored in relation to major contemporary authors and theatrical practices. When drama takes itself as its own object of study it paradoxically highlights the most vital issues of its time. Key questions are raised about the nature of theatricality in play-writing and performance in this the first full-length treatment of the subject.
  kabuki consists of only one category history plays: Japanese Culture Paul Varley, 2000-03-01 For nearly three decades Japanese Culture has garnered high praise as an accurate and well-written introduction to Japanese history and culture. This widely used undergraduate text is now available in a new edition. Thoroughly updated, the fourth edition includes expanded sections on numerous topics, among which are samurai values, Zen Buddhism, the tea ceremony, Confucianism in the Tokugawa period, the story of the forty-seven ronin, Mito scholarship in the early nineteenth century, and mass culture and comics in contemporary times.
  kabuki consists of only one category history plays: Anthropology of the Performing Arts Anya Peterson Royce, 2004 Anya Peterson Royce turns the anthropological gaze on the performing arts, attempting to find broad commonalities in performance, art, and artists across space, time, and culture. She asks general questions as to the nature of artistic interpretation, the differences between virtuosity and artistry, and how artists interplay with audience, aesthetics, and style. To support her case, she examines artists as diverse as Fokine and the Ballets Russes, Tewa Indian dancers, 17th century commedia dell'arte, Japanese kabuki and butoh, Zapotec shamans, and the mime of Marcel Marceau, adding her own observations as a professional dancer in the classical ballet tradition. Royce also points to the recent move toward collaboration across artistic genres as evidence of the universality of aesthetics. Her analysis leads to a better understanding of artistic interpretation, artist-audience relationships, and the artistic imagination as cross-cultural phenomena. Over 29 black and white photographs and drawings illustrate the wide range of Royce's cross-cultural approach. Her well-crafted volume will be of great interest to anthropologists, arts researchers, and students of cultural studies and performing arts.
  kabuki consists of only one category history plays: The Cinema of Eisenstein David Bordwell, 2020-10-07 The Cinema of Eisenstein is David Bordwell's comprehensive analysis of the films of Sergei Eisenstein, arguably the key figure in the entire history of film. The director of such classics as Potemkin, Ivan the Terrible, October, Strike, and Alexander Nevsky, Eisenstein theorized montage, presented Soviet realism to the world, and mastered the concept of film epic. Comprehensive, authoritative, and illustrated throughout, this classic work deserves to be on the shelf of every serious student of cinema.
  kabuki consists of only one category history plays: Pandemonium and Parade Michael Dylan Foster, 2009 Monsters known as yōkai have long haunted the Japanese cultural landscape. This history of the strange and mysterious in Japan seeks out these creatures in folklore, encyclopedias, literature, art, science, games, manga, magazines and movies, exploring their meanings in the Japanese imagination over three centuries.
  kabuki consists of only one category history plays: Japan Japan. Monbushō, 1964
  kabuki consists of only one category history plays: Theatre Histories Phillip B. Zarrilli, 2010 Providing a clear journey through centuries of European, North and South American, African and Asian forms of theatre and performance, this introduction helps the reader think critically about this exciting field through fascinating yet plain-speaking essays and case studies.
  kabuki consists of only one category history plays: MFA Bulletin , 1977
  kabuki consists of only one category history plays: Major Plays of Chikamatsu 近松門左衛門, 1961 Eleven plays, including the most popular domestic tragedies and one history play, still performed in present-day Japan by puppet operators and Kabuki actors.
  kabuki consists of only one category history plays: Kabuki Library Volume 3 Various, 2016-07-26 This edition collects Kabuki: The Alchemy, originally published by the Marvel Comics imprint Icon; “Prometheus Untold,” originally published in Prometheus Eternal by the Philadelphia Museum of Art and Locust Moon Press; “Lil Kabuki in Dreamland,” originally published in Little Nemo: Dream Another Dream by Locust Moon Press; “Flying Dutchman,” originally published in Comic Book Tattoo by Image Comics; and “Kabuki: The Psy-chic,” originally published in Dark Horse Presents Volume 3 #1 by Dark Horse Comics.
  kabuki consists of only one category history plays: Kabuki Omnibus Volume 3 David Mack, 2020-06-23 Immerse yourself in the inspiration for Sony's upcoming Kabuki television series! A young woman code name, Kabuki works as a government operative in near-future Japan. After a daring escape from her former agency in the clandestine organization known as The Noh, Kabuki comes face to face with her true calling...and a revolution of the mind led by the mysterious Akemi Network! This edition collects the original Kabuki: The Alchemy in an easy to read ebook. Includes David's work with Neil Gaiman, Tori Amos, new Kabuki stories from Dark Horse Presents, & the multi-Eisner nominated Lil Kabuki in Dreamland, & more stories. Loaded with extra material! New pages, commentary, art, and text! Perfect for old and new fans of David Mack and the Kabuki series!
  kabuki consists of only one category history plays: The Fantastic in Modern Japanese Literature Susan Napier, 2005-07-22 An exploration of the dark side to Japanese literature and Japanese society. A wide range of fantasists form the basis for a ground breaking analysis of the fantastic.
  kabuki consists of only one category history plays: Japan’s Private Spheres: Autonomy in Japanese History, 1600-1930 William Puck Brecher, 2021-03-29 Japan's Private Spheres: Autonomy in Japanese History, 1600-1930 explores the genesis and historical development of autonomy and its evolving relationship with public authority in early modern and modern Japan.
  kabuki consists of only one category history plays: Taking in a Game Joseph A. Reaves, 2004-05-01 In Taking in a Game, Joseph A. Reaves examines the development of baseball in Korea, the Philippines, Mainland China, and Taiwan, as well as the more widely known story of baseball in Japan. In this entertaining and informed account, Reaves covers everything from baseball in Qing Dynasty China in the nineteenth century to the 2000 Sydney Olympics bronze-medal match between Japan and Korea. Reaves guides the reader through a history of Asian baseball, the cultures that surround it, and the future of what has become a great Asian game.
  kabuki consists of only one category history plays: Encyclopedia of Asian Theatre: O-Z Samuel L. Leiter, 2007 Surveys traditional and contemporary Asian theatre through hundreds of alphabetically arranged entries written by more than 90 expert contributors.
  kabuki consists of only one category history plays: The Oxford Companion to the Theatre Phyllis Hartnoll, 1983 Seeking to provide a survey of the development of the theatre from its beginnings in primitive ritual to the present day in all countries that have a continuing theatrical tradition, this edition offers information on contemporary writers, directors, plays, companies and theatres, both metropolitan and regional. Entries dealing with technical subjects emphasize the historical perspective and are illustrated when necessary. Other illustrations are placed in thematically arranged groups and function independent of the text, showing the changes of vision in theatrical production over the past 2000 years. ISBN 0-19-211546-4 : $49.95.
  kabuki consists of only one category history plays: The History of the Book in East Asia Cynthia Brokaw, 2016-12-14 The history of the book in East Asia is closely linked to problems of language and script, problems which have also had a profound impact on the technology of printing and on the social and intellectual impact of print in this area. This volume contains key readings on the history of printed books and manuscripts in China, Korea and Japan and includes an introduction which provides an overview of the history of the book in East Asia and sets the readings in their context.
  kabuki consists of only one category history plays: The Folk Performing Arts Barbara E. Thornbury, 1997-01-01 Addresses issues concerning the survival and preservation of traditional culture by examining Japan's folk performing arts and the public policies that affect them.
  kabuki consists of only one category history plays: Computational and Cognitive Approaches to Narratology Ogata, Takashi, Akimoto, Taisuke, 2016-07-15 Studying narratives is often the best way to gain a good understanding of how various aspects of human information are organized and integrated—the narrator employs specific informational methods to build the whole structure of a narrative through combining temporally constructed events in light of an array of relationships to the narratee and these methods reveal the interaction of the rational and the sensitive aspects of human information. Computational and Cognitive Approaches to Narratology discusses issues of narrative-related information and communication technologies, cognitive mechanism and analyses, and theoretical perspectives on narratives and the story generation process. Focusing on emerging research as well as applications in a variety of fields including marketing, philosophy, psychology, art, and literature, this timely publication is an essential reference source for researchers, professionals, and graduate students in various information technology, cognitive studies, design, and creative fields.
  kabuki consists of only one category history plays: Peasant Uprisings in Japan Anne Walthall, 1991-12-15 Combining translations of five peasant narratives with critical commentary on their provenance and implications for historical study, this book illuminates the life of the peasantry in Tokugawa Japan.
  kabuki consists of only one category history plays: Theatre Robert Cohen, 1983
  kabuki consists of only one category history plays: An Outline History of the Japanese Dance 杉山誠, Kanjûrô Fujima, 1937
  kabuki consists of only one category history plays: The Theater Experience Edwin Wilson, 1991 The ideal theater appreciation text for courses focusing on theater elements, The Theater Experience encourages students to be active theater-goers as they learn about the fundamentals of a production. By addressing the importance of the audience, Wilson brings the art of performance to life for students who may have little experience with the medium. .
  kabuki consists of only one category history plays: A Load of Old Balls James Harkin, Anna Ptaszynski, 2024-07-02 SHORTLISTED FOR THE CHARLES TYRWHITT SPORTS BOOK AWARDS ' Top Bins! A personal best, a lap record and a hole in one for when rain has stopped play.' ALAN DAVIES 'The trivia book of the season . . . magnificent.' SPECTATOR Did you know that Henry VIII owned the first pair of football boots? Or that David Attenborough is responsible for yellow tennis balls? A Load of Old Balls is the curious story of us and sport. It's about our mind-blowingly determined attempts to be the fastest, the strongest, the most skilful. In this endlessly entertaining tale of play and belonging, astonishing violence and jaw-dropping cheating, we learn what led ancient Egyptian athletes to have their spleens removed and discover why Michael Palin was disqualified from a conker tournament. Crossing millennia, continents and cultures, Harkin and Ptaszynski - the brainy researchers for BBC's QI and co-hosts of No Such Thing As A Fish -show us sport as we've never seen it before. ** Published in hardback as Everything to Play For. ** For more from the team behind QI's hit TV show, check out the QI FACTS series of books, @qikipedia, their weekly podcast at nosuchthingasafish.com or visit qi.com.
  kabuki consists of only one category history plays: The Encyclopedia of Japanese Horror Films Salvador Jiménez Murguía, 2016-07-29 Although the horror genre has been embraced by filmmakers around the world, Japan has been one of the most prolific and successful purveyors of such films. From science fiction terrors of the 1950s like Godzilla toviolentfilms like Suicide Circle and Ichi the Killer, Japanese horror film has a diverse history. While the quality of some of these films has varied, others have been major hits in Japan and beyond, frightening moviegoers around the globe. Many of these films—such as the Ringu movies—have influenced other horror productions in both Asia and the United States. The Encyclopedia of Japanese Horror Films covers virtually every horror film made in Japan from the past century to date. In addition to major and modest productions, this encyclopedia also features entries on notable directors, producers, and actors. Each film entry includes comprehensive details, situates the film in the context and history of Japanese horror cinema, and provides brief suggestions for further reading. Although emphasizing horror as a general theme, this encyclopedia also encompasses other genres that are associated with this theme, including Comedy Horror, Science Fiction Horror, Cyber-punk Horror, Ero Guru (Erotic Grotesque), and Anime Horror. The Encyclopedia of Japanese Horror Films is a comprehensive reference volume that will appeal to both cinema scholars as well as to the many fans of this popular genre.
  kabuki consists of only one category history plays: Japan Magazine , 1957
  kabuki consists of only one category history plays: Theatre History Studies 2014, Vol. 33 Elizabeth Reitz Mullenix, 2014-12-15 Volume 33 of Theatre History Studies explores war. War is a paradox—horrifying and compelling, galvanizing and devastating, a phenomenon that separates and decimates while at the same time creating and strengthening national identity and community bonds. War is the stuff of great drama. War and theatre is a subject of increasing popularity among scholars of theatre. The essays in this special edition of Theatre History Studies brings together a unique collection of work by thirteen innovative scholars whose work explores such topics as theatre performances during war times, theatre written and performed to resist war, and theatre that fosters and promotes war. The contributors to this volume write poignantly about nationhood and about how war—through both propaganda and protest—defines a people. The contributors also delve into numerous fascinating themes that transcend time, peoples, nations, and particular conflicts: the foundations of nationalism and the concepts of occupied and occupier, nostalgia and utopia, and patriotism and revolution. These essays survey a march of civil and international wars spanning three centuries. Arranged chronologically, they invite comparisons between themes and trace the development of the major themes of war. Ideas manifest in the theatre of one period recall ideologies and propaganda of the past, reflect those of the present, and anticipate wars to come.
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Volume 1 consists of thirteen plays that showcase early kabuki's scintillating and boisterous styles of performance and illustrates the contrasting dramatic techniques cultivated by actors in Edo …

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Dance in the Noh Theatre - JSTOR
Monogurui, or "lunatic" plays belong to a miscellaneous category for all those plays that do not fall under the other four. Of the several types of plays included in group 4, lunatic plays are predominant …

Appendix B Major Theatrical Forms and Movements
fall into this category. During the late seventeenth century in England, plays of this type were referred to specifi cally as heroic tragedies. History play In the broadest sense, a play set in a …

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The Japanese Puppet Theatre - JSTOR
even the Kabuki drama now consists al-most entirely of adaptations of his pup-pet plays, and it is to him that the pup-pet theatre owes its greatest debt. Al-though Chikamatsu wrote both com-edies and …

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the darkest period in kabuki history, but in fact kabuki productions were more numerous during American censorship than either before or after. Nor, as is popularly believed, did one American …