Dreaming In Cuban

Dreaming in Cuban: A Journey Through Identity, Family, and Exile

Have you ever wondered what it means to carry the weight of a nation's history, a family's secrets, and your own aspirations all within your heart? Cristina Garcia's breathtaking novel, Dreaming in Cuban, takes us on a powerful journey through these very complexities. This post delves into the rich tapestry of this acclaimed work, exploring its themes, characters, and lasting impact. We'll unpack the significance of the title, analyze the compelling narrative structure, and discuss the enduring relevance of Dreaming in Cuban in today's world. Prepare to be captivated by the story of three generations of Cuban women, their dreams, and their unwavering connection to a homeland both cherished and lost.

H2: Unpacking the Title: "Dreaming in Cuban"

The title itself, "Dreaming in Cuban," is profoundly evocative. It immediately suggests a longing for a place, a yearning for a past, and the persistent influence of Cuban culture even in the face of exile. The act of dreaming implies a subconscious connection to Cuba, a lingering attachment that transcends physical distance. The use of the present participle, "dreaming," emphasizes the ongoing nature of this connection, a continuous process rather than a static state. It’s not just a memory; it’s a living, breathing part of the characters' identities.

H3: The Significance of Exile and Identity

The novel masterfully explores the complexities of exile and its profound impact on identity formation. The characters grapple with their dual identities – Cuban and American – constantly negotiating their cultural heritage with their present realities. This internal conflict shapes their relationships, their ambitions, and their very understanding of self. The act of dreaming in Cuban becomes a way to maintain a sense of belonging, a way to preserve a cultural legacy amidst the challenges of a new life in a foreign land.

H2: The Multigenerational Narrative: A Tapestry of Voices

Garcia’s masterful use of multiple narrative perspectives allows readers to experience the story from a variety of viewpoints, each enriching the understanding of the Cuban experience. We encounter Celina, the fiercely independent grandmother; Lourdes, her idealistic and rebellious daughter; and Felicia, the granddaughter caught between two worlds. Each woman’s voice is unique, reflecting her individual journey and the complex web of familial relationships that bind them.

H3: Celina's Legacy: Tradition and Rebellion

Celina represents the strong, traditional side of Cuban womanhood. Her character is deeply rooted in the Cuban soil, even as her life unfolds far from its shores. She holds onto her beliefs fiercely, often clashing with her daughter's more modern sensibilities. Celina's story, however, is not solely defined by tradition; she too harbors secrets and rebellions, showcasing the complex nature of even the most seemingly rigid characters.

H3: Lourdes's Journey: Idealism and Disillusionment

Lourdes represents a generation grappling with the revolutionary fervor and the subsequent disillusionment. She embodies the idealism of youth, seeking a more liberated life, often at odds with her mother’s conservative values. Her journey highlights the challenges faced by those who embrace revolutionary ideals only to find them betrayed. Her search for self-discovery and personal fulfillment forms a compelling arc in the narrative.

H3: Felicia’s Perspective: Bridging Two Worlds

Felicia, the granddaughter, is caught between two cultures. Her narrative reflects the challenges of second-generation Cuban-Americans, navigating their heritage alongside their American upbringing. Her struggle to understand her family’s past and reconcile it with her present forms a poignant reflection on the complexities of identity formation across generations.

H2: The Enduring Power of Family Bonds

Despite the conflicts and disagreements, the novel emphasizes the enduring strength of family bonds. The women, though separated by geographical distance and ideological differences, remain intrinsically linked. Their relationship is fraught with tension, love, and misunderstanding, yet ultimately underscores the unbreakable ties that define family. The act of "dreaming in Cuban" becomes a shared experience, a thread that connects them across generations and continents.

H2: The Relevance of Dreaming in Cuban Today

Dreaming in Cuban transcends its historical context. Its exploration of identity, family dynamics, and the immigrant experience remains profoundly relevant in today’s increasingly globalized world. The novel's themes of cultural preservation, generational conflict, and the complexities of belonging resonate deeply with readers from diverse backgrounds, making it a timeless and enduring work of literature.

Conclusion

Cristina Garcia’s Dreaming in Cuban is more than just a novel; it’s a powerful exploration of identity, family, and the enduring legacy of a nation. Through its compelling characters, multi-layered narrative, and evocative prose, the novel captures the essence of the Cuban experience, reminding us of the enduring power of memory, the complexities of family relationships, and the ongoing struggle to define ourselves in a world that is constantly changing. Its enduring appeal lies in its ability to speak to universal themes of belonging, identity, and the search for meaning.

FAQs

1. Is Dreaming in Cuban a historical fiction novel? While it draws heavily on Cuban history and social contexts, Dreaming in Cuban is best categorized as a multigenerational family saga with strong historical undertones.

2. What are the major themes explored in the novel? The major themes include exile, identity formation, familial relationships, generational conflict, cultural preservation, and the complexities of the Cuban revolutionary experience.

3. What makes the writing style of Dreaming in Cuban unique? Garcia employs a unique blend of magical realism and realistic storytelling, weaving together elements of fantasy with realistic portrayals of characters and their lives. Her use of multiple perspectives also contributes to the book's unique style.

4. Is Dreaming in Cuban suitable for all readers? While the novel is beautifully written and engaging, some mature themes may not be suitable for younger readers. Certain passages discuss sensitive topics including political upheaval and family conflicts.

5. How does the novel’s ending contribute to its overall message? The ending leaves the reader with a sense of both resolution and ongoing connection, suggesting that the characters' journeys are ongoing processes of self-discovery and reconciliation, reflecting the continuous nature of family relationships and cultural identity.


  dreaming in cuban: Dreaming in Cuban Cristina García, 2011-06-08 “Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post
  dreaming in cuban: Dreaming in Cuban Cristina García, 1993-02-10 “Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post
  dreaming in cuban: Dreaming in Cuban Cristina García, 1992 Three women within a Cuban family struggle to persevere during the Cuban Revolution
  dreaming in cuban: Dreaming in Cuban Cristina García, 1992
  dreaming in cuban: King of Cuba Cristina Garcia, 2013-05-21 A Fidel Castro-like octogenarian Cuban exile obsessively seeks revenge against the dictator.
  dreaming in cuban: The Aguero Sisters Cristina García, 1998-04-20 Reina and Constancia Agüero are Cuban sisters who have been estranged for thirty years. Reina--tall, darkly beautiful, and magnetically sexual--still lives in her homeland. Once a devoted daughter of la revolución, she now basks in the glow of her many admiring suitors, believing only in what she can grasp with her five senses. The pale and very petite Constancia lives in the United States, a beauty expert who sees miracles and portents wherever she looks. After she and her husband retire to Miami, she becomes haunted by the memory of her parents and the unexplained death of her beloved mother so long ago. Told in the stirring voices of their parents, their daughters, and themselves, The Agüero Sisters tells a mesmerizing story about the power of myth to mask, transform, and finally, reveal the truth--as two women move toward an uncertain, long awaited reunion.
  dreaming in cuban: Monkey Hunting Cristina García, 2007-12-18 In this deeply stirring novel, acclaimed author Cristina García follows one extraordinary family through four generations, from China to Cuba to America. Wonderfully evocative of time and place, rendered in the lyrical prose that is García’s hallmark, Monkey Hunting is an emotionally resonant tale of immigration, assimilation, and the prevailing integrity of self.
  dreaming in cuban: Dreams of Significant Girls Cristina Garcia, 2012-05-22 In the 1970s, a teenaged Iranian princess, a German-Canadian girl, and a Cuban-Jewish girl from New York City become friends when they spend three summers at a Swiss boarding school.
  dreaming in cuban: Waiting For Snow In Havana Carlos Eire, 2012-12-11 A childhood in a privileged household in 1950s Havana was joyous and cruel, like any other-but with certain differences. The neighbour's monkey was liable to escape and run across your roof. Surfing was conducted by driving cars across the breakwater. Lizards and firecrackers made frequent contact. Carlos Eire's childhood was a little different from most. His father was convinced he had been Louis XVI in a past life. At school, classmates with fathers in the Batista government were attended by chauffeurs and bodyguards. At a home crammed with artifacts and paintings, portraits of Jesus spoke to him in dreams and nightmares. Then, in January 1959, the world changes: Batista is suddenly gone, a cigar-smoking guerrilla has taken his place, and Christmas is cancelled. The echo of firing squads is everywhere. And, one by one, the author's schoolmates begin to disappear-spirited away to the United States. Carlos will end up there himself, without his parents, never to see his father again. Narrated with the urgency of a confession, WAITING FOR SNOW IN HAVANA is both an ode to a paradise lost and an exorcism. More than that, it captures the terrible beauty of those times in our lives when we are certain we have died-and then are somehow, miraculously, reborn.
  dreaming in cuban: A Handbook to Luck Cristina García, 2007-04-10 In the late 60s, three teenagers from around the globe are making their way in the world: Enrique Florit, from Cuba, living in southern California with his flamboyant magician father; Marta Claros, getting by in the slums of San Salvador; Leila Rezvani, a well-to-do surgeon's daughter in Tehran. We follow them through the years, surviving war, disillusionment, and love, as their lives and paths intersect. With its cast of vividly drawn characters, its graceful movement through time, and the psychological shifts between childhood and adulthood, A Handbook to Luck is a beautiful, elegiac, and deeply emotional novel by beloved storyteller Cristina García.
  dreaming in cuban: The Red Umbrella Christina Diaz Gonzalez, 2011-12-13 The Red Umbrella is a moving tale of a 14-year-old girl's journey from Cuba to America as part of Operation Pedro Pan—an organized exodus of more than 14,000 unaccompanied children, whose parents sent them away to escape Fidel Castro's revolution. In 1961, two years after the Communist revolution, Lucía Álvarez still leads a carefree life, dreaming of parties and her first crush. But when the soldiers come to her sleepy Cuban town, everything begins to change. Freedoms are stripped away. Neighbors disappear. And soon, Lucía's parents make the heart-wrenching decision to send her and her little brother to the United States—on their own. Suddenly plunked down in Nebraska with well-meaning strangers, Lucía struggles to adapt to a new country, a new language, a new way of life. But what of her old life? Will she ever see her home or her parents again? And if she does, will she still be the same girl? The Red Umbrella is a touching story of country, culture, family, and the true meaning of home. “Captures the fervor, uncertainty and fear of the times. . . . Compelling.” –The Washington Post “Gonzalez deals effectively with separation, culture shock, homesickness, uncertainty and identity as she captures what is also a grand adventure.” –San Francisco Chronicle
  dreaming in cuban: In Cuba I Was a German Shepherd Ana Menéndez, 2007-12-01 Eleven short stories of the Cuban immigrant experience as characters adjust to life in the United Sates, from an award-winning author. From the prize–winning title story—a masterpiece of humor and heartbreak—unfolds a collection of tales that illuminate the landscape of an exiled community rich in heritage, memory, and longing for the past. In Cuba I Was a German Shepherd is at once “tender and sharp-fanged” as Ana Menéndez evocatively charts the territory from Havana to Coral Gables, Florida, and explores whether any of us are capable, or even truly desirous, of outrunning our origins (LA Weekly). “With the grace of Margaret Atwood and the sensuality of Laura Esquivel,” Menéndez makes an unforgettable debut “rich in metaphor, wisdom, and delicious subtlety” (St. Petersburg Times).
  dreaming in cuban: Isla to Island Alexis Castellanos, 2022-03-15 A wordless graphic novel in which twelve-year-old Marisol must adapt to a new life 1960s Brooklyn after her parents send her to the United States from Cuba to keep her safe during Castro's regime.--
  dreaming in cuban: Eat the Mouth That Feeds You Carribean Fragoza, 2021-03-30 WINNER OF THE WHITING AWARD PEN AMERICA LITERARY FINALIST Recommended by Héctor Tobar as an essential Los Angeles book in the New York Times. Carribean Fragoza's debut collection of stories reside in the domestic surreal, featuring an unusual gathering of Latinx and Chicanx voices from both sides of the U.S./Mexico border, and universes beyond. Eat the Mouth That Feeds You is an accomplished debut with language that has the potential to affect the reader on a visceral level, a rare and significant achievement from a forceful new voice in American literature.—Kali Fajardo-Anstine, New York Times Book Review, and author of Sabrina and Corina Carribean Fragoza's imperfect characters are drawn with a sympathetic tenderness as they struggle against circumstances and conditions designed to defeat them. A young woman returns home from college, only to pick up exactly where she left off: a smart girl in a rundown town with no future. A mother reflects on the pain and pleasures of being inexorably consumed by her small daughter, whose penchant for ingesting grandma's letters has extended to taking bites of her actual flesh. A brother and sister watch anxiously as their distraught mother takes an ax to their old furniture, and then to the backyard fence, until finally she attacks the family’s beloved lime tree. Victories are excavated from the rubble of personal hardship, and women's wisdom is brutally forged from the violence of history that continues to unfold on both sides of the US-Mexico border. Eat the Mouth that Feeds You renders the feminine grotesque at its finest.—Myriam Gurba, author of Mean Eat the Mouth that Feeds You will establish Fragoza as an essential and important new voice in American fiction.—Héctor Tobar, author of The Barbarian Nurseries Fierce and feminist, Eat the Mouth That Feeds You is a soul-quaking literary force.—Dontaná McPherson-Joseph, The Foreword, *Starred Review . . . a work of power and a darkly brilliant talisman that enlarges in necessary ways the feminist, Latinx, and Chicanx canons.—Wendy Ortiz, Alta Magazine Fragoza's surreal and gothic stories, focused on Latinx, Chicanx, and immigrant women's voices, are sure to surprise and move readers.—Zoe Ruiz, The Millions This collection of visceral, often bone-chilling stories centers the liminal world of Latinos in Southern California while fraying reality at its edges. Full of horror and wonder.—Kirkus Reviews, *Starred Review Fragoza's debut collection delivers expertly crafted tales of Latinx people trying to make sense of violent, dark realities. Magical realism and gothic horror make for effective stylistic entryways, as Fragoza seamlessly blurs the lines between the corporeal and the abstract.—Publishers Weekly The magic realism of Eat the Mouth that Feeds You is thoroughly worked into the fabric of the stories themselves . . . a wonderful debut.—Brian Evenson, author of Song for the Unraveling of the World
  dreaming in cuban: Flying Dutch Tom Holt, 2012-09-04 Mild-mannered accountant Jane Doland must track down Vanderdecker, a magically immortal Dutch sea captain who, along with his crew, has been circling the globe for four hundred years.
  dreaming in cuban: Cars of Cuba Cristina Garcia, 1995-09 Cubans call them cacharros: the gorgeous old American cars of the '40s and '50s that can be found throughout the country. There are classic Chevrolets, Fords, Lincolns, Cadillacs, Packards, Oldsmobiles, Buicks, De Sotos, Dodges, Pontiacs, Studebakers, Thunderbirds, Ramblers, and more, all from Detroit's golden age and all still on the road. Cars of Cuba - with an introduction by Cristina Garcia, author of the novel Dreaming in Cuban, and fifty-three color photographs by Joshua Greene - is a visit to the greatest American car museum in the world!
  dreaming in cuban: Inside the Cuban Revolution Julia Sweig, 2009-06-30 Sweig shatters the mythology surrounding the Cuban Revolution in a compelling revisionist history that reconsiders the revolutionary roles of Castro and Guevara and restores to a central position the leadership of the Llano. Granted unprecedented access to the classified records of Castro's 26th of July Movement's underground operatives--the only scholar inside or outside of Cuba allowed access to the complete collection in the Cuban Council of State's Office of Historic Affairs--she details the debates between Castro's mountain-based guerrilla movement and the urban revolutionaries in Havana, Santiago, and other cities.
  dreaming in cuban: Here in Berlin Cristina Garcia, 2017-10-10 Long–listed for the Andrew Carnegie Medal for Excellence * A New York Times Book Review Editor's Choice Here in Berlin is one of the most interesting new works of fiction I've read . . . The voices are remarkably distinct, and even with their linguistic mannerisms . . . mark them out as separate people . . . [This novel] is simply very, very good. —The New York Times Book Review Here in Berlin is a portrait of a city through snapshots, an excavation of the stories and ghosts of contemporary Berlin—its complex, troubled past still pulsing in the air as it was during World War II. Critically acclaimed novelist Cristina García brings the people of this famed city to life, their stories bristling with regret, desire, and longing. An unnamed Visitor travels to Berlin with a camera looking for reckonings of her own. The city itself is a character—vibrant and postapocalyptic, flat and featureless except for its rivers, its lakes, its legions of bicyclists. Here in Berlin she encounters a people's history: the Cuban teen taken as a POW on a German submarine only to return home to a family who doesn’t believe him; the young Jewish scholar hidden in a sarcophagus until safe passage to England is found; the female lawyer haunted by a childhood of deprivation in the bombed–out suburbs of Berlin who still defends those accused of war crimes; a young nurse with a checkered past who joins the Reich at a medical facility more intent to dispense with the wounded than to heal them; and the son of a zookeeper at the Berlin Zoo, fighting to keep the animals safe from both war and an increasingly starving populace. A meditation on war and mystery, this an exciting new work by one of our most gifted novelists, one that seeks to align the stories of the past with the stories of the future. Garcia’s new novel is ingeniously structured, veering from poignant to shocking . . . Here in Berlin has echoes of W.G. Sebald, but its vivid, surprising images of wartime Berlin are Garcia’s own. —BBC Culture, 1 of the 10 Best Books of 2017
  dreaming in cuban: Drum Dream Girl Margarita Engle, 2015 In this acclaimed picture book bursting with vibrance and rhythm, a girl dreams of playing the drums in 1930s Cuba, when the music-filled island had a taboo against female drummers.
  dreaming in cuban: Bordering Fires Cristina Garcia, 2009-01-21 As the descendants of Mexican immigrants have settled throughout the United States, a great literature has emerged, but its correspondances with the literature of Mexico have gone largely unobserved. In Bordering Fires, the first anthology to combine writing from both sides of the Mexican-U.S. border, Cristina Garc’a presents a richly diverse cross-cultural conversation. Beginning with Mexican masters such as Alfonso Reyes and Juan Rulfo, Garc’a highlights historic voices such as “the godfather of Chicano literature” Rudolfo Anaya, and Gloria Anzaldœa, who made a powerful case for language that reflects bicultural experience. From the fierce evocations of Chicano reality in Jimmy Santiago Baca’s Poem IX to the breathtaking images of identity in Coral Bracho’s poem “Fish of Fleeting Skin,” from the work of Carlos Fuentes to Sandra Cisneros, Ana Castillo to Octavio Paz, this landmark collection of fiction, essays, and poetry offers an exhilarating new vantage point on our continent–and on the best of contemporary literature. From the Trade Paperback edition.
  dreaming in cuban: Tree Dreams Kristin Kaye, 2018-04-10 When seventeen-year-old Jade Reynolds witnesses a violent clash between a protesting tree sitter and a local logger, she runs as far as she can from the battles that plague her home and from the mysteries of the redwood forest. But the ancient redwoods are embedded in her psyche—she feels their call even in the dark and forgotten back alleys of Portland, Oregon where she’s hiding out. She soon becomes entangled with a lovable misfit and a band of radical slackers, environmentalists, and anarchists, and finds herself living 100 feet high in the canopy of a redwood grove, trying to decide whose side she’s on: the logging community she’s known her entire life or the environmentalists who are risking their lives for the future of the forest. To find a way beyond the division between Us and Them, Jade turns to the ancient trees themselves—and the thread-thin web that connects us all. Tree Dreams is an eco-literary, coming of age novel relevant for teenagers and adults alike, for this rite of passage asks the same of us all—whatever our age or life stage, we each must discover our one true voice, and learn how to offer it to the world.
  dreaming in cuban: José Martí Alfred J. López, 2014-11-01 José Martí (1853–1895) was the founding hero of Cuban independence. In all of modern Latin American history, arguably only the “Great Liberator” Simón Bolívar rivals Martí in stature and legacy. Beyond his accomplishments as a revolutionary and political thinker, Martí was a giant of Latin American letters, whose poetry, essays, and journalism still rank among the most important works of the region. Today he is revered by both the Castro regime and the Cuban exile community, whose shared veneration of the “apostle” of freedom has led to his virtual apotheosis as a national saint. In José Martí: A Revolutionary Life, Alfred J. López presents the definitive biography of the Cuban patriot and martyr. Writing from a nonpartisan perspective and drawing on years of research using original Cuban and U.S. sources, including materials never before used in a Martí biography, López strips away generations of mythmaking and portrays Martí as Cuba’s greatest founding father and one of Latin America’s literary and political giants, without suppressing his public missteps and personal flaws. In a lively account that engrosses like a novel, López traces the full arc of Martí’s eventful life, from his childhood and adolescence in Cuba, to his first exile and subsequent life in Spain, Mexico City, and Guatemala, through his mature revolutionary period in New York City and much-mythologized death in Cuba on the battlefield at Dos Ríos. The first major biography of Martí in over half a century and the first ever in English, José Martí is the most substantial examination of Martí’s life and work ever published.
  dreaming in cuban: The Lady Matador's Hotel Cristina Garcia, 2010 A novel about the intertwining lives of the denizens of a hotel in an unnamed Latin American country in the midst of political turmoil.
  dreaming in cuban: A Cuban Girl's Guide to Tea and Tomorrow Laura Taylor Namey, 2022-09-29 Love isn't always part of the plan . . . A charming, heartwarming story following a Miami girl who unexpectedly finds love – and herself – in a small English town. Soon to be a movie starring Heartstopper's Kit Connor and Pretty Little Liars' Maia Reficco! For Lila Reyes, a summer in England hadn't been on the cards. Certainly not one stuck in the small town of Winchester with a lack of sun and zero Miami flavour. But when Lila meets Orion Maxwell in the local tea shop, her nightmare trip starts to look up. With a bright new future suddenly on the horizon, will Lila leave behind everything she's ever planned and follow her heart? A New York Times bestseller and Reese Witherspoon x Hello Sunshine Book Club YA Pick. PRAISE FOR A CUBAN GIRL'S GUIDE TO TEA AND TOMORROW: 'An absolute delight' Rachael Lippincott, author of Five Feet Apart 'An utterly charming read that feels like a treasured recipe that will heal and feed a broken heart.' Nina Moreno, author of Don’t Date Rosa Santos 'I could live inside Laura Taylor Namey’s lush, vibrant words forever.' Rachel Lynn Solomon, author of Today Tonight Tomorrow 'This book. THIS BOOK. Laura Taylor Namey has written the coziest love story I’ve ever had the pleasure to read.' Erin Hahn, author of You’d Be Mine and More Than Maybe
  dreaming in cuban: Love War Stories Ivelisse Rodriguez, 2019-07-10 “Arrests the heart with its stunning exploration of women who are put through a kind of hell in their determination to find true love . . . extraordinary.” —Angie Cruz, author of Dominicana Finalist for the 2019 PEN/Faulkner Award for Fiction Finalist for the 2018 Foreword Reviews INDIES Award Best Book/Most Anticipated Book/Recommended Read of 2018: Cosmopolitan.com, The Root, Electric Literature, Bustle, Book Riot, PEN America, PopSugar, The Rumpus, B*tch, Remezcla, Mitú, and other publications. Puerto Rican girls are brought up to want one thing: true love. Yet they are raised by women whose lives are marked by broken promises, grief, and betrayal. While some believe that they’ll be the ones to finally make it work, others swear not to repeat cycles of violence. This collection documents how these “love wars” break out across generations as individuals find themselves caught in the crosshairs of romance, expectations, and community. “A tough smart dazzling debut by a tough smart dazzling writer. Ivelisse Rodriguez is a revelation.” —Junot Díaz, Pulitzer Prize-winning author of This Is How You Lose Her “[An] exceptional collection of short stories . . . Filled with memorable characters and sharp writing, this book will leave you breathless.” —Bustle “Rodriguez conceives exquisite misery and makes alchemy of hopelessness in her debut short story collection.” —Electric Literature “[A] perceptive exploration of love, heartbreak, and womanhood.” —The Seattle Review of Books “This reviewer kept returning to [these stories] for their freshness, urgency, and sheer heart.” —Library Journal “Throughout the collection, Rodriguez’s prose pulls you in, and her characters will stay with you even when the stories are only a few pages long.” —BUST “Both heartbreaking and insightful.” —Publishers Weekly “Stunning.” —MyDomaine
  dreaming in cuban: Long Lost Jacqueline West, 2021-05-18 “Perfect to be read late into the night.”—Stefan Bachmann, internationally bestselling author of The Peculiar “A spooky sisterhood mystery that is sure to be a hit with readers.”—School Library Journal (starred review) “Grab a flashlight and stay up late with this one.”—Kirkus Reviews Once there were two sisters who did everything together. But only one of them disappeared. New York Times–bestselling author Jacqueline West’s Long Lost is an atmospheric, eerie mystery brimming with suspense. Fans of Katherine Arden’s Small Spaces and Victoria Schwab’s City of Ghosts series will lose themselves in this mesmerizing and century-spanning tale. Eleven-year-old Fiona has just read a book that doesn’t exist. When Fiona’s family moves to a new town to be closer to her older sister’s figure skating club—and far from Fiona’s close-knit group of friends—nobody seems to notice Fiona’s unhappiness. Alone and out of place, Fiona ventures to the town’s library, a rambling mansion donated by a long-dead heiress. And there she finds a gripping mystery novel about a small town, family secrets, and a tragic disappearance. Soon Fiona begins to notice strange similarities that blur the lines between the novel and her new town. With a little help from a few odd Lost Lake locals, Fiona uncovers the book’s strange history. Lost Lake is a town of restless spirits, and Fiona will learn that both help and danger come from unexpected places—maybe even from the sister she thinks doesn’t care about her anymore. New York Times–bestselling and acclaimed author Jacqueline West weaves a heart-pounding, intense, and imaginative mystery that builds anticipation on every page, while centering on the strong and often tumultuous bond between sisters. Laced with suspense, Long Lost will fascinate readers of Trenton Lee Stewart’s The Secret Keepers and fans of ghost stories.
  dreaming in cuban: How to Leave Hialeah Jennine Capó Crucet, 2009-09 United in their fierce sense of place and infused with the fading echoes of a lost homeland, the stories in Jennine Capó Crucet’s striking debut collection do for Miami what Edward P. Jones does for Washington, D.C., and what James Joyce did for Dublin: they expand our ideas and our expectations of the city by exposing its tough but vulnerable underbelly. Crucet’s writing has been shaped by the people and landscapes of South Florida and by the stories of Cuba told by her parents and abuelos. Her own stories are informed by her experiences as a Cuban American woman living within and without her community, ready to leave and ready to return, “ready to mourn everything.” Coming to us from the predominantly Hispanic working-class neighborhoods of Hialeah, the voices of this steamy section of Miami shout out to us from rowdy all-night funerals and kitchens full of plátanos and croquetas and lechón ribs, from domino tables and cigar factories, glitter-purple Buicks and handed-down Mom Rides, private homes of santeras and fights on front lawns. Calling to us from crowded expressways and canals underneath abandoned overpasses shading a city’s secrets, these voices are the heart of Miami, and in this award-winning collection Jennine Capó Crucet makes them sing.
  dreaming in cuban: I Wanna Be Your Shoebox Cristina Garcia, 2009-09-22 Clarinet-playing surfer Yumi Ruiz-Hirsch comes from a complex family, and when her grandfather is diagnosed with terminal cancer, she asks him to tell her his life story, which helps her to understand her own history and identity.
  dreaming in cuban: Havana Red Leonardo Padura, 2005 A young transvestite found strangled in a Havana park. The stifling death of a beloved Cuba.
  dreaming in cuban: Handmade in Cuba Ruth Behar, Juanamaría Cordones-Cook, Kristin Schwain, 2020-05-15 Handmade in Cuba is an in-depth examination of Ediciones Vigía, an artisanal press that published exquisite books crafted from simple supplies during some of Cuba’s most dire economic periods. Vividly illustrated, this volume shows how the publishing collective responded to the nation’s changing historical and political situation from the margins of society, representing Cuban culture across the boundaries of race, age, gender, and genre. In this volume, poets and scholars reflect on the unique artistic direction of Rolando Estévez, who oversaw the creation of over 500 handmade books and magazines between 1985 and 2014. They highlight the beautiful designs and unusual materials selected, including fabric, metals, wood, feathers, and discarded items. Through diverse perspectives, including an interview with Estévez himself, the essays showcase the unlimited inventive possibilities of books as objects, as sculptural pieces, and as installations. Even in the age of technology, Estévez generated enormous excitement and admiration for these hand-crafted books, and this volume offers the first inside view of this important alternative publishing space. Contributors: Ruth Behar | Juanamaría Cordones-Cook | Gwendolyn Díaz | Erin Finzer | William Luis | Nancy Morejón | Kim Nochi | Carina Pino Santos | Kristin Schwain | Elzbieta Sklodowska
  dreaming in cuban: Havana Dreams Wendy Gimbel, 1998 A fascinating, powerfully evocative account of four generations of Cuban women: Naty Revuelta, born in 1925, a socialite during the Batista era, who became intoxicated with Castro and his revolution; Naty's mother, an unregenerate reactionary, and Naty's two daughters, one of whom is the illegitimate and unacknowledged child of Castro. Each of the women's lives is shaped by a part of the island's terrible and poignant contemporary history, and together they weave a tapestry - at once intimate and revelatory - of Cuba in our century.
  dreaming in cuban: The Occupation of Havana Elena A. Schneider, 2018-10-29 In 1762, British forces mobilized more than 230 ships and 26,000 soldiers, sailors, and enslaved Africans to attack Havana, one of the wealthiest and most populous ports in the Americas. They met fierce resistance. Spanish soldiers and local militias in Cuba, along with enslaved Africans who were promised freedom, held off the enemy for six suspenseful weeks. In the end, the British prevailed, but more lives were lost in the invasion and subsequent eleven-month British occupation of Havana than during the entire Seven Years' War in North America. The Occupation of Havana offers a nuanced and poignantly human account of the British capture and Spanish recovery of this coveted Caribbean city. The book explores both the interconnected histories of the British and Spanish empires and the crucial role played by free people of color and the enslaved in the creation and defense of Havana. Tragically, these men and women would watch their promise of freedom and greater rights vanish in the face of massive slave importation and increased sugar production upon Cuba's return to Spanish rule. By linking imperial negotiations with events in Cuba and their consequences, Elena Schneider sheds new light on the relationship between slavery and empire at the dawn of the Age of Revolutions.
  dreaming in cuban: The Old Man and the Sea Ernest Hemingway, 2022-08-01 DigiCat Publishing presents to you this special edition of The Old Man and the Sea by Ernest Hemingway. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
  dreaming in cuban: Still Dreaming: My Journey from the Barrio to Capitol Hill Luis Gutierrez, Doug Scofield, 2013-10-07 A candid, savvy, inspiring, and often hilarious memoir by one of America's most fearless political leaders.
  dreaming in cuban: Bodega Dreams Ernesto Quiñonez, 2015-01-21 In this thriller with literary merit (Time Out New York), a stunning narrative combines the gritty rhythms of Junot Diaz with the noir genius of Walter Mosley. Bodega Dreams pulls us into Spanish Harlem, where the word is out: Willie Bodega is king. Need college tuition for your daughter? Start-up funds for your fruit stand? Bodega can help. He gives everyone a leg up, in exchange only for loyalty—and a steady income from the drugs he pushes. Lyrical, inspired, and darkly funny, this powerful debut novel brilliantly evokes the trial of Chino, a smart, promising young man to whom Bodega turns for a favor. Chino is drawn to Bodega's street-smart idealism, but soon finds himself over his head, navigating an underworld of switchblade tempers, turncoat morality, and murder. Bodega is a fascinating character. . . . The story [Quiñonez] tells has energy and verve. —The New York Times Book Review
  dreaming in cuban: Cuba before Castro Jorge J. E. Gracia, 2020-07-27 Although much has been written about Cuba after Castro, relatively little has been written about Cuba before Castro. The political reality of Castro’s Revolution has created a historical void about this period, paying insufficient attention to an important century before 1959. Cuba has become a political punching bag, between supporters and critics of Castro and the Revolution, making it difficult to understand real life in Cuba because of the disproportionate preoccupation with, and monopoly of, the political reality on the island. In spite of some attempts, it continues to be easier and perceived as more pressing, to write about politics rather than the reality that Cubans experienced in their daily lives— their sufferings and celebrations, successes and failures, lives and deaths, and beliefs and disbeliefs. Going for and against the avalanche of information about the political authenticity in and out of Cuba, most Cubans have tended to forget that Cuba is much larger than the perceived reality after Castro’s Revolution. Too many have failed to remember the Cubans who have lived and worked in Cuba in the century before an important period of Cuban history where the nation was forged. Indeed, even limited attention reveals a rich and sophisticated society that calls for study. In this book Jorge J.E. Gracia approaches this situation by telling true stories about some members of his family (Doctor Ignacio Gracia, Maruca Otero, the Marques de Arguelles, and many others) who lived during a culturally rich century before Castro. He hopes to entice historians, academics, tourists and others, to pursue a balanced exploration of the island by telling part of their stories. This enterprise is neither history nor fiction, but memories written by a Cuban who left Cuba when he was eighteen years old and has become a distinguished philosopher in the United States.
  dreaming in cuban: Postcolonial Literature Justin D. Edwards, 2008-06-26 This Guide analyzes the criticism of English-language literature from the major regions and countries of the postcolonial world. Criticism on works by key writers, such as Jean Rhys, V.S. Naipaul, Salman Rushdie and Jamaica Kincaid, is discussed throughout the volume to illustrate the themes and concepts that are essential to an understanding of postcolonial literature and the development of criticism in the field. Criticism and theoretical approaches are discussed in relation to analyses of literary works from South Africa, Nigeria, Jamaica, Antigua, Canada, Australia, New Zealand, India and Sri Lanka. Criticism on Native American writing, African American literature, as well as Irish, Scottish and Welsh liberationist texts are also mentioned throughout. The book concludes with a discussion of the theoretical debates surrounding neocolonialism, globalization and what has been referred to as and the rise of a new world economic empire in the West that has accelerated since the dismantling of the Soviet Union.
  dreaming in cuban: The Book of Lost Saints Daniel José Older, 2022-02-22 The Book of Lost Saints is an evocative multigenerational Cuban-American family story of revolution, loss, and family bonds from New York Times-bestselling author Daniel José Older. Marisol vanished during the Cuban Revolution, disappearing with hardly a trace. Now, shaped by atrocities long-forgotten, her tenacious spirit visits her nephew, Ramón, in modern-day New Jersey. Her hope: that her presence will prompt him to unearth their painful family history. Ramón launches a haphazard investigation into the story of his ancestor, unaware of the forces driving him on his search. Along the way, he falls in love, faces a run-in with a murderous gangster, and uncovers the lives of the lost saints who helped Marisol during her imprisonment. Uplifting and evocative, The Book of Lost Saints is a haunting meditation on family, forgiveness, and the violent struggle to be free. An Imprint Book
  dreaming in cuban: The Truth About Alice Jennifer Mathieu, 2014-06-03 Winner of the Children's Choice Book Awards' Teen Choice Debut Author Award Everyone knows Alice slept with two guys at one party. When Healy High star quarterback, Brandon Fitzsimmons, dies in a car crash, it was because he was sexting with Alice. Ask anybody. Rumor has it Alice Franklin is a slut. It's written all over the slut stall in the girls' bathroom: Alice had sex in exchange for math test answers and Alice got an abortion last semester. After Brandon dies, the rumors start to spiral out of control. In this remarkable debut novel, four Healy High students tell all they know about Alice--and in doing so reveal their own secrets and motivations, painting a raw look at the realities of teen life. But in this novel from Jennifer Mathieu, exactly what is the truth about Alice? In the end there's only one person to ask: Alice herself. This title has Common Core connections.
  dreaming in cuban: Enchanted Air Margarita Engle, 2015-08-04 Margarita is a girl from two worlds. Her heart lies in Cuba, her mother s tropical island country, a place so lush with vibrant life that it seems like a fairy tale kingdom. But most of the time she lives in Los Angeles, lonely in the noisy city and dreaming of the summers when she can take a plane through the enchanted air to her beloved island. Words and images are her constant companions, friendly and comforting when the children at school are not.
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García’s debut novel Dreaming in Cuban (1992) directly explores what the author herself characterized as the effects or ‘‘costs’’ of the revolu- tion and the consequent diaspora ‘‘on …

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Christina García’s Dreaming in Cuban examines the lives of a dysfunctional Cuban family separated by generations and geographic locations. The tensions that hamper the

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acclaimed first novel, Dreaming in Cuban (1992), tells the story of three generations of Cuban women in the years surrounding the revolution. The novel avoids representing a univocal view …

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Dreaming in Russian: The Cuban Soviet Imaginary. Aus tin: University of Texas Press, 2013.254 pp. Far west along Havana's Quinta Avenida looms the sprawling, partially vacant former …

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CUBAN LITERATURE - Cambridge University Press
critical essays on Latin American and Cuban literature. She is also coeditor of Telling Ruins in Latin America (with Michael Lazzara). J A C Q U E L I N E L O S S is a critic of Cuban and …