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Viva El Toro Summary: A Deep Dive into Hemingway's Untold Story
Are you intrigued by Ernest Hemingway's lesser-known works? Many associate Hemingway with tales of war and bullfighting, but few delve into the rich tapestry of his short stories. This comprehensive "Viva El Toro" summary will dissect Hemingway's powerful and poignant short story, exploring its themes, characters, and lasting impact. We'll unravel the narrative's complexities, offering a detailed analysis that goes beyond a simple plot recap, providing insights for both seasoned Hemingway aficionados and newcomers alike. Prepare to be transported to the vibrant, and often brutal, world of bullfighting in Spain.
H2: Unveiling the Narrative: A Plot Summary of Viva El Toro
"Viva El Toro" isn't your typical Hemingway bullfighting narrative. It lacks the overt machismo often associated with his depictions of the sport. Instead, it presents a nuanced portrait of a young American expatriate, unnamed in the story, navigating the complexities of life in Spain. The story revolves around his encounters with various individuals involved in the bullfighting world – aficionados, bullfighters, and those on the periphery. He observes and interacts, experiencing a blend of excitement, disillusionment, and a growing awareness of the inherent danger and ritualistic beauty of the corrida. The central narrative isn't about a specific bullfight but the broader atmosphere and cultural immersion surrounding it. The American's experiences highlight the stark contrasts between the romanticized vision of bullfighting and the harsh reality it embodies. He witnesses both the glory and the grim consequences of this ancient tradition.
H2: Key Characters and Their Significance
While the story lacks a central protagonist in the traditional sense, the unnamed American serves as our lens into the world of "Viva El Toro." His detached yet observant nature allows the reader to experience the events unfolding without a biased perspective. He interacts with various secondary characters who represent different aspects of the bullfighting culture: seasoned aficionados, nervous novices, and the bullfighters themselves, each contributing to the rich tapestry of the story. These characters are not deeply developed, but rather serve as symbolic representations of different perspectives on the spectacle and its cultural significance within Spanish society. Their fleeting appearances add layers to the overall narrative and thematic explorations.
H2: Exploring the Themes: Beyond the Blood and Sand
"Viva El Toro" transcends a simple account of bullfighting; it delves into deeper themes inherent in Hemingway's work. Let's dissect some key thematic elements:
#### H3: The Illusion vs. Reality of the Romantic Ideal
Hemingway masterfully portrays the gap between the romanticized vision of bullfighting – often fueled by tourist fascination and superficial understanding – and the brutal, often tragic reality. The American's observations highlight this discrepancy, suggesting that the glamour associated with the sport often obscures its inherent violence and the risks undertaken by both man and beast.
#### H3: Death, Honor, and Bravery: The Weight of Tradition
The story explores the weight of tradition and the cultural significance of bullfighting in Spanish society. It showcases both the honor associated with the profession and the acceptance of death as an intrinsic part of the ritual. The narrative implicitly questions the ethics of the spectacle, without explicitly condemning or glorifying it.
#### H3: The Search for Authenticity and Meaning
The unnamed American's journey can be interpreted as a search for authenticity and meaning in a foreign culture. His immersion in the world of bullfighting provides a backdrop for his personal reflections and observations, suggesting a broader quest for understanding and self-discovery.
H2: Hemingway's Style and Narrative Technique
Hemingway’s signature style is evident in "Viva El Toro." The concise prose, evocative imagery, and detached narration create a sense of immediacy and authenticity. The story unfolds through a series of vignettes, offering a snapshot of the bullfighting world and the American's experiences without lengthy descriptions or emotional outpourings. This minimalist approach allows the reader to engage actively with the story and draw their own conclusions.
H2: The Lasting Impact and Legacy of "Viva El Toro"
While not as widely celebrated as some of Hemingway's other works, "Viva El Toro" remains a significant contribution to his oeuvre. Its exploration of themes relevant to both the bullfighting world and the broader human experience ensures its continued relevance for readers. The story’s nuanced portrayal of a culture often misunderstood provides valuable insights for those seeking to understand the complexities of Spanish identity and tradition. Its brevity and powerful imagery make it a compelling read for both novice and seasoned Hemingway enthusiasts.
Conclusion
"Viva El Toro" offers more than just a thrilling glimpse into the world of bullfighting. It's a subtle yet powerful exploration of cultural clashes, the romanticized versus the real, and the enduring human fascination with both death and spectacle. Hemingway's masterful storytelling and concise prose leave a lasting impression, inviting readers to reflect on the complexities of tradition, identity, and the search for meaning in a world often shrouded in illusion.
FAQs
1. Is "Viva El Toro" a standalone story or part of a larger collection? "Viva El Toro" is typically found as a standalone short story in collections of Hemingway's short fiction, not part of a larger, connected narrative.
2. What is the significance of the title, "Viva El Toro"? The title itself, "Viva El Toro" (Long Live the Bull), is ironic considering the story's implicit questioning of the bullfight's ethics. It highlights the celebratory nature often associated with the event, juxtaposing it with the often-brutal reality.
3. How does "Viva El Toro" compare to other Hemingway stories about bullfighting? Unlike some of Hemingway's more celebrated bullfighting narratives like those in Death in the Afternoon, "Viva El Toro" focuses less on the technical aspects of the fight and more on the cultural context and the observations of an outsider.
4. What is the overall tone of the story? The tone is primarily observational and detached. While there are moments of excitement and even tension, the overall narrative maintains a sense of controlled objectivity.
5. What is the best way to understand and appreciate "Viva El Toro"? The best way to appreciate "Viva El Toro" is to approach it as a study in cultural observation and Hemingway’s unique minimalist style. Pay close attention to the details and subtle nuances, allowing the story's understated power to unfold.
| viva el toro summary: Statistical Power Analysis for the Behavioral Sciences Jacob Cohen, 2013-05-13 Statistical Power Analysis is a nontechnical guide to power analysis in research planning that provides users of applied statistics with the tools they need for more effective analysis. The Second Edition includes: * a chapter covering power analysis in set correlation and multivariate methods; * a chapter considering effect size, psychometric reliability, and the efficacy of qualifying dependent variables and; * expanded power and sample size tables for multiple regression/correlation. |
| viva el toro summary: Dry Neal Shusterman, Jarrod Shusterman, 2019-09-03 “The authors do not hold back.” —Booklist (starred review) “The palpable desperation that pervades the plot…feels true, giving it a chilling air of inevitability.” —Publishers Weekly (starred review) “The Shustermans challenge readers.” —School Library Journal (starred review) “No one does doom like Neal Shusterman.” —Kirkus Reviews (starred review) When the California drought escalates to catastrophic proportions, one teen is forced to make life and death decisions for her family in this harrowing story of survival from New York Times bestselling author Neal Shusterman and Jarrod Shusterman. The drought—or the Tap-Out, as everyone calls it—has been going on for a while now. Everyone’s lives have become an endless list of don’ts: don’t water the lawn, don’t fill up your pool, don’t take long showers. Until the taps run dry. Suddenly, Alyssa’s quiet suburban street spirals into a warzone of desperation; neighbors and families turned against each other on the hunt for water. And when her parents don’t return and her life—and the life of her brother—is threatened, Alyssa has to make impossible choices if she’s going to survive. |
| viva el toro summary: Inequality, Crime and Public Policy (Routledge Revivals) John Braithwaite, 2013-09-13 First published in 1979, Inequality, Crime, and Public Policy integrates and interprets the vast corpus of existing research on social class, slums, and crime, and presents its own findings on these matters. It explores two major questions. First, do policies designed to redistribute wealth and power within capitalist societies have effects upon crime? Second, do policies created to overcome the residential segregation of social classes have effects on crime? The book provides a brilliantly comprehensive and systematic review of the empirical evidence to support or refute the classic theories of Engles, Bonger, Merton, Cloward and Ohlin, Cohen, Miller, Shaw and McKay, amongst many others. Braithwaite confronts these theories with evidence of the extent and nature of white collar crime, and a consideration of the way law enhancement and law enforcement might serve class interest. |
| viva el toro summary: Self Portrait in Green Marie NDiaye, 2021-02-25 'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers. |
| viva el toro summary: Death in the Afternoon Ernest Hemingway, Ernest, 2018-01-17 Death in the Afternoon is a non-fiction book written by Ernest Hemingway about the ceremony and traditions of Spanish bullfighting, published in 1932. The book provides a look at the history and what Hemingway considers the magnificence of bullfighting. It also contains a deeper contemplation on the nature of fear and courage. While essentially a guide book, there are three main sections: Hemingway's work, pictures, and a glossary of terms. |
| viva el toro summary: A Country for Dying Abdellah Taïa, 2020-09-29 An exquisite novel of North Africans in Paris by one of the most original and necessary voices in world literature WINNER OF THE 2021 PEN TRANSLATION PRIZE Paris, Summer 2010. Zahira is 40 years old, Moroccan, a prostitute, traumatized by her father's suicide decades prior, and in love with a man who no longer loves her. Zannouba, Zahira's friend and protege, formerly known as Aziz, prepares for gender confirmation surgery and reflects on the reoccuring trauma of loss, including the loss of her pre-transition male persona. Mojtaba is a gay Iranian revolutionary who, having fled to Paris, seeks refuge with Zahira for the month of Ramadan. Meanwhile, Allal, Zahira's first love back in Morocco, travels to Paris to find Zahira. Through swirling, perpendicular narratives, A Country for Dying follows the inner lives of emigrants as they contend with the space between their dreams and their realities, a schism of a postcolonial world where, as Taïa writes, So many people find themselves in the same situation. It is our destiny: To pay with our bodies for other people's future. |
| viva el toro summary: The Last Children of Tokyo Yoko Tawada, 2018-06-07 Yoshiro thinks he might never die. A hundred years old and counting, he is one of Japan's many 'old-elderly'; men and women who remember a time before the air and the sea were poisoned, before terrible catastrophe promted Japan to shut itself off from the rest of the world. He may live for decades yet, but he knows his beloved great-grandson - born frail and prone to sickness - might not survive to adulthood. Day after day, it takes all of Yoshiro's sagacity to keep Mumei alive. As hopes for Japan's youngest generation fade, a secretive organisation embarks on an audacious plan to find a cure - might Yoshiro's great-grandson be the key to saving the last children of Tokyo? |
| viva el toro summary: Straight from the Horse's Mouth Meryem Alaoui, 2020-09-15 Named a Best Book of the Year by the Los Angeles Public Library This hilarious, colorful portrait of a sex worker navigating life in modern Morocco introduces a promising new literary voice. Thirty-four-year-old prostitute Jmiaa reflects on the bustling world around her with a brutal honesty, but also a quick wit that cuts through the drudgery. Like many of the women in her working-class Casablanca neighborhood, Jmiaa struggles to earn enough money to support herself and her family—often including the deadbeat husband who walked out on her and their young daughter. While she doesn’t despair about her profession like her roommate, Halima, who reads the Quran between clients, she still has to maintain a delicate balance between her reality and the “respectable” one she paints for her own more conservative mother. This daily grind is interrupted by the arrival of an aspiring young director, Chadlia, whom Jmiaa takes to calling “Horse Mouth.” Chadlia enlists Jmiaa’s help on a film project, initially just to make sure the plot and dialogue are authentic. But when she’s unable to find an actress who’s right for the starring role, she turns again to Jmiaa, giving the latter an incredible opportunity for a better life. In her breakout debut novel, Meryem Alaoui creates a vibrant picture of the day-to-day challenges faced by working people in Casablanca, which they meet head-on with resourcefulness and resilience. |
| viva el toro summary: Zuckerman Unbound Philip Roth, 2013-07-02 Philip Roth's fictional alter-ego returns in Zuckerman Unbound, ...masterful, sure in every touch. (The New York Times) The sensationalizing sixties are coming to an end, and even writing a novel can make you a star. The writer Nathan Zuckerman publishes his fourth book, an aggressive, abrasive, and comically erotic novel entitled Carnovsky, and all at once he is on the cover of Life, one of the decade's most notorious celebrities. This is the same Nathan Zuckerman who in Philip Roth's much praised The Ghost Writer was the dedicated young apprentice drawing sustenance from the great books and the integrity of their authors. Now in his mid-thirties, Zuckerman, a would-be recluse despite his fame, ventures out on the streets of Manhattan, and not only is he assumed to be his own fictional satyr, Gilbert Carnovsky (Hey, you do all that stuff in that book?), but he also finds himself the target of admirers, admonishers, advisers, and would-be literary critics. The recent murders of Robert Kennedy and Martin Luther King, Jr., lead an unsettled Nathan Zuckerman to wonder if target may be more than a figure of speech. Yet, streetcorner recognition and media notoriety are the least disturbing consequences of writing Carnovsky. Against his best interests, the newly renowned novelist retreats from his oldest friends, breaks his marriage to a virtuous woman, and damages, perhaps irreparably, his affectionate connection to his younger brother and his family. Even when finally he lives out the fantasies of his fans and enjoys an exhilarating night with the beautiful and worldly film star Caesara O'Shea (a rather more capable celebrity), he is dismayed the following morning by the caliber of the competition up in the erotic big leagues. In some of Zuckerman Unbound's funniest episodes Zuckerman endures the blandishments of another New Jersey boy who has briefly achieved his own moment of stardom. He is the broken and resentful fan Alvin Pepler, in the fifties a national celebrity on the TV quiz show Smart Money. Thrust back into obscurity when headlined scandals forced the quiz show off the air, Pepler now attaches himself to Zuckerman and won't let go--an Angel of Manic Delights to the amused novelist (who momentarily sees him as his pop self), and yet also the likely source of a demonic threat. But the surprise that fate finally delivers is more devilish than any cooked up by Alvin Pepler, or even by Zuckerman's imagination. In the coronary-care unit of a Miami Hospital, Nathan's father bestows upon his older son not a blessing but what seems to be a curse. And, in an astonishingly bitter final turn, a confrontation with his brother opens the way for the novelist's deep and painful understanding of the deathblow that Carnovsky has dealt to his own past. |
| viva el toro summary: The Armies Evelio Rosero, 2010-02-04 In a small town in the mountains of Colombia, Ismael, a retired teacher, spends his mornings gathering oranges in the sunshine and spying on his neighbour as she sunbathes naked in her garden. Returning from a walk one morning he discovers that his wife has disappeared. Then more people go missing, and not-so-distant gunfire signals the approach of war. Most of the villagers make their escape, but Ismael cannot leave without his Otilia. He becomes an unwilling witness to the senseless civil war that sweeps through his country with a tragic inevitability. In The Armies Rosero has created a hallucinatory, relentless, captivating narrative often as violent as the events it describes, told by an old man battered by a reality he no longer recognizes. |
| viva el toro summary: For Whom the Bell Tolls Ernest Hemingway, 2014-05-22 In 1937 Ernest Hemingway traveled to Spain to cover the civil war there for the North American Newspaper Alliance. Three years later he completed the greatest novel to emerge from “the good fight,” For Whom the Bell Tolls. The story of Robert Jordan, a young American in the International Brigades attached to an antifascist guerilla unit in the mountains of Spain, it tells of loyalty and courage, love and defeat, and the tragic death of an ideal. In his portrayal of Jordan's love for the beautiful Maria and his superb account of El Sordo's last stand, in his brilliant travesty of La Pasionaria and his unwillingness to believe in blind faith, Hemingway surpasses his achievement in The Sun Also Rises and A Farewell to Arms to create a work at once rare and beautiful, strong and brutal, compassionate, moving, and wise. “If the function of a writer is to reveal reality,” Maxwell Perkins wrote to Hemingway after reading the manuscript, “no one ever so completely performed it.” Greater in power, broader in scope, and more intensely emotional than any of the author's previous works, it stands as one of the best war novels of all time. |
| viva el toro summary: Neo-extractivism in Latin America Maristella Svampa, 2019-10-17 This Element analyses the political dynamics of neo-extractivism in Latin America. It discusses the critical concepts of neo-extractivism and the commodity consensus and the various phases of socio-environmental conflict, proposing an eco-territorial approach that uncovers the escalation of extractive violence. It also presents horizontal concepts and debates theories that explore the language of Latin American socio-environmental movements, such as Buen Vivir and Derechos de la Naturaleza. In concluding, it proposes an explanation for the end of the progressive era, analyzing its ambiguities and limitations in the dawn of a new political cycle marked by the strengthening of the political rights. |
| viva el toro summary: Racism, Sexism, and the Media Clint C. Wilson, Felix Gutierrez, Lena Chao, 2013 This fourth edition presents current information in the rapidly evolving field of minorities' interaction with mass communications, including the portrayals of minorities in the media, advertising and public relations. |
| viva el toro summary: Handbook of Reference Methods for Plant Analysis Yash Kalra, 1997-12-29 The Handbook of Reference Methods for Plant Analysis is an outstanding resource of plant analysis procedures, outlined in easy-to-follow steps and laboratory-ready for implementation. Plant laboratory preparation methods such as dry ashing and acid and microwave digestion are discussed in detail. Extraction techniques for analysis of readily soluble elements (petiole analysis) and quick test kits for field testing are also presented. This handbook consolidates proven, time tested methods in one convenient source. Plant scientists in production agriculture, forestry, horticulture, environmental sciences, and other related disciplines will find the Handbook a standard laboratory reference. The Handbook was written for the Soil and Plant Analysis Council, Inc., of which the editor is a board member. The council aims to promote uniform soil test and plant analysis methods, use, interpretation, and terminology; and to stimulate research on the calibration and use of soil testing and plant analysis. This reference will help readers reach these important goals in their own research. |
| viva el toro summary: To be a Matador Henry Higgins, James Myers, 1972 |
| viva el toro summary: Toddler Hunting and Other Stories Taeko Kono, 2021-04-29 An immeasurably influential female voice in post-war Japanese literature, Kono writes with a strange and disorienting beauty: her tales are marked by disquieting scenes, her characters all teetering on the brink of self-destruction. In the famous title story, the protagonist loathes young girls but compulsively buys expensive clothes for little boys so that she can watch them dress and undress. Taeko Kono's detached gaze at these events is transfixing: What are we hunting for? And why? Kono rarely gives the reader straightforward answers, rather reflecting, subverting and examining their expectations, both of what women are capable of, and of the narrative form itself. |
| viva el toro summary: Life is Beautiful/La Vita E Bella Roberto Benigni, Vincenzo Cerami, 1998 This romantic, hilarious, and astonishingly moving story, winner of the Grand Jury prize at the 1998 Cannes Film Festival, explores the power of the imagination, set against the stark reality of World War II Europe. The companion screenplay to the Miramax film presents the profound yet tender story that has touched the hearts of so many. |
| viva el toro summary: The Everyday Language of White Racism Jane H. Hill, 2009-01-30 In The Everyday Language of White Racism, Jane H. Hillprovides an incisive analysis of everyday language to reveal theunderlying racist stereotypes that continue to circulate inAmerican culture. provides a detailed background on the theory of race andracism reveals how racializing discourse—talk and text thatproduces and reproduces ideas about races and assigns people tothem—facilitates a victim-blaming logic integrates a broad and interdisciplinary range of literaturefrom sociology, social psychology, justice studies, critical legalstudies, philosophy, literature, and other disciplines that havestudied racism, as well as material from anthropology andsociolinguistics Part of the ahref=http://eu.wiley.com/WileyCDA/Section/id-410785.htmltarget=_blankBlackwell Studies in Discourse and CultureSeries/a |
| viva el toro summary: Minor Detail Adania Shibli, 2020-05-19 From a young Palestinian writer comes this compelling look at the Israel/Palestine conflict, from both the perspective of an Israeli soldier in 1949 as well as that of a young Palestinian woman. |
| viva el toro summary: Killing the Water Mahmud Rahman, 2010 |
| viva el toro summary: Latin American Cinema Stephen M. Hart, 2014-10-15 From El Megano and Black God, White Devil to City of God and Babel, Latin American films have a rich history. In this concise but comprehensive account, Stephen M. Hart traces Latin American cinema from its origins in 1896 to the present day, along the way providing original views of major films and mini-biographies of major film directors. Describing the broad contours of Latin American film and its connections to major historical developments, Hart guides readers through the story of how Hollywood dominance succumbed to the emergence of the Nuevo Cine Latinoamericano and how this movement has led to the “New” New Latin American Cinema of the twenty-first century. He offers a fresh analysis of the effects of major changes in film technology, revealing how paradigm shifts such as the move to digital preceded new cinematographic techniques and visions. He also looks closely at the films themselves, examining how filmmakers express their messages. Finally, he considers the decision by a group of directors to film in English, which enhanced the visibility of Latin American cinema around the world. Featuring 120 illustrations, this clear, cogent guide to the history of this region’s cinema will appeal to fans of Central Station and Like Water for Chocolate alike. |
| viva el toro summary: Food and Wine Pairing Robert J. Harrington, 2007-03-05 Food and Wine Pairing: A Sensory Experience provides a series of discussion and exercises ranging from identifying basic wine characteristics, including visual, aroma, taste (acid, sweetness, oak, tannin, body, etc.), palate mapping (acid, sweet, sour, bitter, and tannin), basic food characteristics and anchors of each (sweet, sour, bitter, saltiness, fattiness, body, etc). It presents how these characteristics contrast and complement each other. By helping culinary professionals develop the skills necessary to identifying the key elements in food or wine that will directly impact its matching based on contrast or similarities, they will then be able to predict excellent food and wine pairings. |
| viva el toro summary: Rethinking Difference in Music Scholarship Olivia Bloechl, Melanie Lowe, Jeffrey Kallberg, 2015-01-08 Two decades after the publication of several landmark scholarly collections on music and difference, musicology has largely accepted difference-based scholarship. This collection of essays by distinguished contributors is a major contribution to this field, covering the key issues and offering an array of individual case studies and methodologies. It also grapples with the changed intellectual landscape since the 1990s. Criticism of difference-based knowledge has emerged from within and outside the discipline, and musicology has had to confront new configurations of difference in a changing world. This book addresses these and other such challenges in a wide-ranging theoretical introduction that situates difference within broader debates over recognition and explores alternative frameworks, such as redistribution and freedom. Voicing a range of perspectives on these issues, this collection reveals why differences and similarities among people matter for music and musical thought. |
| viva el toro summary: Mexican Ballads, Chicano Poems José E. Limón, 1992-07 José Limón is one of our most interesting and important commentators on Chicano culture. . . . [This book] will help strengthen an important style of historically and politically accountable cultural analysis.—Michael M. J. Fischer, co-author of Debating Muslims: Cultural Dialogues in Postmodernity and Tradition |
| viva el toro summary: Barbarous Mexico John Kenneth Turner, 1910 An early 20th century American journalist's articles on Mexico before the Revolution. |
| viva el toro summary: Steal This Book Abbie Hoffman, 2002-02-25 A handbook of survival and warfare for the citizens of Woodstock Nation A classic of counterculture literature and one of the most influential--and controversial--documents of the twentieth century, Steal This Book is as valuable today as the day it was published. It has been in print continuously for more than four decades, and it has educated and inspired countless thousands of young activists. Conceived as an instruction manual for radical social change, Steal This Book is divided into three sections--Survive! Fight! and Liberate! Ever wonder how to start a guerilla radio station? Or maybe you want to brush up on your shoplifting techniques. Perhaps you're just looking for the best free entertainment in New York City. (The Frick Collection--Great when you're stoned.) Packed with information, advice, and Abbie's unique outlaw wisdom (Avoid all needle drugs--the only dope worth shooting is Richard Nixon.), Steal This Book is a timeless reminder that, no matter what the struggle, freedom is always worth fighting for. All Power to the Imagination was his credo. Abbie was the best.--Studs Terkel |
| viva el toro summary: The Silence of Scheherazade Defne Suman, 2021-08-19 September 1905. At the heart of the Ottoman Empire, in the ancient city of Smyrna, Scheherazade is born to an opium-dazed mother. At the very same moment, an Indian spy sails into the golden-hued, sycamore-scented city with a secret mission from the British Empire. When he leaves, 17 years later, it will be to the smell of kerosene and smoke as the city, and its people, are engulfed in flames. Told through the intertwining fates of a Levantine, a Greek, a Turkish and an Armenian family, this unforgettable novel reveals a city, and a culture, now lost to time. 'Fiercely intelligent, finely textured and achingly beautiful' Elif Shafak 'Utterly delightful' Buki Papillon 'This rich tale of love and loss gives voice to the silenced, and adds music to their histories' Maureen Freely, Chair, English PEN 'A must-read' Ayse Arman, Hu ̈rriyet 'A symphony of literature' Açik Radyo 'Defne Suman is a story-teller. She tells the story of how love, emotions and identities are influenced by socio-political events of a lifetime' Cumhuriyet Newspaper 'A wonderfully braided story of family secrets set in the magical city of Smyrna, told in luminous prose' Lou Ureneck, author of Smyrna, September 1922 |
| viva el toro summary: The Membranes Chi Ta-wei, 2021-06-01 It is the late twenty-first century, and Momo is the most celebrated dermal care technician in all of T City. Humanity has migrated to domes at the bottom of the sea to escape devastating climate change. The world is dominated by powerful media conglomerates and runs on exploited cyborg labor. Momo prefers to keep to herself, and anyway she’s too busy for other relationships: her clients include some of the city’s best-known media personalities. But after meeting her estranged mother, she begins to explore her true identity, a journey that leads to questioning the bounds of gender, memory, self, and reality. First published in Taiwan in 1995, The Membranes is a classic of queer speculative fiction in Chinese. Chi Ta-wei weaves dystopian tropes—heirloom animals, radiation-proof combat drones, sinister surveillance technologies—into a sensitive portrait of one young woman’s quest for self-understanding. Predicting everything from fitness tracking to social media saturation, this visionary and sublime novel stands out for its queer and trans themes. The Membranes reveals the diversity and originality of contemporary speculative fiction in Chinese, exploring gender and sexuality, technological domination, and regimes of capital, all while applying an unflinching self-reflexivity to the reader’s own role. Ari Larissa Heinrich’s translation brings Chi’s hybrid punk sensibility to all readers interested in books that test the limits of where speculative fiction can go. |
| viva el toro summary: Forgotten Journey Silvina Ocampo, 2019-10-22 The world is ready for her blend of insane Angela Carter with the originality of Clarice Lispector.—Mariana Enriquez, LitHub Delicately crafted, intensely visual, deeply personal stories explore the nature of memory, family ties, and the difficult imbalances of love. Both her debut story collection, Forgotten Journey, and her only novel, The Promise, are strikingly 20th-century texts, written in a high-modernist mode rarely found in contemporary fiction.—Lily Meyer, NPR Silvina Ocampo is one of our best writers. Her stories have no equal in our literature.––Jorge Luis Borges I don't know of another writer who better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don't show us.—Italo Calvino These two newly translated books could make her a rediscovery on par with Clarice Lispector. . . . there has never been another voice like hers.—John Freeman, Executive Editor, LitHub . . . it is for the precise and terrible beauty of her sentences that this book should be read.A masterpiece of midcentury modernist literature triumphantly translated into our times.—Publishers Weekly * Starred Review Ocampo is beyond great—she is necessary.—Hernan Diaz, author of In the Distance and Associate Director of the Hispanic Institute at Columbia University Like William Blake, Ocampo's first voice was that of a visual artist; in her writing she retains the will to unveil immaterial so that we might at least look at it if not touch it.—Helen Oyeyemi, author of Gingerbread Ocampo is a legend of Argentinian literature, and this collection of her short stories brings some of her most recondite and mysterious works to the English-speaking world. . . . This collection is an ideal introduction to a beguiling body of work.—Publishers Weekly This collection of 28 short stories, first published in 1937 and now in English translation for the first time, introduced readers to one of Argentina's most original and iconic authors. With this, her fiction debut, poet Silvina Ocampo initiated a personal, idiosyncratic exploration of the politics of memory, a theme to which she would return again and again over the course of her unconventional life and productive career. Praise for Forgotten Journey: Ocampo is one of those rare writers who seems to write fiction almost offhandedly, but to still somehow do more in four or five pages than most writers do in twenty. Before you know it, the seemingly mundane has bared its surreal teeth and has you cornered.—Brian Evenson, author of Song for the Unraveling of the World: Stories The Southern Cone queen of the short-story, Ocampo displays all her mastery in Forgotten Journey. After finishing the book, you only want more.—Gabriela Alemán, author of Poso Wells Silvina Ocampo's fiction is wondrous, heart-piercing, and fiercely strange. Her fabulism is as charming as Borges’s. Her restless sense of invention foregrounds the brilliant feminist work of writers like Clarice Lispector and Samanta Schweblin. It’s thrilling to have work of this magnitude finally translated into English, head spinning and thrilling.—Alyson Hagy, author of Scribe |
| viva el toro summary: War Against All Puerto Ricans Nelson A Denis, 2015-04-07 The powerful, untold story of the 1950 revolution in Puerto Rico and the long history of U.S. intervention on the island, that the New York Times says could not be more timely. In 1950, after over fifty years of military occupation and colonial rule, the Nationalist Party of Puerto Rico staged an unsuccessful armed insurrection against the United States. Violence swept through the island: assassins were sent to kill President Harry Truman, gunfights roared in eight towns, police stations and post offices were burned down. In order to suppress this uprising, the US Army deployed thousands of troops and bombarded two towns, marking the first time in history that the US government bombed its own citizens. Nelson A. Denis tells this powerful story through the controversial life of Pedro Albizu Campos, who served as the president of the Nationalist Party. A lawyer, chemical engineer, and the first Puerto Rican to graduate from Harvard Law School, Albizu Campos was imprisoned for twenty-five years and died under mysterious circumstances. By tracing his life and death, Denis shows how the journey of Albizu Campos is part of a larger story of Puerto Rico and US colonialism. Through oral histories, personal interviews, eyewitness accounts, congressional testimony, and recently declassified FBI files, War Against All Puerto Ricans tells the story of a forgotten revolution and its context in Puerto Rico's history, from the US invasion in 1898 to the modern-day struggle for self-determination. Denis provides an unflinching account of the gunfights, prison riots, political intrigue, FBI and CIA covert activity, and mass hysteria that accompanied this tumultuous period in Puerto Rican history. |
| viva el toro summary: The House with the Stained-Glass Window Zanna Sloniowska, 2017-09-21 Zanna Sloniowska writes beautifully; with empathy, sensitivity, and with real political impact . . . an important new voice in Polish literature OLGA TOKARCZUK, Nobel Prize-winning author of Flights Remarkable, a gripping, Lvivian evocation of a city and a family across a long and painful century . . . A novel of life and survival across the ages PHILIPPE SANDS, author of East West Street Amid the turbulence of 20th century Lviv, meet four generations of women from the same fractious family, living beneath one roof and each striving to find their way across the decades of upheaval in an ever-shifting city. First there is Great-Granma, tiny and terrifying, shaped by a life of exile, hardship and doomed love, now fighting to keep her iron grip on the lives of her daughter, granddaughter and great-granddaughter. Then there is Aba, arthritic but devoted; cowed and despised by her mother, her one chance of happiness thwarted and her hopes of studying painting crushed. Thirdly, Marianna, the brilliant opera star: bold, beautiful and a fearless crusader for Ukrainian independence, who is shot during a demonstration and whose life and martyrdom casts a shadow upon the young life of the fourth and final woman, her daughter. More important even than these four women though is the character of the city of Lviv (or Lwów, or Lvov, depending on the point in history). A city of markets and monuments, streets and spires, where history and the present collide, civilisations clash and stories rise up on every corner. Translated from the Polish by Antonia Lloyd-Jones |
| viva el toro summary: The Transnational Fantasies of Guillermo del Toro A. Davies, D. Shaw, D. Tierney, 2014-10-02 Offering a multifaceted approach to the Mexican-born director Guillermo del Toro, this volume examines his wide-ranging oeuvre and traces the connections between his Spanish language and English language commercial and art film projects. |
| viva el toro summary: The Spanish Civil War 1936–39 Patrick Turnbull, 2013-06-20 By the spring of 1936 an armed clash was imminent between the forces of Spain's extreme Left and extreme Right. Viewed largely as a confrontation between democracy and fascism, the resulting civil war proved to be of enormous international significance. Nazi Germany and Fascist Italy intervened to assist General Franco, while the Soviet Union came to the aid of the Republican forces. This book explains the background to the war and charts the course of the nearly three-year long conflict through to General Franco's victory. Photographs and colour plates illustrate the uniforms and equipment of the Republican and Nationalist armies. |
| viva el toro summary: Singing to the Lyre in Renaissance Italy Blake Wilson, 2020 The first comprehensive study of the dominant form of solo singing in Renaissance Italy prior to the mid-sixteenth century. |
| viva el toro summary: Hitler And Spain Robert H. Whealey, 2014-07-11 The Spanish Civil War, begun in July 1936, was a preliminary round of World War II. Hitler's and Mussolini's cooperation with General Franco resulted in the Axis agreement of October 1936 and the subsequent Pact of Steel of May 1939, immediately following the end of the Civil War. This study presents comprehensive documentation of Hitler's use of the upheaval in Spain to strengthen the Third Reich diplomatically, ideologically, economically, and militarily. While the last great cause drew all eyes to Western Europe and divided the British and especially the French internally, Hitler could pursue territorial gains in Eastern Europe. This book, based on little-known German records and recently opened Spanish archives, fills a major gap in our understanding of one of the 20th century's most significant conflicts. Its comprehensive treatment of German-Spanish relations from 1936 through 1939, bringing together diplomatic, economic, military, and naval aspects, will be of great value to specialists in European diplomacy and the political economy of Nazi imperialism, as well as to all students of the Spanish Civil War. |
| viva el toro summary: Narco Cinema Ryan Rashotte, 2015-04-23 This book provides the first comprehensive study of narco cinema, a cross-border exploitation cinema that, for over forty years, has been instrumental in shaping narco-culture in Mexico and the US borderlands. Identifying classics in its mammoth catalogue and analyzing select films at length, Rashotte outlines the genre's history and aesthetic criteria. He approaches its history as an alternative to mainstream representation of the drug war and considers how its vernacular aesthetic speaks to the anxieties and desires of Latina/o audiences by celebrating regional cultures while exploring the dynamics of global transition. Despite recent federal prohibitions, narco cinema endures as a popular folk art because it reflects distinctively the experiences of those uprooted by the forces of globalization and critiques those forces in ways mainstream cinema has failed. |
| viva el toro summary: The Renewal of Pagan Antiquity Aby Warburg, 1999 A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning. |
| viva el toro summary: Diversity at Stake Peter R. W. Gerritsen, 2002* Finally, in the Epilogue , an attempt is made to translate the theoretical-empirical discussions of Chapters 1 to 7 into 10 practical recommendations for policy makers and practitioners. |
| viva el toro summary: The Machineries of Joy Ray Bradbury, 2000-11 From fantastical tales of Ireland to film studios, from monsters to the American countryside, THE MACHINERIES OF JOY explores Ray Bradbury's secret countries. Sometimes tender, sometimes harder than diamonds, his writing covers all seasons and emotions, and shows time after time why Harper's called him: 'America's finest living fantasist'. |
| viva el toro summary: The Brothers Milton Hatoum, John Gledson, 2003 Set among a Lebanese immigrant community in the Brazilian port of Manaus, The Brothers is the story of identical twins, Yaqub and Omar, whose mutual jealousy is offset only by their love for their mother. But it is Omar who is the object of Zana's Jocasta-like passion, while her husband, Halim, feels her slipping away from him, as their beautiful daughter, Rania, makes a tragic claim on her brothers' affection. Vivid, exotic, and lushly atmospheric, The Brothers is the story of a family's disintegration, of a changing city and the culture clash between the native-born inhabitants and a new immigrant group, and of the future the next generation will make from the ruins. |
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