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Xanadu Jr. Script: Your Guide to Staging This Electric Musical
Are you ready to transport your audience to a dazzling world of roller skates, electric dreams, and unforgettable music? Then you need the Xanadu Jr. script! This blog post serves as your complete guide to this vibrant musical, offering insights into its plot, characters, potential challenges, and resources to help you stage a truly spectacular production. Whether you're a seasoned theatre director, a budding drama teacher, or simply a curious Xanadu fan, you’ll find invaluable information here to bring this iconic story to life.
Understanding the Xanadu Jr. Script: A Synopsis
The Xanadu Jr. script, a delightful adaptation of the 1980 film, tells the story of Kira, a muse from Mount Olympus who descends to 1980s Venice Beach to inspire a struggling artist, Sonny. Their creative collaboration sparks both artistic triumphs and romantic entanglements, all while battling the jealous machinations of Kira's envious sisters. The script is infused with catchy pop songs from the original film's soundtrack, including chart-toppers like "Xanadu," "Magic," and "Suddenly."
Key Characters and Their Roles in the Xanadu Jr. Script
The Xanadu Jr. script hinges on the dynamic between its central characters:
Kira: A charming and whimsical muse, she's the driving force behind Sonny's artistic awakening. Her naivete and inherent goodness contrast beautifully with the cynicism of the world around her. Casting this role requires an actor with strong vocal abilities and a captivating stage presence.
Sonny: A talented but disheartened artist, Sonny initially resists Kira's influence, but ultimately embraces his artistic potential through their partnership. He needs to be a charismatic actor who can portray both vulnerability and determination.
Danny: Sonny's business-minded friend, often acts as a foil to Sonny's creative idealism. He offers a grounded perspective and adds comedic relief.
The Muses: Kira's sisters, these characters add flair and conflict to the narrative. They present a fun opportunity for ensemble work and showcasing varied personalities.
Staging Challenges and Creative Solutions for the Xanadu Jr. Script
Staging Xanadu Jr. presents unique challenges. The script's inherent blend of fantasy and reality requires creative solutions:
Roller Skating Sequences: The iconic roller-skating scenes require careful choreography and safety precautions. Consider pre-show rehearsals and potentially hiring a skating choreographer to ensure a polished performance.
Setting Design: Recreating the vibrant atmosphere of 1980s Venice Beach requires inventive set design, utilizing bold colors and retro elements. Consider projections and lighting to enhance the mood.
Musical Numbers: The songs are pivotal to the story. Ensuring your cast possesses strong vocal talent and coordinating harmonies are essential for delivering a powerful performance.
Resources for Obtaining the Xanadu Jr. Script and Related Materials
Finding a legitimate copy of the Xanadu Jr. script is crucial. While various online sources might offer unauthorized versions, always prioritize obtaining your script through official theatrical licensing agencies. These agencies can guide you through the licensing process and provide access to professional materials, including orchestrations, choreography suggestions, and production guides. Check with organizations such as Music Theatre International (MTI) or Concord Theatricals.
Beyond the Script: Enhancing Your Production
While the Xanadu Jr. script provides a solid foundation, successful productions benefit from creative additions:
Costume Design: Embrace the vibrant 80s aesthetic. Think neon colors, leg warmers, and stylish roller-disco outfits.
Choreography: The choreography plays a significant role in conveying the story's energy. Integrate roller skating elements seamlessly into the dances.
Lighting and Sound: Utilize dynamic lighting to enhance the fantastical elements of the story and create a vibrant atmosphere. The sound design should perfectly complement the energetic score.
Conclusion
Staging Xanadu Jr. is an ambitious but highly rewarding undertaking. This energetic musical, with its captivating storyline and unforgettable soundtrack, provides an amazing opportunity to showcase talent and create a truly memorable theatrical experience. Remember to utilize the resources available, meticulously plan your production elements, and prioritize the safety and enjoyment of your cast and crew.
Frequently Asked Questions (FAQs)
Q1: Where can I find a legally licensed Xanadu Jr. script?
A1: Contact official theatrical licensing agencies like Music Theatre International (MTI) or Concord Theatricals for legally licensed scripts and associated materials.
Q2: What age range is Xanadu Jr. suitable for?
A2: Xanadu Jr. is generally suitable for a wide age range, but younger audiences might need some parental guidance due to some light mature themes.
Q3: How long is a typical Xanadu Jr. performance?
A3: Performance length varies depending on staging choices but usually runs around 1.5 to 2 hours including an intermission.
Q4: What kind of technical skills are required for a successful Xanadu Jr. production?
A4: Strong skills in lighting, sound, set design, and costume design are essential, along with expertise in choreography, especially roller skating routines.
Q5: Are there any alternative adaptations of Xanadu available for amateur productions?
A5: While Xanadu Jr. is the most common adaptation for younger performers, you might find other simplified versions available depending on your licensing agencies' offerings. Always check with the licensing agencies for the most up-to-date information on available adaptations.
| xanadu jr script: Television Series and Specials Scripts, 1946-1992 , 2009-10-21 In the early days of television, many of its actors, writers, producers and directors came from radio. This crossover endowed the American Radio Archives with a treasure trove of television documents. The collected scripts span more than 40 years of American television history, from live broadcasts of the 1940s to the late 1980s. They also cover the entire spectrum of television entertainment programming, including comedies, soap operas, dramas, westerns, and crime series. The archives cover nearly 1,200 programs represented by more than 6,000 individual scripts. Includes an index of personal names, program and episode titles and production companies, as well as a glossary of industry terms. |
| xanadu jr script: Kubla Khan Samuel Coleridge, 2015-12-15 Though left uncompleted, “Kubla Khan” is one of the most famous examples of Romantic era poetry. In it, Samuel Coleridge provides a stunning and detailed example of the power of the poet’s imagination through his whimsical description of Xanadu, the capital city of Kublai Khan’s empire. Samuel Coleridge penned “Kubla Khan” after waking up from an opium-induced dream in which he experienced and imagined the realities of the great Mongol ruler’s capital city. Coleridge began writing what he remembered of his dream immediately upon waking from it, and intended to write two to three hundred lines. However, Coleridge was interrupted soon after and, his memory of the dream dimming, was ultimately unable to complete the poem. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library. |
| xanadu jr script: Shrek the Musical (Songbook) , 2009-09-01 (Piano/Vocal/Guitar Songbook). Features 18 piano/vocal selections from this Broadway hit that won both Tony and Drama Desk awards. Includes a plot synopsis, sensational color photos, and these tunes: The Ballad of Farquaad * Big Bright Beautiful World * Build a Wall * Don't Let Me Go * Donkey Pot Pie * Finale (This Is Our Story) * Freak Flag * I Know It's Today * I Think I Got You Beat * Make a Move * More to the Story * Morning Person * Story of My Life * This Is How a Dream Comes True * Travel Song * What's Up, Duloc? * When Words Fail * Who I'd Be. |
| xanadu jr script: Peter Pan Francesca Rossi, J. M. Barrie, 2014-11-13 |
| xanadu jr script: Catalog of Copyright Entries Library of Congress. Copyright Office, 1972 |
| xanadu jr script: Spring Awakening Steven Sater, Duncan Sheik, 2007-09-01 “This brave new musical, haunting and electrifying by turns, restores the mystery, the thrill to that shattering transformation that stirs in all our souls.”—Charles Isherwood, The New York Times “The staggering purity of this show will touch all open hearts…In its refined, imaginative simplicity, it daringly reverses all the conventional rules by returning the American musical to an original state of innocence.”—John Heilpern, The New York Observer “An unexpected jolt of sudden genius, edgy in its brutally honest, unromanticized depiction of human sexuality.”—New York Post Spring Awakening is an extraordinary new rock musical with book and lyrics by Steven Sater and music by Grammy Award-nominated recording artist Duncan Sheik. Inspired by Frank Wedekind’s controversial 1891 play about teenage sexuality and society’s efforts to control it, the piece seamlessly merges past and present, underscoring the timelessness of adolescent angst and the universality of human passion. Steven Sater’s plays include the long-running Carbondale Dreams, Perfect for You, Doll (Rosenthal Prize/Cincinnati Playhouse), Umbrage (Steppenwolf New Play Prize), and a reconceived version of Shakespeare’s Tempest, which played in London. Duncan Sheik is a singer/songwriter who also collaborated with Sater on the musical The Nightingale. He has composed original music for The Gold Rooms of Nero and for The Public Theater’s Twelfth Night in Central Park. |
| xanadu jr script: The School Librarian School Library Association, 1977 |
| xanadu jr script: Between the Lines Jodi Picoult, Samantha van Leer, 2013-06-25 Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom. |
| xanadu jr script: The Little Dog Laughed Douglas Carter Beane, 2007 THE STORY: Yes, we love the cinema for its great auteurs, its glorious faces and its daring images. But in this tabloid age where big stars go on Oprah and jump around like heartsick schoolboys, what we really love is all that dish! The play |
| xanadu jr script: Dramas and Works Prepared for Oral Delivery Library of Congress. Copyright Office, 1970 |
| xanadu jr script: Flat Stanley and the Missing Pumpkins Jeff Brown, 2017-07-25 In this Flat Stanley I Can Read adventure, Stanley visits his relatives at the farm and helps his uncle win big at the pumpkin contest! There are so many fun ways for Flat Stanley to help on his uncle’s farm in the fall. Being flat comes in handy when picking corn and even acting like a scarecrow! But when pumpkins begin to disappear right before the county fair, will Flat Stanley be able to help? Flat Stanley and the Missing Pumpkins is a is a Level Two I Can Read book, geared for kids who read on their own but still need a little help. |
| xanadu jr script: Introduction to Scientific Psychology Henry D. Jr. Schlinger, Alan Poling, 2013-11-21 We humans are faced with an interesting problem: That which we think we un derstand the most-our own behavior-we probably understand the least. On the eve of a new millennium. the planet is beset by a host of problems that are. for the most part. caused by human behavior. Ironically. although it seems that the greatest impact of our behavior is on the planet and its other inhabitants. we may actually be threatening our own future the most. For example. we have caused untold harm to the air we breathe. to the water we drink. and. by exten sion. to much of the food we eat. More important perhaps. we have created a so ciety in which. among other things. many people are anxious and depressed. young women starve themselves. and alcohol and cigarette use are responsible for hundreds of thousands of cases of illness and death every year. And humans still murder one another at an astounding rate. while at the same time continu ing to affirm the value of human life. At a time when it is critical that our chil dren become educated. more and more children are not learning the basic skills they will need to think logically so that they can begin to solve the world's problems. The question may be not Can the planet survive? but. rather. Can we humans survive and change our own destructive actions? Although many scholars. philosophers. |
| xanadu jr script: Hawkman (2018-) #1 Robert Venditti, Jeff Lemire, 2018-06-13 Spinning out of the events of DARK NIGHTS: METAL, Carter Hall returns to the DC Universe! An explorer of the ancient and unknown, Hawkman finds himself embroiled in a long-standing mission to discover the true purpose of his many reincarnations. Carter races around the globe trying to piece together an ancient prophecy, but will he be able to face down his past lives lurking around every corner? |
| xanadu jr script: Citizen Kane Harlan Lebo, 1990 The film Citizen Kane smashed all of Hollywood's filmmaking conventions, setting standards for visual style and storytelling that are still unmatched today. Here are rare photographs, letters, production sketches and behind-the-scenes stories from the seminal film by Orson Welles that made Rosebud a household word. 109 photos. |
| xanadu jr script: Orson Welles's Citizen Kane James Naremore, 2010-04-10 Citizen Kane is arguably the most admired and significant film since the advent of talking pictures. No other film is quite so interesting from both artistic and political points of view. To study it even briefly is to learn a great deal about American history, motion-picture style, and the literary aspects of motion-picture scripts. Rather than presenting a sterile display of critical methodologies, James Naremore has gathered a set of essays that represent the essential writings on the film. It gives the reader a lively set of critical interpretations, together with the necessary production information, historical background, and technical understanding to comprehend the film's larger cultural significance. Selections range from the anecdotal --Peter Bogdanovich's interview with Orson Welles--to the critical, with discussions on the scripts and sound track, and a discussion of what accounts for the film's enduring popularity. Contributors include James Naremore, Peter Bogdanovich, Jonathan Rosenbaum, Robert L. Carringer, François Thomas, Michael Denning, Laura Mulvey, Peter Wollen, and Paul Arthur. |
| xanadu jr script: Jasper in Deadland Hunter Foster, Ryan Scott Oliver, 2017 Jasper is lost in the living world. When you're failing classes, kicked off the swim team, and your family is on the skids, life can feel like it's going to hell. Yet, in all the disappointment, Jasper has his best friend, Agnes. In one night of teenage passion, Jasper and Agnes consummate a years-long friendship. But in the morning Agnes is gone, telling Jasper to meet her at their cliff. When he arrives there's no sign of his best friend, only a swirling vortex to another world in the water be |
| xanadu jr script: The Fountainhead Ayn Rand, 2014-12-02 When The Fountainhead was first published, Ayn Rand's daringly original literary vision and her groundbreaking philosophy, Objectivism, won immediate worldwide interest and acclaim. This instant classic is the story of an intransigent young architect, his violent battle against conventional standards, and his explosive love affair with a beautiful woman who struggles to defeat him. This edition contains a special afterword by Rand’s literary executor, Leonard Peikoff, which includes excerpts from Ayn Rand’s own notes on the making of The Fountainhead. As fresh today as it was then, here is a novel about a hero—and about those who try to destroy him. |
| xanadu jr script: Feeling Lucky Paul Franke, 2023-07-13 Monte Carlo and Las Vegas have become synonymous with casino gambling. Both destinations featured it as part of a broad variety of leisure and consumption opportunities that normalized games of chance and created emotional atmospheres that supported the hedonistic aspects of gambling. Urban spaces and architecture were carefully designed to enable a rapid growth of the casino industry and produce experiences on previous unimaginable scale. Feeling Lucky, is a “making of story,” about cities which acquired a strange and captivating allure of mystery around them. It is more than a mere descriptive account, however. Combining urban history, the history of consumption, and sociological approaches it presents a compelling comparative history of Monte Carlo and the Las Vegas Strip between the 1860s and 1970s. Paul Franke takes the reader on a journey from arriving at the cities, through the carefully planned urban environments and into the famous casinos. The analysis follows the paths contemporary gamblers would have taken, right to the gambling tables and to the shifting gambling practices across a century. Franke shows that casino entrepreneurs succeeded in producing and selling gambling experiences by controlling spaces, adapt leisure practices and appeal to specific markets. Gamblers on the other hand regarded Monte Carlo and Las Vegas as places to engage in games of chance that would allow them to preserve their political, cultural, and moral identities. |
| xanadu jr script: Catalog of Copyright Entries. Third Series Library of Congress. Copyright Office, 1970 |
| xanadu jr script: Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office Library of Congress. Copyright Office, 1970 |
| xanadu jr script: The New Yorker Harold Wallace Ross, William Shawn, Tina Brown, David Remnick, Katharine Sergeant Angell White, Rea Irvin, Roger Angell, 2008-08 |
| xanadu jr script: Dalton Trumbo Larry Ceplair, Christopher Trumbo, 2015-01-13 “Trumbo emerges from this well-rounded biography as a larger-than-life figure, not unlike the characters he scripted for the screen.” —Publishers Weekly James Dalton Trumbo is widely recognized as a screenwriter, playwright, and author, but he is also remembered as one of the Hollywood Ten who opposed the House Un-American Activities Committee. Refusing to answer questions about his prior involvement with the Communist Party, Trumbo sacrificed a successful career in Hollywood to stand up for his rights and defend political freedom. In Dalton Trumbo, Larry Ceplair and Christopher Trumbo present their extensive research on the famed writer, detailing his work; his membership in the Communist Party; his long campaign against censorship during the domestic cold war; his ten-month prison sentence for contempt of Congress; and his thirteen-year struggle to break the blacklist. The blacklist ended for Trumbo in 1960, when he received screen credits for Exodus and Spartacus. Just before his death, he received a long-delayed Academy Award for The Brave One, and in 1993, he was posthumously given another for Roman Holiday. This comprehensive biography, which includes excerpts of Trumbo’s letters, notes, and other writings, also provides insights into the notable people with whom Trumbo worked, including Stanley Kubrick, Otto Preminger, and Kirk Douglas, and a fascinating look at the life of one of Hollywood’s most prominent screenwriters and his battle against persecution. |
| xanadu jr script: Dreamer of Dune Brian Herbert, 2023-11-16 Everyone knows Frank Herbert's Dune. This science fiction epic combines politics human evolution and ecology and has captured the imagination of generations of readers. It is one of the most popular science fiction novels ever written, has won awards, sold millions of copies around the world and spawned multiple motion-picture adaptations. Brian Herbert, Frank Herbert's eldest son, tells the provocative story of his father's extraordinary life in this honest and loving chronicle. He has also brought to light all the events in Herbert's life that would find their way into speculative fiction's greatest epic. From his early years in Tacoma, Washington, through his time at university and in the Navy, to the difficult years of poverty while struggling to become a published writer, Herbert worked long and hard before finding success after the publication of Dune in 1965. Brian Herbert writes about these years with a truthful intensity that brings every facet of his father's brilliant, and sometimes troubled, genius to full light. Insightful and provocative, containing family photos never published anywhere, this absorbing biography offers Brian Herbert's unique personal perspective on one of the most enigmatic and creative talents of our time. |
| xanadu jr script: Julius Caesar William Shakespeare, 1957 |
| xanadu jr script: Dinosaurs Before Dark (Full-Color Edition) Mary Pope Osborne, 2012-09-25 We are celebrating by bringing full color to the Cretaceous period—full-color art that is! This jacketed hardcover edition boasts new artwork, plus extras, like an interview between the creators, a letter from Mary Pope Osborne, and up-to-date dinosaur info! Join Jack and Annie as they travel back to the time of dinosaurs where they encounter all sorts of dinos from the terrifying T-Rex to the crowd-pleasing Triceratops—and start on a life-time of adventures with new readers. |
| xanadu jr script: Drawing the Line Tom Sito, 2006-10-06 Some of the most beloved characters in film and television inhabit two-dimensional worlds that spring from the fertile imaginations of talented animators. The movements, characterizations, and settings in the best animated films are as vivid as any live action film, and sometimes seem more alive than life itself. In this case, Hollywood’s marketing slogans are fitting; animated stories are frequently magical, leaving memories of happy endings in young and old alike. However, the fantasy lands animators create bear little resemblance to the conditions under which these artists work. Anonymous animators routinely toiled in dark, cramped working environments for long hours and low pay, especially at the emergence of the art form early in the twentieth century. In Drawing the Line, veteran animator Tom Sito chronicles the efforts of generations of working men and women artists who have struggled to create a stable standard of living that is as secure as the worlds their characters inhabit. The former president of America’s largest animation union, Sito offers a unique insider’s account of animators’ struggles with legendary studio kingpins such as Jack Warner and Walt Disney, and their more recent battles with Michael Eisner and other Hollywood players. Based on numerous archival documents, personal interviews, and his own experiences, Sito’s history of animation unions is both carefully analytical and deeply personal. Drawing the Line stands as a vital corrective to this field of Hollywood history and is an important look at the animation industry’s past, present, and future. Like most elements of the modern commercial media system, animation is rapidly being changed by the forces of globalization and technological innovation. Yet even as pixels replace pencils and bytes replace paints, the working relationship between employer and employee essentially remains the same. In Drawing the Line, Sito challenges the next wave of animators to heed the lessons of their predecessors by organizing and acting collectively to fight against the enormous pressures of the marketplace for their class interests—and for the betterment of their art form. |
| xanadu jr script: The Venice Variations Sophia Psarra, 2018-04-30 From the myth of Arcadia through to the twenty-first century, ideas about sustainability – how we imagine better urban environments – remain persistently relevant, and raise recurring questions. How do cities evolve as complex spaces nurturing both urban creativity and the fortuitous art of discovery, and by which mechanisms do they foster imagination and innovation? While past utopias were conceived in terms of an ideal geometry, contemporary exemplary models of urban design seek technological solutions of optimal organisation. The Venice Variations explores Venice as a prototypical city that may hold unique answers to the ancient narrative of utopia. Venice was not the result of a preconceived ideal but the pragmatic outcome of social and economic networks of communication. Its urban creativity, though, came to represent the quintessential combination of place and institutions of its time. Through a discussion of Venice and two other works owing their inspiration to this city – Italo Calvino’s Invisible Cities and Le Corbusier’s Venice Hospital – Sophia Psarra describes Venice as a system that starts to resemble a highly probabilistic ‘algorithm’, that is, a structure with a small number of rules capable of producing a large number of variations. The rapidly escalating processes of urban development around our big cities share many of the motivations for survival, shelter and trade that brought Venice into existence. Rather than seeing these places as problems to be solved, we need to understand how urban complexity can evolve, as happened from its unprepossessing origins in the marshes of the Venetian lagoon to the ‘model city’ that endured a thousand years. This book frees Venice from stereotypical representations, revealing its generative capacity to inform potential other ‘Venices’ for the future. |
| xanadu jr script: Catalog of the Theatre and Drama Collections: Theatre Collection: books on the theatre. 9 v New York Public Library. Research Libraries, 1967 |
| xanadu jr script: Encyclopedia of Caves and Karst Science John Gunn, 2004-08-02 The Encyclopedia of Caves and Karst Science contains 350 alphabetically arranged entries. The topics include cave and karst geoscience, cave archaeology and human use of caves, art in caves, hydrology and groundwater, cave and karst history, and conservation and management. The Encyclopedia is extensively illustrated with photographs, maps, diagrams, and tables, and has thematic content lists and a comprehensive index to facilitate searching and browsing. |
| xanadu jr script: Our Century Featuring the Palm Beach Post 100 Jan Tuckwood, 2000 |
| xanadu jr script: Marco Polo Laurence Bergreen, 2007 In this authoritative biography of one of the most fascinating figures in world history, Marco Polos incredible odyssey--along the Silk Road and through all the fantastic circumstances of his life--is chronicled in sumptuous and illuminating detail. Illustrated. |
| xanadu jr script: Ain't Misbehavin' Andy Razaf, 2001-07 Here's a nice easy-goin' swing chart on a great jazz classic composed by Fats Waller. Arranger Ralph Ford, one of our specialists in writing for young bands, does it once again. Solos are for piano and tenor sax (both written out), the brass ranges are modest, and this arrangement is loaded with natural swing licks. A super chart! |
| xanadu jr script: Mapping the Chinese and Islamic Worlds Hyunhee Park, 2012-08-27 This book documents the relationship and wisdom of Asian cartographers in the Islamic and Chinese worlds before the Europeans arrived. |
| xanadu jr script: Feiffer's People Jules Feiffer, 1969 A long-run Broadway hit, this warmly humorous--and human--play by our theatre's most renowned comic writer, offers a wise and witty examination of a family hilariously beset by marital and domestic problems. ...one of the most professional pieces of work Bro |
| xanadu jr script: Off the Ground JR Moores, 2024-11-12 A sympathetic but clear-eyed exploration of Paul McCartney’s work in the 1990s, arguably his most important since the rise of the Beatles. Paul McCartney’s 1990s was an era like no other, perhaps even the most significant decade of his entire career after the 1960s. Following a shakier 1980s, the decade would see McCartney reemerge with greater energy, momentum, and self-belief. JR Moores’s sympathetic but not uncritical new book explores McCartney’s ’90s, with its impressive studio and live albums, colossal tours, unexpected side-projects and imaginative collaborations, forays into classical composition, some new Beatles numbers, and a whole lot more besides. Moores reveals how McCartney’s reputation began to be perceived more generously by the public, and he argues that Macca’s output and activities in the ’90s would uncover more about the person behind them than in any other decade. |
| xanadu jr script: Billboard , 1980-10-11 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| xanadu jr script: Orson Welles Bret Wood, 1990-02-20 This new work contains the most comprehensive bibliography of Orson Welles' work and material written on Welles. It presents a concise history of Welles' life and career, paying special attention to the ways he was presented by the media. At different points in his career, he was portrayed as a young genius, a spoiled brat, a European playboy, a political rebel, and both a consistent failure as well as a consistent master of the arts. The book examines the material which led to such public impressions and determines how and why these materials presented him in such a way, while comparing it to the truth of Orson Welles: the man, the artist, and the showman. Following the biographical sketch on Welles in the opening section, the next section of the book presents a brief yet precise analysis of each of Welles' projects, with particular emphasis on the works he was unable to complete and those which have been diminished by outside editing or since lost. The third and final section is a comprehensive bibliography of Welles' writings, productions, and appearances. It also includes a complete listing of material devoted to Welles, with notes determining which are of greatest value in the study of Welles' life and career. This book is an indispensable tool in the study of Welles' career. It also serves as a valuable reference source for use in courses in broadcasting, theater, and especially film. |
| xanadu jr script: As Bees in Honey Drown Douglas Carter Beane, 1998 THE STORY: Evan Wyler has just finished a photo session with his shirt off. No, he's not a supermodel; he's a twenty-something New York writer savoring the success of his debut novel. Defined by the media as the hot-young thing-of-the-moment, Eva |
| xanadu jr script: Radio Drama Tim Crook, 2002-01-04 Radio Drama brings together the practical skills needed for radio drams, such as directing, writing and sound design, with media history and communication theory. Challenging the belief that sound drama is a 'blind medium', Radio Drama shows how experimentation in radio narrative has blurred the dividing line between fiction and reality in modern media. Using extracts from scripts and analysing radio broadcasts from America, Britain, Canada and Australia, the book explores the practicalities of producing drama for radio. Tim Crook illustrates how far radio drama has developed since the first 'audiophonic production' and evaluates the future of radio drama in the age of live phone-ins and immedate access to programmes on the Internet. |
| xanadu jr script: Selling Your Screenplay Ashley Scott Meyers, 2007 Selling Your Screenplay is a step-by-step guide to getting your screenplay sold and produced. Learn how to get your script into the hands of the producers and directors who can turn your story into a movie. |
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