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The Audition Play Script: Your Guide to Crafting a Winning Performance
Landing the perfect role often hinges on a killer audition. But beyond talent and preparation, a strong audition play script is crucial. It's your opportunity to showcase your range, highlight your skills, and leave a lasting impression on casting directors. This comprehensive guide will delve into crafting the ideal audition play script, from choosing the right material to mastering its delivery. We’ll explore strategies to help you create a script that not only fits the role but also showcases you at your best. Let's dive in and unlock the secrets to audition success with the perfect play script.
1. Choosing the Right Audition Play Script: Matching Your Skills and the Role
Selecting the right material is paramount. Don't just grab the first monologue you find; careful consideration is key. Here’s how to choose wisely:
#### 1.1 Understanding the Role:
Before choosing any monologue, thoroughly analyze the character you're auditioning for. What are their personality traits, motivations, and conflicts? Does the character display any specific skills (singing, dancing, accents)? Select a script that aligns with these qualities.
#### 1.2 Monologue Length:
Casting directors often have limited time. Aim for a monologue that is concise and impactful, typically between one and two minutes. A shorter, well-executed piece is often more effective than a longer, rambling one.
#### 1.3 Genre and Style:
Match the genre and style of your chosen monologue to the overall tone of the production. A comedic monologue for a drama audition will likely be inappropriate.
#### 1.4 Showcasing Your Strengths:
Pick a monologue that allows you to showcase your strengths. If you excel at portraying vulnerability, select a scene reflecting that. If you're known for your comedic timing, opt for humorous material.
2. Crafting Your Audition Play Script: Beyond Just the Words
The selection is only the first step. Crafting a truly winning audition script requires more than simply choosing a piece; it's about shaping and refining it to your advantage:
#### 2.1 Cutting and Adapting:
Don’t be afraid to cut or adapt the original text. If a section feels clunky or doesn't serve the overall purpose, remove it. Focus on the most impactful parts of the monologue.
#### 2.2 Adding Subtext:
Adding subtext significantly deepens your performance. Subtext refers to the underlying meaning or emotion that isn't explicitly stated in the dialogue. Consider what your character is truly feeling beyond the words they’re speaking.
#### 2.3 Considering Physicality:
Think beyond dialogue. How will your character move? What gestures will emphasize their emotions? Plan out the physicality of your performance to enhance the emotional impact of the script.
#### 2.4 Creating a Strong Ending:
A memorable ending is crucial. Ensure your monologue concludes with a powerful statement or image that leaves a lasting impression on the casting director.
3. Mastering Your Audition Play Script: Rehearsal and Refinement
Rehearsal is key to success. Don't simply read through your script; actively work on it:
#### 3.1 Memorization:
Memorize the script completely. This allows for natural delivery and eliminates the distraction of reading from the page.
#### 3.2 Vocalization and Tone:
Work on your vocal delivery. Vary your tone, pace, and volume to express the emotions of your character effectively.
#### 3.3 Body Language and Gestures:
Refine your body language and gestures. Practice in front of a mirror or record yourself to identify areas for improvement.
#### 3.4 Seek Feedback:
Seek feedback from trusted friends, family, or acting coaches. Their perspective can highlight areas you may have overlooked.
4. Beyond the Script: Presentation and Preparation
A strong script is just one piece of the puzzle. Your overall presentation and preparation are equally vital:
#### 4.1 Professional Attire:
Dress appropriately for the audition. Unless otherwise specified, business casual or smart casual is generally a safe bet.
#### 4.2 Punctuality:
Arrive on time, or even a few minutes early, to demonstrate your professionalism.
#### 4.3 Confidence and Positivity:
Project confidence and maintain a positive attitude throughout the audition.
Conclusion
Crafting the perfect audition play script requires careful planning, skillful adaptation, and dedicated rehearsal. By selecting the right material, refining it to highlight your strengths, and mastering your delivery, you can significantly increase your chances of landing the role. Remember, the script is your tool; use it wisely to showcase your talent and leave a lasting impression.
FAQs
1. Can I use a monologue from a published play for my audition? Yes, but always check for copyright restrictions and ensure you have the legal right to perform the extract.
2. How do I find appropriate audition materials? Explore published plays, films, and television shows. Websites and online databases specializing in acting resources are excellent starting points.
3. What if I can't find a monologue that perfectly suits me? Adapt existing material or consider writing your own short piece, ensuring it remains concise and impactful.
4. How important is memorization? Memorization is crucial for a natural and engaging performance; it allows you to connect with the material and the audience fully.
5. Should I bring a copy of my script to the audition? While memorization is ideal, having a copy as a backup can alleviate anxiety and provide a reference if needed. Always check if the casting director prefers you to memorize or if a copy is permitted.
| the audition play script: The Audition Don Zolidis, 2008 A new theater teacher is bringing a production of A Chorus Line to the high school. Though the hopefuls range from shy to outrageous, and from diva-like to determined, everyone has a chance to step into the spotlight. A hilarious and heartbreaking look at the madness of auditioning and the actors who brave the process for that perfect part. |
| the audition play script: An Audition For A Murder Lee Mueller, 2020-06-01 A Theatre group is holding auditions for a Murder Mystery called Death of A Disco Dancer. All of the typical actors show up to audition. There is Mia Monahan - the militant method actress, Amber Frost- the ditzy Drama queen, Chad - the energetic actor who never seems to get a part in anything, Alan- the accomplished Theatre Major who works at a fast-food place in the meantime. Troy May - the ego-centric actor who always gets a role and his gorgeous assistant Tantanya who holds his imported bottled water and carries his Portfolio. And last but not least, Mrs. Needleman and her precious daughter Julie, fresh from the Little Miss Pumpkin Pageant finals. The auditions get underway without too many problems, well a few.. Well, all right, you see, the thing is.. the Director Vivian Vinderlou and assistant director Reed Moore have a bit of the problem with script. The problem is they don't have enough copies for everyone. And the bigger problem is they don't actually have a finished script. Jim Culter- the playwright arrives in the nick of time with a few more copies and a few more finished pages just as one of the actors mysteriously dies. As luck would have it, Jim has brought Inspector Bonnie Brauvera along to the auditions to serve as Technical advisor for the play. Perhaps the investigation into this mysterious death will inspire the playwright and help him finish the play. After all, there is a read-through on Monday. |
| the audition play script: The Theatre Arts Audition Book for Women Annika Bluhm, 2013-10-08 First published in 2003. The Theatre Arts Audition Books offer one hundred speeches from plays of the past twenty-five years, fifty in a volume for men, fifty in a volume for women. Each excerpt is preceded by a note situating the play and the selection. Speeches come from a wide range of plays, including David Mamet's Oleanna, Caryl Churchill's Serious Money, Martin McDonagh's The Beauty Queen of Leenane, Jim Cartwright's Road, and Timberlake Wertenbaker's Our Country's Good, as well as plays by Anthony Minghella, Mark Ravenhill, Sue Townsend, Alan Ayckbourn, and others. Annika Bluhm has assembled two sparkling collections of monologues that will challenge and inspire the actor |
| the audition play script: The Theatre Audition Book Gerald Lee Ratliff, 1998 The most comprehensive book of monologues ever. With 127 audition pieces, this handbook has a monologue for almost any audition situation. It's important that the actor be inventive and imaginative in performing a monologue. This book shows students how to investigate dramatic and theatrical elements. |
| the audition play script: Feiffer's People Jules Feiffer, 1969 A long-run Broadway hit, this warmly humorous--and human--play by our theatre's most renowned comic writer, offers a wise and witty examination of a family hilariously beset by marital and domestic problems. ...one of the most professional pieces of work Bro |
| the audition play script: The Actor's Script Charles S. Waxberg, 1998 The Actor's Script offers a clear, concise, and easily assimilated technique for beginning scriptwork specifically tailored to actor's requirements and sensibilities. |
| the audition play script: Editor's Choice Linda Habjan, 2006 Playbook/monologues. |
| the audition play script: Wyrd Sisters - Playtext Stephen Briggs, Terry Pratchett, 2011-09-30 Terry Pratchett takes Shakespeare's Macbeth and then turns it up 'till the knob comes off. It's all there - a wicked duke and duchess, the ghost of the murdered king, dim soldiers, strolling players, a land in peril. And who stands between the Kingdom and destruction? Three witches. Granny Weatherwax (intolerant, self-opinionated, powerful), Nanny Ogg (down-to-earth, vulgar) and Magrat Garlick (naïve, fond of occult jewellery and bunnies). Stephen Briggs has been involved in amateur dramatics for over 25 years and he assures us that the play can be staged without needing the budget of Industrial Light and Magic. Not only that, but the cast should still be able to be in the pub by 10 o'clock! Oh, and a world of advice omitted from the play text: LEARN THE WORDS Havelock, Lord Vetinari |
| the audition play script: The Monologue Audition Karen Kohlhaas, 2000 This manual is dedicated to teachers of two categories of acting students. Serious acting students who intend to become professional actors. Students studying acting for personal and professional growth who are interested in acting as a passionate hobby, as well as a means to becmoe effective communicators in all areas of their careers and lives. |
| the audition play script: Book of Days Lanford Wilson, 2001 THE STORY: When murder roars through a small Missouri town, Ruth Hoch begins her own quest to find truth and honesty amid small town jealousies, religion, greed and lies. This tornado of a play propels you through its events like a page-turning mys |
| the audition play script: The Actor and the Target Declan Donnellan, 2006 |
| the audition play script: Laughing Wild Christopher Durang, 1996 THE STORY: In the first section of the play, a Woman enters and embarks on an increasingly frenetic (and funny) recital of the perils and frustrations of daily life in urban America--waiting in line, rude taxi drivers, inane talk shows and the selfi |
| the audition play script: The Outstanding Actor Ken Rea, 2021-01-14 Drawing on Ken Rea's 35 years' teaching experience and research, as well as interviews with top actors and directors, The Outstanding Actor identifies seven key qualities that the most successful actors manifest, along with practical exercises that help nurture those qualities and videos to demonstrate them. Featuring contributions and insights from Ewan McGregor, Jude Law, Judi Dench, Al Pacino, Lily James, Rufus Norris and many more, The Outstanding Actor gives you techniques that you can immediately put into practice in rehearsals, classes or private preparation. It also shows you how to increase the chances of having a more successful career. This new edition covers topical issues such as the #MeToo movement, gender balance and race issues, and how these affect working conditions and careers. There are also brand new links to video resources that bring the valuable exercises to life. The book also includes forewords by Damian Lewis and Lily James. |
| the audition play script: The Audition Process Bob Funk, 1996 This book includes tips on what kind of monologues to choose, how to behave, where and when professional state and regional and graduate schools for drama auditions take place. |
| the audition play script: Sixty Seconds to Shine John Capecci, Irene Ziegler Aston, 2006 If brevity is the soul of a good audition, then these titles will prove a great resource. - CHOICEActors looking for short pieces to work on in class or to use for auditions need look no further. This volume is loaded with choices from contemporary and classic plays, novels, and stories. Shakespeare, Molière, and Chekhov are represented, along with contemporary writers such as Philip Roth and Steve Tesich. Many of the monologues in this book are from less well-known authors, making it the perfect choice for actors looking for something fresh¿something auditioners have never seen before.JOHN CAPECCI holds a Ph.D. in Speech Communication and has nearly twenty years experience coaching, teaching, and presenting public performances. John has taught communication techniques and performance theory and practice to high school, undergraduate, graduate, and adult learners. He also has published essays on the performance of literature.IRENE ZIEGLER ASTON is an actor, teacher, playwright, and novelist. Most recently, she played Maggie Runyon in The Contender (nominated for two academy awards) and can currently be seen as Mrs. Laughlin in Showtime¿s series, Going to California. She has taught speech, oral interpretation, and acting at Eastern Michigan University, Old Dominion University, and the University of Richmond, where she was an Artist in Residence.John and Irene have co-edited The Ultimate Audition Book II: 222 Monologues from Literature, Two Minutes and Under; The Ultimate Audition Book III: 222 Monologues, Two Minutes and Under from the Movies; and The Ultimate Audition Book IV: 222 Monologues, Two Minutes and Under. |
| the audition play script: National Youth Theatre Monologues Michael Bryher, 2018 An invaluable new collection of audition speeches drawn from material produced by world-leading youth arts organization the National Youth Theatre of Great Britain. |
| the audition play script: Monologues for Teens , 2008 |
| the audition play script: Come from Away Genevieve Graham, 2018-04-24 From the bestselling author of Tides of Honour and Promises to Keep comes a poignant novel about a young couple caught on opposite sides of the Second World War. In the fall of 1939, Grace Baker’s three brothers, sharp and proud in their uniforms, board Canadian ships headed for a faraway war. Grace stays behind, tending to the homefront and the general store that helps keep her small Nova Scotian community running. The war, everyone says, will be over before it starts. But three years later, the fighting rages on and rumours swirl about “wolf packs” of German U-Boats lurking in the deep waters along the shores of East Jeddore, a stone’s throw from Grace’s window. As the harsh realities of war come closer to home, Grace buries herself in her work at the store. Then, one day, a handsome stranger ventures into the store. He claims to be a trapper come from away, and as Grace gets to know him, she becomes enamoured by his gentle smile and thoughtful ways. But after several weeks, she discovers that Rudi, her mysterious visitor, is not the lonely outsider he appears to be. He is someone else entirely—someone not to be trusted. When a shocking truth about her family forces Grace to question everything she has so strongly believed, she realizes that she and Rudi have more in common than she had thought. And if Grace is to have a chance at love, she must not only choose a side, but take a stand. Come from Away is a mesmerizing story of love, shifting allegiances, and second chances, set against the tumultuous years of the Second World War. |
| the audition play script: The Monologue Workshop Jack Poggi, 1990 An indispensable ally for actors terrified by monolgue. Poggi's acclaimed technique combines improvisation and textual analysis to help beginners and pros alike improve solo performance. |
| the audition play script: The Complete Professional Audition Daren Cohen, Michael Perilstein, 2010-06-09 In the United States, there are 300,000 actors; 100,000 hold union cards. There are 184 college theater programs and 108 performing-arts high schools. There are 578 acting schools and coaches in New York City and Los Angeles alone. The Complete Professional Audition is the one book all of those actors need-because before actors can act, they have to pass the audition! Here's practical, hand-holding advice for choosing material, rehearsing, warming up, staying calm, standing out in a crowd, understanding casting, avoiding pitfalls, following up, getting the right headshot and resume, and accepting an offer. There's even a section on handling rejection-not that The Complete Professional Audition user is ever going to need that, of course. Ultra-useful appendices of recommended songs and monologues (yes!) make this the complete guide for everyone with an audition coming up. • Designed for both play and musical auditions • There are 300,000 actors and acting students in the US-and all of them want an edge at the audition • Through his workshops and seminars, author Darren Cohen knows exactly what actors need to pass an audition and get that part • Practical, down-to-earth ideas that work From the Trade Paperback edition. |
| the audition play script: Auditions Richard Evans, 2012-08-21 Auditions are an integral part of every performer's life. From getting into drama school, through to a successful career in an overcrowded industry, Auditions: A Practical Guide offers crucial advice and tried-and-tested techniques to maximize success before, during and after each audition. Written by an established casting director and former actor with thirty years of experience on a wide range of productions, this book offers a wealth of personal and professional insights covering: drama and theatre schools classical, contemporary, physical and musical theatre television and radio drama screen tests and commercial castings voice work recalls and workshops handling job offers, and rejection. From training to triumph, nerves to networking and camera to casting couch, Auditions: A Practical Guide is an entertaining, accessible, and indispensable read for every performer. For more resources, please visit www.auditionsapracticalguide.com. |
| the audition play script: Audition Michael Shurtleff, 2009-05-26 The casting director for Chicago, Pippin, Becket, Gypsy, The Graduate, the Sound of Music and Jesus Christ Superstar tells you how you can find your dream role! Absolutely everything an actor needs to know to get the part is here: What to do that moment before, how to use humour; create mystery; how to develop a distinct style; and how to evaluate the place, the relationships and the competition. In fact, Audition is a necessary guide to dealing with all the auditions we face in life. This is the bible on the subject. |
| the audition play script: Who's Afraid of the Working Class? Julian Meyrick, 2014 Five plays are intertwined in one in this story of fringe dwellers, living in an age of social, economic and moral deprivation. Mostly without work, and politically disengaged, they work at survival. 'With intelligence, well-judged humour and the searching qualities of truly memorable theatre, the play peels away political propaganda and notions of correctness to present a candid, difficult, searing portrait of the poor and marginalised.' SMH Who' Afraid of the Working Class? was adapted into the film, Blessed. (9 male, 10 female). |
| the audition play script: The Perfect Monologue Ginger Howard Friedman, 2004-08-01 In this companion volume to her highly successful Callback, Ginger Howard Friedman, a veteran casting director, playwright and teacher, reveals her winning formula for a monologue audition that lands you the part. She explains her essential rules for a successful audition, then selects scenes from 16 plays and adapts them into monologues, comic and serious, for men and women of all ages. |
| the audition play script: Auditioning Joanna Merlin, 2001-07-03 Theater veteran and acting teacher Joanna Merlin has written the definitive guide to auditioning for stage and screen, bringing to it a valuable dual perspective. She has spent her career on both sides of the auditioning process, both as an award-winning casting director who has worked with Harold Prince, Bernard Bertolucci, and James Ivory, and as an accomplished actor herself. In this highly informative and accessible book, Merlin provides everything the actor needs to achieve self-confidence and artistic honesty–from the most basic practical tips to an in-depth framework for preparing a part. Filled with advice from the most esteemed people in the business, such as James Lapine, Nora Ephron, and Stephen Sondheim, and charged with tremendous wisdom and compassion, this indispensable resource will arm the reader to face an actor's greatest challenge: getting the part. |
| the audition play script: The Audition Room Sharon Sorrentino, 2017-03-28 The aim of this book is to offer advice and tips to working actors, and new graduates alike, on ways in which they can improve upon their position or get started on their chosen path. There is pragmatic guidance to aid actors to get into the audition room itself then, once in those fateful auditions, how to make the most of the allotted time. The text is filled with practical and sage words of wisdom from a number of renowned industry professionals – actors, directors, casting directors, radio producers, voice artists, authors and acting coaches. Actors should treat this book as a helpful insider within the audition room, someone who wants to help them with their chosen career. They are an important aspect of the theatre industry, but have to keep on their toes because there are always another hundred actors, or more, stood behind just as hungry for work, if not hungrier! |
| the audition play script: West Side Story Leonard Bernstein, Arthur Laurents, 1972 This series of contemporary plays includes structured GCSE assignments for use by individuals or groups. These include questions which involve close reading, writing and discussion. This play places the Romeo and Juliet story in a New York gang-warfare context. |
| the audition play script: King Lear Jeffrey Kahan, 2008-04-18 Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink |
| the audition play script: The Auditioners Doug Rand, 2005 This audition was supposed to be simple: prepare one classical monologue and one contemporary monologue. But when this challenge is taken up by a beauty queen, a stand-up comic, a slam poet, an Esperanto-speaking mime, and a parade of other crazies -- most of whom insist on doing the same Lady Macbeth piece very badly -- what's a director to do? |
| the audition play script: The Art of Auditioning Rob Decina, 2022-04-19 Learn how to ace your acting audition from a top casting director! Casting Director Rob Decina highlights the difference between the craft of acting and the business of auditioning, and how those two worlds meet in television. Included are proven-effective preparation techniques, including asking the right questions, making specific acting choices, finding beats and beat changes, using spontaneity, and much more. Also included is advice on headshots and resumes and an examination of the difference between audition preparation and theatrical preparation as well as information on how to succeed with self-tape auditions. This updated edition will include both new and updated tips, as well as reflections on the original edition's advice. Rob's career has spanned primetime television, daytime drama, film, to casting for the one of the most prolific television studios for dramas and comedies across network, cable and streaming platforms. |
| the audition play script: An Actor’s Guide to Corporate Role Play Syrus Lowe, 2024-04-18 For too long the world of corporate role play has felt like a closed shop that only a few privileged actors have had access to. Now, this book provides any actor with what they need to start and build a side-career in corporate role play, utilising all of the skills they already have in their portfolio. Detailing what corporate role play is, how to do it, how to get the work and how to get re-employed, this book offers up a clear roadmap, enabling actors to deliver top-quality role plays and evidence-based developmental feedback time and time again. Using the author's masterclasses as a foundation, the book includes a range of role play briefs an actor may encounter, each accompanied by top tips on how to execute them successfully. |
| the audition play script: A Suitably Happy Ending Alison Chaplin, 2004-09 A fairy tale containing all of the familiar ingredients - with a modern twist |
| the audition play script: Magic Jamie Sutcliffe, 2021-12-14 The first accessible reader on magic’s generative relationship with contemporary art practice. From the hexing of presidents to a renewed interest in herbalism and atavistic forms of self-care, magic has furnished the contemporary imagination with mysterious and often disorienting bodies of arcane thought and practice. This volume brings together writings by artists, magicians, historians, and theorists that illuminate the vibrant correspondences animating contemporary art’s varied encounters with magical culture, inspiring a reconsideration of the relationship between the symbolic and the pragmatic. Dispensing with simple narratives of reenchantment, Magic illustrates the intricate ways in which we have to some extent always been captivated by the allure of the numinous. It demonstrates how magical culture’s tendencies toward secrecy, occlusion, and encryption might provide contemporary artists with strategies of remedial communality, a renewed faith in the invocational power of personal testimony, and a poetics of practice that could boldly question our political circumstances, from the crisis of climate collapse to the strictures of socially sanctioned techniques of medical and psychiatric care. Tracing its various emergences through the shadows of modernity, the circuitries of ritual media, and declarations of psychic self-defence, Magic deciphers the evolution of a “magical-critical” thinking that productively complicates, contradicts and expands the boundaries of our increasingly weird present. |
| the audition play script: A Crone's Book of Fool Eatery , |
| the audition play script: How to Read a Play Damon Kiely, 2016-03-17 How to Read a Play outlines the cruicial work required for a play before the first rehearsal, the first group reading or even the before the cast have met. Directors and dramaturgs must know how to analyze, understand and interpret a play or performance text if they hope to bring it to life on the stage. This book provides a broad range of tools and methods that can be used when reading a text, including: Lessons from the past. What can we learn from Aristotle, Stanislavsky, Meyerhold, Vakhtangov, Brecht and Harold Clurman? This section establishes the models and methods that underpin much of a director’s work today. A survey of current practices in Western theatre. A combination of research, interviews and observation of practical work addresses the main stages in understanding a play, such as getting to know characters, sharing ideas, mapping the action and grappling with language. A workbook, setting out twenty one ways of breaking down a play, from the general to the particular. Contributions, reflections and interjections from a host of successful directors make this the ideal starting point for anyone who wants to direct a play, or even devise one of their own. This wide range of different approaches, options and techniques allows each reader to create their own brand of play analysis. |
| the audition play script: Pass Over Antoinette Nwandu, 2020-02-27 A lamppost. Night. Two friends are passing time. Stuck. Waiting for change. Inspired by Waiting for Godot and the Exodus, Antoinette Nwandu fuses poetry, humour and humanity in a rare and politically charged new play which exposes the experiences of young men in a world that refuses to see them. Pass Over by Antoinette Nwandu received its UK premiere at the Kiln Theatre, London, in February 2020. |
| the audition play script: The Director's Vision Louis E. Catron, Scott Shattuck, 2015-05-04 The pursuit of excellence in theatre is well served by the latest edition of this eminently readable text by two directors with wide-ranging experience. In an engaging, conversational manner, the authors deftly combine a focus on artistic vision with a practical, organized methodology that allows beginning and established directors to bring a creative script interpretation to life for an audience. |
| the audition play script: Dream Girl Elmer Rice, 1950-10 THE STORY: Tells of a delightful young woman who quite inefficiently runs a bookstore. She is one of those charming but dreamy, over-imaginative young women whom the slightest suggestion may send off into the most extravagant daydreams. In her own |
| the audition play script: Audition Speeches for Women Jean Marlow, 2014-05-20 This revised edition contains several new speeches, many of which are taken from plays written and produced during the last five years. There are speeches for a variety of accents and ages to suit all audition requirements. An introductory section contains invaluable comments from directors, casting directors, actors and teachers. Among those contributing are Sir Peter Hall, National Theatre Director and founder of the Royal Shakespeare Company; Robert Palmer, voice teacher at the Royal Academy of Dramatic Art; casting director Doreen Jones; Tim Reynolds, Principal of the Academy Drama School; stage and film dialect coach Penny Dyer; and Barry Grantham, director and exponent of Commedia dell'Arte. |
| the audition play script: Fearlessly Different Mickey Rowe, 2022-03-15 ... powerfully renders what it’s like to live life to the fullest. Publishers Weekly Starred Review My name is Mickey Rowe. I am an actor, a theatre director, a father, and a husband. I am also a man with autism. You think those things don’t go together? Let me show you that they do. Growing up, Mickey Rowe was told that he couldn’t enter the mainstream world. He was iced out by classmates and colleagues, infantilized by well-meaning theatre directors, barred from even earning a minimum wage. Why? Because he is autistic. Fearlessly Different: An Autistic Actor's Journey to Broadway's Biggest Stage is Mickey Rowe’s story of growing up autistic and pushing beyond the restrictions of a special education classroom to shine on the stage. As an autistic and legally blind person, living in a society designed by and for non-disabled people, it was always made clear to Mickey the many things he was apparently incapable of doing. But Mickey did them all anyway—and he succeeded because of, not in spite of, his autism. He became the first autistic actor to play the lead role in the play The Curious Incident of the Dog in the Night-Time, landed the title role in the play Amadeus, co-created the theatre/philanthropy company Arts on the Waterfront, and founded the National Disability Theatre. Mickey faced untold obstacles along the way, but his story ends in triumph. Many people feel they are locked out of the world of autism—that it’s impossible to even begin to understand. In Fearlessly Different, Mickey guides readers to that world while also helping those with autism to feel seen and understood. And he shows all people—autistic and non-autistic alike—that the things that make us different are often our biggest strengths. |
THE AUDITION - hmlqueenofdramadotcom.files.wordpress.com
Apr 12, 2008 · Playscripts, Inc. is: • Dedicated to the publication, licensing, and promotion of com-pelling contemporary plays and musicals. • Delivering superior services to playwrights and …
From The Audition - Don Zolidis
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CHARTER ARTS THEATRE – FEMALE AUDITION MONOLOGUES
Please select one of the following monologues to prepare for your audition. All pieces are roughly 1 and ½ to 2 minutes in length, so you need not worry about timing them.
SCRIPT – ANNIE – SIDE 1 - PC\|MAC
SCRIPT – ANNIE – SIDE 1. (ANNIE, who is 11, runs in with a bucket. She has been up cleaning) ANNIE: Pipe down, all of ya. Go back to sleep. (To MOLLY) It's all right, Molly. Annie's here. …
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Audition Sides for The Play That Goes Wrong - Concord Players
audition.If you are reading t his wit h A dobe A crobat , you can use t he B ookmarks t o go t o a part icular side: 1. Ch r i s an d Max 2. An n i e Ch r i s Ro b er t Den n i s 3. Ch r i s 4. Ch r i s …
“The Audition” script pages sample #02 - Christian Plays and …
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Audition Monologues - Village Theatre
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LORD OF THE FLIES Audition Scenes - Morgan Arts Council
LORD OF THE FLIES Audition Scenes From the play by Nigel Williams Based on the novel by William Golding NOTE: Not all roles are represented here. Casting will be completed using the …
“Arsenic and Old Lace” - The PAC
Mortimer Brewster: The main character of the play, he is nephew of Abby and Martha, Mortimer is a drama critic who is engaged to Elaine. He is a nice man who cares for his dear aunts and is …
The Audition Play Script [PDF] - netsec.csuci.edu
This comprehensive guide will delve into crafting the ideal audition play script, from choosing the right material to mastering its delivery. We’ll explore strategies to help you create a script that …
BROADWAY JUNIOR® - irp-cdn.multiscreensite.com
on my honor: An expression of sincerity. orb: A symbolically important ball made of gold and precious stones that is. used as part of a coronation ceremony. pageantry: Elaborate …
Script: Anna - Theatre 360
Music Theatre International 423 West 55th Street Second Floor New York, NY 10019 Phone: (212) 541-4684 Fax: (212) 397-4684. Audition Central: Disney's Frozen JR.
Audition Packet - The Belfry Theatre
You also need to prepare a monologue from one of the four audition selections of the script (attached).
AUDITION INFORMATION - Theatre Tallahassee
Audition sides are included in this packet, as well as a character breakdown to give you some idea of which roles you'd like to audition for. Audition requirements and formats may vary from …
Script: Matilda Wormwood - University of Utah
https://www.mtishows.com/script/19047245/print 1/ 5 Music Theatre International 423 West 55th Street Second Floor New York, NY 10019 Phone: (212) 541-4684
Puffs - Character Monologues - IMPRINT THEATREWORKS
This story is not about him. Ah! Another orphan. His parents: also dead. Killed in a freak chocolate frog accident. Please, don’t ask. This boy is whisked away to live with his uncle in the even …
Clue Audition Pieces - The Playhouse Theatre
Clue Audition Pieces Mr. Boddy Charasmatic, handsome, playful host; 30's; baritone/tenor Ladies and gentlemen, in this envelope is the key to our destiny. For in it lies the answer to the mystery. We find ourselves in an interesting place: The ending is chosen before we begin. What then is the objective from a player's perspective?
Annie Jr. | AUDITION MONOLOGUES
Annie Jr. | AUDITION MONOLOGUES Please choose one of the following monologues to perform for your General Audition. Annie (or orphan) No…. no please! I don’t want a new one. This locket, my Mom and Dad left it… when they left me at the Orphanage. And a note too. They’re coming back for me. I know I’m real lucky, being here with you for
Calendar Audition Pieces - The Playhouse Theatre
CALENDAR GIRLS AUDITION PIECES Audition Details: Playhouse Theatre, Date: Monday, 3rd Sept 2012, 7:30pm. CHARACTER: Chris – (f) - around 50 ... The piano keyboard can be marked to enable her to play basic chords should she not be a player. Ideal car – who cares, as long as the sound system is loud. Ideal holiday – New York.
CHARTER ARTS THEATRE – FEMALE AUDITION …
This play focuses on the Youngers, an African-American family living on the South Side of Chicago in the 1950s. When the play begins, the family is about to receive an insurance check for $10,000 from their deceased father’s life insurance policy. Each member of the family has an idea as to what this money should be used for.
Audition Monologues for PUFFS Germantown Community …
Audition Monologues for PUFFS Germantown Community Theatre Summer 2022 Please choose one or two of the monologues to submit for your initial audition. The monologues do not have to be memorized. I am looking for you to make choices and to show personality. The show is a comedy and requires creativity
Audition Packet - The Belfry Theatre
AUDITION FORMS AND REHEARSAL/PERFORMANCE CONFLICT SCHEDULE Please make sure the audition form is filled out completely. Please write legibly. Print your email address very clearly. Please list all known conflicts between Oct. 14 and Dec. 15. Saturday, Nov. 23, is a technical rehearsal and attendance is mandatory. REHEARSALS:
The Wonderful Wizard of Oz - Plays Magazine
pushhimcenter,wherehestandshid - inghisfacebetweenhispaws.) OZ: Bring me proof of the Witch’s death,andyoushallbemadebrave. Nowgo,allofyou.(Gongsounds,lights comeup ...
PRIDE AND PREJUDICE - Dramatists Play Service
clusively by Dramatists Play Service, Inc., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without ob-taining in advance the written permission of Dramatists Play Service, Inc., and paying the requisite fee.
MEAN GIRLS - Stacey De & Company
They play their little mind games All around the schoolyard [DAMIAN] They might insult your clothing Or make fun of your name [JANIS] Like they mocked Jen Moorecock Till she burst into flame [DAMIAN, spoken] And Ms. Moorecock was a teacher.. [JANIS, spoken] Regina George is the queen bee. She's always dressed up, she always wins Spring Fling Queen.
PIRATES OF THE CARIBBEAN - The Script Lab
NORRINGTON Consider them marked. On your way. GIBBS 'Aye, Lieutenant. (as he moves off) Bad luck to have a woman on board, too. Even a mini'ture one.
Monologues Cinderella 2021 - GREAT Theatre
Choose one of the following monologues to performfor your audition. Remember to practice with strong diction, facial expressions and volume! Ella– [Talking to Topher for the first time, justbefore midnight at the Royal Ball.] Topher, short for Christopher. Yes, I know, and we are seeing eachother for the first time right now. (Clock
You Can't Take It With You - ROYAL OAK HIGH SCHOOL …
Title: You Can't Take It With You Author: nahhate Created Date: 2/17/2009 11:42:15 AM
Charlie And The Chocolate Factory Musical Play Script
Charlie Bucket s good fortune offers a script complete with stage directions and suggestions for Charlie And The Chocolate Factory Musical Script Charlie
Script: Matilda Wormwood - University of Utah
https://www.mtishows.com/script/19047245/print 1/ 5 Music Theatre International 423 West 55th Street Second Floor New York, NY 10019 Phone: (212) 541-4684
ACTOR’S SCRIPT
Ms Teate Intenatonal Boaa Jno Acto’s Scrt 3 SCRIPT &b b 4 4 nn 3 Ó Œ œ œ They say (JACK): Give me a big life in a small town way out west, where a fella can breathe! JACK: &n 5 n bœ œ œ œnœ folks is dy in’ to
Charlie and the Chocolate Factory - Script Slug
NOTE: This script is formatted for U.S. 8 1/2 by 11 inch paper. On A4 paper, there are wider margins on the top and bottom. FADE IN 1 As OPENING TITLES begin, we find ourselves in a swirl of 1 liquid chocolate, spinning clockwise down a funnel. The
SCRIPT – ANNIE – SIDE 1 - PC\|MAC
SCRIPT – ANNIE – SIDE 1 (ANNIE, who is 11, runs in with a bucket. She has been up cleaning) ANNIE: Pipe down, all of ya. Go back to sleep. (To MOLLY) It's all right, Molly. Annie's here. MOLLY: It was my Mama, Annie. We was ridin' on the ferryboat. And she was holdin' me up to see all the big ships.
THE WIZARD OF OZ - Scarsdale Public Schools
no one to play with. And I’ll never see him again as long as I live. (sees Toto coming on stage) Toto? Toto, darling! Oh, you came back! You got away from that horrible woman, you wonderful dog. But she’ll be coming back for you any minute. We’ve got to get away! We’ve got to run away! We need food for me and a bone for you and
FENCES Screenplay by August Wilson Based upon his play
Based upon his play. 9 BLACK SCREEN TITLE: AUGUST WILSON’S FENCES The screen remains black. The sound of a truck rumbling along a street. Two men are heard talking: bono (v.o.): Troy, you ought to stop that lying! troy (v.o.): I ain’t lying! The nigger had a water-melon this big. Talking about . . . “What water-
Audition Central: Disney's Frozen JR. Script: Young Anna
Audition Central: Disney's Frozen JR. Script: Young Anna SIDE 1 QUEEN IDUNA All right, my loves. Time for bed. KING AGNARR And that means actually sleeping, okay? No magic. ... so we have to play! YOUNG ELSA Okay. Okay. (YOUNG ELSA gets a toy box.) You know, there's a recipe to making a proper snowman. YOUNG ANNA Really? YOUNG ELSA | MTI Europe ...
AUDITION INFORMATION - Theatre Tallahassee
Do a little research on the play and characters. Audition sides are included in this packet, as well as a character breakdown to give you some idea of which roles you'd like to audition for. Audition requirements and formats may vary from show to show. Some directors prefer “closed” auditions where actors wait in a separate room until called.
Monologues for “Mary Poppins” - Small Town Theatrics
Mary Poppins taught us how to play, “Tidy Up.” The toys came to life and did all the work, spit spot, we hardly had to do a thing. And then Mary Poppins made us play “A Walk in the Park” in the park. And the statues came to life--And the sky turned purple-- And we danced with street artists. Mary Poppins! What games are we going to play ...
Script - 13 2021
4 EVAN: (to audience) I don’t care how much my parents hate each other.They’d better pull it together and make sure everything about this party is absolutely, positively, for once, please God, perfect! EVAN: TWELVE YEARS OLD, EVERYTHING THAT USED TO BE AS GOOD AS GOLD STARTS TO CRUMBLE AND CRACK
Audition Central: Shrek The Musical JR. Script: Shrek
Music Theatre International 423 West 55th Street Second Floor New York, NY 10019 Phone: (212) 541-4684 Fax: (212) 397-4684 Audition Central: Shrek The Musical JR.
Silent Sky Audition Monologues - GREAT Theatre
PETER(speaking to Henrietta, offering a proposal) There’sanoceanlinerleavingtomorrow–Youshouldbeonit–I’llbeonit–I’msayingcomewith me–toEurope–Foramonth–ortwo?Youdon’thavetodecidenow–butclosetonowbecausethe
Bright Star Audition Packet - Theatre Ink
order to gain an understanding of the show. The script can be found on theatreink.net** “ E n d ea r i n g a n d em o t i o n a l l y s w eep i n g , ‘ B r i g h t S t a r ’ i s a n o - f r i l l s , n a r r a t i v e- d r i v en m u s i ca l t h a t ' s l es s
The Audition - brookpub.com
Lafayette and is holding auditions. Harry, desperate to land a role in a play— any play—arrives. In fact, he’s the only person to audition. When he doesn’t get the part on his first audition, he puts on a disguise for a second. And a third. TIME: Modern day . SETTING: A small room that Frank is using for auditions. Should have the
Audition Sides for The Play That Goes Wrong - Concord Players
audition.If you are reading t his wit h A dobe A crobat , you can use t he B ookmarks t o go t o a part icular side: 1. Ch r i s an d Max 2. An n i e Ch r i s Ro b er t Den n i s 3. Ch r i s 4. Ch r i s an d S an d r a
THE CHRISTMAS NATIVITY (Script adapted/quoted from the …
SCRIPT NOTE Although it is believed the Wise Men did not visit Jesus in the stable the night of his birth but much later, they are depicted in the stable nativity scene for the purposes of this play. MUSICAL SELECTIONS Instrumentals can be played on the piano or organ, or you can purchase a CD with instrumentals to play to accompany the choir.
DISNEY'S The Little Mermaid Script
! 6! FLOUNDER(Treasure?!! ARIEL(I’llsay!Look!!!(shows!him!the!fork)!Have!you!ever!seen!anything!so! amazingin!your!entirelife?!! FLOUNDER(Cool!!What!is!it?!
Audition Central: Shrek The Musical JR. Script: Fiona
Music Theatre International 423 West 55th Street Second Floor New York, NY 10019 Phone: (212) 541-4684 Fax: (212) 397-4684 Audition Central: Shrek The Musical JR.
P e t e r P a n - Mill Valley School District
1 P e t e r P a n Ac t 1 , S c e n e 1 : T h e Da r l i n g Nu r s e r y (W E NDY , d re sse d i n h e r mo t h e r’ s h a t , a n d JO HN, we a ri n g h i s f a t h e r’ s t o p h a t , a re d a n ci n g
THE CURIOUS SAVAGE By John Patrick AUDITION PACKET
AUDITION PACKET Auditions: Monday, September 9 th – 5 PM to 7 PM Wednesday, September 11 th – 3 PM to 5 PM Callbacks: Thursday ... but in reality he cannot play. Fairy May (f) – Fairy May, a woman in her early twenties, is another inmate at the Cloisters. She
Guys & Dolls - Home
Created Date: 10/29/2015 11:04:52 AM
84 VOICE OVER PRACTICE SCRIPTS - School of Voiceover
Script #1 Today, parents have a lot of hard choices, pay the phone bill or pay the doctor. Fill the Fridge or fill a prescription. But there's a choice that can make life ... Play cash five from the Pennsylvania lottery. Cash five has at least a 100-thousand dollar jackpot. SchoolofVoiceover.com - 12 - 612-605-8843
lion king script - sfponline.org
Simba: I wanted to tell her about this place. The ah…Watering Hole. Safina: Nala is on her to the Watering Hole with Zazu now. Muconda: If you hurry, you can catch them.
LES MISERABLES - The Script Lab
With a last great heave the lines of convicts haul the damaged ship onto the slipway. CRACK! The stern flagpole of the ship snaps in a vicious gust
MEAN GIRLS - Script Slug
Jun 3, 2003 · FADE IN: INT. CADY'S ROOM. EARLY MORNING. There are boxes around the undecorated room. The clock says 6:29 am. C.l\DY HERON, 15, lies in bed asleeo. She is naturally pretty.
From The Audition - Don Zolidis
From The Audition By Don Zolidis GINA, a nervous girl auditioning for a role. GINA What exactly are you looking for? I think I would do a better job of auditioning if I knew exactly what it was you were after, you know? Cause I can do anything. I mean, not anything. But pretty close. Like if you wanted flirty and funny, I can do that. Or if you
This script belongs to (NAME) - Spotlight Acting School
CUE - Play when the 01·chestra Tune-Up is contplete CHOREOGRAPHY NOTE Please refer to the Choreography DVD for this musical number. ACTING NOTE Even though the Alley Cats 1nust stay with the rhythm of the song, these first few ·words are a great chance for the audience to see the personalities of the Alley Cats.
Middletown Audition Packet (Draft) - Theatre Ink
an actor’s audition and conflicts, as well as the specific needs of each production.! WHAT AND HOW TO PREPARE ! All auditioners will be asked to memorize and perform one 1.5-minute contemporary monologue at their audition. This monologue can be dramatic or comedic in nature. A seriocomic monologue would be ideal, as
SCHOOL EDITION JIM JACOBS and WARREN CASEY
4 . JAN. Jeez, I wish it was still summer. Look, it ’s only a quarter after twelve and I feel like I been here a whole year already. MARTY. Yeah, what a drag.
AUDITION INFORMATION - Theatre Tallahassee
Do a little research on the play and characters. Audition sides are included in this packet, as well as a character breakdown to give you some idea of which roles you'd like to audition for. Audition requirements and formats may vary from show to show. Some directors prefer “closed” auditions where actors wait in a separate room until called.
Audition Central: Disney's Frozen JR. Script: Kristoff
Audition Central: Disney's Frozen JR. Script: Kristoff SIDE 1 (ANNA slams into HANS, creating a domino effect in which they knock the ice bag out of KRISTOFF' s hands. KRISTOFF and SVEN are irritated.) KRISTOFF Hey, my ice! SVEN (heard only by Kristoff) Yeah, his ice! (KRISTOFF picks up his bag of ice. ANNA and HANS are oblivious.)
JR. - neetatheater.org
THE MUSICAL JR. PROLOGUE: BIRTHDAY PARTY (#l - MIRACLE begins.) MIRACLE 7 Double Speed 2 II -My mum-my says I'm a mi-ra-cle! 13, TOMMY: b j J J J My dad -dy says I'm his spe-cial lit -tle guy! AMANDA: -uJ BRUCE: JjlJJJ;~ I am a prin -cess and I am a prince.
Cat on a Hot Tin Roof - PBworks
sky that fades into dusk and night during the course of the play, which occupies precisely the time of its performance, excepting, of course, the fifteen minutes of intermission. Perhaps the style of the room is not what you would expect in the home of the Delta's biggest cotton-planter. It is Victorian with a touch of the Far East. It hasn't
LA LA LAND August 5th, 2015 SUBMISSION - Script Slug
She play-acts the clichés this party will represent. Alexis and Caitlin join in, giddy and playful. Mia can’t help but laugh. The roommates sing and dance, hoping to persuade Mia to join the night’s revelry... Mia remains reluctant. Stays behind in her room as her roommates head out the door. But she’s starting to wonder: A
Aladdin Jr - Audition Script
Aladdin Jr - Audition Script Genie GENIE - Hello everybody! Did ya miss me? ALADDIN - I think I might be hallucinating... GENIE - Hallucinating? Impossible! I may be dreamy, but I’m no hallucination. ALADDIN - Who are you? GENIE - Who am I? Who am I? Isn’t it …
LITTLE WOMEN MONOLOGUES
Audition Song(s): “Take a hance on Me” and “The Most Amazing Thing” I’m Theodore Laurence the Third. But everyone calls me Laurie. I’ve come to live here. In Concord. I play the piccolo. I can sleep standing up. And I won a medal at school for holding my breath nearly three minutes before passing out.
