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Fear by Gabriela Mistral: Unpacking the Poetic Exploration of Dread
Gabriela Mistral, a Nobel Prize-winning Chilean poet, masterfully explored the human condition in her works. Among her powerful pieces, "Fear" stands out as a visceral and deeply moving exploration of anxiety and dread. This blog post will delve into the intricacies of Mistral's "Fear," analyzing its themes, imagery, and lasting impact. We'll examine the poem's structure, its emotional resonance, and how Mistral's unique style contributes to its enduring power. Prepare to embark on a journey into the heart of fear as expressed through the lens of a literary giant.
Understanding the Context of "Fear"
Before diving into the poem itself, it's crucial to understand the context in which it was written. Mistral's life was marked by significant personal losses and societal injustices, which profoundly influenced her poetry. Her experiences with grief, displacement, and the suffering of others often found expression in her exploration of complex emotions, fear being one of the most prominent. Understanding this backdrop allows us to appreciate the depth and authenticity of her portrayal of fear, making it resonate even more powerfully with modern readers. Many scholars argue that "Fear" reflects not only personal anxieties but also a broader societal unease present in Mistral's time, making it relevant even today.
Key Themes in Mistral's "Fear"
Mistral's "Fear" doesn't simply describe the feeling of fear; it dissects it, revealing its various layers and manifestations. Several key themes emerge:
#### 1. The Physicality of Fear:
Mistral masterfully employs vivid sensory details to convey the physical impact of fear. The poem doesn't just describe a feeling; it embodies it, using imagery that engages the reader's senses. The reader can almost feel the tightening in the chest, the trembling of limbs, and the chilling grip of anxiety. This visceral depiction is crucial to understanding the poem's raw emotional power.
#### 2. The Psychological Impact of Fear:
Beyond the physical, the poem explores the psychological toll fear takes on the individual. It delves into the paralyzing effects of anxiety, the erosion of confidence, and the struggle for control in the face of overwhelming dread. Mistral doesn't shy away from the vulnerability inherent in experiencing fear, making the poem relatable and empathetic.
#### 3. The Universal Nature of Fear:
While the poem stems from a personal experience, its themes are universally relatable. Fear, in its many forms, is a fundamental part of the human condition. Mistral’s portrayal transcends specific circumstances, resonating with readers across cultures and time periods who have grappled with their own anxieties and uncertainties.
Poetic Devices and Style in "Fear"
Mistral's skill as a poet shines through her masterful use of literary devices. The poem is rich in metaphors and similes that enhance the emotional impact. For instance, the comparison of fear to a tangible entity, a creature lurking in the shadows, creates a sense of palpable dread. The use of repetition and rhythm further contributes to the poem's haunting effect, reinforcing the cyclical nature of fear and its persistent grip on the individual. Her precise word choices create a powerful emotional impact, leaving a lasting impression on the reader.
The Enduring Legacy of "Fear"
"Fear" by Gabriela Mistral remains a powerful and relevant work of literature. Its exploration of human vulnerability and the universal experience of fear continues to resonate with readers across generations. The poem’s enduring legacy lies in its ability to give voice to unspoken anxieties and offer a profound understanding of the human condition. It serves as a testament to Mistral's skill as a poet and her profound insight into the complexities of the human psyche. The poem challenges us to confront our own fears and to find strength in shared vulnerability.
Conclusion
Gabriela Mistral's "Fear" is more than just a poem; it's an emotional journey, a visceral exploration of a fundamental human experience. Through vivid imagery, powerful metaphors, and a deeply personal voice, Mistral unveils the multifaceted nature of fear, leaving an indelible mark on the reader. Its enduring relevance lies in its universality and its unflinching honesty, making it a masterpiece of poetic expression.
FAQs
1. What is the central metaphor in "Fear" by Gabriela Mistral? The poem uses several, but a prominent one is the personification of fear as a shadowy, lurking creature, emphasizing its intangible yet pervasive presence.
2. How does Mistral’s background influence the poem? Her experiences with loss and societal injustices undoubtedly shaped her profound understanding and depiction of fear, imbuing it with a depth of feeling beyond a simple description.
3. What literary devices are most effectively used in the poem? Mistral employs vivid imagery, personification, repetition, and carefully chosen diction to create a haunting and emotionally resonant effect.
4. Is "Fear" a solely personal expression, or does it have broader implications? While rooted in personal experience, the poem's themes of anxiety and vulnerability resonate universally, making it relatable across cultures and time periods.
5. Where can I find a complete translation of "Fear" by Gabriela Mistral? Many translations are available online and in anthologies of her work. Searching for "Fear by Gabriela Mistral translation" will yield numerous results.
| fear by gabriela mistral: Selected Poems of Gabriela Mistral Gabriela Mistral, 2003 The first Nobel Prize in literature to be awarded to a Latin American writer went to the Chilean poet Gabriela Mistral. Famous and beloved during her lifetime all over Latin America and in Europe, Mistral has never been known in North America as she deserves to be. The reputation of her more flamboyant and accessible friend and countryman Pablo Neruda has overshadowed hers, and she has been officially sentimentalized into a poetess of children and motherhood. Translations, and even selections of her work in Spanish, have tended to underplay the darkness, the strangeness, and the raging intensity of her poems of grief and pain, the yearning power of her evocations of the Chilean landscape, the stark music of her Round Dances, the visionary splendor of her Hymns of America. During her lifetime Mistral published four books: Desolation, Tenderness, Clearcut, and Winepress. These are included in the Complete Nobel edition published in Madrid; the Poem of Chile, her last book, was printed years after her death. Le Guin includes poems from all five books in this volume, with particular emphasis on the later work. The intelligence and passion of Le Guin's selection and translation will finally allow people in the North to hear the originality, power, purity, and intransigence of this great American voice. Le Guin has published five volumes of her own poetry, an English version of Lao Tzu's Tao Te Ching, and a volume of mutual translation with the Argentine poet Diana Bellessi, The Twins, the Dream/Las Gemalas, El Sueño. Strongly drawn to Mistral's work as soon as she discovered it, Le Guin has been working on this translation for five years. |
| fear by gabriela mistral: A Study Guide for Gabriela Mistral's "Fear" Gale, Cengage Learning, 2016 A Study Guide for Gabriela Mistral's Fear, excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs. |
| fear by gabriela mistral: Selected Poems of Gabriela Mistral Gabriela Mistral, 1971 The first Nobel Prize in literature to be awarded to a Latin American writer went to the Chilean poet Gabriela Mistral. Famous and beloved during her lifetime all over Latin America and in Europe, Mistral has never been known in North America as she deserves to be. The reputation of her more flamboyant and accessible friend and countryman Pablo Neruda has overshadowed hers, and she has been officially sentimentalized into a 'poetess' of children and motherhood. Translations, and even selections of her work in Spanish, have tended to underplay the darkness, the strangeness, and the raging intensity of her poems of grief and pain, the yearning power of her evocations of the Chilean landscape, the stark music of her Round Dances, the visionary splendor of her Hymns of America. During her lifetime Mistral published four books: Desolation, Tenderness, Clearcut, and Winepress. These are included in the 'Complete' Nobel edition published in Madrid; the Poem of Chile, her last book, was printed years after her death. Le Guin includes poems from all five books in this volume, with particular emphasis on the later work. The intelligence and passion of Le Guin's selection and translation will finally allow people in the North to hear the originality, power, purity, and intransigence of this great American voice--Publisher |
| fear by gabriela mistral: The Centaur May Swenson, 2007-09-01 Can it be there was only one summer that I was ten? First published in 1956, May Swenson’s The Centaur remains one of her most popular and most anthologized poems. This is its first appearance as a picture book for children. In images bright and brisk and tangible, the poet re-creates the joy of riding a stick horse through a small-town summer. We find ourselves, with her, straddling “a long limber horse with . . . a few leaves for a tail,” and pounding through the lovely dust along the path by the old canal. As her shape shifts from child to horse and back, we know exactly what she feels. Sherry Meidell’s water-color illustrations perfectly convey the wit and beauty of May Swenson’s poem. These are playful, satisfying images full of vitality and imagination. Meidell handles the joy of poem’s fantasy and the joy of its occasional naughtiness with equal success. |
| fear by gabriela mistral: Gabriela Mistral's Letters to Doris Dana Velma García-Gorena, 2018-06-15 The Nobel Prize–winning poet Gabriela Mistral is celebrated by her native Chile as the “mother of the nation” even though she spent most of her life in Mexico, Europe, and the United States. Throughout the Spanish-speaking world and especially in Chile, Mistral was characterized as a sad, traditionally Catholic spinster. Yet her voluminous correspondence with Doris Dana, long believed to be her secretary, reveals that the two women were lovers from 1948 until Mistral’s death in 1957. These letters, published in Spanish in 2010 and now translated for the first time into English, provide insight into her work as a poet and illuminate her perspectives on politics, especially war and human rights. The correspondence also sheds light on the poet’s personal life and corrects the long-standing misperceptions of her as a lonely, single, heterosexual woman. |
| fear by gabriela mistral: The Translations Langston Hughes, Federico García Lorca, Nicolás Guillén, Jacques Roumain, 2002-11 This volume brings together a collection of texts translated by Langston Hughes. It contains his translations of work by the Spanish poet/playwright Federico Garcia Lorca, Afro-Cuban poet Nicolas Guillen and Haitian writer Jacques Roumain. |
| fear by gabriela mistral: Colonized Schooling Exposed Pierre Orelus, Curry Malott, Romina Pacheco, 2015-01-28 This book presents a novel perspective on neocolonialism, education and other related issues. It unveils the effects of neocolonialism on the learning and well-being of students and workers, including marginalized groups such as Native Americans, Latino/as, and African Americans. It is a collection of in-depth interviews with and heartfelt essays by committed social justice educators and scholars genuinely concerned with educational issues situated in the context of western neocolonialism and neoliberalism.This dialogical way of discussing important issues and co-constructing knowledge can be traced back to ancient philosophers, who used dialogue as a form of inquiry to explore and analyze educational, socio-economic and political issues facing the world. It will cover many interwoven and pressing issues echoed through authentic voices of progressive educators and scholars. |
| fear by gabriela mistral: Gabriela Mistral Gabriela Mistral, 2006 Gabriela Mistral (1889-1967), Chile's 'other' great poet of the twentieth century, is little known outside the Spanish-speaking world, and unlike Pablo Neruda has not been extensively translated into English. |
| fear by gabriela mistral: Gabriela Mistral's Struggle with God and Man Martin C. Taylor, 2012-08-14 Chilean poet, educator, diplomat, and feminist Gabriela Mistral (1889-1957) rose from poverty in the foothills of the Andes to become the first Latin American to win the Nobel Prize in Literature in 1945. This volume provides both a detailed biography of the author and a careful analysis of her writing. Chronicling the personal, psychological, and social currents of Mistral's life and times, it addresses such topics as her finances, illness, and sexuality. Literary analysis considers the sacred and secular influences on Mistral's oevre, including Catholicism, the Hebraic tradition, Theosophy, and Buddhism. By recounting Mistral's intelligence and perseverance in overcoming her life's obstacles to reach the pinnacle of her field, this book establishes her as a model for Chileans and for humanity. |
| fear by gabriela mistral: A Gabriela Mistral Reader Gabriela Mistral, 1993 Poems and prose by Latin America's first Nobel Prize laureate. This beautiful anthology holds the first English translation of Gabriela Mistral's extraordinary poetry and prose... hidden to the mainstream no longer, here is the breathtaking lifework of a most gifted and enigmatic muse.--NAPRA Journal |
| fear by gabriela mistral: Literature Prentice-Hall Staff, 편집부, 2001-08 It's a powerful combination of the world's best literature and superior reading and skills instruction! Prentice Hall Literature Timeless Voices, Timeless Themes helps students grasp the power and beauty that lies within the written word, while the program's research-based reading approach ensures that no child is left behind. |
| fear by gabriela mistral: Gabriela Mistral Marjorie Agosín, 2003 Gabriela Mistral is the only Latin American woman writer to be awarded the Nobel Prize in Literature. Even so, her extraordinary achievements in poetry, narrative, and political essays remain largely untold. Gabriela Mistral: The Audacious Traveler explores boldly and thoughtfully the complex legacy of Mistral and the way in which her work continues to define Latin America. Edited by Professor Marjorie Agosín, Gabriela Mistral: The Audacious Traveler addresses for the first time the vision that Mistral conveyed as a representative of Chile during the drafting of the United Nations Human Rights Declaration. It depicts Mistral as a courageous social activist whose art and writings against fascism reveal a passionate voice for freedom and justice. The book also explores Mistral's Pan-American vision and her desire to be part of a unified American hemisphere as well as her concern for the Caribbean and Brazil. Readers will learn of her sojourn in Brazil, her turbulent years as consul in Madrid, and, finally, her last days on Long Island. Students of her poetry, as well as general readers, will find Gabriela Mistral: The Audacious Traveler an insightful collection dedicated to the life and work of an inspiring and original artist. The contributors are Jonathan Cohen, Joseph R. Slaughter, Verónica Darer, Patricia Varas, Eugenia Muñoz, Darrell B. Lockhart, Ivonne Gordon Vailakis, Santiago Daydí-Tolson, Diana Anhalt, Ana Pizarro, Randall Couch, Patricia Rubio, Elizabeth Horan, Emma Sepúlveda, Luis Vargas Saavedra, and Marie-Lise Gazarian-Gautier. |
| fear by gabriela mistral: Kindred Spirits Brenna Moore, 2021-07-02 Kindred Spirits focuses on a network of Catholic historians, theologians, poets, and activists who pushed against both the far-right surge in interwar Europe as well as the secularizing tendencies of the leftist movements active in the early to mid-twentieth century. Brenna Moore focuses on how this group sought a middle way anchored in spiritual friendship-religiously meaningful friendship conceived of as uniquely capable of engaging the social and political challenges of the era. For this interconnected group, spiritual friendship was inseparable from their resistance to European xenophobia and nationalism in the 1930s, anti-racist activism in the US in the 1930s and 1940s, and solidarity with Muslims during the Algerian War in 1954-1962. Friendship was a key to both divine and human realms, a means of accessing the transcendent while also engaging with our social and political existence. The project primarily centers on France, but members of this group also hailed from Russia, Egypt, Syria, and New York. Some of the core figures are well-known-philosopher Jacques Maritain, influential Islamicist Louis Massignon-while others are lost to history. More than a simple idealized portrait of a remarkable group of Catholic intellectuals from the past, Kindred Spirits is a deep dive into both the beauty and the flaws of a vibrant social network worth recovering from historical obscurity-- |
| fear by gabriela mistral: Madwomen Gabriela Mistral, 2009-09-01 A schoolteacher whose poetry catapulted her to early fame in her native Chile and an international diplomat whose boundary-defying sexuality still challenges scholars, Gabriela Mistral (1889–1957) is one of the most important and enigmatic figures in Latin American literature of the last century. The Locas mujeres poems collected here are among Mistral’s most complex and compelling, exploring facets of the self in extremis—poems marked by the wound of blazing catastrophe and its aftermath of mourning. From disquieting humor to balladlike lyricism to folkloric wisdom, these pieces enact a tragic sense of life, depicting “madwomen” who are anything but mad. Strong and intensely human, Mistral’s poetic women confront impossible situations to which no sane response exists. This groundbreaking collection presents poems from Mistral’s final published volume as well as new editions of posthumous work, featuring the first English-language appearance of many essential poems. Madwomen promises to reveal a profound poet to a new generation of Anglophone readers while reacquainting Spanish readers with a stranger, more complicated “madwoman” than most have ever known. |
| fear by gabriela mistral: Singing with Elephants Margarita Engle, 2022-05-31 A powerful novel in verse from Newbery and Pura Belpré Award-winning author Margarita Engle about the friendship between a young girl and the poet Gabriela Mistral that leads to healing and hope for both of them. Cuban-born eleven-year-old Oriol lives in Santa Barbara, California, where she struggles to belong. But most of the time that's okay, because she enjoys helping her parents care for the many injured animals at their veterinary clinic. Then Gabriela Mistral, the first Latin American winner of a Nobel Prize in Literature, moves to town, and aspiring writer Oriol finds herself opening up. As she begins to create a world of words for herself, Oriol learns it will take courage to stay true to herself and do what she thinks is right--attempting to rescue a baby elephant in need--even if it means keeping secrets from those she loves. A beautifully written, lyrically told story about the power of friendship-- between generations, between humans and animals--and the potential of poetry to inspire action and acceptance. * Replete with lovely, nearly magical imagery...Brilliant, joyful, and deeply moving. -Kirkus, starred review * Employing immersive free verse that conveys themes of compassion, friendship, justice, and vulnerability, Engle captures how inexplicable Oriol’s grief feels, encasing it in a powerful, charitable, and brave young voice. -Publishers Weekly, starred review * A novel written in verse that sings in your heart. -Pura Belpré Award-winning author Marjorie Agosín |
| fear by gabriela mistral: War is Kind Stephen Crane, 2022-09-04 DigiCat Publishing presents to you this special edition of War is Kind by Stephen Crane. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature. |
| fear by gabriela mistral: Latin America James I. Clark, 1976 |
| fear by gabriela mistral: Absolute Solitude Dulce Maria Loynaz, 2016-05-24 In the first comprehensive selection and translation of Dulce María Loynaz's poetry, James O'Connor invites us to hear the haunting voice of Cuba's celebrated poet, whom the Nobel Laureate Juan Ramón Jiménez terms in his Foreword, archaic and new...tender, weightless, rich in abandon. Widely published in Spain during the 1950s, Loynaz's poetry was almost forgotten in Cuba after the Revolution. International recognition came to her late: at the age of ninety she was living in seclusion in Havana when the Royal Spanish Academy awarded her the 1992 Cervantes Prize, the highest literary accolade in the Spanish language. The first English publication of her work, Absolute Solitude contains a selection of poems from each of Loynaz's books, including the acclaimed prose poems from Poems with No Names, a selection of posthumously published work. |
| fear by gabriela mistral: Selected Prose and Prose-Poems Gabriela Mistral, 2010-01-01 The first Latin American to receive a Nobel Prize for Literature, the Chilean writer Gabriela Mistral (1889-1957) is often characterized as a healing, maternal voice who spoke on behalf of women, indigenous peoples, the disenfranchised, children, and the rural poor. She is that political poet and more: a poet of philosophical meditation, self-consciousness, and daring. This is a book full of surprises and paradoxes. The complexity and structural boldness of these prose-poems, especially the female-erotic prose pieces of her first book, make them an important moment in the history of literary modernism in a tradition that runs from Baudelaire, the North American moderns, and the South American postmodernistas. It's a book that will be eye-opening and informative to the general reader as well as to students of gender studies, cultural studies, literary history, and poetry. This Spanish-English bilingual volume gathers the most famous and representative prose writings of Gabriela Mistral, which have not been as readily available to English-only readers as her poetry. The pieces are grouped into four sections. Fables, Elegies, and Things of the Earth includes fifteen of Mistral's most accessible prose-poems. Prose and Prose-Poems from Desolación / Desolation [1922] presents all the prose from Mistral's first important book. Lyrical Biographies are Mistral's poetic meditations on Saint Francis and Sor Juana de la Cruz. Literary Essays, Journalism, 'Messages' collects pieces that reveal Mistral's opinions on a wide range of subjects, including the practice of teaching; the writers Alfonso Reyes, Alfonsina Storni, Rainer Maria Rilke, and Pablo Neruda; Mistral's own writing practices; and her social beliefs. Editor/translator Stephen Tapscott rounds out the volume with a chronology of Mistral's life and a brief introduction to her career and prose. |
| fear by gabriela mistral: Bringing Tony Home Tissa Abeysekara, 2008-11-25 Set in the 1940s and 1960s, Bringing Tony Home is a masterful modern example of a timeless genre, the bildungsroman. In the title novella, a boy returns to his old home to find Tony, his beloved dog who was abandoned when economic circumstances forced the family to leave. “Bringing Tony Home” recounts this perilous journey in detail, movingly tracing the boy’s rescue attempts and his spiraling emotions as he endures changes occurring in his family. In “Elsewhere: Something Like a Love Story,” a young boy finds forbidden love with a schoolmate scorned for her poverty. “Elsewhere” continues their saga, touching on the bittersweet memories they share as adults, and on the woman’s increasingly precarious place in a society concerned only with status. The other stories, “Poor Young Man: A Requiem” and “Hark, The Moaning Pond: A Grandmother’s Tale,” delve into a young man’s relationship with his father as the latter’s fortunes fade, and into the now-mature man’s attempts to come to grips with the death of his grandmother and what she symbolized. Abeysekara’s ability to evoke the sights and sounds of another time and place, and his skill in rendering the inner lives of his characters, make Bringing Tony Home a remarkable read. |
| fear by gabriela mistral: Twilight of a Crane 木下順二, 1952 |
| fear by gabriela mistral: The Oxford Book of Latin American Poetry Cecilia Vicuña, Ernesto Livon-Grosman, 2009 The most inclusive single-volume anthology of Latin American poetry intranslation ever produced. |
| fear by gabriela mistral: Timeless Voices, Timeless Themes Prentice-Hall Staff, 1999-12 |
| fear by gabriela mistral: CLA Journal College Language Association (U.S.), 1993 |
| fear by gabriela mistral: The White Mary Kira Salak, 2008-08-05 A young woman journeys deep into the untamed jungle, wrestling with love and loss, trauma and healing, faith and redemption, in this sweeping debut from the gutsiest woman adventurer of our day (Book Magazine) Marika Vecera, an accomplished war reporter, has dedicated her life to helping the world's oppressed and forgotten. When not on one of her dangerous assignments, she lives in Boston, exploring a new relationship with Seb, a psychologist who offers her glimpses of a better world. Returning from a harrowing assignment in the Congo where she was kidnapped by rebel soldiers, Marika learns that a man she has always admired from afar, Pulitzer-winning war correspondent Robert Lewis, has committed suicide. Stunned, she abandons her magazine work to write Lewis's biography, settling down with Seb as their intimacy grows. But when Marika finds a curious letter from a missionary claiming to have seen Lewis in the remote jungle of Papua New Guinea, she has to wonder, What if Lewis isn't dead? Marika soon leaves Seb to embark on her ultimate journey in one of the world's most exotic and unknown lands. Through her eyes we experience the harsh realities of jungle travel, embrace the mythology of native tribes, and receive the special wisdom of Tobo, a witch doctor and sage, as we follow her extraordinary quest to learn the truth about Lewis—and about herself, along the way. |
| fear by gabriela mistral: Literature and Language Holt McDougal, Richard Craig Goheen, 1994 |
| fear by gabriela mistral: Desolacion G. Mistral, 1973 |
| fear by gabriela mistral: Around the World with Great Authors Honors World Voices Students Saint Mary's School, 2010-04-17 This book is a collection of essays about authors from around the world. It is a collaborative effort from Vickie Posey's ninth grade Honors World Voices classes at Saint Mary's School in Raleigh, North Carolina. In order to analyze and learn world voices and cultures, the classes researched authors, wrote about their lives and contributions, and discovered why these authors are so important. The purpose of this book is to share information with others so that they can become more familiar with these important world authors. |
| fear by gabriela mistral: Spanish-American Literature Enrique Anderson Imbert, 1969 With a focus both historical and literary, Enrique Anderson-Imbert surveys the literature of Hispanic America. His study is not merely an historical synthesis of names, titles, and dates; it is, rather, a critical analytical appraisal of the verse, prose, and drama written in Spanish in the Americas in the contemporary period. |
| fear by gabriela mistral: Literature , 1996 Classic and contemporary literature drawn from dozens of countries gives students new insight into a wide range of cultures. Each unit opens with background not only of history but also of geography and culture. |
| fear by gabriela mistral: Me Llamo Gabriela Monica Brown, 2005 Gabriela Mistral, a teacher, poet, and the first Latina woman to win the Nobel Prize. |
| fear by gabriela mistral: Gabriela Mistral's Religious Sensibility Martín C. Taylor, 1968 |
| fear by gabriela mistral: I Lived on Butterfly Hill Marjorie Agosín, 2014-03-04 When her beloved country, Chile, is taken over by a militaristic, sadistic government, Celeste is sent to America for her safety and her parents must go into hiding before they disappear. |
| fear by gabriela mistral: This America of Ours Gabriela Mistral, Victoria Ocampo, 2009-09-15 2005 — Best Book Translation Prize – New England Council of Latin American Studies Gabriela Mistral and Victoria Ocampo were the two most influential and respected women writers of twentieth-century Latin America. Mistral, a plain, self-educated Chilean woman of the mountains who was a poet, journalist, and educator, became Latin America's first Nobel Laureate in 1945. Ocampo, a stunning Argentine woman of wealth, wrote hundreds of essays and founded the first-rate literary journal Sur. Though of very different backgrounds, their deep commitment to what they felt was their America forged a unique intellectual and emotional bond between them. This collection of the previously unpublished correspondence between Mistral and Ocampo reveals the private side of two very public women. In these letters (as well as in essays that are included in an appendix), we see what Mistral and Ocampo thought about each other and about the intellectual and political atmosphere of their time (including the Spanish Civil War, World War II, and the dictatorships of Latin America) and particularly how they negotiated the complex issues of identity, nationality, and gender within their wide-ranging cultural connections to both the Americas and Europe. |
| fear by gabriela mistral: Regarding the Pain of Others Susan Sontag, 2013-10-01 A brilliant, clear-eyed consideration of the visual representation of violence in our culture--its ubiquity, meanings, and effects. Considered one of the greatest critics of her generation, Susan Sontag followed up her monumental On Photography with an extended study of human violence, reflecting on a question first posed by Virginia Woolf in Three Guineas: How in your opinion are we to prevent war? For a long time some people believed that if the horror could be made vivid enough, most people would finally take in the outrageousness, the insanity of war. One of the distinguishing features of modern life is that it supplies countless opportunities for regarding (at a distance, through the medium of photography) horrors taking place throughout the world. But are viewers inured—or incited—to violence by the depiction of cruelty? Is the viewer’s perception of reality eroded by the daily barrage of such images? What does it mean to care about the sufferings of others far away? First published more than twenty years after her now classic book On Photography, which changed how we understand the very condition of being modern, Regarding the Pain of Others challenges our thinking not only about the uses and means of images, but about how war itself is waged (and understood) in our time, the limits of sympathy, and the obligations of conscience. |
| fear by gabriela mistral: Unforgetting Roberto Lovato, 2020-09-01 An LA Times Best Book of the Year • A New York Times Editors' Pick • A Newsweek 25 Best Fall Books • A The Millions Most Anticipated Book of the Year Gripping and beautiful. With the artistry of a poet and the intensity of a revolutionary, Lovato untangles the tightly knit skein of love and terror that connects El Salvador and the United States. —Barbara Ehrenreich, author of Natural Causes and Nickel and Dimed An urgent, no-holds-barred tale of gang life, guerrilla warfare, intergenerational trauma, and interconnected violence between the United States and El Salvador, Roberto Lovato’s memoir excavates family history and reveals the intimate stories beneath headlines about gang violence and mass Central American migration, one of the most important, yet least-understood humanitarian crises of our time—and one in which the perspectives of Central Americans in the United States have been silenced and forgotten. The child of Salvadoran immigrants, Roberto Lovato grew up in 1970s and 80s San Francisco as MS-13 and other notorious Salvadoran gangs were forming in California. In his teens, he lost friends to the escalating violence, and survived acts of brutality himself. He eventually traded the violence of the streets for human rights advocacy in wartime El Salvador where he joined the guerilla movement against the U.S.-backed, fascist military government responsible for some of the most barbaric massacres and crimes against humanity in recent history. Roberto returned from war-torn El Salvador to find the United States on the verge of unprecedented crises of its own. There, he channeled his own pain into activism and journalism, focusing his attention on how trauma affects individual lives and societies, and began the difficult journey of confronting the roots of his own trauma. As a child, Roberto endured a tumultuous relationship with his father Ramón. Raised in extreme poverty in the countryside of El Salvador during one of the most violent periods of its history, Ramón learned to survive by straddling intersecting underworlds of family secrets, traumatic silences, and dealing in black-market goods and guns. The repression of the violence in his life took its toll, however. Ramón was plagued with silences and fits of anger that had a profound impact on his youngest son, and which Roberto attributes as a source of constant reckoning with the violence and rebellion in his own life. In Unforgetting, Roberto interweaves his father’s complicated history and his own with first-hand reportage on gang life, state violence, and the heart of the immigration crisis in both El Salvador and the United States. In doing so he makes the political personal, revealing the cyclical ways violence operates in our homes and our societies, as well as the ways hope and tenderness can rise up out of the darkness if we are courageous enough to unforget. |
| fear by gabriela mistral: Cross-Cultural Paul Charles H. Cosgrove, Herold Weiss, K. K. Yeo, 2005-08-16 The apostle Paul was a cross-cultural missionary, a Hellenistic Jew who sought to be all things to all people in order to win them to the gospel. In this provocative book Charles Cosgrove, Herold Weiss, and K. K. Yeo bring Paul into conversation with six diverse cultures of today: Argentine/Uruguayan, Anglo-American, Chinese, African American, Native American, and Russian. No other book on the apostle Paul looks at his thought from multiple cultural perspectives in the way that this one does. From the introduction outlining the authors' cultural backgrounds to the conclusion drawing together what they learn from each other, Cross-Cultural Paul orients readers to the hermeneutical struggles and rewards of approaching texts cross-culturally. |
| fear by gabriela mistral: Graciela, No One's Child Grace Banta, 2016-01-05 Graciela, No One's Child is a candid, powerful and evocative account of the author's life beginning in Brooklyn, New York and her abduction to Mexico as an infant. Grace vividly describes the extremes she experienced from time spent with Nobel Prize laureate, Gabriela Mistral, to years of slavery in the Mexican hill country of Jalapa. She brings to life harrowing, narrow escapes as she constantly pursues her quest to find her family and to return to the country of her birth. The reader will be richly rewarded by the inspiration found in Grace's numerous examples of strong faith, hope, courage, and determination as she repeatedly encounters seemingly insurmountable obstacles. |
| fear by gabriela mistral: Pinholes in the Night Raúl Zurita, Forrest Gander, 2014 One of the greatest living Latin American poets compiles and introduces an essential anthology. |
| fear by gabriela mistral: Democracy in Picturebooks from Sweden and United States, 2000–2020 Mary Alice Barksdale, Getahun Yacob Abraham, 2021-10-18 Democracy in Picturebooks from Sweden and the United States, 2000-2020 explores democracy-themed picturebooks written for children between the ages of three and ten. With multiple analyses of picturebooks throughout the twenty-first century, the authors illustrate how picturebooks can play a vital role in the development of children’s perceptions about the different principles of democracy. From a holistic perspective, these books can be seen as the starting point for socializing children who will come to lead and participate in democratic societies themselves. The multi-pronged approach in this research introduces: (a) concepts underlying the role of picturebooks in familiarizing children with concepts about democracy, (b) research methods for picturebook analyses, (c) exploration of specific exemplar picturebooks that address democratic principles, (d) how picturebooks link democracy with human qualities, (e) utilizing democracy-themed picturebooks in the home and the school. This project holds the promise of promoting meaningful instruction of democracy through the use of picturebooks. |
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