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The Heidi Chronicles Play: A Deep Dive into Wendy Wasserstein's Masterpiece
Are you fascinated by the complexities of female identity, the ever-shifting landscape of relationships, and the enduring power of friendship? Then you'll want to delve into Wendy Wasserstein's poignant and witty play, The Heidi Chronicles. This blog post will serve as your comprehensive guide, exploring the play's themes, characters, critical reception, and lasting impact. We’ll unravel the intricacies of Wasserstein's storytelling, offering insightful analysis to enrich your understanding and appreciation of this theatrical gem. Whether you're preparing for a performance, writing an essay, or simply curious about this influential work, this in-depth exploration of The Heidi Chronicles play will provide you with valuable knowledge and perspectives.
A Synopsis: Navigating the Shifting Sands of the 1960s to the 1980s
The Heidi Chronicles follows the life of Heidi Holland, a fiercely intelligent and ambitious art history professor, from her college days in the 1960s through her professional and personal journey in the 1980s. The play isn't a straightforward narrative; instead, it's a fragmented, episodic portrayal of Heidi's experiences, showcasing the social and political upheavals of the era through her lens. We witness her evolving relationships, her struggles with romantic entanglements, her academic triumphs, and her grapple with the complexities of feminism and identity in a rapidly changing world. The structure mirrors the disjointed, often unpredictable nature of life itself, making the play both relatable and thought-provoking.
Key Characters and Their Significance
Heidi Holland, the play's protagonist, isn't a flawless heroine. She’s flawed, vulnerable, and deeply human. Her journey is one of self-discovery, marked by both successes and disappointments. The supporting characters – her friends, lovers, and colleagues – are equally compelling, each adding layers to Heidi's story and reflecting the societal changes surrounding her. Analyzing these relationships – both platonic and romantic – is crucial to understanding the play's central themes.
#### The Importance of Female Friendship:
One of the most powerful aspects of The Heidi Chronicles is its portrayal of female friendship. Heidi's relationships with her friends, particularly those forged during her college years, are vital to her personal growth and provide a consistent source of support throughout the play. These friendships are not idealized; they are complex and often strained, reflecting the realities of female relationships.
#### The Evolving Definition of Feminism:
Wasserstein masterfully captures the evolution of feminist thought and action throughout the play. The early stages show the idealism and fervor of the burgeoning women's movement, while the later scenes depict the complexities and challenges of integrating feminist ideals into personal and professional lives. Heidi's own evolving perspectives on feminism are a key element of the narrative.
Themes Explored: Identity, Relationships, and Societal Change
The Heidi Chronicles is rich in thematic resonance. Beyond the narrative, Wasserstein explores several profound themes:
#### The Search for Identity:
Heidi's quest for self-discovery forms the backbone of the play. Her journey is not a linear progression but a meandering path filled with unexpected turns and moments of both clarity and confusion. She grapples with defining her identity in relation to her career, her relationships, and the broader social context.
#### The Fluidity of Relationships:
The play poignantly explores the ever-evolving nature of relationships, showcasing the complexities of romantic love, familial bonds, and the enduring power of friendship. The relationships aren't static; they change, evolve, and sometimes fracture, mirroring the dynamic nature of human connection.
#### The Impact of Societal Change:
The historical backdrop of the play, spanning several decades of significant social and political change, significantly impacts Heidi's life and experiences. The play subtly yet powerfully reflects the shifts in societal norms, attitudes towards women, and the evolving understanding of feminism.
Critical Reception and Lasting Impact
The Heidi Chronicles garnered significant critical acclaim upon its premiere and has since become a staple of American theatre. Its exploration of female identity, relationships, and societal change resonates with audiences even today, highlighting the play's enduring relevance and impact. Wasserstein’s skillful use of humor and pathos, combined with her keen observation of human nature, make the play both entertaining and profoundly moving.
Conclusion
The Heidi Chronicles is more than just a play; it's a reflection on the lives of women navigating a rapidly changing world. Wasserstein's masterful storytelling captures the complexities of identity, relationships, and societal change with wit, intelligence, and deep emotional resonance. The play's enduring popularity is a testament to its power and its ability to continue sparking conversations about the human experience. It's a must-see for anyone interested in exploring the multifaceted nature of female identity and the journey of self-discovery.
FAQs
1. What is the overall tone of The Heidi Chronicles? The tone is a blend of humor and pathos, reflecting the complexities and contradictions of life.
2. Is the play suitable for all ages? While not explicitly adult, some themes and language might be more suitable for mature audiences.
3. Where can I find a copy of the script? Many online bookstores and libraries carry the script, and it’s widely available for purchase.
4. Are there any notable stage productions of The Heidi Chronicles? Many notable productions have been staged, and information on past and current productions can be found online.
5. How does The Heidi Chronicles compare to other works by Wendy Wasserstein? While each of her plays is unique, The Heidi Chronicles is considered one of her most ambitious and celebrated works, spanning a longer period and delving deeper into the complexities of female identity.
| the heidi chronicles play: The Heidi Chronicles Wendy Wasserstein, 1989 Traces the coming of age of Heidi Holland, a successful art historian, as she tries to find her bearings in a rapidly changing world. |
| the heidi chronicles play: The Heidi Chronicles and Other Plays Wendy Wasserstein, 1991 The graduating seniors of a Seven Sisters college, trying to decide whether to pattern themselves after Katharine Hepburn or Emily Dickinson. Two young women besieged by the demands of mothers, lovers, and careers--not to mention a highly persistent telephone answering machine--as they struggle to have it all. A brilliant feminist art historian trying to keep her bearings and her sense of humor on the elevator ride from the radical sixties to the heartless eighties. |
| the heidi chronicles play: The Heidi Chronicles Wendy Wasserstein, 1988 |
| the heidi chronicles play: The Heidi Chronicles and Other Plays Wendy Wasserstein, 1990 The graduating seniors of a Seven Sisters college, trying to decide whether to pattern themselves after Katharine Hepburn or Emily Dickinson. Two young women besieged by the demands of mothers, lovers, and careers--not to mention a highly persistent telephone answering machine--as they struggle to have it all. A brilliant feminist art historian trying to keep her bearings and her sense of humor on the elevator ride from the radical sixties to the heartless eighties. Wendy Wasserstein's characters are so funny, so many-sided, and so real that we seem to know them from their Scene One entrances, though the places they go are invariably surprising. And these three plays--Uncommon Women and Others, Isn't It Romantic, and the Pulitzer Prize-winning The Heidi Chronicles--manage to engage us heart, mind, and soul on such a deep and lasting level that they are already recognized as classics of the modern theater. |
| the heidi chronicles play: A Study Guide for Wendy Wasserstein's "The Heidi Chronicles" Gale, Cengage Learning, A Study Guide for Wendy Wasserstein's The Heidi Chronicles, excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs. |
| the heidi chronicles play: An American Daughter Wendy Wasserstein, 1999 THE STORY: Set in Washington, D.C., AN AMERICAN DAUGHTER focuses on Dr. Lyssa Dent Hughes, a health care expert and forty-something daughter of a long-time Senator. When the President nominates Lyssa to a Cabinet post, an indiscretion from her past |
| the heidi chronicles play: The Heidi Chronicles Wendy Wasserstein, 1991-07-02 The graduating seniors of a Seven Sisters college, trying to decide whether to pattern themselves after Katharine Hepburn or Emily Dickinson. Two young women besieged by the demands of mothers, lovers, and careers—not to mention a highly persistent telephone answering machine—as they struggle to have it all. A brilliant feminist art historian trying to keep her bearings and her sense of humor on the elevator ride from the radical sixties to the heartless eighties. Wendy Wasserstein's characters are so funny, so many-sided, and so real that we seem to know them from their Scene One entrances, though the places they go are invariably surprising. And these three plays—Uncommon Women and Others, Isn't It Romantic, and the Pulitzer Prize-winning The Heidi Chronicles—manage to engage us heart, mind, and soul on such a deep and lasting level that they are already recognized as classics of the modern theater. |
| the heidi chronicles play: Isn't it Romantic Wendy Wasserstein, 1985 THE STORY: The play deals with the post-college careers (and dilemmas) of two former classmates, a short, slightly plump would-be writer named Janie Blumberg, and her tall, thin gorgeous WASP friend, Harriet Cornwall. Both are struggling to escape |
| the heidi chronicles play: Seven One-act Plays Wendy Wasserstein, 2000 THE STORIES: In BETTE AND ME, the author and the legendary Bette Midler get their hair done, try on makeup, and row a boat on the Hudson River. They finally end up at Radio City Music Hall, where Wendy rises from the orchestra pit on a half-shell w |
| the heidi chronicles play: The Oxford Guide to Plays Michael Patterson, 2007 Anyone with an academic, professional, amateur, or recreational interest in the theatre is likely to want to look up details of particular plays sometimes - perhaps to check on the author, or on when they were first performed, or perhaps to see how many characters they have, and whether or not they would be suitable for their theatre company or drama group to perform. The Oxford Dictionary of Plays provides essential information on the 1000 best-known, best-loved, and most important plays in world theatre. Each entry includes details of title, author, date of composition, date of first performance, genre, setting, and the composition of the cast, and more. A synopsis of the plot and a brief commentary, perhaps on the context of the play, or the reasons for its enduring popularity, follow. Around 80 of the most significant plays - from The Oresteia to Waiting for Godot - are dealt with in more detail. Genres covered include: burlesque, comedy, farce, historical drama, kabuki, masque, melodrama, morality play, mystery play, No, romantic comedy, tragicomedy, satire, and tragedy. An index of characters enables the reader to locate favourite characters, and trace the trajectory of major historical and legendary characters - such as Iphigenia - through world drama, including in plays that do not have entries in the Dictionary. An index of playwrights, with dates, allows the reader to find all the plays included by a particular author. |
| the heidi chronicles play: Rapture, Blister, Burn Gina Gionfriddo, 2014-03-03 After grad school, Catherine and Gwen chose polar opposite paths. Catherine built a career as a rockstar academic, while Gwen built a home with her husband and children. Decades later, unfulfilled in polar opposite ways, each woman covets the other's life, commencing a dangerous game of musical chairs—the prize being Gwen's husband. With searing insight and trademark wit, this comedy is an unflinching look at gender politics in the wake of 20th-century feminist ideals. |
| the heidi chronicles play: Wendy and the Lost Boys Julie Salamon, 2011-08-18 The authorized biography of Pulitzer Prize-winning playwright Wendy Wasserstein. In Wendy and the Lost Boys bestselling author Julie Salamon explores the life of playwright Wendy Wasserstein's most expertly crafted character: herself. The first woman playwright to win a Tony Award, Wendy Wasserstein was a Broadway titan. But with her high- pitched giggle and unkempt curls, she projected an image of warmth and familiarity. Everyone knew Wendy Wasserstein. Or thought they did. Born on October 18, 1950, in Brooklyn, New York, to Polish Jewish immigrant parents, Wendy was the youngest of Lola and Morris Wasserstein's five children. Lola had big dreams for her children. They didn't disappoint: Sandra, Wendy's glamorous sister, became a high- ranking corporate executive at a time when Fortune 500 companies were an impenetrable boys club. Their brother Bruce became a billionaire superstar of the investment banking world. Yet behind the family's remarkable success was a fiercely guarded world of private tragedies. Wendy perfected the family art of secrecy while cultivating a densely populated inner circle. Her friends included theater elite such as playwright Christopher Durang, Lincoln Center Artistic Director André Bishop, former New York Times theater critic Frank Rich, and countless others. And still almost no one knew that Wendy was pregnant when, at age forty-eight, she was rushed to Mount Sinai Hospital to deliver Lucy Jane three months premature. The paternity of her daughter remains a mystery. At the time of Wendy's tragically early death less than six years later, very few were aware that she was gravely ill. The cherished confidante to so many, Wendy privately endured her greatest heartbreaks alone. In Wendy and the Lost Boys, Salamon assembles the fractured pieces, revealing Wendy in full. Though she lived an uncommon life, she spoke to a generation of women during an era of vast change. Revisiting Wendy's works-The Heidi Chronicles and others-we see Wendy in the free space of the theater, where her many selves all found voice. Here Wendy spoke in the most intimate of terms about everything that matters most: family and love, dreams and devastation. And that is the Wendy of Neverland, the Wendy who will never grow old. |
| the heidi chronicles play: Heidi Johanna Spyri, 2024-10-22 The beloved story of an orphaned girl living in the Swiss Alps is now available in an unabridged, illustrated cloth hardcover edition in Union Square and Co.’s Children's Signature Clothbound Classics series. When Heidi’s parents die and she can no longer live with her aunt, she must stay with her ill-tempered grandfather, who lives alone in the Swiss Alps. Heidi thrives in the mountains as she plays with the mountain goats, picks wildflowers, makes new friends, and brightens her grandfather’s life. Then Heidi is taken away to serve as a companion to a lonely girl. Will she ever get back to the mountains and people she loves so much? |
| the heidi chronicles play: The Playwright's Muse Joan Herrington, 2013-05-13 August Wilson penned his first play after seeing a man shot to death. Horton Foote began writing plays to create parts for himself as an actor. Edward Albee faced commercial pressures to modify his scripts-and resisted. After Wit, Margaret Edson swore off playwriting altogether and decided to keep her day job as a kindergarten teacher, instead. The Playwright's Muse presents never-before-published interviews with some of the greatest names of American drama-all recent winners of the Pulitzer Prize. In these scintillating exchanges with eleven leading dramatists, we learn about their inspirations and begin to grasp how the creative process works in the mind of a writer. We learn how their first plays took shape, how it felt to read their first reviews, and what keeps them writing for theater today. Introductory essays on each playwright's life and work, written by theater artists and scholars with strong professional relationships to their subjects, provide additional insight into the writers' contributions to contemporary theater. |
| the heidi chronicles play: Plays Dan Elish, 2012-01-15 Explores and explains the craft of writing plays by providing examples and exercises. |
| the heidi chronicles play: Reading the Plays of Wendy Wasserstein Jan Balakian, 2010-01-01 (Applause Books). Playwright Wendy Wasserstein is, above all, a social historian. Her plays balance drama and comedy to address such issues as social class and Jewish-American identity. Most notably, however, WassersteinOs work explores the lives and struggles of women. Although she never wanted to be called a feminist playwright, her plays ask whether women can have both satisfying careers and families, concluding that even well-educated women have not yet achieved parity with men. In Reading the Plays of Wendy Wasserstein, author Jan Balakian places WassersteinOs seven major plays in a historical context. Close readings of each play are interwoven with discussion of such topics as the Gilded Age (Old Money), life at a womenOs college in the early 1970s (Uncommon Women and Others), challenges to liberal assumptions (Third), and the rise and fall of feminism (The Heidi Chronicles, winner of the Pulitzer Prize). Drawing on the recently established Wasserstein archives at Mount Holyoke College, this book delves into primary sources such as commencement speeches and popular songs and features unpublished handwritten pages from the playwrightOs notebooks. Lending further insight into WassersteinOs concerns are BalakianOs own interviews with the playwright herself and conversations with WassersteinOs friends, including playwright Christopher Durang, director Dan Sullivan, and playwright and director Emily Mann. Thoroughly researched, accessible, and rich in detail, Reading the Plays of Wendy Wasserstein will provide students, teachers, theatergoers, and other readers with fresh perspective on the work of one of AmericaOs great contemporary playwrights. |
| the heidi chronicles play: Shiksa Goddess Wendy Wasserstein, 2001-07-31 Celebrated playwright and magnetic wit Wendy Wasserstein has been firmly rooted in New York’s cultural life since her childhood of Broadway matinees, but her appeal is universal. Shiksa Goddess collects thirty-five of her urbane, inspiring, and deeply empathic essays–all written when she was in her forties, and all infused with her trademark irreverent humor. The full range of Wasserstein’s mid-life obsessions are covered in this eclectic collection: everything from Chekhov, politics, and celebrity, to family, fashion, and real estate. Whether fretting over her figure, discovering her gentile roots, proclaiming her love for ordered-in breakfasts, lobbying for affordable theater, or writing tenderly about her very Jewish mother and her own daughter, born when she was forty-eight and single, Wasserstein reveals the full, dizzying life of a shiksa goddess with unabashed candor and inimitable style. |
| the heidi chronicles play: Third Wendy Wasserstein, 2008 THE STORY: His name is Woodson Bull III, but you can call him Third. And Professor Laurie Jameson is disinclined to like his jockish, jingoistic attitude. He is, as she puts it, a walking red state. Believing that Third's sophisticated essay on |
| the heidi chronicles play: Lips Together, Teeth Apart Terrence McNally, 1992 THE STORY: A gay community in Fire Island provides an unlikely setting for two straight couples who are discovered lounging poolside, staring out to sea. Sally, married to Sam, a New Jersey contractor, has inherited the house from her brother who died of |
| the heidi chronicles play: Bachelor Girls Wendy Wasserstein, 1991-07-02 In this delicious book of essays, Wendy Wasserstein perfects the urbane, wacky and compassionate sensibility that informed plays like her Pulitzer Prize-winning The Heidi Chronicles. |
| the heidi chronicles play: Wendy Wasserstein Claudia Barnett, 2013-06-17 Wendy Wasserstein: A Casebook contains in-depth discussions of the playwright's major works, including her recent play 1 An American Daughter. Wasserstein's plays and essays are explored within diverse traditions, including Jewish storytelling, women's writing, and classical comedy. Critical perspectives include feminist, Bakhtinian, and actor/director. Comparisons with other playwrights, such as Rachel Crothers, Caryl Churchill, and Anton Chekhov, provide context and understanding. An interview with the playwright and an annotated bibliography are included. |
| the heidi chronicles play: Wendy Wasserstein Jill Dolan, 2017-07-20 A feminist theater scholar and critic sheds new light on the work of playwright Wendy Wasserstein |
| the heidi chronicles play: A Study Guide for Wendy Wasserstein's "Workout" Gale, Cengage Learning, 2016 A Study Guide for Wendy Wasserstein's Workout, excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs. |
| the heidi chronicles play: The Alchemy of Theatre - The Divine Science Robert Viagas, 2006-10-01 (Applause Books). Featuring 28 of the top talents on Broadway! The Alchemy of Theatre lets the top talents in every theatrical field, from producing and writing to publicity and makeup, share their hard-earned wisdom. They speak on how to achieve success in an environment where giant egos are locked up together under mounting financial and emotional pressure, and are expected to deliver greatness. In short, this book is a how-to manual of collaboration by the professionals who do it best. Among those who have packed their lively essays with real-world stories of experience on legendary productions are directors Harold Prince, Susan Stroman, and George C. Wolfe; playwrights Wendy Wasserstein, recently deceased, and Edward Albee; stars Chita Rivera and Brian Stokes Mitchell; set designer Robin Wagner; songwriter Cy Coleman, in one of his last writing efforts before his death; costume designer William Ivey Long; producer Rocco Landesman; theatre operator Gerald Schoenfeld, chairman of The Shubert Organization; playwright and librettist Terrence McNally; lighting designers Jules Fisher and Peggy Eisenhauer; Musical Director Paul Gemignani; and more than a dozen more. This book is nothing but true-life stories of how these precepts work in real life for some of the most talented people alive. Every narrative gives an inside look at what makes theater magical and allows a performance to come together. For those who love the theater, this book is essential. Library Journal |
| the heidi chronicles play: Tragedy in the Contemporary American Theatre Robert J. Andreach, 2014-07-16 This book refutes the claim that tragedy is no longer a vital and relevant part of contemporary American theatre. Tragedy in the Contemporary American Theatre examines plays by multiple contemporary playwrights and compares them alongside the works of America’s major twentieth-century tragedians: Eugene O’Neill, Arthur Miller, and Tennessee Williams. The book argues that tragedy is not only present in contemporary American theatre, but issues from an expectation fundamental to American culture: the pressure on characters to create themselves. Tragedy in the Contemporary American Theatre concludes that tragedy is vital and relevant, though not always in the Aristotelian model, the standard for traditional evaluation. |
| the heidi chronicles play: 1997 Chacahoula , |
| the heidi chronicles play: Entertainment Awards Don Franks, 2014-12-03 What show won the Emmy for Outstanding Drama Series in 1984? Who won the Oscar as Best Director in 1929? What actor won the Best Actor Obie for his work in Futz in 1967? Who was named “Comedian of the Year” by the Country Music Association in 1967? Whose album was named “Record of the Year” by the American Music Awards in 1991? What did the National Broadway Theatre Awards name as the “Best Musical” in 2003? This thoroughly updated, revised and “highly recommended” (Library Journal) reference work lists over 15,000 winners of twenty major entertainment awards: the Oscar, Golden Globe, Grammy, Country Music Association, New York Film Critics, Pulitzer Prize for Theater, Tony, Obie, New York Drama Critic’s Circle, Prime Time Emmy, Daytime Emmy, the American Music Awards, the Drama Desk Awards, the National Broadway Theatre Awards (touring Broadway plays), the National Association of Broadcasters Awards, the American Film Institute Awards and Peabody. Production personnel and special honors are also provided. |
| the heidi chronicles play: Broadway Plays and Musicals Thomas S. Hischak, 2009-04-22 New York City's Broadway district is by far the most prestigious and lucrative venue for American performers, playwrights, entertainers and technicians. While there are many reference works and critical studies of selected Broadway plays or musicals and even more works about the highlights of the American theater, this is the first single-volume book to cover all of the activities on Broadway between 1919 and 2007. More than 14,000 productions are briefly described, including hundreds of plays, musicals, revivals, and specialty programs. Entries include famous and forgotten works, designed to give a complete picture of Broadway's history and development, its evolution since the early twentieth century, and its rise to unparalleled prominence in the world of American theater. The productions are identified in terms of plot, cast, personnel, critical reaction, and significance in the history of New York theater and culture. In addition to a chronological list of all Broadway productions between 1919 and 2007, the book also includes approximately 600 important productions performed on Broadway before 1919. |
| the heidi chronicles play: Twentieth-Century and Contemporary American Literature in Context [4 volumes] Linda De Roche, 2021-06-04 This four-volume reference work surveys American literature from the early 20th century to the present day, featuring a diverse range of American works and authors and an expansive selection of primary source materials. Bringing useful and engaging material into the classroom, this four-volume set covers more than a century of American literary history—from 1900 to the present. Twentieth-Century and Contemporary American Literature in Context profiles authors and their works and provides overviews of literary movements and genres through which readers will understand the historical, cultural, and political contexts that have shaped American writing. Twentieth-Century and Contemporary American Literature in Context provides wide coverage of authors, works, genres, and movements that are emblematic of the diversity of modern America. Not only are major literary movements represented, such as the Beats, but this work also highlights the emergence and development of modern Native American literature, African American literature, and other representative groups that showcase the diversity of American letters. A rich selection of primary documents and background material provides indispensable information for student research. |
| the heidi chronicles play: LSAmagazine University of Michigan. College of Literature, Science, and the Arts, 1992 |
| the heidi chronicles play: Engendering Men Joseph Allen Boone, Michael Cadden, 2012 Over the past several years, the question of men’s relation to feminism has become a fiercely and sometimes bitterly debated subject. Engendering Mendemonstrates the creative impact that feminist modes of inquiry have already had on a new generation of male critics. In the wake of feminism, many men have found it imperative to begin the task of retheorizing the male position in our culture. This collection of new essays brings together seventeen male critics whose work – on poetry, fiction, the Broadway stage, film and television, and broader cultural and psychoanalytic texts – is opening up new avenues in criticism, as well as in gender and feminist theory. |
| the heidi chronicles play: Enter the Playmakers Thomas S. Hischak, 2006 A companion book to author Thomas Hischak's earlier volume Enter the Players: New York Stage Actors in the 20th Century (Scarecrow Press, 2003), Enter the Playmakers: Directors and Choreographers on the New York Stage explores the lives and careers of over three hundred directors and choreographers who worked in the New York theatre. Famous artists like Elia Kazan and Jerome Robbins are featured alongside lesser known or new talents, all of whom have contributed to the American theatre. A biographical sketch outlines the life and career of each director and choreographer, explaining their strengths and talents and what makes them unique. This is followed by a chronological listing of every play or musical that the artist staged in New York, including details such as dates, venue (Broadway, Off Broadway, etc.) and whether the production was a new work or a revival. Presenting artists from the mid-18th century up through current favorites like Daniel Sullivan, Susan Stroman, Doug Hughes, and Kathleen Marshall, the book includes traditionalists (like Harold Clurman and Gower Champion), avant-garde artists (Elizabeth LeCompte and Richard Foreman), and directors and choreographers noted for various styles, genres, and theatre movements. Internationally recognized artists, such as Max Reinhardt and Peter Brook, whose productions had an impact on the New York theatre are also included. By listing all of the artist's New York credits, each entry gives a vivid picture of the stage career of these important directors and choreographers. |
| the heidi chronicles play: Topdog/underdog Suzan-Lori Parks, 2002 THE STORY: A darkly comic fable of brotherly love and family identity is Suzan-Lori Parks' latest riff on the way we are defined by history. The play tells the story of Lincoln and Booth, two brothers whose names were given to them as a joke, foret |
| the heidi chronicles play: The Sisters Rosensweig Wendy Wasserstein, 1996 The sisters Rosensweig are three extraordinary Brooklyn-born Jewish women. Sara lives an ostensibly happy, man-free life in London with her intelligent daughter, Tess. Pfeni is an eccentric travel writer who pursues an unsatisfactory relationship with Geoffrey, a bisexual theatre director. And Gorgeous has the perfect husband and family in Massachusetts, where she pursues a 'funsy' career as a radio agony aunt. When they meet up at Sara's home in Holland Park reawakened familial bonds cause each woman to confront her past and her future. |
| the heidi chronicles play: Presence and Desire Jill Dolan, 1993 Explores current controversies and significant concerns in feminist theater and performance |
| the heidi chronicles play: 100 Years of Pulitzer Prize-Decorated New York Theatre Productions Heinz-Dietrich Fischer, 2023-05-22 This volume tells the fascinating history of a century of Broadway Theatre, exemplified by Pulitzer Prize-winning stage productions of plays from leading American playwrights like Eugene O'Neill, Tennessee Williams, Arthur Miller and many others. In addition, facsimile reproductions of theatre programs and posters give an impression of the casts on stage including movie stars like Deborah Kerr, Jessica Tandy, Anthony Perkins, Marlon Brando, Karl Malden or Morgan Freeman. |
| the heidi chronicles play: Dead Accounts Theresa Rebeck, 2017-12-11 Jack's unexpected return throws his family into a frenzy, and his sister Lorna needs answers. Is he coming home or running away? Where is his wife everyone hates? And how did he get all that money? Theresa Rebeck's new comedy tackles the timely issues of corporate greed, small town values, and whether or not your family will always welcome you back... with no questions asked. |
| the heidi chronicles play: The Methuen Drama Anthology of American Women Playwrights: 1970 - 2020 Wesley Brown, Aimée K. Michel, 2020-05-14 In this exciting new anthology, Wesley Brown and Aimée K. Michel bring together six wonderfully teachable plays by some of the greatest American women dramatists of the past fifty years-- Ntozake Shange, Suzan-Lori Parks, Paula Vogel, Lynn Nottage, Beth Henley, and Susan Yankowitz. The editors provide a helpful Introduction to the last 100 years of theatrical activity, from suffrage and anti-lynching plays, through the explosive 1960s, to recent Broadway triumphs, highlighting women's struggle-a struggle that continues--to put their vision and voices on the American stage. Elin Diamond, Rutgers University, USA This volume celebrates the iconoclastic power of six American women playwrights who pushed the boundaries of the form outside the box of conventional drama. Each play is accompanied by a short introduction providing the biographical background of the playwright as well as discussing the dramatic style of her writing, the extent to which her work is informed by major playwrights of the period, and how the specific work illustrates the overarching themes of her body of work. The plays included are: Gun by Susan Yankowitz Spell #7: geechee jibara quik magic trance manual for technologically stressed third world people by Ntozake Shange The Jacksonian by Beth Henley The Baltimore Waltz by Paula Vogel In the Blood by Suzan-Lori Parks Intimate Apparel by Lynn Nottage |
| the heidi chronicles play: The Cambridge Companion to American Women Playwrights Brenda Murphy, 1999-06-28 This volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930. |
| the heidi chronicles play: 100 Greatest American Plays Thomas S. Hischak, 2017-03-06 Theatre in America has had a rich history—from the first performance of the Lewis Hallam Troupe in September 1752 to the lively shows of modern Broadway. Over the past few centuries, significant works by American playwrights have been produced, including Abie’s Irish Rose, Long Day’s Journey into Night, A Streetcar Named Desire, Death of a Salesman, A Raisin in the Sun, Fences, and Angels in America. In 100 Greatest American Plays, Thomas S. Hischak provides an engaging discussion of the best stage productions to come out of the United States. Each play is discussed in the context of its original presentation as well as its legacy. Arranged alphabetically, the entries for these plays include: plot details production history biography of the playwright literary aspects of the drama critical reaction to the play major awards the play’s influence cast lists of notable stage and film versions The plays have been selected not for their popularity but for their importance to American theatre and include works by Edward Albee, Harvey Fierstein, Lorraine Hansberry, Lillian Hellman, Tony Kushner, David Mamet, Arthur Miller, Eugene O’Neill, Sam Shepard, Neil Simon, Gore Vidal, Wendy Wasserstein, Thornton Wilder, Tennessee Williams, and August Wilson. This informative volume also includes complete lists of Pulitzer Prize winners for Drama, the New York Drama Critics Circle Award for American Plays, and the Tony Award for Best Play. Providing critical information about the most important works produced since the eighteenth century, 100 Greatest American Plays will appeal to anyone interested in the cultural history of theatre. |
THE HEIDI CHRONICLES - The Repertory Theatre of St. Louis
Her most famous play, The Heidi Chronicles, featured a woman’s struggle to find happiness in a life she’s not sure has followed the path she wanted. In the play, like in its playwright’s life, a …
The Heidi Chronicles - Lake Michigan College
Funny, touching, and written with rare grace and sensitivity, the play is a moving examination of the progress of a generation, from the socially and politically activist sixties to the success …
The Heidi Chronicles - Stephen F. Austin State University
May 2, 2009 · manage to define and redefine Who they are. At the end Of the each play, (her heroines] come to terms with themselves." This is certainly true Of Heidi Holland. the …
Heidi Chronicles Play Full Script (book)
Heidi Chronicles Play Full Script The Heidi Chronicles Wendy Wasserstein,1990 Traces the coming of age of Heidi Holland a successful art historian as she tries to find her bearings in a …
The Heidi Chronicles Play (book) - netsec.csuci.edu
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