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The Mountaintop: Katori Hall's Powerful Reimagining of History
Are you captivated by thought-provoking theatre that blends historical fiction with potent social commentary? Then Katori Hall's The Mountaintop is a play you absolutely need to experience, whether through a live performance or a deep dive into its compelling narrative. This blog post will delve into the heart of Hall's masterpiece, exploring its themes, characters, historical context, and enduring impact. We’ll unpack the play's critical acclaim, dissect its powerful message, and guide you through everything you need to know about this captivating piece of modern theatre.
A Pivotal Moment in History: The Setting of The Mountaintop
The Mountaintop takes place on April 3, 1968, in room 306 of the Lorraine Motel in Memphis, Tennessee. This setting is not incidental; it's deliberately loaded with historical significance. The play unfolds on the eve of the assassination of Martin Luther King Jr., a fact that hangs heavy over the entire production. Hall masterfully uses this specific time and place to create a sense of palpable tension and impending doom, weaving a fictional narrative around a real-life tragedy. The familiarity of the location adds a layer of emotional weight for the audience, drawing them into the intimate and highly charged atmosphere.
Introducing the Characters: King and Camae
The play features two central characters: Martin Luther King Jr. and a mysterious young woman named Camae. While King's presence is undeniable and steeped in historical reality, Camae is a fictional creation, adding a layer of intrigue and speculation. The interaction between these two vastly different characters drives the play's central conflict and explores themes of faith, doubt, and the weight of leadership. King's weariness and introspection are juxtaposed against Camae's enigmatic and challenging presence, forcing him to confront both his past actions and the uncertainty of his future. The ambiguous nature of Camae's character adds to the play's mystical and surreal elements, sparking numerous interpretations and discussions.
Themes Explored in The Mountaintop: Faith, Doubt, and Legacy
Hall's The Mountaintop is rich with thematic depth. The play delves into King's profound faith, not just in a religious sense but also in the power of his movement and his vision for a better future. However, this unwavering faith is constantly tested by his fatigue, his doubts, and the immense pressure he faces. The play explores the profound burden of leadership and the personal sacrifices required to fight for social justice. The question of King’s legacy and the impact of his actions—both personal and political—hangs heavily over the narrative, prompting viewers to contemplate the enduring significance of the Civil Rights movement.
The Supernatural Element and Its Interpretation
A significant element contributing to the play’s intrigue is the subtle, yet undeniable, suggestion of the supernatural. Camae's arrival and behavior defy easy explanation, leaving the audience to grapple with the possibility of a divine intervention, a hallucination, or a symbolic representation of King's inner turmoil. This ambiguity adds another layer of complexity to the narrative, encouraging multiple interpretations and sparking ongoing debates about the play’s true meaning. Some see Camae as an angel, a devil, or even a manifestation of King’s subconscious. The lack of definitive answers reinforces the play's powerful exploration of faith, doubt, and the weight of historical significance.
Critical Reception and Lasting Impact of The Mountaintop
Since its premiere, The Mountaintop has received widespread critical acclaim. Reviewers have praised Hall's ability to craft a compelling narrative that both entertains and provokes. The play's powerful dialogue, compelling characters, and thought-provoking themes have resonated deeply with audiences worldwide. Its enduring success speaks to the play's relevance and ability to transcend time and place, engaging audiences with its exploration of universal themes applicable beyond the specific historical context. The play's continued production and adaptations are a testament to its lasting impact on the theatrical landscape.
Conclusion: A Must-See for Theatre Lovers and History Buffs Alike
Katori Hall's The Mountaintop is more than just a play; it's a powerful exploration of history, faith, doubt, and the burden of leadership. Its captivating narrative, complex characters, and ambiguous ending make it a compelling and unforgettable theatrical experience. Whether you are a seasoned theatre enthusiast or simply seeking a thought-provoking and emotionally resonant production, The Mountaintop deserves a place on your must-see list. Its ability to blend historical accuracy with fictional intrigue makes it a captivating and critically acclaimed masterpiece.
FAQs
1. Is The Mountaintop historically accurate? While the setting and the presence of Martin Luther King Jr. are historically accurate, the character of Camae and the events of the play are fictional. The play uses historical context to explore themes of faith, doubt, and the weight of legacy.
2. What is the significance of the room number, 306? Room 306 at the Lorraine Motel is the actual room where Martin Luther King Jr. was assassinated. The use of this specific room number adds a layer of palpable tension and historical weight to the play.
3. What are the major themes explored in the play? The play explores themes of faith, doubt, legacy, the burden of leadership, and the weight of history. It also delves into the complexities of race, power, and social justice.
4. Who is Camae, and what is her significance? Camae is a fictional character, and her identity and purpose are left ambiguous. This ambiguity allows for various interpretations, adding depth and complexity to the play's narrative and its exploration of the supernatural or symbolic.
5. Where can I find more information about The Mountaintop? You can find more information about the play, including reviews, production history, and potential future performances by searching online for "The Mountaintop Katori Hall" or checking the websites of major theatres and performing arts organizations.
| the mountaintop katori hall: The Mountaintop Katori Hall, 2024-02-22 The Mountaintop is published here as a Methuen Drama Student Edition, featuring notes and commentary by Harvey Young, Dean of the College of Fine Arts, Boston University, USA. The introduction offers a discussion of key themes including race, identity, politics, magical realism, one-act plays, historical figures and martyrs. The night before his assassination, Martin Luther King, Jr. retires to room 306 in the now-famous Lorraine Motel after giving an acclaimed speech to a massive church congregation. When a mysterious young maid visits him to deliver a cup of coffee, King is forced to confront his past and the future of his people. Portraying rhetoric, hope and ideals of social change, The Mountaintop also explores being human in the face of inevitable death. The play is a dramatic feat of daring originality, historical narration and triumphant compassion. |
| the mountaintop katori hall: The Mountaintop Katori Hall, 2011-09-22 Winner of the Olivier Award for Best New Play 2009, The Mountaintop is a historical-fantastical two hander and portrays the penultimate days in the life of Martin Luther King. The night before his assassination King retires to room 306 in the now famous motel after giving an acclaimed speech to a massive church congregation. When a mysterious young maid visits him to deliver a cup of coffee, King is forced to confront his past and the future of his people. Katori Hall's award-winning play is heartbreaking, humourous and breathtakingly powerful. A lively mood and hints of surrealism and fantasy is combined with a clear-eyed view of the man behind the legend. She depicts King as a real and at times flawed man, but nevertheless inspirational and capable of effecting momentous societal shifts. This is a story which crosses continents, colour and generations, and remains as relevant today as it was in the midst of the civil rights movement in 1968. Portraying rhetoric, hope and ideals of social change, The Mountaintop also explores being human in the face of inevitable death. The play is a dramatic feat of daring originality, historical narration and triumphant compassion. |
| the mountaintop katori hall: Hurt Village Katori Hall, 2013 It's the end of a long summer in Hurt Village, a housing project in Memphis, Tennessee. A government Hope Grant means relocation for many of the project's residents, including Cookie, a thirteen-year-old aspiring rapper, along with her mother, Crank, and great-grandmother, Big Mama. As the family prepares to move, Cookie's father, Buggy, unexpectedly returns from a tour of duty in Iraq. Ravaged by the war, Buggy struggles to find a position in his disintegrating community, along with a place in his daughter's wounded heart.--Publisher description. |
| the mountaintop katori hall: Hoodoo Love Katori Hall, 2009 Up-and-coming dramatist Rajiv Joseph is an artist of original talent. --NY Times. Irresistibly odd and exciting...This darkly humorous drama is Rajiv Joseph's most satisfying work. --NY Daily News. This wondrous strange two-hander finds as much humor as |
| the mountaintop katori hall: Katori Hall Plays One Katori Hall, 2013-10-28 An important new voice for African-American theatre, Katori Hall explores the lives of black and often invisible Americans with vivid language, dynamic narratives and richly textured characterisation. Hoodoo Love is Hall's debut play, a tale of love, magic, jealousy and secrets in 1930s Memphis, written in vivid language which captures the spirit of the Blues. Saturday Night/Sunday Morning is set in a Memphis beauty shop/boarding house during the final days of WWII. Rich with humor and history, it is a story about friendship and finding love in unexpected places. Winner of the Olivier Award for Best New Play 2009, The Mountaintop is a historical-fantastical two hander, portraying the penultimate day in the life of Martin Luther King. Hurt Village won the 2011 Susan Smith Blackburn Prize. Set in a real-life Memphis housing project, it explores in vivid and at times brutal detail a long-lasting legacy of drug abuse, child abuse, crime, and self-hatred within a poor, working-class, multi-generational Black family. This first collection of Katori Hall's dramatic works demonstrate her unique voice for the theatre, which is visceral, passionate and energetic. Hall portrays disenfranchised portions of society with fearless humanity and startling accomplishment. |
| the mountaintop katori hall: Our Lady of Kibeho Katori Hall, 2015-01-01 THE STORY: In 1981, a village girl in Rwanda claims to see the Virgin Mary. She is denounced by her superiors and ostracized by her schoolmates—until impossible happenings begin to appear to all. Skepticism gives way to fear, causing upheaval in the school community and beyond. Based on real events, OUR LADY OF KIBEHO is an exploration of faith, doubt, and the power and consequences of both. |
| the mountaintop katori hall: Memphis, Martin, and the Mountaintop Alice Faye Duncan, 2020-08-04 Coretta Scott King Illustrator Honor Book • School Library Journal Best Book of the Year • Booklist Editors' Choice • Kirkus Reviews Best Children's Book • Booklist Top 10 Diverse Books for Middle Grade or Older Readers • Chicago Public Library Best of the Best Books This award-winning book will help kids understand the life and legacy of Civil Rights leader Dr. Martin Luther King Jr. ★(A) history that everyone should know: required and inspired. —Kirkus Reviews This picture book tells the story of a nine-year-old girl who in 1968 witnessed the Memphis sanitation strike - Dr. Martin Luther King Jr.'s final stand for justice before his assassination - when her father, a sanitation worker, participated in the protest. In February 1968, two African American sanitation workers were killed by unsafe equipment in Memphis, Tennessee. Outraged at the city's refusal to recognize a labor union that would fight for higher pay and safer working conditions, sanitation workers went on strike. The strike lasted two months, during which Dr. Martin Luther King Jr. was called to help with the protests. While his presence was greatly inspiring to the community, this unfortunately would be his last stand for justice. He was assassinated in his Memphis hotel the day after delivering his I've Been to the Mountaintop sermon in Mason Temple Church. Inspired by the memories of a teacher who participated in the strike as a child, author Alice Faye Duncan reveals the story of the Memphis sanitation strike from the perspective of a young girl with a riveting combination of poetry and prose. |
| the mountaintop katori hall: Stick Fly Lydia R. Diamond, 2008-12-17 Adept at capturing the experience of the upper-middle-class African-American, Diamond lays out two families' worth of secrets in this precise play. With only six characters, she constructs a vivid weekend of crossed pasts and uncertain but optimistic futures. On Martha's Vineyard, an affluent African-American family gathers in their vacation home, joined by the housekeeper's daughter, who is filling in for her mother. The family patriarch is a philandering physician; one of his sons has followed in his footsteps, while the other, after numerous false starts in a variety of careers, is a struggling novelist. Both bring along their current girlfriends, to meet the family for the first time. With such highly--perhaps over--educated vacationers, the conversation and the barbs fly, on subjects ranging from race to economics to politics. But there is also more than enough human drama, which reaches its climax when an old family secret comes out. Through lively exchanges and simmering wit, the family tackles a history filled with complications both within the family and in the outer world. |
| the mountaintop katori hall: Cost of Living (TCG Edition) Martyna Majok, 2018-10-23 “Immensely haunting… The first of many great things about Martyna Majok’s Cost of Living… is the way it slams the door on uplifting stereotypes… Ms. Majok has engineered her plot to lead naturally to moments of intense and complicated pungency… If you don’t find yourself in someone in Cost of Living, you’re not looking.” —Jesse Green, New York Times Winner of the 2018 Pulitzer Prize for Drama, Cost of Living deftly challenges the typical perceptions of those living with disabilities and delves deep into the ways class, race, nationality, and wealth can create gulfs between people, even as they long for the ability to connect. Eddie, an unemployed truck driver, and his estranged ex-wife, Ani, find themselves unexpectedly reunited after a terrible accident leaves her quadriplegic. John, a brilliant PhD student with cerebral palsy, hires Jess, a first-generation recent graduate who has fallen on desperate times, as his new aide. |
| the mountaintop katori hall: The Jungle Joe Robertson, Joe Murphy, 2018-07-26 Okot wants nothing more than to get to the UK. Beth wants nothing more than to help him. Join the hopeful, resilient residents of 'The Jungle', the refugees and volunteers from around the globe who gather at the Afghan Café. They're just across the Channel, right on our doorstep. Joe Murphy and Joe Robertson's The Jungle premiered as a coproduction between Young Vic and the National Theatre with Good Chance Theatre, commissioned by the National Theatre, opening at the Young Vic, London, in December 2017. The play transferred to the Playhouse Theatre, London, in June 2018. |
| the mountaintop katori hall: Tennessee Williams John Lahr, 2014-09-25 SHORTLISTED FOR THE 2014 NATIONAL BOOK AWARD FOR NONFICTION The definitive biography of America's most impassioned and lyrical twentieth-century playwright from acclaimed theatre critic John Lahr 'A masterpiece about a genius' Helen Mirren 'Riveting ... masterful' Sunday Times, Books of the Year On 31 March 1945, at The Playhouse Theatre on Forty-Eight Street the curtain rose on the opening night of The Glass Menagerie. Tennessee Williams, the show's thirty-four-year-old playwright, sat hunched in an aisle seat, looking, according to one paper, 'like a farm boy in his Sunday best'. The Broadway premiere, which had been heading for disaster, closed to an astonishing twenty-four curtain calls and became an instant sell-out. Beloved by an American public, Tennessee Williams's work – blood hot and personal – pioneered, as Arthur Miller declared, 'a revolution' in American theatre. Tracing Williams's turbulent moral and psychological shifts, acclaimed theatre critic John Lahr sheds new light on the man and his work, as well as the America his plays helped to define. Williams created characters so large that they have become part of American folklore: Blanche, Stanley, Big Daddy, Brick, Amanda and Laura transcend their stories, haunting us with their fierce, flawed lives. Similarly, Williams himself swung high and low in his single-minded pursuit of greatness. Lahr shows how Williams's late-blooming homosexual rebellion, his struggle against madness, his grief-struck relationships with his combustible father, prim and pious mother and 'mad' sister Rose, victim to one of the first lobotomies in America, became central themes in his drama. Including Williams's poems, stories, journals and private correspondence in his discussion of the work – posthumously Williams has been regarded as one of the best letter writers of his day – Lahr delivers an astoundingly sensitive and lively reassessment of one of America's greatest dramatists. Tennessee Williams: Mad Pilgrimage of the Flesh is the long-awaited, definitive life and a masterpiece of the biographer's art. |
| the mountaintop katori hall: Children of Killers Katori Hall, 2016-05-13 THE STORY: The president of Rwanda is releasing the killers. Years after the Tutsi genocide, the perpetrators begin to trickle back into the country side to be reunited with their villages. A trio of friends—born during the genocide’s bloody aftermath—prepare to meet the men who gave them life. But as the homecoming day draws closer, the young men are haunted by the sins of their fathers. Who can you become when violence is your inheritance? |
| the mountaintop katori hall: Beyond Broadway Professor Stacy Wolf, 2019-11-15 The idea of American musical theatre often conjures up images of bright lights and big city, but its lifeblood is found in amateur productions at high schools, community theatres, afterschool programs, summer camps, and dinner theatres. In Beyond Broadway, author Stacy Wolf looks at the widespread presence and persistence of musical theatre in U.S. culture, and examines it as a social practice--a live, visceral experience of creating, watching, and listening. Why does local musical theatre flourish in America? Why do so many Americans continue to passionately engage in a century-old artistic practice that requires intense, person-to-person collaboration? And why do audiences still flock to musicals in their hometowns? Touring American elementary schools, a middle school performance festival, afterschool programs, high schools, summer camps, state park outdoor theatres, community theatres, and dinner theatres from California to Tennessee, Wolf illustrates musical theatre's abundance and longevity in the U.S. as a thriving social activity that touches millions of lives. |
| the mountaintop katori hall: Punk Rock Simon Stephens, 2009-09-03 William Carlisle has the world at his feet but its weight on his shoulders. He is intelligent, articulate and f***ed. In the library of a grammar school, William and his fellow Sixth-Formers are preparing for their mock A-Levels while navigating the pressures of teenage life. They are educated and aspirational young people but step-by-step, the dislocation, disjunction and latent aggression is revealed. Punk Rock premiered at the Lyric Hammersmith on 3 September 2009 in a co-production between the Lyric Hammersmith and the Royal Exchange Theatre, Manchester. |
| the mountaintop katori hall: Contemporary Plays by African American Women Sandra Adell, 2015-12-15 African American women have increasingly begun to see their plays performed from regional stages to Broadway. Yet many of these artists still struggle to gain attention. In this volume, Sandra Adell draws from the vital wellspring of works created by African American women in the twenty-first century to present ten plays by both prominent and up-and-coming writers. Taken together, the selections portray how these women engage with history as they delve into--and shake up--issues of gender and class to craft compelling stories of African American life. Gliding from gritty urbanism to rural landscapes, these works expand boundaries and boldly disrupt modes of theatrical representation. Selections: Blue Door, by Tanya Barfield; Levee James, by S. M. Shephard-Massat; Hoodoo Love, by Katori Hall; Carnaval, by Nikkole Salter; Single Black Female, by Lisa B. Thompson; Fabulation, or The Re-Education of Undine, by Lynn Nottage; BlackTop Sky, by Christina Anderson; Voyeurs de Venus, by Lydia Diamond; Fedra, by J. Nicole Brooks; and Uppa Creek: A Modern Anachronistic Parody in the Minstrel Tradition, by Keli Garrett. |
| the mountaintop katori hall: The Priory Michael Wynne, 2014-09-04 A few friends. People we like. No craziness. The days of a big blow out are over.Kate is delighted when she finds a house in the country to escape to for New Year's Eve. Gathering together a select group of her closest friends, she is keen to start the coming year afresh. But successful, stressed-out thirtysomethings in search of a good time can make for one very fearsome party . . . and some surprising resolutions.Michael Wynne's The Priory premiered at the Royal Court Theatre, London, in November 2009. |
| the mountaintop katori hall: Testimonies Emily Mann, 1997 The first major collection by playwright Emily Mann contains four powerful docudramas. Based on extensive interviews of real people's experiences, these plays explore various moral issues and questions that still resonate in America today. Annulla: An Autobiography is a solo piece featuring the reflections of an elderly Jewish woman who survived the Holocaust by pretending to by Aryan. Jerry Talmer of the New York Post calls Annulla one bangup 90 minutes of theatre...I don't know when I've been stimulated as much by anything on the living stage. Still Life is composed of interviews with a Vietnam War veteran with PTSD, the pregnant wife he physically and emotionally abuses, and the mistress who finds herself entranced by his passion and violence. This Obie Award-winning play is a powerful affair, full of passion and viability...Mann offers no easy answers or pat solutions, she simply invites us into these three characters' lives (Los Angeles Times). Execution of Justice follows the trial of the former policeman who shot San Francisco Mayor George Moscone and openly gay City Supervisor Harvey Milk in 1979. Called thought-provoking...a taut courtroom drama (New York Times), Execution of Justice is theatre reasserting its claim on the country's moral conscience (Washington Post). Greensboro: A Requiem is a particularly all-American tragedy (New York Times) as Mann interviews those involved in the largely unreported 1979 massacre of unarmed demonstrators by members of the Ku Klux Klan, Greensboro police force, and FBI. Forbes calls Greensboro a provocation, a potent expos of the 'less-than-human thing' which fuels the politics of hate and injustice in America. |
| the mountaintop katori hall: Ten Acrobats In An Amazing Leap Of Faith Yussef El Guindi, 2018-02-15 What if Neil Simon wrote a lovable comedy about a Muslim-American family trying to hold itself together amidst the misunderstandings that run amuck and the comedy that ensues when the generations collide? It would probably resemble something like the surprisingly enjoyable, charming and oftentimes hilarious TEN ACROBATS IN AN AMAZING LEAP OF FAITH. Fabrizio O Almeida, New City Chicago With TEN ACROBATS IN AN AMAZING LEAP OF FAITH, playwright Yussef El Guindi takes the genre (of the immigrant experience) to a new place--the Arab-American experience post September 11, 2001. With humor, passion and a lovely touch of whimsy, he's created a theatrical experience that's not to be missed. Louis Weisberg, CFP El Guindi's engrossing play...finds a workable balance between sharp humor and head-banging angst, which shapes his story effectively. Mary Houlihan, Chicago Sun-Times Woven into this complicated family drama are scenes of delightful humor. Humanity is the substance that ties not only all of the characters together but also binds the audience to them. This play beautifully serves the purposes of drama, comedy, the artistic theatrical process and, perhaps most importantly, demystifying the hate that comes from fear of unknown cultures. Venus Zarris, Gay Chicago Magazine The drama comes from an emotionally vivid story that captures a world of anger, joy, love and frustration as it plays out in a Muslim-American family. The appeal lies in Guindi's ability to transcend ethnicity while still writing a rich depiction of a Muslim family... The emotional difficulties could belong to any family of any (or no) religion... Smart, challenging, poignant, whimsical and at times, delightfully silly. Catey Sullivan, Pioneer Press |
| the mountaintop katori hall: End Days Deborah Zoe Laufer, 2014-05-10 In Deborah Zoe Laufer's End Days, a suburban family is undergoing a spiritual crisis following the September 11th attacks. Sylvia Stein has turned to Christianity to save her disaffected husband Arthur and her rebellious teenage daughter Rachel. But as Sylvia races around preparing for the Rapture, Rachel is learning that there are more things in Heaven and Earth than are dreamt of in her philosophy. An L.A. Theatre Works full-cast performance featuring: Josh Clark as Jesus and Stephen Hawking Shannon Cochran as Sylvia Stein Dane DeHaan as Nelson Steinberg Arye Gross as Arthur Stein Kenneth Houston as the Bully Kate Rylie as Rachel Stein Directed by Michael Hacket. Recorded at The Invisible Studios, West Hollywood in 2010. |
| the mountaintop katori hall: Contemporary Women Playwrights Penny Farfan, Lesley Ferris, 2014-01-23 Breaking new ground in this century, this wide-ranging collection of essays is the first of its kind to address the work of contemporary international women playwrights. The book considers the work of established playwrights such as Caryl Churchill, Marie Clements, Lara Foot-Newton, Maria Irene Fornes, Sarah Kane, Lisa Kron, Young Jean Lee, Lynn Nottage, Suzan-Lori Parks, Djanet Sears, Caridad Svich, and Judith Thompson, but it also foregrounds important plays by many emerging writers. Divided into three sections-Histories, Conflicts, and Genres-the book explores such topics as the feminist history play, solo performance, transcultural dramaturgies, the identity play, the gendered terrain of war, and eco-drama, and encompasses work from the United States, Canada, Latin America, Oceania, South Africa, Egypt, and the United Kingdom. With contributions from leading international scholars and an introductory overview of the concerns and challenges facing women playwrights in this new century, Contemporary Women Playwrights explores the diversity and power of women's playwriting since 1990, highlighting key voices and examining crucial critical and theoretical developments within the field. |
| the mountaintop katori hall: Instructions for Correct Assembly Thomas Eccleshare, 2018-04-07 Maybe turn down the opinionated dial? Hari and Max weren't satisfied with their first attempt at parenthood, so they're giving it a second go. Only this time they've got a 30-day money back guarantee and an easy-to-follow construction manual. They're certain, as long as they follow it step-by-step, he's going to be perfect. This might be a little more complicated than the bed but still, I'm sure its the kind of thing we can crack on our own. Instructions for Correct Assembly premiered at the Royal Court Theatre, London, in the Jerwood Theatre Downstairs on 7 April 2018, in a production directed by Hamish Pirie. |
| the mountaintop katori hall: Milk Like Sugar Kirsten Greenidge, 2012 It's Annie Desmond's sixteenth birthday, and her friends have decided to help her celebrate in style, complete with a brand new tattoo. Before her special night is over, however, Annie and her friends enter into a life-altering pact. When Annie tries to make good on her promise to her friends, she's forced to take a good look at the world that surrounds her. |
| the mountaintop katori hall: We Live Here Zoe Kazan, 2013 THE STORY: Allie Bateman's wedding is Sunday. When Dinah, her precocious younger sister, returns to their parents' home for the festivities, she brings more than anyone expected: a new boyfriend, whose hidden history resurrects passions and painful |
| the mountaintop katori hall: Bootycandy Robert O'Hara, 2014-12-31 Robert O'Hara's semi-biographical subversive comedy exploded onto the New York theatre-scene with a critically lauded production at Playwrights Horizons. Bootycandy tells the story of Sutter, who is on an outrageous odyssey through his childhood home, his church, dive bars, motel rooms, and even nursing homes. O'Hara weaves together scenes, sermons, sketches, and daring meta-theatrics to create a kaleidoscope that interconnects to portray growing up gay and black. Robert O'Hara's uproarious satire crashes headlong into the murky terrain of pain and pleasure and... BOOTYCANDY. |
| the mountaintop katori hall: Shuck ’n’ Jive Cassiopeia Berkeley-Agyepong, Simone Ibbett-Brown, 2019-10-07 Opera singer Simone very quickly discovers that London is not the BNP-free utopia she'd always dreamed of. Meanwhile, actress Cassi battles it out for the illustrious roles of 'Sassy Friend', 'Spunky Slave' and 'Third Crack Whore From The Left' at every audition. Desperate to be seen as they are, not as the colour of their skin, they decide to take control and write their own story. With songs and searing honesty, Shuck 'n' Jive is the laugh-out-loud story of two friends trying to break out of racist typecasting and create a story for themselves. |
| the mountaintop katori hall: Contemporary American Playwrights C. W. E. Bigsby, 1999 A leading writer on American theatre explores the works and influences of ten contemporary American playwrights. |
| the mountaintop katori hall: Wolfie Ross Willis, 2019 Ross Willis's debut play is a wildly imaginative, irreverent look at life in and after the care system. |
| the mountaintop katori hall: Jude Howard Brenton, 2019 'It wasn't just her freakish ability with language. She saw through to behind the words. It was like she had a direct line to - I was going to say to the gods...' About to be fired from her cleaning job for stealing a volume of Euripides, Jude turns her employer's outrage to shock by translating the ancient Greek on the spot. The employer, a Classics teacher, knows great talent when she sees it and the encounter kick-starts Jude's lifelong ambition to study at Oxford University. Possessing an astonishing gift for languages, Jude will stop at nothing to achieve her dream - but she remains oblivious to the hidden barriers that her background has placed in her path... Loosely inspired by Thomas Hardy's novel Jude the Obscure, Howard Brenton's play Jude is a modern-day tale of unexpected genius and of our struggle to accommodate extraordinary talent. The play premiered at Hampstead Theatre, London, in 2019, directed by Edward Hall. |
| the mountaintop katori hall: The Blood Knot Athol Fugard, 1992 A play about two brothers who lose themselves in illusory hopes and dreams. Naive optimism and self-delusion finally give way to self-reflection and consciousness, and the brothers abandon their role-playing and embrace their brotherhood. |
| the mountaintop katori hall: The Phlebotomist Ella Road, 2022-03-24 Bea meets Aaron. He's intelligent, handsome, makes her laugh and, most importantly, has a high rating on his genetic profile. What's not to like? Char has two degrees and is on the brink of landing her dream job but her rating threatens it all... In a ratist world where health, wealth and happiness depend on a single blood test -- dictating everything from bank loans to dating prospects -- phlebotomy reigns supreme. So how far will people go to beat the system?--Page four of cover. |
| the mountaintop katori hall: Nollywood Dreams Jocelyn Bioh, 2018-12-06 It’s the nineties and in Lagos, Nigeria, the “Nollywood” film industry is exploding. Ayamma dreams of leaving her job at her parents’ travel agency and becoming a star. When she auditions for a new film by Nigeria’s hottest director, tension flares with his former leading lady—as sparks fly with Nollywood’s biggest heartthrob |
| the mountaintop katori hall: After the End Dennis Kelly, 2022-03-11 A city under attack from a nuclear blast. As the dust settles, Louise wakes to find herself in a fallout shelter with Mark, the colleague who has saved her life. They have enough water and food to last two weeks. Now they just need to find a way of surviving each other. A chilling post-nuclear play that examines what it takes to endure catastrophe. After the End was originally published in 2005. This revised and updated edition was published to coincide with the London production at Theatre Royal Stratford East in February 2022. |
| the mountaintop katori hall: Another Day's Begun Howard Sherman, 2021-01-28 A work of startling originality when it debuted in 1938, Thornton Wilder's Our Town evolved to be seen by some as a vintage slice of early 20th Century Americana, rather than being fully appreciated for its complex and eternal themes and its deceptively simple form. This unique and timely book shines a light on the play's continued impact in the 21st century and makes a case for the healing powers of Wilder's text to a world confronting multiple crises. Through extensive interviews with more than 100 artists about their own experience of the play and its impact on them professionally and personally – and including background on the play's early years and its pervasiveness in American culture – Another Day's Begun shows why this particular work remains so important, essential, and beloved. Every production of Our Town has a story to tell beyond Wilder's own. One year after the tragedy of 9/11, Paul Newman, in his final stage appearance, played the Stage Manager in Our Town on Broadway. Director David Cromer's 2008 Chicago interpretation would play in five more cities, ultimately becoming New York's longest-running Our Town ever. In 2013, incarcerated men at Sing Sing Correctional Facility brought Grover's Corners inside a maximum security prison. After the 2017 arena bombing in Manchester UK, the Royal Exchange Theatre chose Our Town as its offering to the stricken community. 80 years after it was written, more than 110 years after its actions take place, Our Town continues to assert itself as an essential play about how we must embrace and appreciate the value of life itself. Another Day's Begun explains how this American classic has the power to inspire, heal and endure in the modern day, onstage and beyond. |
| the mountaintop katori hall: Dangerous Corner J. B. Priestley, 2012-07-13 At their stylish country retreat, Freda and Robert Caplan host a dinner party for their colleagues and friends, all executives at a transatlantic publishing company. Young, beautiful and successful they have the world at their feet. Then a cigarette box and and an ill-considered remark spark off a relentless series of revelations and other, more dangerous secrets are painfully exposed. As the truth spills out about the suicide of Robert's clever, reckless brother, and the group's perfect lives begin to crumble, the cost of professional and social success becomes frighteningly plain. |
| the mountaintop katori hall: Father Comes Home From the Wars (Parts 1, 2 & 3) Suzan-Lori Parks, 2015-06-01 By turns philosophical and playful, lyrical and earthy, Father Comes Home from the Wars (Parts 1, 2 & 3), swoops, leaps, dives and soars, reimagining a turbulent point in American history through a cockeyed contemporary lens . . . The finest work yet from this gifted writer.—The New York Times Thrilling. . . . A masterpiece . . . A story that engages the deepest possible issues in the most gripping possible ways.—New York Offered his freedom if he joins his master in the ranks of the Confederacy, Hero, a slave, must choose whether to leave the woman and people he loves for what may be another empty promise. As his decision brings him face to face with a nation at war with itself, the ones Hero left behind debate whether to escape or wait for his return, only to discover that for Hero, freedom may have come at a great spiritual cost. A devastatingly beautiful dramatic work, Father Comes Home from the Wars (Parts 1, 2, & 3) is the opening trilogy of a projected nine-play cycle that will ultimately take us into the present. Suzan-Lori Parks became the first African American woman to receive the Pulitzer Prize for Drama for her play Topdog/Underdog in 2002. Her other plays include The Book of Grace, In the Blood, Venus, The Death of the Last Black Man in the Whole Entire World, Fucking A, Imperceptible Mutabilities in the Third Kingdom and The America Play. In 2007 her 365 Days/365 Plays was produced at more than seven hundred theaters worldwide. Parks is a MacArthur Fellow and the Master Writer Chair at the Public Theater. |
| the mountaintop katori hall: Looking Over the President's Shoulder James Still, 2004 Playbook |
| the mountaintop katori hall: Coretta: My Life, My Love, My Legacy Coretta Scott King, Rev. Dr. Barbara Reynolds, 2018-03-22 'Coretta is more relevant today than ever . . . a female who takes responsibility for creating something better in the time she has and the space she has to occupy: that is true greatness. And Coretta did that.' Maya Angelou Born in 1927 in the Deep South, Coretta Scott always felt called to a special purpose. After an awakening to political and social activism at college, Coretta went on to study at the New England Conservatory of Music, where she met Martin Luther King Jr. - the man who would one day become her husband. The union thrust Coretta into a maelstrom of history, throughout which her tireless fight for political and social justice established her as a champion of American civil rights. Now, fifty years after her husband's death, the story of Coretta's life is told in full for the first time: a love story, a family saga, a record of the legacy left by this extraordinary woman. 'Presents the reader with a different way of looking at the world' New York Times |
| the mountaintop katori hall: Mirror Teeth Nick Gill, 2011-11-01 You might at least say thank you, Jenny. I’ve been out digging a hole for your boyfriend all night. Not to mention severing his legs. Have you ever severed a leg? It’s not as easy as it looks. Not with a blunt spade. Jane is a housewife. James sells guns. They live in one of the larger cities in Our Country and are both terrified of ethnic youths who might well be wearing hoods and carrying knives,or something. All is well in the Jones household, until their sexually frustrated eighteen-year-old daughter Jenny brings home her new boyfriend, Kwesi Abalo... A visceral, smart, brutally hilarious play about prejudice, arms dealing, and what it means to be English. Nominated for four Off West End Awards Best Director - Kate Wasserberg Best Female performance - Louise Collins Most Promising Playwright - Nick Gill Best New Play |
| the mountaintop katori hall: Fireflies Donja R. Love, 2019-11-05 Somewhere in the Jim Crow South, the sky is on fire. A pregnant Olivia’s fierce speechwriting is the true force behind her charismatic husband, Charles, and his successful Movement, galvanizing people to march towards freedom. When four little girls are bombed in a church, Olivia and Charles’ marriage is threatened—as this tragedy and years of civil unrest leave Olivia believing that “this world ain’t no place to raise a colored child.” |
| the mountaintop katori hall: Clown Bar 2 Adam Szymkowicz, 2022-10-21 There's been a murder at the Clown Bar. It's a place where underground clown crime syndicates battle for top billing, and a gunshot ends in a bleeding stream of confetti. The rules are strict, the jokes are dark, and the best way to serve a cocktail is to make it funny. It's a year later and the Clown Bar is in disrepair. Happy has gone missing. Has he been offed by clown cowboy Brigham Bill or was it an inside job? Two cops who knew Happy when he was on the force go undercover as clowns in the Clown Bar to find out what happened. Knowledge of the preceding show is not required to enjoy this sequel. In the words of the playwright, look, if you didn't see/read the original Clown Bar, that's fine. You'll still understand the play. |
THE MOUNTAINTOP - Dramatists Play Service
THE MOUNTAINTOP was developed at the 2008 Bay Area Playwrights Festival, a program of the Playwrights Foundation (Amy L. Mueller, Artistic Director). THE MOUNTAINTOP received its …
The Mountaintop - Court Theatre
The Mountaintop looks at Dr. Martin Luther King, Jr.’s legacy as a leader of the civil rights movement, but also asks viewers to understand the positive and negative impact they can …
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Katori Hall’s The Mountaintop takes us back to the evening of 3 April 1968, the day before Martin Luther King, Jr. was murdered. Setting the play in Kings r’ oom in the Lorraine Motel, Hall …
TEACHER’S GUIDE - Learning for Justice
In “The Mountaintop,” playwright Katori Hall brings us that man . Her depiction of the civil rights leader is controversial . But it serves to link King’s humanity with our own . And it chal-lenges …
THE MOUNTAINTOP - Citadel Theatre
Katori Hall is an Olivier Award-winning playwright from Memphis, Tennessee. Katori's play The Mountaintop, premiering at Theatre503 in 2009, transferred to the West End and won the …
Study Guide THE MOUNTAINTOP Created by: Vallea Woodbury
Katori Hall is a Pulitzer Prize and Olivier Award-winning playwright and television creator/producer born in Memphis, Tennessee. A two-time Tony Award nominee, she won the 2021 Pulitzer …
PROJECT DISCOVERY STUDY GUIDE - Trinity Repertory …
In 2011, The Mountaintop premiered on Broadway starring Samuel L. Jackson and Angela Bassett. The play was met with mixed reviews, some people feeling that in humanizing Dr. …
The Mountaintop - Oakland University
Katori Hall (Playwright) is an Olivier Award-winner and two-time Tony-nominated Memphis-native. She is the book writer and co-producer of Tina: The Tina Turner Musical. Her latest piece, The …
THE MOUNTAINTOP - roundhousetheatre.org
Bethesda, Md. (September 12, 2023) – Round House Theatre continues its 2023-2024 Season with Katori Hall’s Olivier Award-winning The Mountaintop. Directed by Delicia Turner …
BY KATORI HALL
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THE MOUNTAINTOP - Citadel Theatre
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September 26 – November 4, 2012 - media.milwaukeerep.com
While training as an actor at Columbia, Hall felt a lack of roles for African-American women. At that moment, she knew she had to write. Today, Katori Hall’s published plays include The …
The Mountaintop by Katori Hall PRODUCTION STAFF - ic.edu
The Mountaintop . by Katori Hall . The Mountaintop is a fictional depiction of Martin Luther King Jr.'s last night on earth. It is set entirely in Room 306 of the Lorraine Motel on the eve of his …
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The Mountaintop by Katori Hall: A Deep Dive into History, Faith, and Revolution. Are you captivated by powerful plays that reimagine history and grapple with profound themes? Then …
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historical narration and triumphant compassion The Mountaintop Katori Hall,2024-02-22 The Mountaintop is published here as a Methuen Drama Student Edition featuring notes and …
The Mountaintop Play: A Deep Dive into King's Final Hours
The Mountaintop Play: A Deep Dive into King's Final Hours. Are you fascinated by the enigmatic life and legacy of Martin Luther King Jr.? Then prepare to be captivated by Katori Hall's …
The Mountaintop - royalmtc.ca
Katori Hall is a playwright and performer from Memphis, Tennessee. Her work has been produced on Broadway, in London’s West End, and in regional theaters throughout the United States. As …
The Mountaintop By Katori Hall Pdf (Download Only)
The Mountaintop by Katori Hall PDF: A Deep Dive into the Play's Themes, Significance, and Accessibility This ebook delves into Katori Hall's powerful play, "The Mountaintop," exploring its …
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The Mountaintop by Katori Hall PDF: A Deep Dive into the Play's Themes, Significance, and Accessibility This ebook delves into Katori Hall's powerful play, "The Mountaintop," exploring its …
BY KATORI HALL - static1.squarespace.com
engage with the questions and themes explored in The Mountaintop. Included in both the pre and post-show units are a series of classroom exercises and discussion questions. This guide also …
A Finger-Licking Good Dramaturgical Study Guide - Alliance …
Katori Hall is a Pulitzer Prize and Olivier Award-winning playwright and television creator/producer hailing from Memphis, Tennessee. A two-time Tony Award nominee, she won the 2021 Pulitzer …
SDC Membership [DIRECTOR]
The Mountaintop Katori Hall The People’s Light Theatre (2016) Marie and Rosetta George Brant Atlantic Theatre NYC –Assistant Director Director- Neil Pepe (2016) Jezeelle the Gazelle …
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We have nurtured modern classics such as The Mountaintop by Katori Hall. and Rotterdam by Jon Brittain – both Olivier Award winners – and classics. in the making like Yasmin Joseph’s …
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UC San Diego - eScholarship
Image 1.3: King (Adrian Roberts) in Katori Hall’s The Mountaintop, directed by Anthony Haney in Palo Alto, March 2011; photo by Mark Kitaoka .....177 . Image 1.4: Tehran, 1953; photo …
Katori Hall The Mountaintop [PDF] - content.schooldude.com
The Mountaintop Katori Hall,2024-02-22 The Mountaintop is published here as a Methuen Drama Student Edition featuring notes and commentary by Harvey Young Dean of the College of Fine …
PORT AUTHORITY - Dramatists Play Service
Also by Katori Hall Hoodoo Love Hurt viLL age tHe Mountaintop our LadY oF KiBeHo CHILDREN OF KILLERS by Katori Hall 6M, 5W (doubling, flexible casting) The president of rwanda is …
Pipeline - Penumbra Theatre
and emerging stars such as Katori Hall (The Mountaintop) and Dominique Morisseau (Sunset Baby, Detroit ’67). Langston Hughes’ Black Nativity signifies the cornerstone of Penumbra’s …
© 2018 Penumbra Theatre Company
Sep 15, 1976 · and emerging stars such as Katori Hall (The Mountaintop) and Dominique Morisseau (Sunset Baby, Detroit ’67). Langston Hughes’ Black Nativity signifies the …
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Mountaintop also explores being human in the face of inevitable death The play is a dramatic feat of daring originality historical narration and triumphant compassion The Mountaintop Katori …
MEDIA RELEASE - Citadel Theatre
The Mountaintop (March 30 – April 21, 2024) Katori Hall’s gripping reimagination of events the night before the assassination of civil rights leader Dr. Martin Luther King, Jr. On April 3, 1968, …
THEATRE APPRECIATION - University of Florida
The Mountaintop by Katori Hall ISBN: 9780822226031 - Dramatist Play Service Tiger Style! by Mike Lew ISBN: 9780822239826 - Dramatist Play Service Anna in the Tropics by Nilo Cruz …
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Mountaintop also explores being human in the face of inevitable death The play is a dramatic feat of daring originality historical narration and triumphant compassion The Mountaintop Katori …
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MEDIA RELEASE THE MOUNTAINTOP By Katori Hall Directed by Audrey Dwyer Available for streaming from February 26 at 7:30pm to March 14. “emotionally powerful and theatrically …
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The Mountaintop Katori Hall,2024-02-22 The Mountaintop is published here as a Methuen Drama Student Edition featuring notes and commentary by Harvey Young Dean of the College of Fine …
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Mountaintop also explores being human in the face of inevitable death The play is a dramatic feat of daring originality historical narration and triumphant compassion The Mountaintop Katori …
CELEBRATE BLACK HISTORY MONTH - local237.org
Hall keeps her audience guessing ... This is play-writing without a net, a defiant poke in the eye of all historical conven-tions and political correctness ... The King that is left after Hall's …
STUDY GUIDE - National Theatre
Memphis native Katori Hall is a Pulitzer Prize and Olivier Award-winning playwright. Her works include The Mountaintop, Hurt Village, Our Lady of Kibeho and The Hot Wing King, which …
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B(l)ack in Katori Hall's "The Mountaintop" Le'Mil L. Eiland,2015 I analyze Katori Hall s The Mountaintop I examine how this theatrical production is a site of resistance based on Martin …
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and Katori Hall’s Whaddabloodclott!!! (Williamstown Theater Festival.) She has directed at The Public Theater, Second Stage, New York Theater Workshop, SoHo Rep, Women’s Project, …
The Mountaintop [PDF] - pivotid.uvu.edu
The Mountaintop Katori Hall,2012 THE STORY: A gripping reimagination of events the night before the assassination of the civil rights leader Dr. Martin Luther King, Jr. On April 3, 1968, …
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of social change, The Mountaintop also explores being human in the face of inevitable death. The play is a dramatic feat of daring originality, historical narration and triumphant compassion. …
