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Disney Monologues: Unearthing the Emotional Depth of Iconic Characters
Are you a budding actor looking for impactful audition pieces? A drama student exploring character development? Or simply a Disney enthusiast fascinated by the emotional richness of your favorite films? Then you’ve come to the right place. This comprehensive guide dives deep into the world of Disney monologues, exploring iconic speeches, providing tips for effective delivery, and offering suggestions for adapting these powerful moments for your own performances. We'll unpack the nuances of each character, offering insights into their motivations and emotional landscapes, ensuring you're equipped to bring these beloved characters to life. Get ready to unearth the dramatic potential hidden within those seemingly simple animated tales.
H2: Finding the Perfect Disney Monologue for You
Choosing the right monologue is crucial. It needs to resonate with you, showcase your acting abilities, and be suitable for the audition or performance context. Consider your strengths – are you best at portraying vulnerability, anger, determination, or comedic timing? Let's explore some categories to help you narrow your search:
H3: Monologues for Showing Vulnerability
Ariel ("The Little Mermaid"): Ariel's longing for a different life, her willingness to sacrifice everything for love, provides a powerful platform for exploring yearning and risk-taking. Focus on the internal conflict – her defiance versus her duty.
Mulan ("Mulan"): Mulan's internal struggle against societal expectations, her fear of failure, and her ultimate acceptance of her true self offer a profound exploration of self-discovery. Focus on the quiet moments of doubt contrasted with her newfound strength.
Rapunzel ("Tangled"): Rapunzel's naivete, her yearning for freedom, and her eventual acceptance of her past create a compelling narrative arc rich with emotional depth. Highlight her transition from innocence to empowerment.
H3: Monologues for Displaying Strength and Determination
Elsa ("Frozen"): Elsa's struggle with her powers, her isolation, and her eventual acceptance of herself is a journey of immense strength and self-discovery. The focus can be on her internal battle with her fear or her resolve to protect her sister.
Moana ("Moana"): Moana’s unwavering determination to save her people, her courage in the face of danger, and her belief in herself make this a powerful monologue choice. Highlight her sense of duty and unwavering resolve.
Belle ("Beauty and the Beast"): Belle's defiance of societal norms, her compassion for the Beast, and her inner strength shines through in various scenes. Her ability to see beyond appearances makes for a rewarding character study.
H3: Monologues for showcasing comedic timing:
Aladdin ("Aladdin"): Aladdin's street-smart wit and quick thinking lend themselves well to comedic monologues. Focus on his resourcefulness and ability to charm his way out of trouble.
Timon and Pumbaa ("The Lion King"): The comedic duo's cynical yet lovable outlook on life offers ample opportunities for humor and lightheartedness. Adapting their banter into a monologue requires careful selection and strong comedic timing.
H2: Mastering the Delivery: Tips for Performing Disney Monologues
Simply choosing a monologue is only half the battle. Effective delivery is paramount. Here are some key tips to enhance your performance:
Understand the Subtext: Don't just recite the lines; delve into the character's motivations, unspoken desires, and underlying emotions. What's driving their words? What are they really saying?
Physicality Matters: Use your body language to enhance the emotional impact. Consider posture, gestures, and facial expressions to convey the character's inner state.
Vocal Variety: Vary your pacing, tone, and volume to maintain audience engagement. Avoid monotony; let the emotions guide your vocal choices.
Connect with the Audience: Imagine you're speaking directly to someone who is experiencing the same emotions as your character. This will make your performance more genuine and impactful.
Practice, Practice, Practice: Rehearsing extensively will build your confidence and allow you to refine your performance. Record yourself to identify areas for improvement.
H2: Adapting Disney Monologues for Performance
Often, the original dialogue may be too long or not perfectly suited for an audition. Don't be afraid to adapt the script:
Condense the Text: Select the most impactful portions of the monologue, ensuring you maintain the character's arc and emotional core.
Adjust the Language: Maintain the character's voice, but feel free to slightly modify phrasing for better flow and clarity.
Add Subtext: Consider adding brief, silent moments to underscore the character's emotional turmoil or internal struggle.
Conclusion
Disney monologues offer a rich tapestry of emotional experiences and acting opportunities. By carefully selecting a monologue that resonates with your strengths, understanding the character's nuances, and mastering the art of delivery, you can craft a compelling and memorable performance that showcases your talent and passion. Remember to practice diligently and adapt the material to best suit your needs. Happy performing!
FAQs
1. Can I use a Disney monologue for a musical theatre audition? Yes, but choose a monologue that doesn't rely heavily on singing. Focus on the character's dialogue-driven moments.
2. Are there any resources to find Disney scripts online? Many websites offer Disney scripts, but always double-check for copyright restrictions. Using legally sourced material is crucial.
3. How long should a Disney monologue be? Aim for a monologue that lasts between one and two minutes, unless otherwise specified by the audition requirements.
4. Can I change the gender of a character when performing a Disney monologue? While generally not recommended for auditions, it's possible for personal projects or class performances if done thoughtfully and justified.
5. What if I can't find a Disney monologue that perfectly fits my skill set? Don't be afraid to combine elements from different scenes or even adapt a scene to better suit your abilities and the audition requirements.
| disney monologues: 101 Winning Monologues for Young Performers Mark Weston, 2011 Acting teacher Mark Weston has written a companion to his most successful Winning Monologues from the Beginnings Workshop. After observing his acting students over many years struggling with books that offered speeches and recitations in lieu of monologues, Mr. Weston wrote his true and original monologues for young performers. He is pleased to acknowledge that many young performers have benefitted. For the first time, 101 short, precise and valuable acting hints are included, deriving from his successful acting career and including direct quotes from his acting teacher Lee Strasberg. These monologues can be a big help for young people beginning to study and audition for careers in theatre, film or TV. |
| disney monologues: The Pitchfork Disney Philip Ridley, 2015-05-21 The Pitchfork Disney heralded the arrival of a unique and disturbing voice in the world of contemporary drama. Manifesting Ridley's vivid and visionary imagination and the dark beauty of his outlook, the play resonates with his trademark themes: East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own. The Pitchfork Disney was Ridley's first play and is now seen as launching a new generation of playwrights who were unafraid to shock and court controversy. This unsettling, dreamlike piece has surreal undertones and thematically explores fear, dreams and story-telling. First produced in 1991, it has gone on to be recognised as the annunciation of Ridley's dark and seductive world. |
| disney monologues: The Pitchfork Disney Philip Ridley, 2015-05-21 The Pitchfork Disney heralded the arrival of a unique and disturbing voice in the world of contemporary drama. Manifesting Ridley's vivid and visionary imagination and the dark beauty of his outlook, the play resonates with his trademark themes: East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own. The Pitchfork Disney was Ridley's first play and is now seen as launching a new generation of playwrights who were unafraid to shock and court controversy. This unsettling, dreamlike piece has surreal undertones and thematically explores fear, dreams and story-telling. First produced in 1991, it has gone on to be recognised as the annunciation of Ridley's dark and seductive world. |
| disney monologues: Sensational Movie Monologues Robert Cettl, 2010-12-12 |
| disney monologues: Contemporary Movie Monologues 1960-1989 Marisa Smith, Joselyn Beard, 2005 Over 95 monologues from contemporary films. |
| disney monologues: 125 Original Audition Monologues Sandy Asher, Kent R. Brown, Joseph Robinette, 2003 Audition Monologues |
| disney monologues: The Contemporary Monologue: Women Michael Earley, 1995-08-15 First published in 1995. This selection of speeches of all types - serious and comic, realist and absurdist - is drawn from contemporary plays by English, American and European playwrights. The editors have set each piece in its context, presenting a useful resource for acting classes, contests, auditions and rehearsals. |
| disney monologues: Kids' Comedic Monologues That Are Actually Funny Alisha Gaddis, 2016-04-01 This book is the answer to the comedic monologue needs of kid actors – and their parents – everywhere. Kids' Comedic Monologues That Are Actually Funny is specifically geared for children ages 5-12. Divided into boy, girl, and gender neutral categories, every piece is guaranteed to be clean, hilariously funny, easy to memorize, and a joy for young actors to perform. It features monologues by writers and comics who have written for or performed on Ellen, Saturday Night Live, The Tonight Show, Last Comic Standing, Comedy Central Stage, and many more. |
| disney monologues: Disney's British Gentleman Nathan Morley, 2021-04-30 'A wonderful account of a life filled with far more ups and downs than its subject's languid demeanour ever suggested.' Miles Jupp. Even if the name doesn't ring a bell, you'd recognise David Tomlinson's face – genial and continually perplexed, he was Mr Banks in Mary Poppins, Professor Browne in Bedknobs and Broomsticks and Peter Thorndyke in The Love Bug. To many, he's the epitome of post-war British comedy. But at times his life was more tragedy than comedy. A distinguished RAF pilot in the Second World War, his first marriage was to end in horrific tragedy and his next romance ended with his lover marrying the founder of the American Nazi Party. He did find love and security in his second marriage, but drama still played its part in his life – from the uncovering of an earthshattering family secret to the fight for an autism diagnosis for his son, up against the titans of the British medical establishment. Tomlinson may have died over twenty years ago, but his star continues to shine. In Disney's British Gentleman, Nathan Morley reveals the remarkable story of one of Disney's most beloved icons for the very first time. |
| disney monologues: The No Rules Handbook for Writers Lisa Goldman, 2012-05-02 Shortlisted as one of The Stage's top 10 training books of 2012 The No Rules Handbook for Writers is a timely, creative and refreshing antidote to prescriptive guides for writers. It will inspire playwrights, screenwriters and novelists; offer fresh insights toteachers, editors, dramaturgs, directors and producers. Lisa Goldman takes 40 established conventions of creative writing. She explores why these rules persist, how to master them, bend or break them and why the most important rules to overturn are your own. The book weaves together industry experiences, psychological observations and inspirational tips. With practical advice from 40 rule-breaking writers: Hassan Abdulrazzak, Oladipo Agboluaje, Ronan Bennett, Sita Bramachari, Trevor Byrne, Anthony Cartwright, Matthew Greenhalgh, Tanika Gupta, Neil Hunter, M.J. Hyland, Gurpreet Kaur Bhatti, Dennis Kelly, Bryony Lavery, Chris Paling, Stacy Makishi, Neel Mukherjee, Hattie Naylor, Anthony Neilson, Kim Noble, Tom Palmer, Lucy Prebble, Philip Ridley, Paul Sirett, Edmund White, Roy Williams. The No Rules Handbook for Writers will be a valuable read for anyone curious about the craft, context and process of writing. |
| disney monologues: Disney's Land Richard Snow, 2020-12-01 A propulsive and “entertaining” (The Wall Street Journal) history chronicling the conception and creation of the iconic Disneyland theme park, as told like never before by popular historian Richard Snow. One day in the early 1950s, Walt Disney stood looking over 240 acres of farmland in Anaheim, California, and imagined building a park where people “could live among Mickey Mouse and Snow White in a world still powered by steam and fire for a day or a week or (if the visitor is slightly mad) forever.” Despite his wealth and fame, exactly no one wanted Disney to build such a park. Not his brother Roy, who ran the company’s finances; not the bankers; and not his wife, Lillian. Amusement parks at that time, such as Coney Island, were a generally despised business, sagging and sordid remnants of bygone days. Disney was told that he would only be heading toward financial ruin. But Walt persevered, initially financing the park against his own life insurance policy and later with sponsorship from ABC and the sale of thousands and thousands of Davy Crockett coonskin caps. Disney assembled a talented team of engineers, architects, artists, animators, landscapers, and even a retired admiral to transform his ideas into a soaring yet soothing wonderland of a park. The catch was that they had only a year and a day in which to build it. On July 17, 1955, Disneyland opened its gates…and the first day was a disaster. Disney was nearly suicidal with grief that he had failed on a grand scale. But the curious masses kept coming, and the rest is entertainment history. Eight hundred million visitors have flocked to the park since then. In Disney’s Land, “Snow brings a historian’s eye and a child’s delight, not to mention superb writing, to the telling of this fascinating narrative” (Ken Burns) that “will entertain Disneyphiles and readers of popular American history” (Publishers Weekly). |
| disney monologues: Monologues for Teens , 2008 |
| disney monologues: Monologue for Athletes Vandell McCary, Jr., 2009-02 |
| disney monologues: The Vespers Philip Ridley, 2023-10-19 Have you ever struggled to find the perfect monologue? Do you want to lose yourself in an unforgettable story? Do you want to be...transported? Philip Ridley's The Vespers is a major work by a major writer. 100 original, self-contained monologues for actors (and readers) of all genders, all ages, and all levels of experience. Varying in length, style and structure – from the surreally comic to the heartbreakingly tragic – this is an essential toolkit for any actor (or anyone who enjoys a good story) with an introduction by Cath Badham, Lecturer in Performance at the University of Derby, UK. |
| disney monologues: The Perfect Audition Monologue Glenn Alterman, 2003 |
| disney monologues: A Memory, a Monologue, a Rant, and a Prayer Eve Ensler, 2008-12-24 Selections from the “Until the Violence Stops” Festival Featuring writings by Abiola Abrams • Edward Albee • Tariq Ali • Maya Angelou • Periel Aschenbrand • Patricia Bosworth • Nicole Burdette • Kate Clinton • Kimberle Crenshaw • Michael Cunningham • Edwidge Danticat • Ariel Dorfman • Mollie Doyle • Slavenka Drakulic • Michael Eric Dyson • Dave Eggers • Kathy Engel • Eve Ensler • Jane Fonda • Carol Gilligan • Jyllian Gunther • Suheir Hammad • Christine House • Marie Howe • Carol Michèle Kaplan • Moisés Kaufman • Michael Klein • Nicholas Kristof • James Lecesne • Elizabeth Lesser • Mark Matousek • Deena Metzger • Susan Miller • Winter Miller • Susan Minot • Robin Morgan • Kathy Najimy • Lynn Nottage • Sharmeen Obaid-Chinoy • Sharon Olds • Hanan al-Shaykh • Anna Deavere Smith • Diana Son • Monica Szlekovics • Robert Thurman • Betty Gale Tyson • Alice Walker • Jody Williams • Erin Cressida Wilson • Howard Zinn This groundbreaking collection, edited by author and playwright Eve Ensler, features pieces from “Until the Violence Stops,” the international tour that brings the issue of violence against women and girls to the forefront of our consciousness. These diverse voices rise up in a collective roar to break open, expose, and examine the insidiousness of brutality, neglect, a punch, or a put-down. Here is Edward Albee on S&M; Maya Angelou on women’s work; Michael Cunningham on self-mutilation; Dave Eggers on a Sudanese abduction; Carol Gilligan on a daughter witnessing her mother being hit; Susan Miller on raising a son as a single mother; and Sharon Olds on a bra. These writings are inspired, funny, angry, heartfelt, tragic, and beautiful. But above all, together they create a true and profound portrait of this issue’s effect on every one of us. With information on how to organize an “Until the Violence Stops” event in your community, A Memory, a Monologue, a Rant, and a Prayer is a call to the world to demand an end to violence against women. “In the current era, it takes some brain racking to think of anyone else doing anything quite like Ensler. She’s a countercultural consciousness-raiser, an empowering figure, a truth-teller.” –Chicago Tribune |
| disney monologues: The Contemporary Monologue: Men Michael Earley, Philippa Keil, 2016-04-15 The Contemporary Monologue is an exciting selection of speeches of all types, serious and comic, realistic and absurdist, drawn from plays written by contemporary playwrights over the past ten years. Updating the popular Modern Monologues, this fresh collection of speeches represents the best American and English playwrights of today including Caryl Churchill, Ariel Dorfman, John Guare, David Mamet, Tony Kushner, Stephen Sondheim and John Weidman. Organized for maximum benefit to the actor gleaning for background material, individual selections are introduced with a summary of the play's action up to the point the speech begins. A brief sketch of the character is also given, utilizing, where possible, the playwright's own words. Finally, a commentary follows each monologue, alerting the actor to details in the speech that could help him/her perform it better. Some of the highlights of TheContemporary Monologue for men include selections from Angels in America, by Tony Kushner; Frankie and Johnniein the Clair de Lune, by Terrence McNally; States ofShock, by Sam Shepard; and Speed-the-Plow, by David Mamet. Highlights of The Contemporary Monologue for women include selections from: TheContemporary Monologue is an invaluable resource for acting classes, competitions, auditions and rehearsals. It is an affordable and necessary tool for serious actors everywhere. |
| disney monologues: Inner Monologue in Acting R. Roznowski, 2013-09-05 What should an actor be thinking onstage? This overlooked, important question is the crux of this new book that combines psychological theory, numerous practical exercises, and a thorough and wide-reaching examination of inner monologue in various forms including film, musical theatre, and comedy. |
| disney monologues: DisneyWar James B. Stewart, 2005-02-18 The dramatic inside story of the downfall of Michael Eisner—Disney Chairman and CEO—and the scandals that drove America’s best-known entertainment company to civil war. “When You Wish Upon a Star,” “Whistle While You Work,” “The Happiest Place on Earth”—these are lyrics indelibly linked to Disney, one of the most admired and best-known companies in the world. So when Roy Disney, chairman of Walt Disney Animation and nephew of founder Walt Disney, abruptly resigned in November 2003 and declared war on chairman and chief executive Michael Eisner, he sent shock waves through the entertainment industry, corporate boardrooms, theme parks, and living rooms around the world—everywhere Disney does business and its products are cherished. Drawing on unprecedented access to both Eisner and Roy Disney, current and former Disney executives and board members, as well as thousands of pages of never-before-seen letters, memos, transcripts, and other documents, James B. Stewart gets to the bottom of mysteries that have enveloped Disney for years: What really caused the rupture with studio chairman Jeffrey Katzenberg, a man who once regarded Eisner as a father but who became his fiercest rival? How could Eisner have so misjudged Michael Ovitz, a man who was not only “the most powerful man in Hollywood” but also his friend, whom he appointed as Disney president and immediately wanted to fire? What caused the break between Eisner and Pixar chairman Steve Jobs, and why did Pixar abruptly abandon its partnership with Disney? Why did Eisner so mistrust Roy Disney that he assigned Disney company executives to spy on him? How did Eisner control the Disney board for so long, and what really happened in the fateful board meeting in September 2004, when Eisner played his last cards? DisneyWar is an enthralling tale of one of America’s most powerful media and entertainment companies, the people who control it, and those trying to overthrow them. It tells a story that—in its sudden twists, vivid, larger-than-life characters, and thrilling climax—might itself have been the subject of a Disney classic—except that it’s all true. |
| disney monologues: Disney High Ashley Spencer, 2024-09-24 The first unauthorized look at the inner workings—and ultimate breakdown—of the Disney Channel machine For many kids growing up in the 2000s, there was no cultural touchstone more powerful than Disney Channel, the most-watched cable channel in primetime at its peak. Today, it might best be known for introducing the world to talents like Hilary Duff, Raven-Symoné, Zac Efron, Miley Cyrus, Selena Gomez, the Jonas Brothers, Demi Lovato, and Zendaya. It wasn't always destined for greatness: when The Disney Channel launched in 1983, it was a forgotten stepchild within the Walt Disney Company, forever in the shadow of Disney’s more profitable movies and theme parks. But after letting the stars of their Mickey Mouse Club revival—among them Britney Spears, Justin Timberlake, Christina Aguilera, and Ryan Gosling—slip through their fingers, Disney Channel reinvented itself as a powerhouse tween network. In the new millennium, it churned out billions of dollars in original content and triple-threat stars whose careers were almost entirely controlled by the corporation. Suddenly, everyone wanted a piece of the pie—and there were constant clashes between the studio, network, labels, and creatives as Disney Channel became a pressure cooker of perfection for its stars. From private feuds and on-set disasters, to fanfare that swept the nation and the realities of child stardom, culture journalist Ashley Spencer offers the inside story of the heyday of TV’s House of Mouse, featuring hundreds of exclusive new interviews with former Disney executives, creatives, and celebrities to explore the highs, lows, and everything in between. |
| disney monologues: Monologue Mastery Prudence WRIGHT HOLMES, 2009-05-18 Learn the secrets of finding and performing the perfect monologue for you from Prudence Wright Holmes, The Monologue Detective. She has been finding actors monologues,coaching them for auditions and helping them get jobs and into schools for over 25 years. In this book, she will guide you through a step-by-step process to help you win at auditions. |
| disney monologues: The Disneyland Encyclopedia Chris Strodder, 2017-04-11 Completely updated and expanded with over 50 new entries and 300 new photos, The Disneyland Encyclopedia spans the entire history of the park, from its founding more than 50 years ago to the present day. This fascinating book features detailed explorations of 600 Disneyland topics, including lands, attractions, restaurants, stores, events, and significant people. Each of the main encyclopedia entries illuminates the history of a Disneyland landmark, revealing the initial planning strategies for the park’s iconic attractions and detailing how they evolved over the decades. Enriching this unique A-to-Z chronicle are profiles of the personalities who imagined and engineered the kingdom known as “The Happiest Place on Earth.” Discover unbuilt concepts, including Liberty Street, Rock Candy Mountain, and Chinatown, and delight in fascinating trivia about long-lost Disneyland features, from the real rifles in the shooting gallery that was once located on Main Street to the jet-packed Rocket Man who flew above Tomorrowland. The new “Mouscellany feature adds fun facts, hidden secrets, and odd trivia to the third edition. Overflowing with meticulously researched details and written in a spirited, accessible style, The Disneyland Encyclopedia is a comprehensive and entertaining exploration of the most-influential, most-renovated, and most-loved theme park in the world! |
| disney monologues: How to Be Like Walt Pat Williams, 2004-08 An inspiring biography of one of the most influential and beloved figures of the 21st century, based on more than a thousand interviews. I've read every book that has ever been written about Walt Disney, going back to some that were published in the 1930s. [How to Be Like Walt] is by far the most enjoyable to read of them all! Tim O'Day, Disney Scholar How to Be Like Walt is a fitting tribute to Walt's memory and an important contribution to the Disney legacy . . . Now more than ever, we need people with the qualities Walt had: optimism, imagination, creativity, leadership, integrity, courage, boldness, perseverance, commitment to excellence, reverence for the past, hope for tomorrow, and faith in God. Art Linkletter How to Be Like is a character biography series: biographies that also draw out important lessons from the life of their subjects. In this new book-by far the most exhaustive in the series-Pat Williams tackles one of the most influential people in recent history. While many recent biographies of Walt Disney have reveled in the negative, this book takes an honest but positive look at the man behind the myth. For the first time, the book pulls together all the various strands of Disney's life into one straightforward, easy-to-read tale of imagination, perseverance, and optimism. Far from a preachy or oppressive tome, this book scrapes away the minutiae to capture the true magic of a brilliant maverick. |
| disney monologues: Catalog of Copyright Entries. Part 1. [B] Group 2. Pamphlets, Etc. New Series Library of Congress. Copyright Office, 1941 |
| disney monologues: Postwar America James Ciment, 2015-03-26 From the outbreak of the Cold War to the rise of the United States as the last remaining superpower, the years following World War II were filled with momentous events and rapid change. Diplomatically, economically, politically, and culturally, the United States became a major influence around the globe. On the domestic front, this period witnessed some of the most turbulent and prosperous years in American history. Postwar America: An Encyclopedia of Social, Political, Cultural, and Economic History provides detailed coverage of all the remarkable developments within the United States during this period, as well as their dramatic impact on the rest of the world. A-Z entries address specific persons, groups, concepts, events, geographical locations, organizations, and cultural and technological phenomena. Sidebars highlight primary source materials, items of special interest, statistical data, and other information; and Cultural Landmark entries chronologically detail the music, literature, arts, and cultural history of the era. Bibliographies covering literature from the postwar era and about the era are also included, as are illustrations and specialized indexes. |
| disney monologues: Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office Library of Congress. Copyright Office, 1941 |
| disney monologues: Proceedings of the 4th Annual International Conference on Language, Literature and Media (AICOLLIM 2022) Rohmani Nur Indah, Miftahul Huda, Irham Irham, Muzakki Afifuddin, Masrokhin Masrokhin, Deny Efita Nur Rakhmawati, 2023-03-14 This is an open access book. AICoLLiM is the annual conference on the area of language, literature and media. It provides a forum for presenting and discussing the expanding paradigm, latest innovations, results and developments in language, literature and media. The conference provides a forum for lecturers, students, researchers, practitioners and media professionals engaged in research and development to share ideas, interact with others, present their latest works, and strengthen the collaboration among academics, researcher and professionals. |
| disney monologues: Managing in the Postmodern World David M. Boje, 1993 |
| disney monologues: LGBTQ Comedic Monologues That Are Actually Funny Alisha Gaddis, 2016-08-01 (Applause Acting Series). The first and only book of its kind, this cutting-edge and incredibly hysterical monologue book is specifically for actors auditioning for LGBTQ roles. LGBTQ Comedic Monologues That Are Actually Funny features works by LGBT writers and comics (and their allies) who have written and/or performed for Comedy Central, Backstage magazine, NBC, the Huffington Post , the Onion , Second City, E!, and many more. This collection is the go-to source for the comedic monologue needs of actors seeking LGBT material, as well as a paean to LGBT characters and artists. |
| disney monologues: Men's Comedic Monologues That Are Actually Funny Alisha Gaddis, 2015-06-01 (Applause Acting Series). Never before has a monologue book been written completely by people who are actually funny for a living! This incredibly hysterical, cutting-edge collection of monologues will give an actor the extra bang he needs to land the perfect comedic role. Men's Comedic Monologues That Are Actually Funny features monologues by writers and comics who have written for and/or performed on Saturday Night Live , The Tonight Show , Last Comic Standing , E! Entertainment, Comedy Central Stage, and many, many more. This book is the answer to the comedic monologue needs of male actors everywhere! |
| disney monologues: The DVD-laser Disc Newsletter , 2002 |
| disney monologues: Garrison Keillor Judith Yaross Lee, 1991 |
| disney monologues: Happily Ever Island Crystal Cestari, 2022-06-07 Welcome to Happily Ever Island, the most pixie-dusted vacation a Disney fan could ever imagine. Head-in-the-clouds romantic Madison and driven pragmatist Lanie are unlikely best friends, but the two would do anything for each other. So when Madison's life starts to fall apart, Lanie agrees to join Madison for the test run of Disney's newest resort experience during their first college spring break: Happily Ever Island—an immersive vacation destination, where guests can become their favorite Disney character for a week. Madison decides to go as the iconic princess herself, Cinderella, with Lanie as bow-wielding Merida. It's not Lanie's idea of fun, but she knows Madison needs her, and besides, she could use the break from her strenuous courseload anyway. Plus, maybe she'll get to shoot things. But once on the island, Lanie and Madison begin to drift apart. Madison finds herself either missing out or messing up all the enchanting moments she has dreamt her whole life about, and is forever running into their annoyingly perfect (and distractingly cute) vacation's coordinator, Val. Meanwhile, Lanie unexpectedly finds herself swept up in the magic of it all. She strikes up a secret romance with Prince Charming—but there's no telling whether he's just playing a part. In this delightful YA rom-com inspired by Disney fandom, get swept up in a whirlwind of laughter, tears, and more than just a touch of Disney magic. |
| disney monologues: Magnificent Monologues for Kids Chambers Stevens, 1999 This collection of short monologues for boys and girls deals with such topicsas pets, parents, friends, and school. |
| disney monologues: The Animated Movie Guide Jerry Beck, 2005-10-28 Going beyond the box-office hits of Disney and Dreamworks, this guide to every animated movie ever released in the United States covers more than 300 films over the course of nearly 80 years of film history. Well-known films such as Finding Nemo and Shrek are profiled and hundreds of other films, many of them rarely discussed, are analyzed, compared, and catalogued. The origin of the genre and what it takes to make a great animated feature are discussed, and the influence of Japanese animation, computer graphics, and stop-motion puppet techniques are brought into perspective. Every film analysis includes reviews, four-star ratings, background information, plot synopses, accurate running times, consumer tips, and MPAA ratings. Brief guides to made-for-TV movies, direct-to-video releases, foreign films that were never theatrically released in the U.S., and live-action films with significant animation round out the volume. |
| disney monologues: Thank You Music Lovers Jack Mirtle, Ted Hering, 1986-03-20 With Thank You Music Lovers, Greenwood Press continues to expand its excellent series of discographies. Meticulously researched and exhaustively detailed, this volume chronicles the career of Spike Jones and his City Slickers from 1941 to 1965. Although subtitled a biodiscography, Mirtle's book is primarily a chronology of recordings, playdates, and radio and television shows. . . . Mirtle's book has a selective bibliography, indexes to the band's personnel, tunes played and recorded, and LP issues. Three appendixes contain further miscellaneous information. . . . Choice |
| disney monologues: Blockbuster Video Guide to Movies and Videos 1996 Ron Castell, 1995 With over 300 new entries added since the 1995 edition, this ultimate video guidebook for all video viewers gives a clear plot summary of each film, an MPAA rating, and extensive indices. From new releases to classics, foreign films to children's viewing, this reference contains over 20,000 entries of films available on video. |
| disney monologues: An Imaginary Cinema Dustin Condren, 2024-12-15 An Imaginary Cinema is the first systematic study of Sergei Eisenstein's unrealized films as well as a deeply informed historical and theoretical inquiry into the role and meaning of the unmade in his oeuvre. Eisenstein directed some of the twentieth century's most important films, from the early classic of montage, Battleship Potemkin, to his late masterpiece, Ivan the Terrible. Alongside these, however, the Soviet filmmaker also toiled over a compelling array of unrealized projects, from ideas that never grew beyond complex, passionate notebook scrawls and sketches to productions that were mounted and shot to some degree of completion without ever being finished. Working from the archival remnants of several of the director's most fascinating unrealized projects—from his bold vision to film Marx's Das Kapital to his time in Hollywood struggling to adapt Dreiser's An American Tragedy—Dustin Condren's book reveals new aspects of Eisenstein's genius, showing the filmmaker in a constant state of process, open to working toward impossible and sometimes utopian ends, and committed to the pursuit of creative and theoretical discovery. Condren's analysis of these unrealized projects in An Imaginary Cinema reveals Eisenstein at crucial moments of his personal and artistic biography, and it also tells the wider story of a canonical artist negotiating the political labyrinths of Stalinist Russia, the economic pitfalls of Hollywood, and the technological shifts of early cinema. |
| disney monologues: THE INDIAN LISTENER All India Radio (AIR),New Delhi, 1938-12-07 The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became Akashvani in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artistS. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-12-1938 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 108 VOLUME NUMBER: Vol. III, No. 24. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 1808-1811, 1813-1859, 1861-1872, 1874-1889, 1891-1901 ARTICLE: 1. The Wonders of Wireless 2. AIR At Work VII. The Talks Department AUTHOR: 1. Trouble Shooter 2. Unknown KEYWORDS: 1. Automatic Volume Control, The Tuning Indicator, Civilian Wireless Reserve 2. Talks Assistant, Madras, All India Radio Document ID: INL - 1938 ( J-D) Vol -I (24) |
| disney monologues: Contemplating Shostakovich: Life, Music and Film Andrew Kirkman, 2016-05-13 Contemplating Shostakovich marks an important new stage in the understanding of Shostakovich and his working environment. Each chapter covers aspects of the composer's output in the context of his life and cultural milieu. The contributions uncover 'outside' stimuli behind Shostakovich's works, allowing the reader to perceive the motivations behind his artistic choices; at the same time, the nature of those choices offers insights into the workings of the larger world - cultural, social, political - that he inhabited. Thus his often ostensibly quirky choices are revealed as responses - by turns sentimental, moving, sardonic and angry - to the particular conditions, with all their absurdities and contradictions, that he had to negotiate. Here we see the composer emerging from the role of tortured loner of older narratives into that of the gregarious and engaged member of his society that, for better and worse, characterized the everyday reality of his life. This invaluable collection offers remarkable new insight, in both depth and range, into the nature of Shostakovich's working circumstances and of his response to them. The collection contains the seeds for a wide range of new directions in the study of Shostakovich's works and the larger contexts of their creation and reception. |
Disney Monologues | Moana, Frozen, Maleficient and More
May 23, 2023 · Uncover the secrets behind these influential monologues and learn how they’ve shaped characters and stories that have become immortal in our collective memories. So, are …
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ied selection of monologues and scenes from plays that were produced and/or published in the 2009–2010 theatrical season. Most are for younger per-formers (teens through thirties), but …
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Monologues From Newsies
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MONOLOGUES DE CINEMA
MONOLOGUES DE CINEMA Non, non dis rien c'est à moi de parler. Je t'ai manqué ? Parce que toi, tu m'as manqué... T'es un vrai tyran tu sais. C'est tellement dur de te faire la gueule. Mais …
DISNEY'S The Little Mermaid Script - Chance Theater
DISNEY'S The Little Mermaid Script Author: Allan Nazareno [HKSEC] Created Date: 20180509084005Z ...
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Script: Anna - Theatre 360
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This script belongs to (NAME) - Spotlight Acting School
MAD CAT: Oooh look at me, I'm an Aristocat, I have a diamond collar and fancy fur-do. !Driving swing J,2101 89-96 @I 8 ALLEY CATS 1: J 99 @· ii Which pets are blessed __ ALLEY CATS …
418247336-Frozen-Jr-Script-Part-1-of-2 - Theatre 360
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By Ron Clements - Screenwriters Network
-Come on. Kiss him.-No.-Kiss him!-Stop it!-Kiss him, kiss him, kiss him!-I won't, I won't, I won't! I would do it. I would kiss a frog. I would kiss a hundred frogs
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This material, and all concepts, ideas and information contained herein, are confidential and are the property of the Walt Disney Company. This material, including the concepts, ideas and …
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Mr. Darling: Yes! There’ll be no more dogs for nursemaids in this house! Michael: Goodbye, Nana. Mr. Darling: (sarcastically) Poor Nana. Oh, yes, poor Nana.
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Monologues for Kids Ruth Mae Roddy,1987-01-01 A collection of short monologues about experiences and feelings familiar to young girls and boys. Walt Disney Jonatha A. Brown,2005 …
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Music and Lyrics by Lin-Manuel Miranda © 2016 Walt Disney Music Company (ASCAP) MAUI YOU’RE LOOKING AT HIM, YO OH, ALSO I LASSOED THE SUN… MAUI ENSEMBLE
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Script - 13 2021
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