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Whereas Layli Long Soldier: A Deep Dive into Poetic Protest and Indigenous Resilience
Are you captivated by poetry that transcends the page, becoming a powerful voice for social justice and cultural preservation? Then you need to know Layli Long Soldier. This post delves into the profound impact of her work, particularly her critically acclaimed book, Whereas. We'll explore the themes of historical trauma, cultural reclamation, and the ongoing struggle for Indigenous rights woven into her stunning and often heartbreaking poetry. We'll uncover the power of her language, the intricacies of her poetic structures, and the lasting legacy of her contributions to contemporary literature. Get ready to embark on a journey through the evocative world of Layli Long Soldier's Whereas.
H2: Understanding Whereas: A Framework for Grievance and Repair
Layli Long Soldier's Whereas isn't simply a collection of poems; it's a meticulously crafted performance piece, a legal document reimagined as poetry, and a searing indictment of historical injustices against Native Americans. The title itself is a deliberate choice, referencing the legalistic language of apologies and resolutions. Long Soldier skillfully uses this formal structure to both expose the inadequacy of government apologies and to create space for Indigenous voices to be heard. The book’s fragmented structure mirrors the fragmented nature of Indigenous history, often erased or misrepresented in dominant narratives.
H3: The Power of Repetition and Fragmentation
Long Soldier's poetic techniques are as vital as her subject matter. The repetition of phrases and the jarring fragmentation of narrative create a visceral experience for the reader. This isn't a comfortable read; it's meant to disrupt and challenge. The fragmented nature of the text reflects the fragmented experiences of Indigenous peoples, emphasizing the lasting effects of colonization and dispossession. The constant repetition, while potentially jarring initially, underscores the relentless nature of historical trauma and its ongoing impact on present-day Indigenous communities.
H3: Examining Themes of Trauma and Resilience
At the heart of Whereas lies the exploration of historical trauma – the multigenerational effects of colonization, displacement, and systemic oppression. Long Soldier masterfully portrays the lingering wounds inflicted upon Indigenous communities, showing how past injustices continue to shape the present. However, Whereas isn't solely a lament. It's also a testament to Indigenous resilience, a celebration of cultural survival, and a powerful assertion of Indigenous sovereignty and self-determination. The poems are infused with a quiet strength and unwavering determination to reclaim narrative and agency.
H2: Layli Long Soldier's Literary Style and Influence
Long Soldier’s poetic voice is undeniably unique. She seamlessly blends formal structure with raw emotion, creating a powerful tension between the formality of the legalistic language and the deeply personal experiences she shares. Her use of repetition, fragmentation, and strategic silence enhances the poem's emotional impact, leaving the reader space to reflect on the weight of the historical injustices presented. This innovative approach to form and content has significantly influenced contemporary Native American literature and broader discussions surrounding historical trauma and Indigenous representation.
H3: The Role of Language and Reclamation
Language itself is a powerful tool in Whereas. Long Soldier reclaims language that has been used to oppress and erase Indigenous peoples, reshaping and redefining its meaning. By incorporating both Indigenous languages and the language of the oppressor, she highlights the complexities of intergenerational trauma and the ongoing struggle for linguistic and cultural preservation. This reclamation of language is not just a literary device; it’s an act of political resistance.
H2: The Lasting Impact and Legacy of Whereas
Whereas has been lauded by critics and readers alike for its groundbreaking approach to poetry and its powerful contribution to the conversation about Indigenous rights and historical trauma. Its influence extends beyond the literary world, sparking dialogues in academic settings, informing policy discussions, and inspiring further artistic explorations of Indigenous experiences. The book’s enduring power stems from its ability to connect with readers on a deeply human level, making the abstract concepts of historical trauma and systemic injustice palpably real.
Conclusion
Layli Long Soldier’s Whereas is more than just a book of poems; it’s a testament to the power of poetry as a tool for social justice, historical reckoning, and cultural preservation. Through her innovative use of language, structure, and theme, Long Soldier forces us to confront uncomfortable truths and re-examine our understanding of Indigenous history and ongoing struggles. Her work deserves to be read, studied, and discussed for its enduring impact on contemporary literature and its profound contribution to the fight for Indigenous rights.
FAQs
1. Is Whereas suitable for all readers? While accessible in its language, Whereas deals with heavy subject matter and may be emotionally challenging for some readers.
2. What other works should I read by Layli Long Soldier? Explore her other poetry collections, including Òkàn and Remembering This.
3. How does Whereas contribute to Indigenous literature? It significantly advances Indigenous literary traditions by innovatively blending form and content to grapple with complex historical and contemporary issues.
4. Where can I purchase a copy of Whereas? It's readily available at most major booksellers online and in physical stores.
5. Are there any academic resources available to better understand the context of Whereas? Yes, numerous scholarly articles and essays analyze Long Soldier's work and its broader context within Indigenous studies and literary criticism.
| whereas layli long soldier: WHEREAS Layli Long Soldier, 2019-04-23 Whereas confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. |
| whereas layli long soldier: Afterland Mai Der Vang, 2017-04-04 The 2016 winner of the Walt Whitman Award of the Academy of American Poets, selected by Carolyn Forché When I make the crossing, you must not be taken no matter what the current gives. When we reach the camp, there will be thousands like us. If I make it onto the plane, you must follow me to the roads and waiting pastures of America. We will not ride the water today on the shoulders of buffalo as we used to many years ago, nor will we forage for the sweetest mangoes. I am refugee. You are too. Cry, but do not weep. —from “Transmigration” Afterland is a powerful, essential collection of poetry that recounts with devastating detail the Hmong exodus from Laos and the fate of thousands of refugees seeking asylum. Mai Der Vang is telling the story of her own family, and by doing so, she also provides an essential history of the Hmong culture’s ongoing resilience in exile. Many of these poems are written in the voices of those fleeing unbearable violence after U.S. forces recruited Hmong fighters in Laos in the Secret War against communism, only to abandon them after that war went awry. That history is little known or understood, but the three hundred thousand Hmong now living in the United States are living proof of its aftermath. With poems of extraordinary force and grace, Afterland holds an original place in American poetry and lands with a sense of humanity saved, of outrage, of a deep tradition broken by war and ocean but still intact, remembered, and lived. |
| whereas layli long soldier: New Poets of Native Nations Heid E. Erdrich, 2018-07-10 A landmark anthology celebrating twenty-one Native poets first published in the twenty-first century New Poets of Native Nations gathers poets of diverse ages, styles, languages, and tribal affiliations to present the extraordinary range and power of new Native poetry. Heid E. Erdrich has selected twenty-one poets whose first books were published after the year 2000 to highlight the exciting works coming up after Joy Harjo and Sherman Alexie. Collected here are poems of great breadth—long narratives, political outcries, experimental works, and traditional lyrics—and the result is an essential anthology of some of the best poets writing now. Poets included are Tacey M. Atsitty, Trevino L. Brings Plenty, Julian Talamantez Brolaski, Laura Da’, Natalie Diaz, Jennifer Elise Foerster, Eric Gansworth, Gordon Henry, Jr., Sy Hoahwah, LeAnne Howe, Layli Long Soldier, Janet McAdams, Brandy Nalani McDougall, Margaret Noodin, dg okpik, Craig Santos Perez, Tommy Pico, Cedar Sigo, M. L. Smoker, Gwen Westerman, and Karenne Wood. |
| whereas layli long soldier: Loop of Jade Sarah Howe, 2015-05-07 *WINNER OF THE T. S. ELIOT PRIZE 2015* *WINNER OF THE SUNDAY TIMES / PETERS FRASER + DUNLOP YOUNG WRITER OF THE YEAR AWARD 2015* *SHORTLISTED FOR THE FORWARD PRIZE FOR BEST FIRST COLLECTION 2015* There is a Chinese proverb that says: ‘It is more profitable to raise geese than daughters.’ But geese, like daughters, know the obligation to return home. In her exquisite first collection, Sarah Howe explores a dual heritage, journeying back to Hong Kong in search of her roots. With extraordinary range and power, the poems build into a meditation on hybridity, intermarriage and love – what meaning we find in the world, in art, and in each other. Crossing the bounds of time, race and language, this is an enthralling exploration of self and place, of migration and inheritance, and introduces an unmistakable new voice in British poetry. |
| whereas layli long soldier: Poetry Unbound Pádraig Ó Tuama, 2022-10-06 This inspiring collection, curated by the host of the Poetry Unbound, presents fifty poems about what it means to be alive in the world today. Each poem is paired with Pádraig’s illuminating commentary that offers personal anecdotes and generous insights into the content of the poem. Engaging, accessible and inviting, Poetry Unbound is the perfect companion for everyone who loves poetry and for anyone who wants to go deeper into poetry but doesn’t necessarily know how to do so. Contributors include Hanif Abdurraqib, Patience Agbabi, Raymond Antrobus, Margaret Atwood, Ada Limón, Kei Miller, Roger Robinson, Lemn Sissay, Layli Long Soldier and more. |
| whereas layli long soldier: How To Wash A Heart Bhanu Kapil, 2020-03-26 Winner of the T. S. Eliot Prize 2020. Poetry Book Society Choice, Summer 2020. Bhanu Kapil’s extraordinary and original work has been published in the US over the last two decades. During that time Kapil has established herself as one of our most important and ethical writers. Her books often defy categorisation as she fearlessly engages with colonialism and its ongoing and devastating aftermath, creating what she calls in Ban en Banlieue (2015) a ‘Literature that is not made from literature’. Always at the centre of her books and performances are the experiences of the body, and, whether she is exploring racism, violence, the experiences of diaspora communities in India, England or America, what emerges is a heart-stopping, life-affirming way of telling the near impossible-to-be-told. How To Wash A Heart, Kapil's first full-length collection published in the UK, depicts the complex relations that emerge between an immigrant guest and a citizen host. Drawn from a first performance at the ICA in London in 2019, and using poetry as a mode of interrogation that is both rigorous, compassionate, surreal, comic, painful and tender, by turn, Kapil begins to ask difficult and urgent questions about the limits of inclusion, hospitality and care. |
| whereas layli long soldier: Lake Superior Lorine Niedecker, 2013-04-02 A reader-friendly anthology of influence—the geologic, historical, and personal history to supplement Lorine Niedecker’s poem. |
| whereas layli long soldier: Lakota America Pekka Hamalainen, 2019-10-22 The first comprehensive history of the Lakota Indians and their profound role in shaping America's history Named One of the New York Times Critics' Top Books of 2019 - Named One of the 10 Best History Books of 2019 by Smithsonian Magazine - Winner of the MPIBA Reading the West Book Award for narrative nonfiction Turned many of the stories I thought I knew about our nation inside out.--Cornelia Channing, Paris Review, Favorite Books of 2019 My favorite non-fiction book of this year.--Tyler Cowen, Bloomberg Opinion A briliant, bold, gripping history.--Simon Sebag Montefiore, London Evening Standard, Best Books of 2019 All nations deserve to have their stories told with this degree of attentiveness--Parul Sehgal, New York Times This first complete account of the Lakota Indians traces their rich and often surprising history from the early sixteenth to the early twenty-first century. Pekka Hämäläinen explores the Lakotas' roots as marginal hunter-gatherers and reveals how they reinvented themselves twice: first as a river people who dominated the Missouri Valley, America's great commercial artery, and then--in what was America's first sweeping westward expansion--as a horse people who ruled supreme on the vast high plains. The Lakotas are imprinted in American historical memory. Red Cloud, Crazy Horse, and Sitting Bull are iconic figures in the American imagination, but in this groundbreaking book they emerge as something different: the architects of Lakota America, an expansive and enduring Indigenous regime that commanded human fates in the North American interior for generations. Hämäläinen's deeply researched and engagingly written history places the Lakotas at the center of American history, and the results are revelatory. |
| whereas layli long soldier: Cinder Susan Stewart, 2017-02-07 “One of the finest poets of the last fifty years.” —Salt to the Nth, like the truth of an ending unskeined across the crust of the white field. Though it happened only once, I am sending the thought of the thought continuing. To return to the field before the mowing. When a goldfinch swayed on a blue stem stalk, and the wind and the sun stirred the hay. —from “After the Mowing” Cinder: New and Selected Poems gathers for the first time poetry from across Susan Stewart’s thirty-five-year career, including many extraordinary new poems. From brief songs to longer meditative sequences, and always with formal innovation and exquisite precision, Stewart evokes the innocence of childhood, the endangered mysteries of the natural world, and deeply felt perceptions, both acute and shared. “Stewart explores our insatiable desire to remember and make meaning out of this remembering,” Ange Mlinko writes in The Nation. “Stewart’s elegiac bent has broadened, over time, from the personal lyric . . . to what might be called the cultural lyric. Fewer and fewer of her poems reference what she alone remembers; they are about what you and I remember.” Reading across this retrospective collection is a singular experience of seeing the unfolding development of one of the most ingenious and moving lyric writers in contemporary poetry. |
| whereas layli long soldier: The More Extravagant Feast Leah Naomi Green, 2020-04-07 * One of the Boston Globe's Best Books of 2020 * Winner of the Walt Whitman Award of the Academy of American Poets, selected by Li-Young Lee The More Extravagant Feast focuses on the trophic exchanges of a human body with the world via pregnancy, motherhood, and interconnection—the acts of making and sustaining other bodies from one’s own, and one’s own from the larger world. Leah Naomi Green writes from attentiveness to the vast availability and capacity of the weedy, fecund earth and from her own human place within more-than-human life, death, and birth. Lyrically and spiritually rich, striving toward honesty and understanding, The More Extravagant Feast is an extraordinary book of awareness of our dependency on ecological systems—seen and unseen. |
| whereas layli long soldier: Nature Poem Tommy Pico, 2017-05-09 A book-length poem about how an American Indian writer can’t bring himself to write about nature, but is forced to reckon with colonial-white stereotypes, manifest destiny, and his own identity as an young, queer, urban-dwelling poet. A Best Book of the Year at BuzzFeed, Interview, and more. Nature Poem follows Teebs—a young, queer, American Indian (or NDN) poet—who can’t bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He’d slap a tree across the face. He’d rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he’d rather write odes to Aretha Franklin and Hole. While he’s adamant—bratty, even—about his distaste for the word “natural,” over the course of the book we see him confronting the assimilationist, historical, colonial-white ideas that collude NDN people with nature. The closer his people were identified with the “natural world,” he figures, the easier it was to mow them down like the underbrush. But Teebs gradually learns how to interpret constellations through his own lens, along with human nature, sexuality, language, music, and Twitter. Even while he reckons with manifest destiny and genocide and centuries of disenfranchisement, he learns how to have faith in his own voice. |
| whereas layli long soldier: The Language of Blood Jane Jeong Trenka, 2003 An adoptee's search for identity takes her on a journey from Minnesota to Korea and back as she seeks to resolve the dualities that have long defined her life: Korean-born, American-raised, never fully belonging to either. For years, Korean adoptee Jane Jeong Trenka tried to be the ideal daughter. She was always polite, earned perfect grades, and excelled as a concert pianist. She went to church with her American family in small-town Minnesota and learned not to ask about the mother who had given her away. Then, while she was far from home on a music scholarship, living in a big city for the first time, one of her fellow university students began to follow her, his obsession ultimately escalating into a plot for her murder. In radiant prose that ranges seamlessly from pure lyricism to harrowing realism, Trenka recounts repeated close encounters with her stalker and the years of repressed questions that her ordeal awakened. Determined not to be defined by her stalker's twisted assessment of her worth, she struck out in search of her own identity - free of western stereotypes of geishas and good girls. Doing so, however, meant confronting her American family and fighting the bureaucracy at the agency that had arranged for her adoption. Jane Jeong Trenka dares to ask fundamental questions about the nature of family and identity. Are we who we decide to be, or who other people would make us? What is this bond more powerful than words, this unspoken language of blood? To find out, Trenka must reacquaint herself with her mother and sisters in Seoul and devise a way to blend two distinct cultures into one she seared into the memory by indelible images and unforgettable prose. This is a poetic tour-de-force by an essential new voice in Asian American literature. |
| whereas layli long soldier: Sho Douglas Kearney, 2022-01-18 2021 NATIONAL BOOK AWARD FINALIST FOR POETRY Eschewing series and performative typography, Douglas Kearney’s Sho aims to hit crooked licks with straight-seeming sticks. Navigating the complex penetrability of language, these poems are sonic in their espousal of Black vernacular traditions, while examining histories, pop culture, myth, and folklore. Both dazzling and devastating, Sho is a genius work of literary precision, wordplay, farce, and critical irony. In his “stove-like imagination,” Kearney has concocted poems that destabilize the spectacle, leaving looky-loos with an important uncertainty about the intersection between violence and entertainment. |
| whereas layli long soldier: Still Life with Two Dead Peacocks and a Girl Diane Seuss, 2018-05-01 Finalist for the National Book Critics Circle Award Finalist for the Los Angeles Times Book Prize Diane Seuss’s brilliant follow-up to Four-Legged Girl, a finalist for the Pulitzer Prize for Poetry Still life with stack of bills phone cord cig butt and freezer-burned Dreamsicle Still life with Easter Bunny twenty caged minks and rusty meat grinder Still life with whiskey wooden leg two potpies and a dead parakeet Still life with pork rinds pickled peppers and the Book of Revelation Still life with feeding tube oxygen half-eaten raspberry Zinger Still life with convenience store pecking order shotgun blast to the face —from “American Still Lives” Still Life with Two Dead Peacocks and a Girl takes its title from Rembrandt’s painting, a dark emblem of femininity, violence, and the viewer’s own troubled gaze. In Diane Seuss’s new collection, the notion of the still life is shattered and Rembrandt’s painting is presented across the book in pieces—details that hide more than they reveal until they’re assembled into a whole. With invention and irreverence, these poems escape gilded frames and overturn traditional representations of gender, class, and luxury. Instead, Seuss invites in the alienated, the washed-up, the ugly, and the freakish—the overlooked many of us who might more often stand in a Walmart parking lot than before the canvases of Pollock, O’Keeffe, and Rothko. Rendered with precision and profound empathy, this extraordinary gallery of lives in shards shows us that “our memories are local, acute, and unrelenting.” |
| whereas layli long soldier: Borderland Apocrypha Anthony Cody, 2020 Borderland Apocrypha is centered around the collective histories of Mexican lynchings following the signing of the Treaty of Guadalupe Hidalgo in 1848, and the subsequent erasures, traumas, and state-sanctioned violences committed towards communities of color in the present day. Cody's debut collection responds to the destabilized, hostile landscapes and silenced histories via an experimental poetic that invents and shapeshifts in both form and space across the margin, the page, and the book's axis in a resistance, a reclamation and a re-occupation of what has been omitted. Part autohistoria, part docupoetic, part visual monument, part myth-making, Borderland Apocrypha exhumes the past in order to work toward survival, reckoning, and future- building-- |
| whereas layli long soldier: If You Want to Write Brenda Ueland, 2013-05-20 Brenda Ueland was a journalist, editor, freelance writer, and teacher of writing. In If You Want to Write: A Book about Art, Independence and Spirit she shares her philosophies on writing and life in general. Ueland firmly believed that anyone can write, that everyone is talented, original, and has something important to say. In this book she explains how find that spark that will make you a great writer. Carl Sandburg called this book the best book ever written about how to write. Join the millions of others who've found inspiration and unlocked their own talent. |
| whereas layli long soldier: Savage Conversations LeAnne Howe, 2019-02-05 “Savage Conversations takes place somewhere in between its sources, between sanity and madness, between then and now, between the living and the dead. It pushes past the limitations of textual sources for telling indigenous history and accounts of insanity.” —Barrelhouse Reviews May 1875: Mary Todd Lincoln is addicted to opiates and tried in a Chicago court on charges of insanity. Entered into evidence is Ms. Lincoln’s claim that every night a Savage Indian enters her bedroom and slashes her face and scalp. She is swiftly committed to Bellevue Place Sanitarium. Her hauntings may be a reminder that in 1862, President Lincoln ordered the hanging of thirty-eight Dakotas in the largest mass execution in United States history. No one has ever linked the two events—until now. Savage Conversations is a daring account of a former first lady and the ghosts that tormented her for the contradictions and crimes on which this nation is founded. |
| whereas layli long soldier: Dear Big Gods Mona Arshi, 2019 Following Arshi's Forward prize-winning collection, Small Hands, this book continues in its lyrical exploration of grief. Moving and discomfiting, these poems tune to the dangers and violences of the contemporary world, yet, at the centre of this book is an overarching commitment to hope and its 'churning, broken song'. |
| whereas layli long soldier: Geographies of Identity Jill Darling, 2021-11-04 Geographies of Identity: Narrative Forms, Feminist Futures explores identity and American culture through hybrid, prose work by women, and expands the strategies of cultural poetics practices into the study of innovative narrative writing. Informed by Judith Butler, Homi Bhabha, Harryette Mullen, Julia Kristeva, and others, this project further considers feminist identity politics, race, and ethnicity as cultural content in and through poetic and non/narrative forms. The texts reflected on here explore literal and figurative landscapes, linguistic and cultural geographies, sexual borders, and spatial topographies. Ultimately, they offer non-prescriptive models that go beyond expectations for narrative forms, and create textual webs that reflect the diverse realities of multi-ethnic, multi-oriented, multi-linguistic cultural experiences. Readings of Gertrude Stein's A Geographical History of America, Renee Gladman's Juice, Pamela Lu's Pamela: A Novel, Claudia Rankine's Don't Let Me Be Lonely, Juliana Spahr's The Transformation, Theresa Hak Kyung Cha's Dictée, Gloria Anzaldúa's Borderlands/La Frontera, and Layli Long Soldier's WHEREAS show how alternatively narrative modes of writing can expand access to representation, means of identification, and subjective agency, and point to horizons of possibility for new futures. These texts critique essentializing practices in which subjects are defined by specific identity categories, and offer complicated, contextualized, and historical understandings of identity formation through the textual weaving of form and content. |
| whereas layli long soldier: Delight in Disorder , 2011 |
| whereas layli long soldier: Such Color Tracy K. Smith, 2021-10-05 “Tracy K. Smith’s poetry is an awakening itself.” —Vogue Celebrated for its extraordinary intelligence and exhilarating range, the poetry of Tracy K. Smith opens up vast questions. Such Color: New and Selected Poems, her first career-spanning volume, traces an increasingly audacious commitment to exploring the unknowable, the immense mysteries of existence. Each of Smith’s four collections moves farther outward: when one seems to reach the limits of desire and the body, the next investigates the very sweep of history; when one encounters death and the outer reaches of space, the next bears witness to violence against language and people from across time and delves into the rescuing possibilities of the everlasting. Smith’s signature voice, whether in elegy or praise or outrage, insists upon vibrancy and hope, even—and especially—in moments of inconceivable travesty and grief. Such Color collects the best poems from Smith’s award-winning books and culminates in thirty pages of brilliant, excoriating new poems. These new works confront America’s historical and contemporary racism and injustices, while they also rise toward the registers of the ecstatic, the rapturous, and the sacred—urging us toward love as a resistance to everything that impedes it. This magnificent retrospective affirms Smith’s place as one of the twenty-first century’s most treasured poets. |
| whereas layli long soldier: Good Talk Mira Jacob, 2019-04-04 'By turns hilarious and heart-rending. Plunges fearlessly into the murky grey areas of race and family, of struggling to find common ground, of trying to talk to our children and help them make sense of it all' Celeste Ng 'Does Donald Trump hate Muslims?' 'Is that how people really walk on the moon?' 'Is it bad to be brown?' 'Are white people afraid of brown people?' Inspired by her viral BuzzFeed piece '37 Difficult Questions from My Mixed-Raced Son', Mira Jacob responds to: her six-year-old, Zakir, who asks if the new president hates brown boys like him; uncomfortable relationship advice from her parents, who came to the United States from India one month into their arranged marriage; and increasingly fraught exchanges with her Trump-supporting in-laws. Jacob also investigates her own past, including how it felt to be a brown-skinned New Yorker on 9/11. As earnest and moving as they are laugh-out-loud funny, these are the stories that have shaped one life, but will resonate with many others. |
| whereas layli long soldier: Rain Scald Tacey M. Atsitty, 2018 In this innovative debut collection, Tacey M. Atsitty employs traditional, lyric, and experimental verse to create an intricate landscape she invites readers to explore. Presented in three sections, Tséyi', Gorge Dweller, and Tóhee', the poems negotiate between belief and doubt, self and family, and interior and exterior landscapes. |
| whereas layli long soldier: American Indian Stories Zitkala-Sa, 2022-05-28 American Indian Stories is a collection of stories by Zitkála-Šá. The author was a Sioux historian and recounts here several colorful legends and tales from American Indian oral tradition. |
| whereas layli long soldier: Gunslinger Edward Dorn, 1989 Dorn's high-spirited, crazy-quilt, complex anti-epic is a masterful critique of late twentieth-century capitalism and is one of the great comic poems of American literature. Dorn is one of the few political poets in America; this fantasy about a demigod cowboy, a saloon madam, and a talking horse named Claude Levi-Strauss, who travel the Southwest in search of Howard Hughes, as become a minor classic. |
| whereas layli long soldier: Ordinary Beast Nicole Sealey, 2017-09-12 ONE OF PUBLISHERS WEEKLY'S TOP 10 POETRY BOOKS OF FALL 2017 NPR'S MOST ANTICIPATED POETRY BOOKS OF 2017 A striking, full-length debut collection from Virgin Islands-born poet Nicole Sealey The existential magnitude, deep intellect, and playful subversion of St. Thomas-born, Florida-raised poet Nicole Sealey’s work is restless in its empathic, succinct examination and lucid awareness of what it means to be human. The ranging scope of inquiry undertaken in Ordinary Beast—at times philosophical, emotional, and experiential—is evident in each thrilling twist of image by the poet. In brilliant, often ironic lines that move from meditation to matter of fact in a single beat, Sealey’s voice is always awake to the natural world, to the pain and punishment of existence, to the origins and demises of humanity. Exploring notions of race, sexuality, gender, myth, history, and embodiment with profound understanding, Sealey’s is a poetry that refuses to turn a blind eye or deny. It is a poetry of daunting knowledge. |
| whereas layli long soldier: The Empathy Exams Leslie Jamison, 2014-06-05 The subjects of this stylish and audacious collection of essays range from an assault in Nicaragua to a Morgellons meeting; from Frida Kahlo's plaster casts to a gangland tour of LA. Jamison is interested in how we tell stories about injury and pain, and the limits that circumstances, bodies and identity put on the act of describing. |
| whereas layli long soldier: Registers of Illuminated Villages Tarfia Faizullah, 2018-03-06 “Tarfia Faizullah is a poet of brave and unflinching vision.” —Natasha Trethewey Somebody is always singing. Songs were not allowed. Mother said, Dance and the bells will sing with you. I slithered. Glass beneath my feet. I locked the door. I did not die. I shaved my head. Until the horns I knew were there were visible. Until the doorknob went silent. —from “100 Bells” Registers of Illuminated Villages is Tarfia Faizullah’s highly anticipated second collection, following her award-winning debut, Seam. Faizullah’s new work extends and transforms her powerful accounts of violence, war, and loss into poems of many forms and voices—elegies, outcries, self-portraits, and larger-scale confrontations with discrimination, family, and memory. One poem steps down the page like a Slinky; another poem responds to makeup homework completed in the summer of a childhood accident; other poems punctuate the collection with dark meditations on dissociation, discipline, defiance, and destiny; and the near-title poem, “Register of Eliminated Villages,” suggests illuminated texts, one a Qur’an in which the speaker’s name might be found, and the other a register of 397 villages destroyed in northern Iraq. Faizullah is an essential new poet whose work only grows more urgent, beautiful, and—even in its unsparing brutality—full of love. |
| whereas layli long soldier: Come and See. [A religious tract.] , 1844 |
| whereas layli long soldier: Nine Continents Xiaolu Guo, 2018-11-20 From one of Granta's Best of Young British Novelists, Xiaolu Guo's memoir documents her trajectory from a small fishing village in rural China to life in the West as a fearless writer and filmmaker. |
| whereas layli long soldier: Look at This Blue Allison Adelle Hedge Coke, 2022-03-29 Finalist for the 2022 National Book Award in Poetry! Interweaving elegy, indictment, and hope into a love letter to California, Look at This Blue examines America’s genocidal past and present to warn of a future threatened by mass extinction and climate peril. Truths about what we have lost and have yet to lose permeate this book-length poem by American Book Award winner and Fulbright scholar Allison Adelle Hedge Coke. An assemblage of historical record and lyric fragments, these poems form a taxonomy of threatened lives—human, plant, and animal—in a century marked by climate emergency. Look at This Blue insists upon a reckoning with and redress of America’s continuing violence toward Earth and its peoples, as Hedge Coke’s cataloguing of loss crescendos into resistance. |
| whereas layli long soldier: The Art of the Poetic Line James Longenbach, 2008 Poetry is the sound of language organized in lines. James Longenbach opens The Art of the Poetic Line with that essential statement. Through a range of examples - from Shakespeare and Milton to Ashbery and Glück - Longenbach describes the function of line in metered, rhymed, syllabic, and free-verse poetry. That function is sonic, he argues, and our true experience of it can only be identified in relation to other elements in a poem. Syntax and the interaction of different kinds of line endings are primary to understanding line, as is the relationship of lineated poems to prose poetry. The Art of the Poetic Line is a vital new resource by one of America's most important critics and one of poetry's most engaging practitioners. |
| whereas layli long soldier: A Several World Brian Blanchfield, 2014 The greatly anticipated second volume by an innovative and acclaimed talent |
| whereas layli long soldier: Heart Like a Window, Mouth Like a Cliff Sara Borjas, 2019 Poetry. California Interest. Latinx Studies. HEART LIKE A WINDOW, MOUTH LIKE A CLIFF is a transgressive, yet surprisingly tender confrontation of what it means to want to flee the thing you need most. The speaker struggles through cultural assimilation and the pressure to act Mexican while dreaming of the privileges of whiteness. Borjas holds cultural traditions accountable for the gendered denial of Chicanas to individuate and love deeply without allowing one's love to consume the self. This is nothing new. This is colonization working through relationships within Chicanx families--how we learn love and perform it, how we filter it though alcohol abuse--how ultimately, we oppress the people we love most. This collection simultaneously reveres and destroys nostalgia, slips out of the story after a party where the reader can find God drunk and dreaming. Think golden oldiez meets the punk attitude of No Doubt. Think pochas sipping gin martinis in lowriders cruising down Who Gives a Fuck Boulevard. |
| whereas layli long soldier: Full Moon Boat Fred Marchant, 2000-09 In 1970, during the war in Viet Nam, Marchant became one of the first Marine officers ever to be honorably discharged as a conscientious objector. In the poems contained in Full Moon Boat, Marchant explores the concept of violence: What are its origins and consequences? What actions of the heart and mind resist it? Marchant takes us on a voyage from childhood to adult trauma, and eventually to a peace arrived at by unflinching meditation. A hard-won peace, it is our undiscovered country. |
| whereas layli long soldier: Window Left Open Jennifer Grotz, 2016-02-02 The supreme art of Window left open is that of close attention to the world the poet passes through--Page [4] of cover. |
| whereas layli long soldier: Half-Hazard Kristen Tracy, 2018-11-06 Half-Hazard is the Winner of the Emily Dickinson First Book Award from the Poetry Foundation for a debut by an American poet over forty. Half-Hazard is a book of near misses, would-be tragedies, and luck. As Kristen Tracy writes in the title poem, “Dangers here. Perils there. It’ll go how it goes.” The collection follows her wide curiosity, from growing up in a small Mormon farming community to her exodus into the forbidden world, where she finds snakes, car accidents, adulterers, meteors, and death-marked mice. These wry, observant narratives are accompanied by a ringing lyricism, and Tracy’s knack for noticing what’s so funny about trouble and her natural impulse to want to put all the broken things back together. Full of wrong turns, false loves, quashed beliefs, and a menagerie of animals, Half-Hazard introduces a vibrant new voice in American poetry, one of resilience, faith, and joy. |
| whereas layli long soldier: House of Fact, House of Ruin Tom Sleigh, 2018-02-06 Very much of our present moment, in which fact can so easily be manufactured and ruin so easily achieved by pressing SEND or pulling a trigger, these poems range across the landscapes of contemporary experience. Whether a militia in Libya or a military base in Baghdad, a shantytown in East Africa or an opulent mall on Long Island, these subjects and locations resonate with the psychic and social costs of having let the genie of war, famine, and climate change out of the lamp in the first place. The book ultimately turns on conundrums of selfhood and self-estrangement in which Sleigh urges us toward a different realm, where we might achieve the freedom of spirit to step outside our own circumstances, however imperfectly, and look at ourselves as other, as unfamiliar, as strange.-- |
| whereas layli long soldier: Hard Child Natalie Shapero, 2017 Natalie Shapero spars with apathy, nihilism, and mortality, while engaging the rich territory of the 30s and new motherhood |
| whereas layli long soldier: WHEREAS Layli Long Soldier, 2017-03-07 The astonishing, powerful debut by the winner of a 2016 Whiting Writers' Award WHEREAS her birth signaled the responsibility as mother to teach what it is to be Lakota therein the question: What did I know about being Lakota? Signaled panic, blood rush my embarrassment. What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don’t worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father’s language. To sing she motions simultaneously with her hands; I watch her be in multiple musics. —from “WHEREAS Statements” WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. “I am,” she writes, “a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation—and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live.” This strident, plaintive book introduces a major new voice in contemporary literature. |
WHEREAS by Layli Long Soldier - The Edward A. Myerberg …
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Layli Long Soldier, a citizen of the Oglala Lakota Nation, responds in her first book of poetry, WHEREASy to the Congressional Resolution of Apology to Native Americans, signed into law …
Landscapes of Apology: Layli Long Soldier’s WHEREAS - JSTOR
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Book Title: Whereas Author: Layli Long Soldier Pages: 49-53
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Passages bold faced by Gail Lipsitz are esp. relevant to Layli …
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Discussion Guide 10 - firstnations.org
1 Layli Long Soldier’s Whereas is a direct response to the U.S government’s official “Apology to Native Peoples,” which was quietly buried in the 2010 defense appropriation bill.
Layli Long Soldier Whereas (book) - netsec.csuci.edu
Layli Long Soldier's Whereas isn't just a book; it's a linguistic weapon, a meticulously crafted indictment of historical injustices inflicted upon Indigenous peoples. This isn't a casual read; it …
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Layli Long Soldier - The Edward A. Myerberg Center
Her first volume of poetry, Whereas, published in 2017, explores the systemic violence against and cultural erasure of native tribes in the United States through a thoughtful investigation of …
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Whereas Layli Long Soldier [PDF] - netsec.csuci.edu
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City Tech’s 41st Annual Literary Arts Festival - City University …
Layli Long Soldier is an Oglala Lakota poet, writer, feminist and activist. She is the author of the chapbook Chromosomory (2010) and the full-length collection Whereas (2017), winner of the …
AFC 2020/004: 29 Layli Long Soldier Living Nations, Living …
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Soldiering On Poems Of Military Life - li.ijcaonline.org
lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and …
Book Reviews - JSTOR
Layli Long Soldier. WHEREAS. Graywolf, 2017. ISBN: 978- 1- 5559- 7767- 2. 114 pp. Crystal Alberts, University of North Dakota 2016 Whiting Award winner Layli Long Soldier (Oglala …
Long Soldier, Layli: Whereas - Springer
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Bibliography - JSTOR
Long Soldier, Layli. “Layli Long Soldier ‘Whereas’.” Reading at the Radcliffe Institute for Advanced Study, Harvard University, Cambridge, MA, March 22, 2018. https://www. …
Trans-Indigenous Survivance in Contemporary Song and …
form of poetry like the works of Layli Long Soldier and Alan Pelaez Lopez actively oppose academic, political, and social Indigenous “absence” contributing to Indigenous continuance, …
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WHEREAS by Layli Long Soldier _ Poetry Magazine Created Date: 4/21/2022 5:52:29 PM ...
Whereas Poems By Layli Long Soldier - groover.sch.bme.hu
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Long Soldier, Layli: Whereas - Springer
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One Poem by Layli Long Soldier - english.osu.edu
One Poem by Layli Long Soldier Here, the sentence will be respected. I will compose each sentence with care by minding what the rules of writing dictate. For example, all sentences will …
Contents
Landscapes of Apology: Layli Long Soldier’s WHEREAS 175 Postscript 199 Bibliography 205. xi Acknowledgments I’d like to begin by thanking Eileen Joy and Vincent W.J. van Gerven Oei …
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Essays And Studies Prose Selections For College Reading
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Beheld TaraShea Nesbit - Bloomsbury Publishing
Poetry: WHEREAS, Layli Long Soldier; Mother/Land, Cheryl Savageau . Nonfiction: This Land Is Their Land, David Silverman; Our Beloved Kin, Lisa Brooks; Dissenting Bodies: Corporealities …
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Analyzing Structure in Writing
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