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Vientos de Cuaresma: Un Deep Dive into the Winds of Lent
Introduction:
Have you ever felt the shift in the air, a subtle change in the breeze, heralding a change of season or perhaps a deeper, more spiritual transition? In many parts of the Spanish-speaking world, this feeling is intimately connected to the vientos de cuaresma – the winds of Lent. More than just a meteorological phenomenon, these winds carry with them a rich tapestry of cultural significance, folklore, and even meteorological reality. This post will delve into the fascinating world of vientos de cuaresma, exploring their meteorological origins, cultural interpretations, and the impact they have on life in regions where they are experienced. Get ready to understand not just the wind, but the deep-rooted traditions it represents.
What are the Vientos de Cuaresma?
The term vientos de cuaresma literally translates to "winds of Lent." These are strong, often dry and sometimes gusty winds that typically blow across parts of Spain, Mexico, and other regions of Latin America during the Lenten season (the 40 days leading up to Easter). While the exact timing and intensity vary depending on location and year, their arrival is often eagerly anticipated (or dreaded, depending on perspective) as a significant marker of the changing season.
The Meteorological Reality:
While shrouded in folklore and tradition, the vientos de cuaresma have a tangible meteorological basis. These winds are often associated with the shifting atmospheric pressure systems that accompany the transition from winter to spring. They are frequently linked to the passage of cold fronts or high-pressure systems that sweep across the Iberian Peninsula and parts of the Americas. The precise meteorological explanation can be complex and depends on specific geographical location, but the common thread is the changing weather patterns associated with the end of winter and the approach of spring.
Cultural Significance and Folklore:
Beyond the meteorological, the vientos de cuaresma hold immense cultural significance. In many communities, these winds are not merely a weather event; they are seen as harbingers of change, renewal, and spiritual reflection – themes strongly associated with the Lenten season itself.
Folklore and Superstitions:
Cleaning and Renewal: The strong winds are often interpreted as a symbolic cleansing, blowing away the old and making way for the new. House cleaning and spring cleaning are often associated with this time, reflecting the broader theme of spiritual renewal during Lent.
Agricultural Significance: Farmers often observe the direction and intensity of the vientos de cuaresma to make predictions about the upcoming harvest. The strength and direction of the winds are seen as omens, influencing planting decisions and overall agricultural planning.
Health and Well-being: Some believe that the vientos de cuaresma can impact health, with certain ailments being attributed to their influence. This often leads to specific practices aimed at protecting oneself from their perceived negative effects.
Regional Variations:
The experiences and interpretations of the vientos de cuaresma vary significantly across different regions. In some areas, the focus might be on the agricultural implications, while in others, the emphasis is placed on the spiritual and symbolic meaning. Even the names used for these winds can differ, reflecting the unique cultural nuances of each region.
Impact on Daily Life:
The vientos de cuaresma can significantly influence daily life in affected regions. From impacting outdoor activities to influencing agricultural practices, the winds have a tangible presence that shapes the rhythm of life during the Lenten period. Understanding their patterns and potential intensity is crucial for planning various aspects of life, from travel to outdoor work.
Conclusion:
The vientos de cuaresma are much more than just a meteorological phenomenon; they are deeply woven into the cultural fabric of many Spanish-speaking communities. Understanding their meteorological origins, cultural interpretations, and impact on daily life offers a glimpse into the rich tapestry of traditions and beliefs surrounding this unique seasonal event. They stand as a potent reminder of how nature and culture intertwine, shaping our perceptions and experiences of the world around us.
FAQs:
1. Are the vientos de cuaresma dangerous? While usually not extremely dangerous, they can be strong and gusty, potentially causing damage and impacting outdoor activities. It's always wise to monitor weather forecasts during this period.
2. How long do the vientos de cuaresma last? The duration varies depending on location and year, typically lasting for several weeks during Lent.
3. What are some traditional practices associated with the vientos de cuaresma? Spring cleaning, agricultural planning based on wind direction, and protective measures against perceived negative health impacts are common.
4. Are the vientos de cuaresma unique to Spain and Latin America? While most prevalent in these regions, similar strong winds associated with seasonal changes occur in other parts of the world.
5. Can scientists accurately predict the intensity and duration of vientos de cuaresma? While not perfectly predictable, meteorologists use weather models and historical data to provide reasonable forecasts. Accuracy can vary depending on location and specific weather patterns.
| vientos de cuaresma: Vientos de Cuaresma Leonardo Padura, 2001 Conocido ya por los lectores españoles gracias a Máscaras , Paisaje de Otoño y Pasado perfecto (Andanzas 292, 345 y 397), Leonardo Padura nos entrega ahora Vientos de Cuaresma , la pieza que cierra el círculo de su tetralogía « Las cuatro estaciones ». Protagonizada, como las otras tres, por el reflexivo y pesimista teniente Mario Conde —para los entendidos el Conde —, Vientos de Cuaresma es, a la vez, un thriller desconcertante y una novela de amor. En los infernales días de la primavera cubana en que llegan los vientos calientes del sur, coincidiendo con la Cuaresma, al teniente Mario Conde , que acaba de conocer a Karina , una mujer bella y deslumbrante, aficionada al jazz y al saxo, le encargan una delicada investigación. Una joven profesora de química del mismo preuniversitario donde años atrás estudió el Conde ha aparecido asesinada en su apartamento, en el que aparecen además restos de marihuana. Así, al investigar la vida de la profesora, de impoluto expediente académico y político, el Conde entra en un mundo en descomposición, donde el arribismo, el tráfico de influencias, el consumo de drogas y el fraude revelan el lado oscuro de la sociedad cubana contemporánea. Paralelamente, el policía, enamorado de la bella e inesperada mujer, vive días de gloria sin imaginar el demoledor desenlace de esa historia de amor. |
| vientos de cuaresma: Havana Gold Leonardo Padura, 2008 Scorching novel from a star of Cuban fiction. The fourth of the Havana Quartet series. |
| vientos de cuaresma: Pasado perfecto Leonardo Padura, 2016 Vientos de cuaresma: En los infernales días de la primavera cubana en que llegan los vientos calientes del sur, coincidiendo con la cuaresma, al teniente Mario Conde, que acaba de conocer a Karina, una mujer bella y deslumbrante, aficionada al jazz y al saxo, le encargan una delicada investigación. Una joven profesora de química del mismo preuniversitario donde años atrás estudió el Conde ha aparecido asesinada en su apartamento, en el que aparecen además restos de marihuana. Así, al investigar la vida de la profesora, de impoluto expediente académico y político, el Conde entra en un mundo en descomposición, donde el arribismo, el tráfico de influencias, el consumo de drogas y el fraude revelan el lado oscuro de la sociedad cubana contemporánea. |
| vientos de cuaresma: Havana Red Leonardo Padura, 2005 A young transvestite found strangled in a Havana park. The stifling death of a beloved Cuba. |
| vientos de cuaresma: The Transparency of Time Leonardo Padura, 2021-06-10 Leonardo Padura's gripping new mystery breaks with the traditions of the detective novel, tracing the provenance of a mystical statue through history, from the Crusades to modern-day Havana. Mario Conde is facing down his sixtieth birthday. What does he have to show for his decades on the planet? A failing body, a slower mind, and a decrepit country, in which both the ideals and failures of the Cuban Revolution are being swept away in favour of a new and newly cosmopolitan worship of money. Rescue comes in the form of a new case: an old Marxist turned flamboyant practitioner of Santería appears on the scene to engage Conde to track down a stolen statue of the Virgen de Regla—a black Madonna. This sets Conde on a quest that spans from the Crusades to present day Havana, by way of the Spanish Civil War. He must uncover the true provenance of the Madonna and solve the two murders triggered by the theft of the statue. |
| vientos de cuaresma: Detective Fiction in Cuban Society and Culture Stephen Wilkinson, 2006 This book examines Cuban society through a study of its detective fiction and more particularly contemporary Cuban society through the novels of the author and critic, Leonardo Padura Fuentes. The author traces the development of Cuban detective writing in the light of the work of twentieth century Western European literary critics and philosophers including Raymond Williams, Antonio Gramsci, Terry Eagleton, Roland Barthes, Jean Paul Sartre, Michel Foucault, Jean François Lyotard and Jean Baudrillard in order to gain a better understanding of the social and historical context in which this genre emerged. The analysis includes discussion of the broader philosophical, political and historical issues raised by the Cuban revolution. The book concludes that the study of this popular genre in Cuba is of crucial importance to the scholar who wishes to reach as full an understanding of the social dynamics within that society as possible. |
| vientos de cuaresma: Grab a Snake by the Tail Padura Leonardo, 2019-05-01 Mario Conde investigates a murder in the Barrio Chino, the rundown Chinatown of Havana. Not his usual beat, but when Conde was asked to take the case by his colleague, the sultry, perfectly proportioned Lieutenant Patricia Chion, a frequent object of his nightly fantasies, he could n’t resist. The case proves to be unusual. Pedro Cuang, a lonely old man, is found hanging naked from a beam in the ceiling of his dingy room. One of his fingers has been amputated and a drawing of two arrows was engraved with a knife on his chest. Was this a ritual Santería killing or a just a sordid settling of accounts in a world of drug trafficking that began to infiltrate Cuban society in the 1980s? Soon Conde discovers unexpected connections, secret businesses and a history of misfortune, uprooting and loneliness that affected many immigrant families from China. As ever with Padura, the story is soaked in atmosphere: the drinking of rum in deliciously smoke-filled bars, the friendships, the food and beautiful women. |
| vientos de cuaresma: Havana Black Leonardo Padura, 2006-06-01 Scorching novel from a star of Cuban fiction. Second Conde mystery set in languid Havana. |
| vientos de cuaresma: Havana Fever Leonardo Padura, 2009-05-01 Scorching novel from a star of Cuban fiction. The return of Mario Conde. |
| vientos de cuaresma: Adiós Hemingway Leonardo Padura, Leonardo Padura Fuentes, 2005 In a detective story set against the backdrop of Hemingway's Cuba, the discovery of the skeletal remains of the victim of a forty-year-old murder on the Havana estate of Ernest Hemingway, draws ex-cop Mario Conte back into the game to investigate a crime with roots in Hemingway's Cuba four decades earlier. |
| vientos de cuaresma: Homosexuality and Invisibility in Revolutionary Cuba María Encarnación Martín López, 2015 Offers alternative insights into the complex relationship between politics and intelligentsia in revolutionary Cuba. |
| vientos de cuaresma: The Foreign in International Crime Fiction Jean Anderson, Carolina Miranda, Barbara Pezzotti, 2012-06-14 'The foreigner' is a familiar character in popular crime fiction, from the foreign detective whose outsider status provides a unique perspective on a familiar or exotic location to the xenophobic portrayal of the criminal 'other'. Exploring popular crime fiction from across the world, The Foreign in International Crime Fiction examines these popular works as 'transcultural contact zones' in which writers can tackle such issues as national identity, immigration, globalization and diaspora communities. Offering readings of 20th and 21st-century crime writing from Norway, the UK, India, China, Europe and Australasia, the essays in this book open up new directions for scholarship on crime writing and transnational literatures. |
| vientos de cuaresma: Censorship Derek Jones, 2001-12-01 First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company. |
| vientos de cuaresma: Subverting Sex, Gender, and Genre in Cuban and Mexican Detective Fiction Ailsa Peate, 2024-09-25 The presence of bodies and sex in detective fiction has been a long-term feature of this internationally popular genre. Titillation is at the centre of narratives reliant upon discovery and revelation: motives and criminals are slowly revealed, along with sexualized and violated bodies – from femmes fatales to the corpses of victims. A satisfying, gratifying genre for its readership, the detective novel promises the disruption and subsequent restoration of order in societies tarnished by disillusionment which hope for a better future. This book takes as its focus examples of detective fiction from Cuba and Mexico during or in the aftermath of huge social upheaval (the Special Period and the War on Drugs), analyzing representations of sexualities, bodies, and the genre itself. Through an investigation of novels by Leonardo Padura and Amir Valle of Cuba, and Bef and Rogelio Guedea of Mexico, this work investigates increasingly fluid sexualities and bodies in challenging examples of metaphysical detective fiction, a particularly anxious subgenre which challenges both the structures and limits of the detective novel and the reader’s understanding of true and false and right and wrong, representative of troubling periods of severe social disruption for Cuba and Mexico. |
| vientos de cuaresma: Cuban Palimpsests Jose Quiroga, 2005 Four decades ago, the Cuban revolution captured the world’s attention and imagination. Its impact around the world was as much cultural as geopolitical. Within Cuba, the state developed a strictly defined national and collective memory that led directly from a colonial past to a utopian future, but this narrative came to a halt in the early 1990s. The collapse of Cuba’s sponsor, the Soviet Union, and the end of the Cold War preceded the so- called “Special Period in Times of Peace,” a euphemistic phrase that masked the genuine anxiety shared by leaders and people about the nation’s future. In Cuban Palimpsests, José Quiroga explores the sites, both physical and imaginative, where memory bears upon Cuba’s collective history in ways that illuminate this extended moment of uncertainty. Crossing geographical, political, and cultural borders, Quiroga moves with ease between Cuba, Miami, and New York. He traces generational shifts within the exile community, contrasts Havana’s cultural richness with its economic impoverishment, follows the cloak-and-dagger narratives of revolutionary and counterrevolutionary spy fiction and film, and documents the world’s ongoing fascination with Cuban culture. From the nostalgic photographs of Walker Evans to the iconic stature of Fidel Castro, from the literary expressions of despair to the beat of Cuban musical rhythms, from the haunting legacy of artist Ana Mendieta to the death of Celia Cruz and the reburial of Che Guevara, Cuban Palimpsests memorializes the ruins of Cuba’s past and offers a powerful meditation on its enigmatic place within the new world order. José Quiroga is professor and department chair of Spanish and Portuguese at Emory University. He is the author of Understanding Octavio Paz and Tropics of Desire: Interventions from Queer Latino America. |
| vientos de cuaresma: Comedia y melancolía en la narrativa neopoliciaca (Vázquez Montalbán, Taibo II, Padura) Carlos van Tongeren, 2019-01-14 In recent years, both the intellectual lucidity of melancholy and the liberating potentials of comedy, irony and humour have emerged as central preoccupations in critical theory and literary criticism. In this book, Carlos van Tongeren offers a thorough and innovative reflection on the intersections between comedy and melancholy. Through detailed readings of almost twenty novels by three key writers of detective fiction in the Spanish-speaking world, he puts diverse melancholic attitudes towards the past and the multiple “surplus” values of comedy into a clear historical perspective. As such, this book provides a profound understanding of how comedy and melancholy have shaped Hispanic detective fiction following wider political and cultural developments in the post-totalitarian contexts of Spain, Mexico and Cuba. En años recientes, la lucidez intelectual de la melancolía y los potenciales liberadores de la comedia, la risa y el humor han emergido como preocupaciones centrales en la teoría crítica y crítica literaria. En este libro, Carlos van Tongeren ofrece una reflexión profunda e innovadora sobre las intersecciones entre la comedia y la melancolía. A través de una lectura detallada de una veintena de novelas de representantes clave de la ficción policiaca en el mundo hispanohablante, el autor muestra cómo la comedia y la melancolía han influido en la ficción policiaca en español, de acuerdo con cambios políticos y culturales más amplios en los contextos postotalitarios de España, México y Cuba. |
| vientos de cuaresma: The Routledge Handbook of Violence in Latin American Literature Pablo Baisotti, 2022-02-28 This Handbook brings together essays from an impressive group of well-established and emerging scholars from all around the world, to show the many different types of violence that have plagued Latin America since the pre-Colombian era, and how each has been seen and characterized in literature and other cultural mediums ever since. This ambitious collection analyzes texts from some of the region's most tumultuous time periods, beginning with early violence that was predominately tribal and ideological in nature; to colonial and decolonial violence between colonizers and the native population; through to the political violence we have seen in the postmodern period, marked by dictatorship, guerrilla warfare, neoliberalism, as well as representations of violence caused by drug trafficking and migration. The volume provides readers with literary examples from across the centuries, showing not only how widespread the violence has been, but crucially how it has shaped the region and evolved over time. |
| vientos de cuaresma: Cojimar Marcos Marin Llanes, 2006 En La Leonera, Hemingway conocio historias de marinos y pescadores. En ellas se inspiro para escribir la obra con la que logro el Nobel: El viejo y el mar. En este libro estan recogidas muchas de las anecdotas que escucho Hemingway durante su estadia en Cuba: anecdotas sobre tornados y tormentas del mar, sobre fiestas, naufragios, tiburones, tipos de pesca, tesoros encontrados, la aparicion de las virgenes del mar. Marcos Marin Llanes las describe con encanto y sencillez, y las acompana con numerosas fotografias. La obra recupera la memoria popular y las experiencias de vida de la villa que ha hecho de Hemingway su estandarte cultural. Cada ano, muchos de los miles de turistas que visitan la isla van a Cojímar siguiendo las huellas del escritor. Este libro los acercara tanto a ese pueblo privilegiado como al dios de bronce de la literatura norteamericana del siglo XX. |
| vientos de cuaresma: Contra el Adoctrinamiento Comunista en Veinticinco Lecciones Juan G. Guerra, 2022-09-13 Contra el Adoctrinamiento Comunista en veinticinco lecciones (2022), es un análisis sencillo de la realidad de los cubanos de las últimas seis décadas, el autor: Juan G. Guerra relata anécdotas de su vida, pone al descubierto el adoctrinamiento al que es sometido el pueblo cubano, que lo sumerge en el más cruel y total desconocimiento de los derechos ciudadanos a nacer, vivir en libertad y a poseer cualquier medio de sustento que sea capaz de alcanzar con su propio esfuerzo. El autor describe cómo el régimen comunista en Cuba tergiversa de la verdad con el único propósito de mantener el poder mediante el control de las masas, describe cómo se llegó a la ruptura familiar, destruyendo las creencias religiosas, participando en guerras estériles o simplemente quitando del camino a quien se opusiera a su programa político, a pesar de la postura incoherente de las generaciones anteriores, no comprometidas con el régimen. Cómo se produce un entramado de falsedades que conllevan a que las personas lleven siempre una doble personalidad ante el resto de la sociedad y el proceso de transformación hacia un pensamiento libre. |
| vientos de cuaresma: The Contemporary Spanish-American Novel Will H. Corral, Juan E. De Castro, Nicholas Birns, 2013-09-26 The Contemporary Spanish-American Novel provides an accessible introduction to an important World literature. While many of the authors covered—Aira, Bolaño, Castellanos Moya, Vásquez—are gaining an increasing readership in English and are frequently taught, there is sparse criticism in English beyond book reviews. This book provides the guidance necessary for a more sophisticated and contextualized understanding of these authors and their works. Underestimated or unfamiliar Spanish American novels and novelists are introduced through conceptually rigorous essays. Sections on each writer include: *the author's reception in their native country, Spanish America, and Spain *biographical history *a critical examination of their work, including key themes and conceptual concerns *translation history *scholarly reception The Contemporary Spanish-American Novel offers an authoritative guide to a rich and varied novelistic tradition. It covers all demographic areas, including United States Latino authors, in exploring the diversity of this literature and its major themes, such as exile, migration, and gender representation. |
| vientos de cuaresma: Latin American Mystery Writers Darrell B. Lockhart, 2004-03-30 Latin America has a rich literary tradition that is receiving growing amounts of attention. The body of Latin American mystery writing is especially vast and diverse. Because it is part of Latin American popular culture, it also reflects many of the social and cultural concerns of that region. This reference provides an overview of mystery fiction of Latin America. While many of the authors profiled have received critical attention, others have been relatively neglected. Included are alphabetically arranged entries on 54 writers, most of whom are from Argentina, Mexico, and Cuba. Every effort has been made to include balanced coverage of the few female mystery writers. Each entry is written by an expert contributor and includes a brief biography, a critical discussion of the writer's works, and primary and secondary bibliographies. The volume closes with a general bibliography of anthologies and criticism. |
| vientos de cuaresma: Havana Blue Leonardo Padura, 2007-06-21 A scorching novel from a star of Cuban fiction. The third in the Havana Quartet series. |
| vientos de cuaresma: Cuba Ted A. Henken, 2007-10-03 This fascinating work provides an enlightening guided tour of the island of Cuba's historical, political, economic, and sociocultural development from the pre-Columbian period to the present. Cuba: A Global Studies Handbook offers a revealing look at a nation that, in its ongoing pursuit of freedom, has been a colonial pawn, a neocolonial paradise for corrupt politicians and dictators, an alluring vacation destination, a defiant Communist holdout and embarrassing thorn in the side of the powerful United States. Drawing heavily on his own research and experiences on the island, the author follows Cuba's political, economic, and sociocultural development from the pre-Columbian period to the present—with an emphasis on the revolutionary period. The book's reference section includes alphabetically organized entries on important people, places, and historical events, as well as shorter sections on Cuban Spanish, national traditions and holidays, cuisines, and important organizations. Also featured is a chart tracing the development of Cuban popular music and a listener's guide to some of the best available recordings. |
| vientos de cuaresma: Encyclopedia of Twentieth-Century Latin American and Caribbean Literature, 1900–2003 Daniel Balderston, Mike Gonzalez, 2004 The Encyclopedia of Twentieth-Century Latin American and Caribbean Literature, 1900-2003 draws together entries on all aspects of literature including authors, critics, major works, magazines, genres, schools and movements in these regions from the beginning of the twentieth century to the present day. With more than 200 entries written by a team of international contributors, this Encyclopedia successfully covers the popular to the esoteric.The Encyclopedia is an invaluable reference resource for those studying Latin American and/or Caribbean literature as well. |
| vientos de cuaresma: Heretics Leonardo Padura, 2017-03-14 Padura’s Heretics spans and defies literary categories . . . ingenious. —Maureen Corrigan, Fresh Air A sweeping novel of art theft, anti-Semitism, contemporary Cuba, and crime from a renowned Cuban author, Heretics is Leonardo Padura's greatest detective work yet. In 1939, the Saint Louis sails from Hamburg into Havana’s port with hundreds of Jewish refugees seeking asylum from the Nazi regime. From the docks, nine-year-old Daniel Kaminsky watches as the passengers, including his mother, father, and sister, become embroiled in a fiasco of Cuban corruption. But the Kaminskys have a treasure that they hope will save them: a small Rembrandt portrait of Christ. Yet six days later the vessel is forced to leave the harbor with the family, bound for the horrors of Europe. The Kaminskys, along with their priceless heirloom, disappear. Nearly seven decades later, the Rembrandt reappears in an auction house in London, prompting Daniel’s son to travel to Cuba to track down the story of his family’s lost masterpiece. He hires the down-on-his-luck private detective Mario Conde, and together they navigate a web of deception and violence in the morally complex city of Havana. In Heretics, Leonardo Padura takes us from the tenements and beaches of Cuba to Rembrandt’s gloomy studio in seventeenth-century Amsterdam, telling the story of people forced to choose between the tenets of their faith and the realities of the world, between their personal desires and the demands of their times. A grand detective story and a moving historical drama, Padura’s novel is as compelling, mysterious, and enduring as the painting at its center. |
| vientos de cuaresma: Handbook on Cuban History, Literature, and the Arts Mauricio A. Font, Araceli Tinajero, 2016-03-02 First Published in 2016. If scholarship on Cuban studies after the 1959 revolution focused on the historical and cultural aspects of the construction of a socialist order, the post-1989 crisis of socialism in Central and Eastern Europe raised questions about the island’s state as a socialist model. The scholarly gaze gradually began to focus on possibilities for alternative transformations at various levels of social life rather than on the deepening of traditional twentieth-century state socialism. This volume explores the newly emergent themes and debates about Cuban society and history. |
| vientos de cuaresma: Los rostros de Leonardo Padura Agustín García, 2016-03-10 Varios especialistas en la obra del Premio Princesa de Asturias de las Letras 2015, analizan la obra de Leonardo Padura Fuentes y ofrecen perspectivas útiles para la mejor comprensión de uno de los autores más importantes de las letras hispánicas contemporáneas. Entre los textos que recoge este volumen destacan inéditos del propio Leonardo Padura y de Francisco López, Rafael Grillo, Amir Valle, Michel Encinosa Fú, Enrique Saínz, Dorita Nouhaud, Manuel García Verdecia, Emiliano Ruiz Parra, Agustín García Marrero, Rafael Acosta de Arriba, Rebeca Murga, Elizabeth Mirabal, Lucía López Coll, Agustín García Marrero, Ciro Bianchi Ross. A la distancia de los años, de la experiencia literaria y ya con ocho novelas en las manos, se hace evidente que la evolución de Mario Conde mucho tiene que ver con mi propia evolución como individuo. Si en Pasado perfectotodavía siento que Conde tiene un cierto carácter funcional, demasiado apegado para mi gusto a la trama policial, cuando comencé Vientos de cuaresma (publicada en 1994), ya decidido a que fuese el protagonista de al menos cuatro novelas, su composición psicológica y espiritual se hizo más completa y también más evidente la imposibilidad de sostenerlo mucho tiempo como policía, incluso como antipolicía o como el policía literario que era. Su manera de relacionarse con la realidad, con los amigos, con el amor y las mujeres, su inteligencia y vocación literaria, su incapacidad para vivir entre los férreos escalones de un cuerpo de estructura militar y las muchísimas debilidades de su carácter ponían a prueba en cada página su capacidad para ser y actuar como policía, aun como policía de investigación. Leonardo Padura |
| vientos de cuaresma: Serialidad narrativa. Tres propuestas analíticas en la ficción policial Fernando Vizcarra Héctor, 2023-03-07 La serialidad en los constructos narrativos se define a partir de un balance que dosifica la innovación y la repetición entre un episodio y otro, segmentos encadenados en un conjunto que, de manera potencial, resulta infinito y en expansión constante. Para ejemplificar el análisis de los pactos del formato serial, en este libro se presentan tres casos concretos de ficción policial contemporánea, los cuales se sostienen en distintos esquemas de articulación serial: el textual, el audiovisual y el modelo editorial. |
| vientos de cuaresma: Hotaru III Antonio Jesús Ramírez Pedrosa, Andrea González Ruiz, Azucena Fernández, George Goldberg, Autores de Hotaru 3, 2024-06-21 llega el nuevo número de Hotaru con más contenido de colaboración y nuevos artículos que nos hablan de iniciativas y convocatorias japonesas para fomentar la creación de poesía, particularmente senryū, con unas motivaciones curiosas y divertidas. Además de eso, podremos disfrutar de más de doscientos haikus compartidos por nuestros lectores y lectoras, colaboradores y colaboradores. Un número especial porque hemos alcanzando la simbólica cantidad de 17 mecenas durante la elaboración de las páginas que leerás. También, es el número que más ediciones especiales incluye, y en la que traemos, como novedad, una breve antología de Hashimoto Takako dentro de una serie de obras traducidas que iremos compartiendo en los próximos meses. Y además, anunciamos en exclusiva la portada de Fuyu no hoshi, la última antología de la serie Kasumi. Esperamos que os guste. Contenido: - Siente la libertad en el haiku, por Antonio J. Ramírez Pedrosa. - La leyenda de Sakura y Yohiro, por Azucena Fernández. - Cosas que el haiku no es. Traducción de George Goldberg de la obra de Lorraine Ellis Harr. - Primer acercamiento a la imaginería zen, por Jorgelina Hazebrouck. - Retos de haiku. - Haibun. - Japón en imágenes, por Kohaku. - ¿Qué deberíamos esperar y que no cuando leemos literatura japonesa?, por Azucena Fernández. - Senryū, el poema que busca la risa, por Antonio J. Ramírez Pedrosa. - Poesía de cuarto de baño. Una revisión de las últimas ediciones del certamen de senryū organizado por la multinacional Toto, por Antonio J. Ramírez Pedrosa. - Takako Hashimoto, una pequeña antología traducida por Antonio J. Ramírez Pedrosa. - Haiga. - Kiyose. Verano, por Antonio J. Ramírez Pedrosa. |
| vientos de cuaresma: Cuba and the Tempest Eduardo González, 2006-12-08 In a unique analysis of Cuban literature inside and outside the country's borders, Eduardo Gonzalez looks closely at the work of three of the most important contemporary Cuban authors to write in the post-1959 diaspora: Guillermo Cabrera Infante (1929-2005), who left Cuba for good in 1965 and established himself in London; Antonio Benitez-Rojo (1931-2005), who settled in the United States; and Leonardo Padura Fuentes (b. 1955), who still lives and writes in Cuba. Through the positive experiences of exile and wandering that appear in their work, these three writers exhibit what Gonzalez calls Romantic authorship, a deep connection to the Romantic spirit of irony and complex sublimity crafted in literature by Lord Byron, Thomas De Quincey, and Samuel Taylor Coleridge. In Gonzalez's view, a writer becomes a belated Romantic by dint of exile adopted creatively with comic or tragic irony. Gonzalez weaves into his analysis related cinematic elements of myth, folktale, and the grotesque that appear in the work of filmmakers such as Alfred Hitchcock and Pedro Almodovar. Placing the three Cuban writers in conversation with artists and thinkers from British and American literature, anthropology, philosophy, psychoanalysis, and cinema, Gonzalez ultimately provides a space in which Cuba and its literature, inside and outside its borders, are deprovincialized. |
| vientos de cuaresma: Veinticuatro gatos gateando en la gatera del tejar Domingo Hernandez Varona, 2021-12-13 ] Es un libro de narraciones, cuentos, relatos, en donde siempre aparecen las figuras de esos graciosos felinos que tanto amamos. Y respondiendo al titulo; hay tambien veinticuatro cuentos; muchos de ellos guardan en cierta medida una carga humoristica interna, sin dejar de tener su sobreentendida ensenanza filosofica. El libro es una oferta valiosa, al que podemos ir en cualquier momento sin preambulo alguno; es para disfrutar en todos los instantes del dia y, claro, de la noche, porque es divertido y apasionante. |
| vientos de cuaresma: Soviet Influence on Cuban Culture, 1961–1987 Isabel Story, 2019-12-04 This book examines the ways in which the Cuban-Soviet relationship was expressed in the cultural sphere between 1961 and 1987. It specifically focuses on the theater and the visual arts to analyze the ways in which the culture became a means of asserting the Cuban Revolution’s independence. |
| vientos de cuaresma: Into the Mainstream Jorge Febles, 2009-03-26 Into the Mainstream: Essays on Spanish American and Latino Literature and Culture is a direct outgrowth of Jorge Febles’s involvement with the annual conference of the American Culture Association and the Popular Culture Association. In that sense, the compilation expands on a project initiated in 1993 by Helen Ryan-Ransom with her book Imagination, Emblems and Expressions: Essays on Latin American, Caribbean, and Continental Culture and Identity (Bowling Green, Ohio: Bowling Green State University Popular Press, 1993). David William Foster, who penned a lengthy preface to that collection, justified its intent by underscoring: “The very fact that our approach to culture is dominated by categories based on high, academic, institutionalized phenomena poses from the very outset the question of how to deal with all those other cultural manifestations that do not comfortably assimilate to the accepted canon” (Ryan-Ransom 3). The past fourteen years, however, have witnessed a radical transformation of that so-called canon due to the widespread acceptance of ideas espoused by cultural theorists like García Canclini, Homi Bhabba, Said, Stuart Hall, Benhabib, Bourdieu and countless others. Therefore, the ambivalence regarding what constitutes culture identified by Foster is inoperative nowadays to a substantial degree. In fact, a fundamental component of the postmodern outlook resides in the ability to blend comfortably the high and the low, the elitist and the popular realms of production in a multiplicity of textual artifacts, creative as well as critical in nature. Hence, the essays that conform Into the Mainstream do not question barriers anymore, nor do they expound on the need to assign a discursive intellectual space to matters pertaining to popular culture. Thus, this collection espouses an inclusive approach in which a variety of analytical approaches coalesce to reflect on an equally kaleidoscopic textuality. Pursuant to its comprehensive nature, Into the Mainstream airs established as well as developing critical voices so as to reflect both ideological continuity and evolving viewpoints. Scholars who have compiled strong academic records like Hortensia Morell, Raquel Rivas Rojas, Elsa Gilmore, David Petreman and Benjamín Torres Caballero share a venue with younger critics like Corey Shouse Tourino, Roberto Vela Córdova, Stacy Hoult, Eduardo del Río, Bruce Campbell, Laura Redruello, Dinora Cardoso and April Marshall, as well as with two graduate students about to complete their academic preparation: Nuria Ibáñez Quintana and María Teresa Vera Rojas. The result is an eclectic compilation meant to elicit discussion on the basis of its variety. Into the Mainstream’s primordial objective is to place these provocative essays—which are expanded versions of papers presented during the annual gathering of the American Culture Association and the Popular Culture Association in the period 2002-2005—along with the numerous subjects they treat in the academic mainstream where they rightfully belong. |
| vientos de cuaresma: Tr3s palabras… y algo más. Emir García Meralla, Nancy Maestigue Prieto, Tr3s palabras… y algo más... es un volumen en el que su autor Emir García Meralla hace una recopilación de artículos escritos y publicados donde realiza un análisis critico acerca de la música, álbumes, temas, músicos cubanos y otros aspectos interesantes acerca de los diferentes géneros que integran el amplio caudal de la cultura musical cubana. |
| vientos de cuaresma: Cuba Ted Henken, 2008 Despite its small size, Cuba has often had a large presence on the global stage. Its far-from-homogeneous society, sophisticated music and culture, and volatile relations with the United States-as well as the uncertainty surrounding the inevitable post-Castro era-make it the focal point for the world's attention and a source of fascination for all kinds of readers. Reflects the expertise of an author who is both well-versed in the realities of contemporary Cuba and well-experienced as an educator and writer. Presents the many diverse characteristics of Cuba as a complex but integrated whole. Offers sympathetic but critical-minded portrayals of committed revolutionaries and ardent counterrevolutionaries, without choosing sides between those who left Cuba and those who remained. |
| vientos de cuaresma: Hispanofila Alva Vernon Ebersole, 2002 |
| vientos de cuaresma: Indicios, señales y narraciones Enrique Rodrigues-Moura, 2010 |
| vientos de cuaresma: Our Caribbean Thomas Glave, 2008 The first book of its kind, Our Caribbean is an anthology of lesbian and gay writing from across the Antilles. The author and activist Thomas Glave has gathered outstanding fiction, nonfiction, memoir, and poetry by little-known writers together with selections by internationally celebrated figures such as José Alcántara Almánzar, Reinaldo Arenas, Dionne Brand, Michelle Cliff, Audre Lorde, Achy Obejas, and Assotto Saint. The result is an unprecedented literary conversation on gay, lesbian, bisexual, and transgendered experiences throughout the Caribbean and its far-flung diaspora. Many selections were originally published in Spanish, Dutch, or creole languages; some are translated into English here for the first time. The thirty-seven authors hail from the Bahamas, Barbados, Cuba, the Dominican Republic, Grenada, Guyana, Haiti, Jamaica, Panama, Puerto Rico, St. Vincent, St. Kitts, Suriname, and Trinidad. Many have lived outside the Caribbean, and their writing depicts histories of voluntary migration as well as exile from repressive governments, communities, and families. Many pieces have a political urgency that reflects their authors' work as activists, teachers, community organizers, and performers. Desire commingles with ostracism and alienation throughout: in the evocative portrayals of same-sex love and longing, and in the selections addressing religion, family, race, and class. From the poem Saturday Night in San Juan with the Right Sailors to the poignant narrative We Came All the Way from Cuba So You Could Dress Like This? to an eloquent call for the embrace of difference that appeared in the Nassau Daily Tribune on the eve of an anti-gay protest, Our Caribbean is a brave and necessary book. Contributors: José Alcántara Almánzar, Aldo Alvarez, Reinaldo Arenas, Rane Arroyo, Jesús J. Barquet, Marilyn Bobes, Dionne Brand, Timothy S. Chin, Michelle Cliff, Wesley E. A. Crichlow, Mabel Rodríguez Cuesta, Ochy Curiel, Faizal Deen, Pedro de Jesús, R. Erica Doyle, Thomas Glave, Rosamond S. King, Helen Klonaris, Lawrence La Fountain-Stokes, Audre Lorde, Shani Mootoo, Anton Nimblett, Achy Obejas, Leonardo Padura Fuentes, Virgilio Piñera, Patricia Powell, Kevin Everod Quashie, Juanita Ramos, Colin Robinson, Assotto Saint, Andrew Salkey, Lawrence Scott, Makeda Silvera, H. Nigel Thomas, Rinaldo Walcott, Gloria Wekker, Lawson Williams |
| vientos de cuaresma: Cuban Currency Esther Katheryn Whitfield, 2008-01-01 With the collapse of the Soviet Union in the 1990s, during an economic crisis termed its “special period in times of peace,” Cuba began to court the capitalist world for the first time since its 1959 revolution. With the U.S. dollar instated as domestic currency, the island seemed suddenly accessible to foreign consumers, and their interest in its culture boomed. Cuban Currency is the first book to address the effects on Cuban literature of the country’s spectacular opening to foreign markets that marked the end of the twentieth century. Based on interviews and archival research in Havana, Esther Whitfield argues that writers have both challenged and profited from new transnational markets for their work, with far-reaching literary and ideological implications. Whitfield examines money and cross-cultural economic relations as they are inscribed in Cuban fiction. Exploring the work of Zo Valds, Pedro Juan Gutirrez, Antonio Jos Ponte and others, she draws out writers’ engagements with the troublesome commodification of Cuban identity. Confronting the tourist and publishing industries’ roles in the transformation of the Cuban revolution into commercial capital, Whitfield identifies a body of fiction peculiarly attuned to the material and political challenges of the “special period.” Esther Whitfield is assistant professor of comparative literature at Brown University. |
| vientos de cuaresma: Críticas , 2004 |
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perfecto es la primera novela de la tetralogía Las cuatro estaciones con Vientos de cuaresma (1994), Máscaras (1997) y Paisaje de otoño (1998). Las cuatro novelas aproximan al lector a …
Khâgne Espagnol LVA - lycee-thuillier.fr
Leonardo Padura (Cuba), Vientos de cuaresma. Leonardo Padura (Cuba), Adiós, Hemingway. Elena Poniatowska (México), Querido diego, te abraza Quiela. Juan Rulfo (México), Pedro …
001-448 La transparencia del tiempo
conjunto de su obra, había logrado el reconocimiento in-ternacional con la serie de novelas policiacas protagoniza-das por el detective Mario Conde: Pasado perfecto, Vientos de …
