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British Literature Orphan: Exploring the Enduring Power of Orphans in British Literary Canon
The image of the orphaned child, vulnerable yet resilient, resonates deeply within the human psyche. British literature, a rich tapestry woven with social commentary and emotional depth, frequently features orphans as central characters, providing insightful explorations of societal structures, individual identity, and the enduring power of human spirit. This post delves into the pervasive presence of the orphan archetype in British literature, examining how these characters function as narrative devices, societal reflections, and compelling protagonists. We'll explore notable examples across various periods, analyzing the distinct ways authors utilize the orphan motif to illuminate broader themes and capture the reader's imagination.
H2: The Orphan as a Symbol of Social Commentary
Many British literary orphans are not merely isolated figures but potent symbols reflecting the societal anxieties and inequalities of their respective eras. The Victorian era, with its stark class divisions and burgeoning industrialization, saw a surge in narratives featuring orphaned children navigating a harsh and unforgiving world. Dickens, in particular, masterfully used orphan characters – like Oliver Twist or Pip in Great Expectations – to highlight the plight of the poor and the systemic failures that condemned vulnerable children to lives of hardship and exploitation. These characters weren't simply tragic figures; they served as powerful indictments of societal structures and a call for reform. Their struggles highlighted the lack of social safety nets and the vulnerability of those without family support.
H2: The Orphan's Journey: Identity and Self-Discovery
The orphan's journey often becomes a compelling narrative arc centered around self-discovery and the forging of identity. Deprived of familial roots and established heritage, these characters are forced to construct their own sense of self, often through challenging circumstances and transformative experiences. Jane Eyre in Charlotte Brontë's novel undergoes a relentless quest for self-respect and independence, her orphan status shaping her determination and resilience. Similarly, the unnamed narrator in Jane Eyre grapples with questions of identity and belonging, shaped profoundly by her early experiences of neglect and social isolation. The orphan's quest for belonging becomes a microcosm of the larger human need for connection and acceptance.
H3: Beyond the Dickensian Model: Exploring Nuances
While Dickens solidified the image of the impoverished, downtrodden orphan, subsequent authors explored the archetype with greater nuance. Modern British literature portrays orphans with more complex motivations and psychological depths. The orphan character is no longer solely a symbol of social injustice but also a vessel for exploring themes of trauma, resilience, and the search for meaning in a seemingly chaotic world. These portrayals move beyond the simplistic "rags-to-riches" narrative, examining the lasting psychological impact of early adversity.
H2: The Orphan and the Gothic Tradition
The gothic genre, a staple of British literature, frequently utilizes the orphan figure to heighten feelings of isolation, vulnerability, and supernatural dread. The desolate landscapes and crumbling mansions often associated with gothic narratives amplify the orphan's sense of alienation and precarious position. The mysterious circumstances surrounding their parentage and the potential for hidden secrets further contribute to the gothic atmosphere, adding layers of suspense and psychological intrigue. The orphan becomes a conduit for exploring themes of darkness, mystery, and the unsettling aspects of the human psyche.
H2: Contemporary Representations of the Orphan
Contemporary British literature continues to engage with the orphan archetype, but with a fresh perspective. Modern authors often explore the emotional consequences of adoption and foster care, highlighting the complexities of creating family bonds and navigating identity formation in non-traditional family structures. These narratives offer a more nuanced understanding of the challenges faced by orphans in contemporary society, moving beyond the romanticized or solely pitiable depictions of earlier eras. They explore themes of trauma, attachment, and the resilience of the human spirit in the face of adversity.
H3: The Enduring Appeal of the Orphan Narrative
The enduring appeal of the orphan narrative in British literature stems from its ability to tap into universal human experiences. Themes of loss, belonging, identity, and resilience are timeless and resonate deeply with readers regardless of their background. The orphan character, in its various iterations, serves as a powerful reminder of the human capacity for both suffering and triumph, offering a compelling exploration of the human condition. The orphan's journey, often filled with adversity, ultimately becomes a testament to the enduring strength of the human spirit.
Conclusion
The orphan archetype in British literature provides a rich and multifaceted lens through which to explore social commentary, identity formation, and the complexities of the human condition. From the stark portrayals of Victorian-era novels to the nuanced depictions in contemporary literature, the orphan continues to resonate with readers, serving as a potent symbol of resilience, vulnerability, and the enduring search for belonging. The evolving portrayal of this figure across centuries reflects the changing societal landscape and the persistent human need to understand the impact of loss and the power of human connection.
FAQs
1. Are all British literary orphans depicted as impoverished? No, while many classic examples highlight poverty, contemporary literature presents a broader range, including orphans from varying socioeconomic backgrounds.
2. How does the orphan figure differ across different literary genres? The orphan's role varies; in gothic literature, they often contribute to the atmosphere of suspense, while in realistic fiction, they serve as vehicles for social commentary.
3. What are some key themes explored through the orphan narrative? Key themes include identity, resilience, loss, belonging, social injustice, and the search for meaning.
4. Are there any contemporary British authors who prominently feature orphans in their work? While not always central, many contemporary authors touch upon themes of adoption and foster care, indirectly exploring aspects of the orphan experience. Researching contemporary British novels focusing on family dynamics and childhood trauma would reveal relevant examples.
5. How does the portrayal of orphans evolve throughout British literary history? Early depictions often focused on poverty and social injustice, while later portrayals delve into the psychological impact of loss and the complexities of identity formation within non-traditional family structures.
| british literature orphan: The Orphan in Fiction and Comics since the 19th Century Marion Gymnich, Barbara Puschmann-Nalenz, Gerold Sedlmayr, 2018-07-27 The orphan has turned out to be an extraordinarily versatile literary figure. By juxtaposing diverse fictional representations of orphans, this volume sheds light on the development of cultural concepts such as childhood, family, the status of parental legacy, individualism, identity and charity. The first chapter argues that the figure of the orphan was suitable for negotiating a remarkable range of cultural anxieties and discourses in novels from the Victorian period. This is followed by a discussion of both the (rare) examples of novels from the first half of the 20th century in which main characters are orphaned at a young age and Anglophone narratives written from the 1980s onward, when the figure of the orphan proliferated once more. The trope of the picaro, the theme of absence and the problem of parental substitutes are among the issues addressed in contemporary orphan narratives. The book also looks at the orphan motif in three popular fantasy series, namely Rowling’s Harry Potter septology, Pullman’s His Dark Materials trilogy and Martin’s A Song of Ice and Fire series. It then traces the development of the orphan motif from the end of the 19th century to the present in a range of different types of comics, including funnies and gag-a-day strips, superhero comics, underground comix, and autobiographical comics. |
| british literature orphan: The Orphan in Eighteenth-Century Law and Literature Cheryl L. Nixon, 2016-02-17 Cheryl Nixon's book is the first to connect the eighteenth-century fictional orphan and factual orphan, emphasizing the legal concepts of estate, blood, and body. Examining novels by authors such as Eliza Haywood, Tobias Smollett, and Elizabeth Inchbald, and referencing never-before analyzed case records, Nixon reconstructs the narratives of real orphans in the British parliamentary, equity, and common law courts and compares them to the narratives of fictional orphans. The orphan's uncertain economic, familial, and bodily status creates opportunities to plot his or her future according to new ideologies of the social individual. Nixon demonstrates that the orphan encourages both fact and fiction to re-imagine structures of estate (property and inheritance), blood (familial origins and marriage), and body (gender and class mobility). Whereas studies of the orphan typically emphasize the poor urban foundling, Nixon focuses on the orphaned heir or heiress and his or her need to be situated in a domestic space. Arguing that the eighteenth century constructs the valued orphan, Nixon shows how the wealthy orphan became associated with new understandings of the individual. New archival research encompassing print and manuscript records from Parliament, Chancery, Exchequer, and King's Bench demonstrate the law's interest in the propertied orphan. The novel uses this figure to question the formulaic structures of narrative sub-genres such as the picaresque and romance and ultimately encourage the hybridization of such plots. As Nixon traces the orphan's contribution to the developing novel and developing ideology of the individual, she shows how the orphan creates factual and fictional understandings of class, family, and gender. |
| british literature orphan: When We Were Orphans Kazuo Ishiguro, 2015-03-03 From the winner of the Nobel Prize in Literature and author of the Booker Prize–winning novel The Remains of the Day comes this stunning work of soaring imagination. Born in early twentieth-century Shanghai, Banks was orphaned at the age of nine after the separate disappearances of his parents. Now, more than twenty years later, he is a celebrated figure in London society; yet the investigative expertise that has garnered him fame has done little to illuminate the circumstances of his parents' alleged kidnappings. Banks travels to the seething, labyrinthine city of his memory in hopes of solving the mystery of his own painful past, only to find that war is ravaging Shanghai beyond recognition—and that his own recollections are proving as difficult to trust as the people around him. Masterful, suspenseful and psychologically acute, When We Were Orphans offers a profound meditation on the shifting quality of memory, and the possibility of avenging one’s past. |
| british literature orphan: Orphan at My Door Jean Little, 2001 Through the diary of 10-year-old Victoria Cope, we learn about the arrival of ragged Mary Anna, one of the thousands of impoverished British children who were sent to Canada at the beginning of the century. Mary Anna joins the Cope family as a servant and is treated well, but she has to cope with the initial apprehension of the family members and the loss of her brother, Jasper, who was placed with another family. Victoria vows to help Mary Anna find her brother, so they can be a family once again. |
| british literature orphan: Call of the Curlew Elizabeth Brooks, 2018-06-28 'Unforgettable' - ROSAMUND LUPTON Virginia Wrathmell has always known she will meet her death on the marsh. One snowy New Year's Eve, at the age of eighty-six, Virginia feels the time has finally come. New Year's Eve, 1939. Virginia is ten, an orphan arriving to meet her new parents at their mysterious house, Salt Winds. Her new home sits on the edge of a vast marsh, a beautiful but dangerous place. War feels far away out here amongst the birds and shifting sands - until the day a German fighter plane crashes into the marsh. The people at Salt Winds are the only ones to see it. What happens next is something Virginia will regret for the next seventy-five years, and which will change the whole course of her life. |
| british literature orphan: Orphan Texts Laura Peters, 2000 The study argues that the prevalence of the orphan figure can be explained by considering the family. The family and all it came to represent - legitimacy, race and national belonging - was in crisis. In order to reaffirm itself the family needed a scapegoat: it found one in the orphan figure. As one who embodied the loss of the family, the orphan figure came to represent a dangerous threat to the family; and the family reaffirmed itself through the expulsion of this threatening difference. The vulnerable and miserable condition of the orphan, as one without rights, enabled it to be conceived of, and treated as such, by the very institutions responsible for its care. Orphan Texts will of interest to final year undergraduates, postgraduates, academics and those interested in the areas of Victorian literature, Victorian studies, postcolonial studies, history and popular culture.--BOOK JACKET. |
| british literature orphan: A Critical Dictionary of English Literature and British and American Authors Samuel Austin Allibone, 1897 |
| british literature orphan: A Critical Dictionary of English Literature and British and American Authors, Living and Deceased, from the Earliest Account to the Latter Half of the Nineteenth Century Samuel Austin Allibone, 1881 |
| british literature orphan: Orphan of Asia Zhuoliu Wu, 2008-03-22 Born in Taiwan, raised in the scholarly traditions of ancient China but forced into the Japanese educational system, Hu Taiming, the protagonist of Orphan of Asia, ultimately finds himself estranged from all three cultures. Taiming eventually makes his mark in the colonial Japanese educational system and graduates from a prestigious college. However, he finds that his Japanese education and his adoption of modern ways have alienated him from his family and native village. He becomes a teacher in the Japanese colonial system but soon quits his post and finds that, having repudiated his roots, he doesn't seem to belong anywhere. Thus begins the long journey for Taiming to find his rightful place, during which he is accused of spying for both China and Japan and witnesses the effects of Japanese imperial expansion, the horrors of war, and the sense of anger and powerlessness felt by those living under colonial rule. Zhuoliu Wu's autobiographical novel is widely regarded as a classic of modern Asian literature and a groundbreaking expression of the postwar Taiwanese national consciousness. |
| british literature orphan: A Critical Dictionary of English Literature and British and American Authors, Living and Deceased Samuel Austin Allibone, 1870 |
| british literature orphan: Cultural Orphans in America Diana Loercher Pazicky, 2008-10-01 Images of orphanhood have pervaded American fiction since the colonial period. Common in British literature, the orphan figure in American texts serves a unique cultural purpose, representing marginalized racial, ethnic, and religious groups that have been scapegoated by the dominant culture. Among these groups are the Native Americans, the African Americans, immigrants, and Catholics. In keeping with their ideological function, images of orphanhood occur within the context of family metaphors in which children represent those who belong to the family, or the dominant culture, and orphans represent those who are excluded from it. In short, the family as an institution provides the symbolic stage on which the drama of American identity formation is played out. Applying aspects of psychoanalytic theory that pertain to identity formation, specifically René Girard's theory of the scapegoat, Cultural Orphans in America examines the orphan trope in early American texts and the antebellum nineteenth-century American novel as a reaction to the social upheaval and internal tensions generated by three major episodes in American history: the Great Migration, the American Revolution, and the rise of the republic. In Puritan religious texts and Anne Bradstreet's poetry, orphan imagery expresses the doubt and uncertainty that shrouded the mission to the New World. During the Revolutionary and post-Revolutionary periods, the separation of the colony from England inspired an identification with orphanhood in Thomas Paine's writings, and novels by Charles Brockden Brown and James Fenimore Cooper encode in orphan imagery the distinction between Native Americans and the new Americans who have usurped their position as children of the land. In women's sentimental fiction of the 1850s, images of orphanhood mirror class and ethnic conflict, and Uncle Tom's Cabin, like Frederick Douglass's autobiographies, employs orphan imagery to suggest the slave's orphanhood from the human as well as the national family. |
| british literature orphan: Chambers's Cyclopaedia of English Literature Robert Chambers, Robert Carruthers, 1894 |
| british literature orphan: The Unseen World: A Novel Liz Moore, 2016-07-26 From the New York Times bestselling author of Long Bright River: The moving story of a daughter’s quest to discover the truth about her beloved father’s hidden past. Ada Sibelius is raised by David, her brilliant, eccentric, socially inept single father, who directs a computer science lab in 1980s-era Boston. Home-schooled, Ada accompanies David to work every day; by twelve, she is a painfully shy prodigy. The lab begins to gain acclaim at the same time that David’s mysterious history comes into question. When his mind begins to falter, leaving Ada virtually an orphan, she is taken in by one of David’s colleagues. Soon she embarks on a mission to uncover her father’s secrets: a process that carries her from childhood to adulthood. What Ada discovers on her journey into a virtual universe will keep the reader riveted until The Unseen World’s heart-stopping, fascinating conclusion. |
| british literature orphan: Charles Dickens and the Street Children of London Andrea Warren, 2011 The motivations behind Dickens' novels and the poverty-stricken world of 19th century London. |
| british literature orphan: The Little White Bird J. M. Barrie, 2009-05-01 The Little White Bird is a series of short episodes, narratives and day-to-day accounts of J M Barrie's life in London. The tone oscillates from whimsical to social comedy to darkly aggressive. Part of the book's continuing popularity was due to the couple of softer chapters telling the story of Peter Pan, later to become the hero of Barrie's most famous work. |
| british literature orphan: The Thief Lord Cornelia Funke, 2013-10-03 Amid the crumbling splendour of wintertime Venice, two orphans are on the run. The mysterious Thief Lord offers shelter, but a terrible danger is gathering force... |
| british literature orphan: Never Let Me Go Kazuo Ishiguro, 2009-03-19 NOBEL PRIZE WINNER • The moving, suspenseful, beautifully atmospheric modern classic from the acclaimed author of The Remains of the Day and Klara and the Sun—“a Gothic tour de force (The New York Times) with an extraordinary twist. “Brilliantly executed.” —Margaret Atwood “A page-turner and a heartbreaker.” —TIME “Masterly.” —Sunday Times As children, Kathy, Ruth, and Tommy were students at Hailsham, an exclusive boarding school secluded in the English countryside. It was a place of mercurial cliques and mysterious rules where teachers were constantly reminding their charges of how special they were. Now, years later, Kathy is a young woman. Ruth and Tommy have reentered her life. And for the first time she is beginning to look back at their shared past and understand just what it is that makes them special—and how that gift will shape the rest of their time together. |
| british literature orphan: Let's Write a Short Story! Joe Bunting, 2012-11-30 |
| british literature orphan: A Critical Dictionary of English Literature and British and American Authors S. Austin Allibone, 1874 |
| british literature orphan: The Secret Garden Hodgson B.F., «Таинственный сад» – любимая классика для читателей всех возрастов, жемчужина творчества Фрэнсис Ходжсон Бернетт, роман о заново открытой радости жизни и магии силы. Мэри Леннокс, жестокое и испорченное дитя высшего света, потеряв родителей в Индии, возвращается в Англию, на воспитание к дяде-затворнику в его поместье. Однако дядя находится в постоянных отъездах, и Мэри начинает исследовать округу, в ходе чего делает много открытий, в том числе находит удивительный маленький сад, огороженный стеной, вход в который почему-то запрещен. Отыскав ключ и потайную дверцу, девочка попадает внутрь. Но чьи тайны хранит этот загадочный садик? И нужно ли знать то, что находится под запретом?.. Впрочем, это не единственный секрет в поместье... |
| british literature orphan: A Critical Dictionary of English Literature and British and American Authors, Living and Deceased, from the Earliest Accounts to the Latter Half of the Nineteenth Century Samuel Austin Allibone, 1871 |
| british literature orphan: Chambers's Cyclopædia of English Literature Robert Chambers, Robert Carruthers, 1876 |
| british literature orphan: A Critical Dictionary of English Literature Samuel Austin Allibone, 1870 |
| british literature orphan: Orphan Girl Maggie Hope, 2015-01-01 She's no more than an unpaid servant... Lorinda is only a child when tragedy deprives her of her true family and, sent to live with her aunt in her boarding house, she grows up desperately craving affection. And although she finds friendship - and even love - in the boarding house, she finally sees a chance to escape her drab surroundings and unkind family. But is a marriage of convenience better than a love that's true? |
| british literature orphan: A Critical Dictionary of English Literature and British and American Authors Living and Deceased from the Earliest Accounts to the Latter Half of the Nineteenth Century by S. Austin Allibone , 1870 |
| british literature orphan: Andrew Marvell, Orphan of the Hurricane Derek Hirst, Steven N. Zwicker, 2012-06-14 This text studies the poetry and polemics of early modern writer Andrew Marvell. It situates Marvell and his writings within the patronage networks and political upheavals of mid-17th century England. |
| british literature orphan: Cyclopaedia of English Literature ... Ed. by Robert Chambers Robert Chambers, 1844 |
| british literature orphan: The Orphan Thomas Otway, 1751 |
| british literature orphan: Polish Culture in Britain Maggie Ann Bowers, Ben Dew, 2023-09-07 This edited volume explores the historical, cultural and literary legacies of Polish Britain, and their significance for both the British and Polish nations. The focus of the book is twofold. First, it investigates the history of Polish immigration and the ways in which Polish immigrants have conceptualised their own experiences and encounters with Britain and the British. Second, it examines how Poles and Poland have been represented by Anglophone writers in both fictional and non-fictional forms of discourse. Inevitably, these issues are intertwined. Polish experiences of Britain have been shaped, in part, by British ideas about Poland, just as British notions of Poland have been transformed by the emergence of large and culturally active Polish communities in the UK. By studying these issues together, this volume develops a wide-ranging and original analysis of Polish Britain. |
| british literature orphan: The Orphan in the Peacock Shawl AnneMarie Brear, 2022-01-27 'Mesmerising from beginning to end' Lizzie Lane Yorkshire Dales 1850 As a terrible storm rages, Annabelle Wallis is shocked to find a distressed young woman at her cottage door, heavy with child. Moments later a baby girl is born. But by dawn, the mother has vanished, leaving behind the helpless child wrapped only in a silk peacock shawl. When news spreads that Lady Eliza Hartley, sister to wealthy estate owner, John Hartley, has been found dead, Annabelle realises the terrible secret she has stumbled on. Terrified she’ll be blamed for Eliza’s death, Annabelle flees to the filthy slums of York, where she plans to raise the precious orphan as her own. The cobbled streets of York’s slums are no place for a young woman like Annabelle or a Hartley babe and John Hartley is determined to bring them both home. But Annabelle proves impossible to find. Annabelle can’t hide forever from the wealthy Hartley family, but can she ever give up the baby she loves? Praise for AnneMarie Brear: 'AnneMarie Brear writes gritty, compelling sagas that grip from the first page.' Fenella J Miller 'Poignant, powerful and searingly emotional, AnneMarie Brear stands shoulder to shoulder with the finest works by some of the genre’s greatest writers such as Catherine Cookson, Audrey Howard and Rosamunde Pilcher.' |
| british literature orphan: Cyclopaedia of English Literature Robert Chambers, 2023-04-21 Reprint of the original, first published in 1858. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost. |
| british literature orphan: Chambers's Cyclopaedia of English Literature , 1876 |
| british literature orphan: Rereading Orphanhood Diane Warren, Laura Peters, 2021-02-28 Rereading Orphanhood: Texts, Inheritance, Kin explores the ways in which the figure of the literary orphan can be used to illuminate our understanding of the culture and mores of the long nineteenth century, especially those relating to family and kinship. |
| british literature orphan: A Critical Dictionary of English Literature S. Austin Allibone, 2023-06-14 Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost. |
| british literature orphan: Cyclopaedia of English Literature ... Robert Chambers, 1880 |
| british literature orphan: The Warsaw Orphan Kelly Rimmer, 2021-06-01 Instant New York Times bestseller! Inspired by the real-life heroine who saved thousands of Jewish children during WWII, The Warsaw Orphan is Kelly Rimmer’s most anticipated novel since her bestselling sensation, The Things We Cannot Say. “Gripping… This one easily stands on its own.” —Publishers Weekly “Heart-stopping.” – Lisa Wingate, #1 New York Times Bestselling Author “A surefire hit.” – Kristin Harmel, #1 New York Times Bestselling Author In the spring of 1942, young Elzbieta Rabinek is aware of the swiftly growing discord just beyond the courtyard of her comfortable Warsaw home. She has no fondness for the Germans who patrol her streets and impose their curfews, but has never given much thought to what goes on behind the walls that contain her Jewish neighbors. She knows all too well about German brutality--and that it's the reason she must conceal her true identity. But in befriending Sara, a nurse who shares her apartment floor, Elzbieta makes a discovery that propels her into a dangerous world of deception and heroism. Using Sara's credentials to smuggle children out of the ghetto brings Elzbieta face-to-face with the reality of the war behind its walls, and to the plight of the Gorka family, who must make the impossible decision to give up their newborn daughter or watch her starve. For Roman Gorka, this final injustice stirs him to rebellion with a zeal not even his newfound love for Elzbieta can suppress. But his recklessness brings unwanted attention to Sara's cause, unwittingly putting Elzbieta and her family in harm's way until one violent act threatens to destroy their chance at freedom forever. From Nazi occupation to the threat of a communist regime, The Warsaw Orphan is the unforgettable story of Elzbieta and Roman's perilous attempt to reclaim the love and life they once knew. Don’t miss Kelly Rimmer’s next historical suspense, The Paris Agent, coming July 2023! For more by Kelly Rimmer, look for: Before I Let You Go The Things We Cannot Say Truths I Never Told You The German Wife |
| british literature orphan: Orphans of Chaos John C. Wright, 2007-04-01 John C. Wright burst onto the SF scene with the Golden Age trilogy. His next project was the ambitious fantasy sequence, The Last Guardians of Everness. Wright's new fantasy is a tale about five orphans raised in a strict British boarding school who begin to discover that they may not be human beings. The students at the school do not age, while the world around them does. The children begin to make sinister discoveries about themselves. Amelia is apparently a fourth-dimensional being; Victor is a synthetic man who can control the molecular arrangement of matter around him; Vanity can find secret passageways through solid walls where none had previously been; Colin is a psychic; Quentin is a warlock. Each power comes from a different paradigm or view of the inexplicable universe: and they should not be able to co-exist under the same laws of nature. Why is it that they can? The orphans have been kidnapped from their true parents, robbed of their powers, and raised in ignorance by super-beings no more human than they are: pagan gods or fairy-queens, Cyclopes, sea-monsters, witches, or things even stranger than this. The children must experiment with, and learn to control, their strange abilities in order to escape their captors. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied. |
| british literature orphan: British and Indian English Literature Amar Nath Prasad, 2007 |
| british literature orphan: Rereading Orphanhood Diane Warren, 2020-05-01 Rereading Orphanhood: Texts, Inheritance, Kin explores the ways in which the figure of the literary orphan can be used to illuminate our understanding of the culture and mores of the long nineteenth century, especially those relating to family and kinship. |
| british literature orphan: Britfield and the Lost Crown C. R. Stewart, 2019-02-15 Tom has spent most of his life locked behind the cruel walls of Weatherly Orphanage, but whenhe learns that his parents might still be alive, Tom knows he must do what he can to find them.He can't leave Weatherly without his best friend Sarah, so armed with a single clue to his past,the word Britfield, the two make a darling escape by commandeering a hot air balloon. Nowthey're on the run from a famous Scotland Yard detective and what looks like half the policeofficers in England. Tom and Sarah's journey takes them from Oxford University to WindsorCastle, through London, and finally to Canterbury. Along the way, they discover that Tom maybe the true heir to the British throne, but even with the help of two brilliant professors, it lookslike Tom and Sarah will be captured and sent back to the orphanage before they have a chanceto solve Tom's Royal mystery. |
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