Farewell Pageant Speech

Farewell Pageant Speech: A Guide to Crafting a Memorable Address

Introduction:

The final moments of a pageant reign are bittersweet. Years of dedication, hard work, and unforgettable experiences culminate in a farewell speech, a last opportunity to connect with your audience and leave a lasting impression. This isn't just about saying goodbye; it's about celebrating your journey, expressing gratitude, and inspiring those who follow in your footsteps. This comprehensive guide will equip you with the tools and strategies to craft a truly memorable farewell pageant speech that resonates with judges, fellow contestants, and the audience, boosting your chances of winning the coveted farewell speech award. We'll cover everything from structuring your speech to incorporating impactful storytelling and delivering it with confidence.


H2: Structuring Your Farewell Pageant Speech: A Winning Framework

A well-structured speech is key to impactful delivery. Think of it as a narrative arc, complete with a beginning, a rising action, a climax, and a satisfying resolution.

H3: The Opening: Capture Their Attention

Start with a captivating hook. This could be a poignant anecdote, a relevant quote, or a thought-provoking question. Immediately establish a connection with the audience. Avoid clichés and generic openings. Instead, focus on a personal touch that reveals your unique personality and journey.

H3: The Body: Reflecting on Your Reign

This section forms the heart of your speech. Highlight key achievements, challenges overcome, and lessons learned throughout your reign. Focus on the impact you made – did you raise awareness for a cause? Did you inspire others? Did you contribute to the pageant community in a meaningful way? Showcase concrete examples to illustrate your points.


H4: Show, Don't Just Tell

Instead of simply stating "I volunteered at a local animal shelter," share a specific anecdote about your experience. For instance: "Spending Saturday mornings at the animal shelter wasn't just about cleaning cages; it was about witnessing the unconditional love of these animals and connecting with the compassionate people who dedicated their time to caring for them. This experience profoundly impacted my understanding of..." This approach makes your speech relatable and memorable.


H3: Expressing Gratitude:

Acknowledge and thank those who supported you: your family, friends, mentors, sponsors, and the pageant organization. Personalize these acknowledgments; don't just list names. Mention specific ways they contributed to your success. This shows your appreciation and reinforces your connections.


H3: Looking Ahead: Inspiring the Future

Offer words of encouragement and inspiration to your successor and future contestants. Share advice gleaned from your experiences. Emphasize the importance of hard work, dedication, and perseverance. Leave the audience with a feeling of hope and optimism.


H2: Crafting a Compelling Narrative:

Your speech shouldn't be a dry recitation of facts. Weave a compelling narrative that takes the audience on a journey with you. Use vivid language, descriptive imagery, and emotional resonance to create a connection.


H3: Using Storytelling Techniques:

Employ storytelling techniques to bring your experiences to life. Use anecdotes, metaphors, and analogies to illustrate your points in a captivating way. A well-told story can resonate far more deeply than a simple statement of facts.


H3: Incorporating Humor (Tastefully):

Appropriate humor can lighten the mood and make your speech more engaging. However, ensure your humor is tasteful and relevant, avoiding anything that could be offensive or inappropriate for the pageant setting.


H2: Delivering Your Farewell Speech with Confidence:

A well-written speech is only half the battle. Delivery is crucial.

H3: Practice Makes Perfect:

Practice your speech repeatedly until you feel comfortable and confident. Rehearse in front of a mirror, record yourself, and ask for feedback from trusted friends or mentors. This will help you refine your delivery and identify areas for improvement.

H3: Maintain Eye Contact:

Make eye contact with different members of the audience to establish a connection and convey sincerity. Avoid reading directly from your notes; use them as a guide, not a script.


H3: Project Your Voice and Maintain Posture:

Speak clearly and project your voice so everyone can hear you. Maintain good posture and use appropriate hand gestures to enhance your delivery.


Conclusion:

Your farewell pageant speech is a chance to leave a lasting legacy. By carefully structuring your speech, crafting a compelling narrative, and delivering it with confidence, you can create a memorable and impactful farewell that honors your journey and inspires those who follow. Remember, authenticity shines through, so let your personality shine. This is your moment to share your story and make a difference.



FAQs:

1. How long should my farewell pageant speech be? Aim for 3-5 minutes. A shorter, impactful speech is generally more effective than a lengthy one.

2. Should I cry during my speech? It's okay to show emotion, but don't let tears overwhelm you. Practice managing your emotions so you can deliver your speech effectively.

3. What if I forget part of my speech? Don't panic! Pause, take a breath, and try to smoothly transition back to where you left off. The audience will be understanding.

4. How can I make my speech unique? Focus on your personal journey and experiences. What makes you unique? Highlight your contributions and lessons learned.

5. What if I'm nervous? Deep breathing exercises can help calm your nerves. Remember to focus on connecting with your audience and sharing your story. Your passion will shine through.


  farewell pageant speech: The Common Pursuit F. R. Leavis, 2011-11-17 F. R. Leavis was the chief editor of Scrutiny, which between 1932 and 1953 had some claim on being the most influential literary journal in the English-speaking world. The Common Pursuit is a selection of Leavis's essays from Scrutiny, including his robust defence of Milton against T. S. Eliot, his deeply-felt engagement with Shakespeare, and his severe strictures on attempts to import sociology and political activism into the study of literature. The title of the book comes from a passage in Eliot's 'The Function of Criticism', in which the poet argues that the critic must engage in 'the common pursuit of true judgment'. For Leavis, this meant a strenuous insistence on discriminatory criticism - clear statements about what is good and morally mature and admirable, and equally clear condemnation of what is trivial. The Common Pursuit, with its controversial judgments of Bunyan and Auden, Swift and Forster, remains as challenging now as it did in 1952, and it is easy to see why Leavis - who was never offered a professorship by Cambridge University - held such sway over the study of English literature in his time.
  farewell pageant speech: Lord Mayors' pageants Frederick William Fairholt, 1843
  farewell pageant speech: Sweet Strawberry Sunsets Caleb Wray, 2021-08-26 Amelia Allen visits her hometown for the first time in years. Who’s the first person she meets? Of course, she runs into Ian Reynolds, the very reason Amelia stayed away in the first place. Amelia and Ian first met as Little Leaguers and eventually fell in love. They were supposed to head off to college together, but Ian bailed with no explanation. Unforeseen circumstances keep Amelia in her hometown longer than she’d like, but she has some surprises coming her way. It’s possible a new love could set her aflame, but there’s also a chance her old flame with Ian could be rekindled. Amelia came back home never intending to have her life flipped upside down. She didn’t even know she was lost, but it now appears Amelia is about to find herself in the most unexpected of places, surrounded by the family and friends who make her heart complete.
  farewell pageant speech: History of English Dramatic Poetry to the Time of Shakspeare and Annals of the Stage to the Restoration John Payne Collier, 1831
  farewell pageant speech: Modern Short Speeches James Milton O'Neill, 2018-10-09 Excerpt from Modern Short Speeches: Ninety-Eight Complete Examples Since the publication of Models of Speech Composition, there have come to me and to the publishers, many statements concerning a need for such a collection as the one here presented. Such expressions have called for a small volume to sell for a relatively low price, and in general to fit a simpler situation than that for which Models of Speech Composition was designed. Our first plan was to try to serve this need with an abridged edition of the Models, but on further considera tion, it was decided to make a new collection to be issued under a different title. We decided to use all of the material in the Models that seemed to be well fitted to this new volume, and to add sufficient other examples to give a complete col lection of simple short speeches. In this collection, as will be observed, all of the speeches are short. They are all mod ern, none having been delivered before 1890. Of course all of the speeches are complete. The forensic and legislative speeches, formal eulogies, sermons, and the longer and more elaborate examples of the other types, have been left out. The aim has been to present as large a number as possible of excellent examples of short, simple, dignified speeches of the kinds that are so frequently required of almost all col lege and university students - in fact of almost all men and women today who take any active part in the world in which they live. This volume is devoted to that type of pub lic speaking which all intelligent people not only can learn how to do well, but should learn how to do well if they wish to prepare at all adequately for an active and useful life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
  farewell pageant speech: The History of English Dramatic Poetry ... and Annals of the Stage Collier, 1831
  farewell pageant speech: Abraham Lincoln on Screen Mark S. Reinhart, 2024-09-25 President Abraham Lincoln is the most frequently portrayed American historical figure in the history of the film and television arts, appearing onscreen as a character in more than 250 productions since the birth of the motion picture medium. This work covers each film and television portrayal of Lincoln, providing essential cast, production and release information, and discussion of each work's historical accuracy and artistic merits. This updated edition provides commentary on all new screen works produced in recent years, including Steven Spielberg's award-winning 2012 film Lincoln starring Daniel Day-Lewis in the title role.
  farewell pageant speech: Lord Mayors' Pageants: History of Lord Mayors' pageants Frederick William Fairholt, 1844
  farewell pageant speech: The History of English Dramatic Poetry to the Time of Shakespeare John Payne Collier, 1831
  farewell pageant speech: The Female Few Jacky Hyams, Richard Poad, 2012-01-01 Through the darkest days of the Second World War, an elite group of courageous civilian women risked their lives as aerial courier pilots, flying Lancaster bombers, Spitfires and many other powerful war machines in thousands of perilous missions. The dangers these women faced were many: they flew unarmed, without radio and in some cases without instruments, in conditions where even unexpected cloud could mean disaster. In The Female Few, five of these astonishingly brave women tell their awe-inspiring tales of incredible risk, tenacity and sacrifice. Their spirit and fearlessness in the face of death still resonates down the years, and their accounts reveal a forgotten chapter in the history of the Second World War.
  farewell pageant speech: Antedating Shakespeare's Poems and Plays Penny McCarthy, 2024-09-05 The academic community treats the chronology of Shakespeare’s works as settled. He supposedly served an apprenticeship collaborating on plays in the 1580s, wrote two great poems in the early 90s, three plays a year from the mid-90s, some problem plays around the turn of the century, then his greatest tragedies, and finally some “romances” late in his career. This investigation highlights the flaws in the consensus view: over-reliance on precarious stylometrics, dubious identification of topical relevance, and unfounded conviction that composition preceded publication, performance, or first mention by only a short interval. Concentrating on his poems and six of his plays, the study ascribes parallels in others’ literary works to their authors’ imitation or parodying of Shakespeare, not vice versa. The importance of patronage circles rather than London theatre companies to writers, players, and printers is spelled out. The conclusion is that Shakespeare’s works must be radically antedated.
  farewell pageant speech: For Every Indio who Falls Betsy Konefal, 2010 By following indigenous organizing experiences at multiple levels--local, regional, national, and international--this book explores how some Mayas became involved in political activism and opposition to a repressive state.
  farewell pageant speech: Faces of Resistance S. Ashley Kistler, 2018-06-26 The Maya have faced innumerable and constant challenges to their cultural identities in the last 500 years, from the subjugation of the contact and colonial periods, to the brutality of state-sponsored violence in Guatemala and the introduction of new global technologies. Oral tradition plays a fundamental role among the contemporary Maya as a means to record history and resist oppression. Although scholars have examined the processes of resistance and identity in different spheres, The Faces of Resistance: Maya Heroes, Power, and Identity is the first to unpack the importance of heroes as a cornerstone of Maya cultural and political resistance. This collection of essays by leading scholars explores how Maya communities draw on stories of indigenous heroes as an empowering cultural memory and a way to connect with the legacy of their extraordinary past. In particular, this volume considers how the Maya, following centuries of persecution and marginalization, use historical knowledge to generate and fortify their indigenous identities. The analysis of Maya heroes presented in this volume reveals that narratives of hero figures help the Maya to re-connect with an understanding of their history that has survived centuries of oppression and legitimize the practices, beliefs, and morality that will define their future--
  farewell pageant speech: Queen of the Maple Leaf Patrizia Gentile, 2020-11-01 As modern versions of the settler nation took root in twentieth-century Canada, beauty emerged as a business. But beauty pageants were more than just frivolous spectacles. Queen of the Maple Leaf deftly uncovers how colonial power operated within the pageant circuit. Patrizia Gentile examines the interplay between local or community-based pageants and provincial or national ones. Contests such as Miss War Worker and Miss Civil Service often functioned as stepping stones to larger competitions. At all levels, pageants exemplified codes of femininity, class, sexuality, and race that shaped the narratives of the settler nation. A union-organized pageant such as Queen of the Dressmakers, for example, might uplift working-class women, but immigrant women need not apply. Queen of the Maple Leaf demonstrates how these contests connected female bodies to respectable, wholesome, middle-class femininity, locating their longevity squarely within their capacity to reassert the white heteropatriarchy at the heart of settler societies.
  farewell pageant speech: Shakespeare and the Courtly Aesthetic Gary R. Schmidgall, 2023-11-10 This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.
  farewell pageant speech: Cock Lorell's Bote Edward Francis Rimbault, 1843
  farewell pageant speech: Percy Society Percy Society, 1844
  farewell pageant speech: Early English Poetry, Ballads, and Popular Literature of the Middle Ages Percy Society, 1844
  farewell pageant speech: Percy Society ; Early English Poetry, Ballads, and Popular Literature of the Middle Ages ; Edited from Original Manuscripts and Scarce Publications Frederick-William Fairholt, 1844
  farewell pageant speech: The Queen Mother William Shawcross, 2009-10-27 The official and definitive biography of Queen Elizabeth the Queen Mother, the most beloved British monarch of the twentieth century. Consort of King George VI, mother of Queen Elizabeth II, and grandmother of Prince Charles, Elizabeth Angela Marguerite Bowes-Lyon—the ninth of the Earl of Strathmore’s ten children—was born on August 4, 1900, and, certainly, no one could have imagined that her long life (she died in 2002) would come to reflect a changing nation over the course of an entire century. Vividly detailed, written with unrestricted access to her personal papers, letters, and diaries, this candid royal biography by William Shawcross is also a singular history of Britain in the twentieth century.
  farewell pageant speech: Legends Never Die Richard Ian Kimball, 2017-04-28 With every touchdown, home run, and three-pointer, star athletes represent an American dream that only an elite group blessed with natural talent can achieve. However, Kimball concentrates on what happens once these modern warriors meet their untimely demise. As athletes die, legends rise in their place. The premature deaths of celebrated players not only capture and immortalize their physical superiority, but also jolt their fans with an unanticipated intensity. These athletes escape the inevitability of aging and decline of skill, with only the prime of their youth left to be remembered. But early mortality alone does not transform athletes into immortals. The living ultimately gain the power to construct the legacies of their fallen heroes. In Legends Never Die, Kimball explores the public myths and representations that surround a wide range of athletes, from Lou Gehrig and Joe DiMaggio to Dale Earnhardt and Bonnie McCarroll. Kimball delves deeper than just the cultural significance of sports and its players; he examines how each athlete’s narrative is shaped by gender relations, religion, and politics in contemporary America. In looking at how Americans react to the tragic deaths of sports heroes, Kimball illuminates the important role sports play in US society and helps to explain why star athletes possess such cultural power.
  farewell pageant speech: English Civic Pageantry, 1558-1642 David M. Bergeron, 2003 This revised book seeks to call renewed and vigorous attention to this sometimes marginalized dramatic form by insisting that civic pageants constituted a major part of cultural and theatrical life in early modern England. Bergeron's fresh look at this material seeks to recover and analyze the world of English civic pageantry, opening its richness for inspection and wonder.--BOOK JACKET.
  farewell pageant speech: Playing Shakespeare John Barton, 2009-01-01 John Barton is Advisory Director at the Royal Shakespeare Company and has directed some of the greatest Shakespeare productions of our time. His book, Playing Shakespeare, is a transcript of his televised workshops with some of our finest Shakespearean actors: Peggy Ashcroft, Judi Dench, Ian McKellen, Ben Kingsley, Patrick Stewart and David Suchet. This new edition contains a DVD with 80 minutes of video featuring John Barton in conversation with Judi Dench, Ian McKellen, Patrick Stewart and Jane Lapotaire discussing changes in approaches to Shakespeare's text since the book first published. This edition also features a foreword by Michael Boyd. This is a highly readable approach to understanding Shakespeare's text and unlocking the hidden stage directions and actors clues that reside in his verse. As Barton explains, when an actor becomes aware of them they will find Shakespeare himself starts to direct them.
  farewell pageant speech: 1967 Chacahoula ,
  farewell pageant speech: Grander in Her Daughters Tracy J. Revels, 2004 Though the women of Florida suffered Civil War traumas and privations commensurate with women throughout the Confederacy, few of their experiences have become part of the historical record. Drawing largely on primary source discoveries, Tracy J. Revels recounts the experiences of wives and widows, Unionists and secessionists, black female slaves and their plantation mistresses, business owners and refugees.
  farewell pageant speech: The Common Pursuit D.H. Lawrence, 1964
  farewell pageant speech: 100 Shakespeare Films Daniel Rosenthal, 2019-07-25 From Oscar-winning British classics to Hollywood musicals and Westerns, from Soviet epics to Bollywood thrillers, Shakespeare has inspired an almost infinite variety of films. Directors as diverse as Orson Welles, Akira Kurosawa, Franco Zeffirelli, Kenneth Branagh, Baz Luhrmann and Julie Taymor have transferred Shakespeare's plays from stage to screen with unforgettable results. Spanning a century of cinema, from a silent short of 'The Tempest' (1907) to Kenneth Branagh's 'As You Like It' (2006), Daniel Rosenthal's up-to-date selection takes in the most important, inventive and unusual Shakespeare films ever made. Half are British and American productions that retain Shakespeare's language, including key works such as Olivier's 'Henry V' and 'Hamlet', Welles' 'Othello' and 'Chimes at Midnight', Branagh's 'Henry V' and 'Hamlet', Luhrmann's 'Romeo + Juliet' and Taymor's 'Titus'. Alongside these original-text films are more than 30 genre adaptations: titles that aim for a wider audience by using modernized dialogue and settings and customizing Shakespeare's plots and characters, transforming 'Macbeth' into a pistol-packing gangster ('Joe Macbeth' and 'Maqbool') or reimagining 'Othello' as a jazz musician ('All Night Long'). There are Shakesepeare-based Westerns ('Broken Lance', 'King of Texas'), musicals ('West Side Story', 'Kiss Me Kate'), high-school comedies ('10 Things I Hate About You', 'She's the Man'), even a sci-fi adventure ('Forbidden Planet'). There are also films dominated by the performance of a Shakespearean play ('In the Bleak Midwinter', 'Shakespeare in Love'). Rosenthal emphasises the global nature of Shakespearean cinema, with entries on more than 20 foreign-language titles, including Kurosawa's 'Throne of Blood and Ran', Grigori Kozintsev's 'Russian Hamlet' and 'King Lear', and little-known features from as far afield as 'Madagascar' and 'Venezuela', some never released in Britain or the US. He considers the films' production and box-office history and examines the film-makers' key interpretive decisions in comparison to their Shakespearean sources, focusing on cinematography, landscape, music, performance, production design, textual alterations and omissions. As cinema plays an increasingly important role in the study of Shakespeare at schools and universities, this is a wide-ranging, entertaining and accessible guide for Shakespeare teachers, students and enthusiasts.
  farewell pageant speech: Pageant Keith Lovegrove, 2002 Lovegrove celebrates the culture of the beauty contest from the well-known spectacles of Miss World and Mr. Universe to the flamboyance of Miss Sausage Queen. An irresistible combination of nostalgia and contemporary kitsch, this is a unique study of the human obsession of the beautiful. 250 illustrations.
  farewell pageant speech: The Common Pursuit Frank Raymond Leavis, 1964
  farewell pageant speech: Honeybees of Solomon Ke. T̲t̲i Tōmas, 2008 This book contains reminiscences of the Author as Judge for twenty-five years. Apart from a few travelogue and acquaintances with personages, the descriptions are live stories of human life displayed in different courts where he was judge. The author has avoided narrating matrimonial disputes due to statutory constraints. The narratives have been recollected from memory. Yet care was taken to mention only true facts, though all truths are not included, lest, it might injure the feelings of others. This is intended only for the readers to have easy reading on some interesting episodes of human life.
  farewell pageant speech: Looking for Miss America Margot Mifflin, 2021-08-03 Winner of the Popular Culture Association’s Emily Toth Best Book in Women’s Studies Award From an author praised for writing “delicious social history” (Dwight Garner, The New York Times) comes a lively account of memorable Miss America contestants, protests, and scandals—and how the pageant, now in its one hundredth year, serves as an unintended indicator of feminist progress Looking for Miss America is a fast–paced narrative history of a curious and contradictory institution. From its start in 1921 as an Atlantic City tourist draw to its current incarnation as a scholarship competition, the pageant has indexed women’s status during periods of social change—the post–suffrage 1920s, the Eisenhower 1950s, the #MeToo era. This ever–changing institution has been shaped by war, evangelism, the rise of television and reality TV, and, significantly, by contestants who confounded expectations. Spotlighting individuals, from Yolande Betbeze, whose refusal to pose in swimsuits led an angry sponsor to launch the rival Miss USA contest, to the first black winner, Vanessa Williams, who received death threats and was protected by sharpshooters in her hometown parade, Margot Mifflin shows how women made hard bargains even as they used the pageant for economic advancement. The pageant’s history includes, crucially, those it excluded; the notorious Rule Seven, which required contestants to be “of the white race,” was retired in the 1950s, but no women of color were crowned until the 1980s. In rigorously researched, vibrant chapters that unpack each decade of the pageant, Looking for Miss America examines the heady blend of capitalism, patriotism, class anxiety, and cultural mythology that has fueled this American ritual.
  farewell pageant speech: The Sixties David Farber, 2012-12-01 This collection of original essays represents some of the most exciting ways in which historians are beginning to paint the 1960s onto the larger canvas of American history. While the first literature about this turbulent period was written largely by participants, many of the contributors to this volume are young scholars who came of age intellectually in the 1970s and 1980s and thus write from fresh perspectives. The essayists ask fundamental questions about how much America really changed in the 1960s and why certain changes took place. In separate chapters, they explore how the great issues of the decade--the war in Vietnam, race relations, youth culture, the status of women, the public role of private enterprise--were shaped by evolutions in the nature of cultural authority and political legitimacy. They argue that the whirlwind of events and problems we call the Sixties can only be understood in the context of the larger history of post-World War II America. Contents Growth Liberalism in the Sixties: Great Societies at Home and Grand Designs Abroad, by Robert M. Collins The American State and the Vietnam War: A Genealogy of Power, by Mary Sheila McMahon And That's the Way It Was: The Vietnam War on the Network Nightly News, by Chester J. Pach, Jr. Race, Ethnicity, and the Evolution of Political Legitimacy, by David R. Colburn and George E. Pozzetta Nothing Distant about It: Women's Liberation and Sixties Radicalism, by Alice Echols The New American Revolution: The Movement and Business, by Terry H. Anderson Who'll Stop the Rain?: Youth Culture, Rock 'n' Roll, and Social Crises, by George Lipsitz Sexual Revolution(s), by Beth Bailey The Politics of Civility, by Kenneth Cmiel The Silent Majority and Talk about Revolution, by David Farber
  farewell pageant speech: Shaky Ground Alice Echols, 2002-01-02 Alice Echols has never shied away from controversy. Long before it was fashionable, she wrote searing critiques of antiporn feminism. Her subsequent books about the 1960s are trenchant and provocative, and written with unflinching honesty. Now she maps an alternative history of contemporary American culture, taking on such subjects as hippies, gay/lesbian and women's liberation, disco and the racial politics of music, and artists as diverse as Joni Mitchell and Lenny Kravitz. Echols upends many of our bedrock assumptions about American culture since the 1950s, challenging in particular the notions that the '60s represented a total rupture with the past and that the '70s marked the end of meaningful change.
  farewell pageant speech: Women Transforming Politics Cathy Cohen, Kathleen B. Jones, Joan C. Tronto, 1997-07 Contains over thirty essays which explore the complex contexts of political engagement--family and intimate relationships, friendships, neighborhood, community, work environment, race, religious, and other cultural groupings--that structure perceptions of women's opportunities for political participation.
  farewell pageant speech: Popular Cultures in England 1550-1750 Barry Reay, 2014-06-17 Explores the important aspects of popular cultures during the period 1550 to 1750. Barry Reay investigates the dominant beliefs and attitudes across all levels of society as well as looking at different age, gender and religious groups.
  farewell pageant speech: London Charles Knight, 1844
  farewell pageant speech: Actors by Daylight , 1838
  farewell pageant speech: English philology pamphlets , 1898
  farewell pageant speech: Lives of the Queens of England Agnes Strickland, 1847
  farewell pageant speech: Lives of the Queens of England, from the Norman Conquest Agnes Strickland, 1849
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