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Six Shooter Screenplay: Crafting a Compelling Western Narrative
Are you itching to write a Western screenplay that transcends the tired tropes and delivers a truly captivating story? This guide dives deep into the art of crafting a compelling "six shooter screenplay," exploring the essential elements needed to create a memorable and impactful Western narrative. We'll go beyond the dusty landscapes and gunfights, examining character development, plot structure, and thematic depth – all crucial for a successful script that resonates with audiences and catches the eye of industry professionals. This post will equip you with the knowledge and strategies to elevate your Western screenplay from a simple shoot-out to a powerful and nuanced cinematic experience.
H2: Unveiling the Core Elements of a Six Shooter Screenplay
A truly effective six shooter screenplay isn't just about shootouts and saloons; it's about crafting a compelling story with memorable characters navigating complex moral dilemmas within a richly detailed world. Let's break down the key elements:
H3: Character Depth Beyond the Stereotype
Forget the one-dimensional cowboy archetypes. Your characters need depth and complexity. Explore their backstories, motivations, and internal conflicts. What drives them? What are their flaws? What are their hopes and fears? A compelling protagonist grappling with a moral dilemma, a nuanced antagonist with relatable motivations, and supporting characters with their own individual arcs will create a richer and more believable narrative. Consider exploring themes of redemption, vengeance, or the clash between civilization and wilderness within your characters' journeys.
H3: Plot Structure: More Than Just a Gunfight
While action sequences are certainly a part of the Western genre, a strong plot structure is paramount. Consider utilizing classic narrative structures like the hero's journey, or explore more unconventional approaches. Introduce conflict early, raise the stakes throughout the screenplay, and build towards a satisfying, yet potentially ambiguous, climax. Subplots can add layers of complexity and emotional resonance, enriching the overall narrative. A well-structured plot will keep your audience engaged and invested in the outcome.
H3: Setting the Scene: Atmosphere and Worldbuilding
The setting in a Western is more than just a backdrop; it's a character in itself. Your screenplay needs to vividly capture the atmosphere of the Wild West – the harsh landscapes, the desolate towns, and the palpable tension of a lawless frontier. Sensory details are key – the smell of dust, the sound of wind whistling through canyons, the creak of a saloon's swinging doors. Detailed descriptions will immerse the reader in your world and enhance the overall impact of your screenplay.
H2: Crafting Compelling Dialogue and Action Sequences
Dialogue and action sequences are equally crucial in a successful Western.
H3: Dialogue that Speaks Volumes
Avoid cliché dialogue. Let your characters' words reflect their personalities, backgrounds, and internal conflicts. Dialogue should reveal character, advance the plot, and create tension. Consider the rhythm and pacing of the dialogue; short, sharp exchanges can create a sense of urgency, while longer, more reflective conversations can build character and explore themes.
H3: Action Sequences that are More Than Just Gunplay
While gunfights are an inherent part of the Western genre, they shouldn't be the sole focus of your action sequences. Use creative camerawork and staging to make your action scenes visually exciting and impactful. Consider incorporating elements of suspense and strategic thinking to make the gunfights more than just mindless shootouts. Remember, the impact of a fight is amplified by the emotional stakes involved.
H2: Themes and Subtext: Exploring the Human Condition
A truly memorable six shooter screenplay delves into deeper themes that resonate with audiences long after the credits roll. Explore themes of justice, morality, redemption, and the consequences of violence. Use subtext to layer meaning into your narrative, allowing the audience to interpret the story on a deeper level. This adds depth and complexity, making your screenplay more rewarding and intellectually stimulating.
Conclusion
Writing a compelling six shooter screenplay requires careful consideration of character development, plot structure, setting, dialogue, action sequences, and thematic depth. By focusing on these crucial elements and avoiding cliché tropes, you can craft a Western screenplay that stands out from the crowd, captivating audiences and leaving a lasting impression. Remember, originality and depth are key to creating a truly memorable and impactful story.
FAQs
Q1: What makes a Western screenplay unique from other genres? A: Westerns often explore themes of frontier justice, the clash between civilization and wilderness, and the struggle for survival in a harsh environment. These themes, combined with unique visual aesthetics and iconic characters, distinguish them from other genres.
Q2: How can I avoid common Western clichés in my screenplay? A: Focus on creating original characters with complex motivations, avoid predictable plot twists, and explore nuanced themes. Research lesser-known historical events or aspects of Western history for unique inspiration.
Q3: What are some essential elements of a strong Western protagonist? A: A compelling Western protagonist often grapples with internal conflicts, faces moral dilemmas, and undergoes a transformation throughout the story. They may be flawed but ultimately driven by a strong sense of justice or a desire for redemption.
Q4: How can I make my action sequences more impactful? A: Utilize creative camerawork, strategic editing, and compelling sound design. Focus on the emotional stakes of the action, and avoid overly gratuitous violence.
Q5: Where can I find resources to help me improve my screenplay writing? A: Numerous online resources, screenwriting books, workshops, and courses are available to help you hone your skills. Consider joining a writing group for feedback and support.
| six shooter screenplay: Short Films Patrick Nash, 2012-01-12 Every award-winning short film begins life with a clever idea, a good story and a screenplay. Patrick Nash analyses the process of writing short film screenplays and gives advice on: Story and structure Ideas generation Plot and pace Screenplay format Dos and don'ts Eliciting emotion Dialogue and subtext Character design Protagonists and antagonists Character motivation and goals Conflict, obstacles and stakes Clichés and Stereotypes Beginnings, middles and ends Hooking the viewer Screenplay competitions Loglines, outlines and synopses Rewriting and length Practicalities and budgets The book also includes a number of award-winning scripts and interviews, advice and contributions from their award-winning screenwriters and a discussion of the benefits to writers of writing short screenplays. |
| six shooter screenplay: The Sound of Naked Spurs: A Spaghetti Western Screenplay Karl Smith, 2011 This title tells an 1876 Californian tale of a Coast Miwok Warrior named 'Quentin' AKA 'Naked Spurs'. It is the plausible story of the 'Beat the Bounty' competition, a contest attracting the fastest guns in the west to the largest man-hunt in history. |
| six shooter screenplay: Three Billboards Outside Ebbing, Missouri Martin McDonagh, 2018-01-10 After months pass without a culprit in her daughter's murder case, Mildred Hayes pays for three signs challenging the authority of William Willoughby, the town's revered chief of police. When his second-in-command, Officer Dixon, a mother's boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing's law enforcement threatens to engulf the town.Three Billboards Outside Ebbing, Missouri is a darkly comedic drama from Martin McDonagh.The film won Best Motion Picture - Drama and Best Screenplay at the Golden Globes 2018, and Best Film and Best Original Screenplay at 2018 BAFTAs. |
| six shooter screenplay: Motion Picture Almanac , 2007 |
| six shooter screenplay: International Motion Picture Almanac , 1945 |
| six shooter screenplay: The Dark Knight Trilogy Christopher Nolan, 2012-08-01 (Book). At nearly six hundred pages, The Dark Knight Trilogy , a behemoth of script and storyboards, captures on the page the dark mythic expanse of the cinematic Batman. These definitive, vibrant film blueprints published on the heels of the final film's closely guarded release are destined to be enshrined on every fan's bedside table, studied in universities, and emulated by filmmakers. |
| six shooter screenplay: After In-Yer-Face Theatre William C. Boles, 2020-04-29 This book revisits In-Yer-Face theatre, an explosive, energetic theatrical movement from the 1990s that introduced the world to playwrights Sarah Kane, Martin McDonagh, Mark Ravenhill, Jez Butterworth, and many others. Split into three sections the book re-examines the era, considers the movement’s influence on international theatre, and considers its lasting effects on contemporary British theatre. The first section offers new readings on works from that time period (Antony Neilson and Mark Ravenhill) as well as challenges myths created by the Royal Court Theatre about the its involvement with In-Yer-Face theatre. The second section discusses the influence of In-Yer-Face on Portuguese, Russian and Australian theater, while the final section discusses the legacy of In-Yer-Face writers as well as their influences on more recent playwrights, including chapters on Philip Ridley, Sarah Kane, Joe Penhall, Martin Crimp, Dennis Kelly, and Verbatim Drama. |
| six shooter screenplay: In Bruges Martin McDonagh, 2008-04-15 A jet-black comedy debut from Martin McDonagh. |
| six shooter screenplay: Catalog of Copyright Entries Library of Congress. Copyright Office, 1950 |
| six shooter screenplay: Motion Pictures and Books John L. Andriot, Mary J. Andriot, 1950 |
| six shooter screenplay: Wheeler & Woolsey Edward Watz, 2016-12-16 During the Depression years, the comedy team of Bert Wheeler and Robert Woolsey were second only to Laurel and Hardy at the box office. Each of their over 20 comedies are analyzed in detail here; full filmographic data, production notes, plot synopses, and critical commentary are provided. The research is supplemented by an interview with Bert Wheeler. |
| six shooter screenplay: Motion Pictures Library of Congress. Copyright Office, 1951 |
| six shooter screenplay: Roy Rogers Robert W. Phillips, 1995-05-01 This is the definitive work on Roy Rogers, the King of the Cowboys. The lives and careers of Rogers and his wife, Dale Evans, are thoroughly covered, particularly their work on radio and television. The merchandising history of Roy Rogers reveals that his marketing of character-related products was second only to that of Walt Disney; Roy Rogers memorabilia are still among the most popular items. Includes a comprehensive discography, filmography and comicography. Heavily illustrated. |
| six shooter screenplay: Monte Hellman Brad Stevens, 2010-06-28 I just did it, and I probably made more mistakes than the average person who makes a first film. I didn't really have any help, and I wouldn't take any help. I had to do it on my own. Once I made my first film I considered myself a film-maker. I lost all interest in the theater and never went back--Monte Hellman In 1970, an LA Times headline described Monte Hellman as Hollywood's best kept secret. More than thirty years later, Hellman and his work are still secrets, his genius recognized only by a small but passionate group of admirers. This book is both a biography of Hellman and a critical study of his films, which include The Shooting, Two-Lane Blacktop and Ride in the Whirlwind. It also covers films to which Hellman has contributed as an editor, actor and producer, as well as those on which he has worked, in various capacities, without onscreen credit, such as Shatter and Robocop. Attention is focused on the hallmarks of Hellman's work, including his dominant themes and obsessive characters, and all the films are subjected to close stylistic analysis. |
| six shooter screenplay: Showmen's Motion Picture Trade Review , 1957 |
| six shooter screenplay: Motion Picture Production Encyclopedia , 1951 Each edition covers previous five years. |
| six shooter screenplay: Cinefantastique , 1976 |
| six shooter screenplay: Billy the Kid on Film, 1911-2012 Johnny D. Boggs, 2013-10-04 A comprehensive filmography, this book is composed of lengthy entries on about 75 films depicting legendary New Mexico outlaw Billy the Kid--from the lost Billy the Kid (1911) to the blockbuster Young Guns (1988) to the direct-to-video 1313: Billy the Kid(2012) and everything in between. Each entry gives a synopsis, cast and credits, critical reception, and a discussion of the events of the films compared to the historical record. Among the entries are made-for-TV and direct-to-video films, foreign movies, and continuing television series in which Billy the Kid made an appearance. |
| six shooter screenplay: The Lost One Stephen D. Youngkin, 2005-09-30 Often typecast as a menacing figure, Peter Lorre achieved Hollywood fame first as a featured player and later as a character actor, trademarking his screen performances with a delicately strung balance between good and evil. His portrayal of the child murderer in Fritz Lang's masterpiece M (1931) catapulted him to international fame. Lang said of Lorre: He gave one of the best performances in film history and certainly the best in his life. Today, the Hungarian-born actor is also recognized for his riveting performances in The Man Who Knew Too Much (1934), The Maltese Falcon (1941), and Casablanca (1942). Lorre arrived in America in 1934 expecting to shed his screen image as a villain. He even tried to lose his signature accent, but Hollywood repeatedly cast him as an outsider who hinted at things better left unknown. Seeking greater control over his career, Lorre established his own production company. His unofficial graylisting by the House Committee on Un-American Activities, however, left him with little work. He returned to Germany, where he co-authored, directed, and starred in the film Der Verlorene (The Lost One) in 1951. German audiences rejected Lorre's dark vision of their recent past, and the actor returned to America, wearily accepting roles that parodied his sinister movie personality.The first biography of this major actor, The Lost One: A Life of Peter Lorre draws upon more than three hundred interviews, including conversations with directors Fritz Lang, Alfred Hitchcock, Billy Wilder, John Huston, Frank Capra, and Rouben Mamoulian, who speak candidly about Lorre, both the man and the actor. Author Stephen D. Youngkin examines for the first time Lorre's pivotal relationship with German dramatist Bertolt Brecht, his experience as an émigré from Hitler's Germany, his battle with drug addiction, and his struggle with the choice between celebrity and intellectual respectability.Separating the enigmatic person from the persona long associated with one of classic Hollywood's most recognizable faces, The Lost One is the definitive account of a life triumphant and yet tragically riddled with many failed possibilities. |
| six shooter screenplay: Western Gunslingers in Fact and on Film Buck Rainey, 2015-11-17 Billy the Kid, Wild Bill Hickok, Belle Starr, Wyatt Earp, the Younger Gang, the Dalton-Doolin Gang and Bat Masterson--these real-life lawmen and lawbreakers have been the basis of so many Hollywood Westerns that it has become difficult to discover where the truth ends and the legend begins. All actually became larger-than-life characters during their lifetimes, as contemporary newspapers and books embellished their deeds for their own purposes. But it was in Hollywood that the line between reality and myth was completely blurred. Each chapter-length entry here first focuses on the known facts of the people's lives and how each became truly legendary during their lifetimes. The reality is then compared to how they have been portrayed in the movies. |
| six shooter screenplay: Mummy Movies Bryan Senn, 2024-01-15 In 1932, The Mummy, starring Boris Karloff, introduced another icon to the classic monster pantheon, beginning a journey down the cinematic Nile that has yet to reach its end. Over the past century, movie mummies have met everyone from Abbott and Costello to Tom Cruise, not to mention a myriad of fellow monsters. Horrifying and mysterious, the mummy comes from a different time with uncommon knowledge and unique motivation, offering the lure of the exotic as well as the terrors of the dark. From obscure no-budgeters to Hollywood blockbusters, the mummy has featured in films from all over the globe, including Brazil, China, France, Hong Kong, India, Mexico, and even its fictional home country of Egypt--with each film bringing its own cultural sensibilities. Movie mummies have taken the form of teenagers, superheroes, dwarves, kung fu fighters, Satanists, cannibals and even mummies from outer space. Some can fly, some are sexy, some are scary and some are hilarious, and mummies quickly moved beyond horror cinema and into science fiction, comedy, romance, sexploitation and cartoons. From the Universal classics to the Aztec Mummy series, from Hammer's versions to Mexico's Guanajuato variations, this first-ever comprehensive guide to mummy movies offers in-depth production histories and critical analyses for every feature-length iteration of bandaged horror. |
| six shooter screenplay: The John Wayne Filmography Fred Landesman, 2015-08-13 Decades after his death, annual Gallop polls reveal that Marion Morrison is still firmly implanted among the top-ten favorite motion picture celebrities and American heroes. Most of us know this box office star as John Wayne. This comprehensive volume covers his expansive film career, from 1926 to 1976. Listed in alphabetical order are entries on films such as Angel and the Badman and Noah's Ark that exemplify the more than 170 films that the actor worked on. Each entry includes the film's date, run time, cast and crew credits, reviews, and a synopsis. Also under each entry is a special section devoted to rare information and interesting details such as where the productions were shot, budgets, costs, salaries, box-office performance, alternate casting and what competition existed for the moviegoer audience. Also included in this reference work are over 650 capsule biographies of the talent that shared the screen with the actor and worked on the productions, and over 800 contemporary reviews and commentary from such diverse sources as The New York Times, Hollywood Reporter, and Life Magazine. There is a series of five helpful Appendices: Appendix A lists films by order of their release dates; Appendix B lists Wayne's fellow actors and colleagues and tells under which entry the relevant capsule biography may be located; Appendix C offers specific review information for the films; Appendix D provides facts on the biggest box office films; and Appendix E details the most popular films on television. |
| six shooter screenplay: The Films of Audie Murphy Bob Larkins, Boyd Magers, 2016-05-01 This work not only traces Audie Murphy's life as a film actor (from Beyond Glory, 1948, to A Time for Dying, 1971) but also provides a biography that runs from his birth to his three years in the army, winning every possible combat medal including the Congressional Medal of Honor--and from his Hollywood debut at James Cagney's invitation to his final dramatic decline, gambling his fortunes away, becoming involved in violent episodes, and dying in a plane crash in 1971. Each of the 49 film entries gives full credits, including casts, characters, crew, date of release, location, and cost, backgrounds for directors and main players, and comments and anecdotes from interviews with Murphy's colleagues. Critical reviews are quoted and the work is richly illustrated with film stills and private photographs. |
| six shooter screenplay: Changes in Contemporary Ireland Catherine Rees, 2014-09-26 This volume explores the cultural, literary, theatrical, and political changes in Irish society from 1980. The so-called ‘Celtic Tiger’ brought about cultural and economic rejuvenation in Ireland but this new found confidence and prosperity was destabilised by other events, such as the scandals in the Catholic Church, bringing into question the role of traditional institutions in contemporary Irish life. The ending of the Troubles and signing of the Good Friday Agreement similarly heralded a new era in terms of positive political change, but recent paramilitary activity threatens to undermine the progress made in the 1990s, as waves of new violence hit the North. Equally, recent economic recession has halted the radical growth seen in the Republic over recent decades. This book therefore problematises the concept of change and progress by juxtaposing these events, and asking what real changes can be traced in modern Ireland. The contributors frequently reflect on the changes and upheavals this period of dramatic economic, political and cultural change has prompted. The volume includes contributions from the fields of politics, cultural studies, sport, history, geography, media and film studies, and theatre and literature. As such it is a decidedly interdisciplinary study, exploring wide-ranging topics and issues relevant to contemporary Irish Studies. |
| six shooter screenplay: Historical Dictionary of Irish Cinema Roddy Flynn, Tony Tracy, 2019-08-09 From capsule descriptions/assessments of individual feature films to extended essays on areas such as Irish animation, short film, experimental film and documentary production along with discussion of a wide range of key creative and administrative personnel, the Dictionary combines a breath of existing scholarship with extensive new information and research carried out especially for this volume. It is the definitive guide to Irish cinema in the 21st century. This second edition of Historical Dictionary of Irish Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on key Irish actors, directors, producers and other personnel from over a century of Irish film history. This book is an excellent resource for students, researchers, and anyone wanting to know more about Irish Cinema. |
| six shooter screenplay: Cinema Arthuriana Kevin J. Harty, 2015-05-07 The legends of King Arthur have not only endured for centuries, but also flourished in constant retellings and new stories built around the central themes. With the coming of motion pictures, Arthur was destined to hit the screen. This edition of Cinema Arthuriana, revised in 2002, presents 20 essays on the topic of the recurring presence of the legend in film and television from 1904 to 2001. They cover such films as Excalibur (1981) and Monty Python and the Holy Grail (1975), television productions such as The Mists of Avalon (2001), and French and German films about the quest for the Holy Grail and the other adventures of King Arthur and the Knights of the Round Table. |
| six shooter screenplay: Prehistoric Humans in Film and Television Michael Klossner, 2015-01-09 From the early days of the movies, cavemen have been a popular subject for filmmakers--not surprisingly, since the birth of cinema occurred only a few decades after the earliest scientific studies of prehistoric man. Filmmakers, however, were not constrained by the emerging science; instead they most often took a comedic look at prehistory, a trend that continued throughout the 20th century. Prehistoric humans also populated adventure-fantasy films, with the original One Million B.C. (1940) leading the charge. Documentaries were also made, but it was not until the 1970s that accurate film accounts of prehistoric humans finally emerged. This exhaustive work provides detailed accounts of 581 film and television productions that feature depictions of human prehistory. Included are dramas and comedies set in human prehistory; documentaries; and films and television shows in which prehistoric people somehow exist in historical periods--from the advent of civilization up to the present--or in extraterrestrial settings. Each entry includes full filmographic data, including year of release, running time, production personnel, cast information, and format. A description of each film provides background on the prehistoric elements. Contemporary critical commentary is included for many of the works. |
| six shooter screenplay: The Movie Business Book Jason E Squire, 2016-08-05 Tapping experts in an industry experiencing major disruptions, The Movie Business Book is the authoritative, comprehensive sourcebook, covering online micro-budget movies to theatrical tentpoles. This book pulls back the veil of secrecy on producing, marketing, and distributing films, including business models, dealmaking, release windows, revenue streams, studio accounting, DIY online self-distribution and more. First-hand insider accounts serve as primary references involving negotiations, management decisions, workflow, intuition and instinct. The Movie Business Book is an essential guide for those launching or advancing careers in the global media marketplace. |
| six shooter screenplay: Martin McDonagh Catherine Rees, 2024-04-23 This comprehensive, accessible introduction to one of Britain’s leading contemporary playwrights and filmmakers outlines Martin McDonagh’s body of work, the key critical contexts for understanding and exploring his career, analysis of productions, and includes an exclusive interview with the director of his most recent stage work. Analysis of McDonagh’s writing is broken down into three periods – his early Irish plays, his screenplays, and his later plays that move away from and outside of Ireland. Works are discussed thematically, giving a dynamic reading of the scripts and the ideas around which they circle. The book’s final section then delves in more detail into selected seminal productions of McDonagh’s writing, outlining key phases and transitions in his career. Part of the Routledge Modern and Contemporary Dramatists series, Martin McDonagh is an essential guide for scholars and students who are setting out to understand the life and work of one of the most popular and acclaimed British dramatists and filmmakers of the twenty-first century. |
| six shooter screenplay: Universal Sound Westerns, 1929-1946 Gene Blottner, 2024-10-17 After Fox released In Old Arizona, the first feature length western with sound, in 1929, Universal president Carl Laemmle decided that Universal's westerns should follow suit. Beginning that same year, with the release of The Wagon Master starring Ken Maynard, up until 1946, when the studio merged with International Pictures, Universal Pictures captivated audiences with its sound westerns. Individual entries for the approximately 180 feature films and serials released by Universal during that period are presented here. Each entry includes the film's title release date, alternate title, cast, credits, songs, location of filming, running time, source if the film was an adaptation, plot synopsis, commentary from the author and from the actors and directors, representative excerpts from reviews, and a tag line from the original advertising. Also provided is a chronological listing of Universal's short western films and a chronological listing of Universal's sound westerns. |
| six shooter screenplay: Stolen Glimpses, Captive Shadows Geoffrey O'Brien, 2013-06-01 We watch what is moving fast from a platform that is also moving fast, writes Geoffrey O'Brien in the beginning of Stolen Glimpses, Captive Shadows. This collection—gathering the best of a decade's worth of writing on film by one of our most bracing and imaginative critics—ranges freely over the past, present, and future of the movies, from the primal visual poetry of the silent era to the dizzying permutations of the merging digital age. Here are 38 searching essays on contemporary blockbusters like Spider–Man and Minority Report; recent innovative triumphs like The Tree of Life and Beasts of the Southern Wild; and the intricacies of genre mythmaking from Chinese martial arts films to the horror classics of Val Lewton. O'Brien probes the visionary art of classic filmmakers—von Sternberg, Fod, Cocteau, Kurosawa, Godard—and the implications of such diverse recent work as Farenheit 9/11, The Passion of Christ, and The Sopranos. Each of these pieces is alert to the always–surprising intersections between screen life and real life, and the way that film from the beginning has shaped our sense of memory and history. |
| six shooter screenplay: Puppet Master Complete Nat Brehmer, 2021-09-27 This book is a comprehensive history of the most successful straight-to-video horror franchise of all time: Puppet Master. It provides an in-depth exploration of all 14 films to date--including a made-for-TV crossover and a theatrical reboot--and the action figures, comics, and other merchandise that have helped to keep the brand alive for the past 30 years. Puppet Master was the first film for independent producer extraordinaire Charles Band's Full Moon Entertainment, launching a franchise and a micro-budget studio that have both continued to this day. What led to the film's success? How did a little movie about killer puppets, designed to cater to the then-booming video market, wind up surviving video stores themselves? How did a series that had never even had a theatrical entry wind up with an unusually successful toy series? All of these questions are answered within these pages. Featuring new interviews with some of the biggest creative minds behind the franchise, as well as dozens of behind-the-scenes photos, this book is the ultimate guide to horror's most murderous marionettes. |
| six shooter screenplay: Writing for Visual Media Anthony Friedmann, 2012-11-12 Writing for Visual Media looks at the fundamental problems a writer faces in learning to create content for media that is to be seen rather than read. It takes you from basic concepts to practice through a seven-step method that helps you identify a communications problem, think it through, and find a resolution before beginning to write. Through successive exercises, Writing for Visual Media helps you acquire the basic skills and confidence you need to write effective films, corporate and training videos, documentaries, web sites, PSAs, TV shows, nonlinear media, and other types of visual narratives. You'll explore your visual imagination and try out your powers of invention. The companion web site enriches the content of the printed book with video, audio, and sample scripts. It includes scripts and the video produced from them; visual demonstrations of concepts; and an interactive, illustrated glossary of terms and concepts. Please visit www.focalpress.com/cw/friedmann-9780240812359 click on the Interactive Content tab, and follow the registration instructions. |
| six shooter screenplay: New York Magazine , 1969-09-29 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| six shooter screenplay: New York Magazine , 1969-09-29 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| six shooter screenplay: Dalton Trumbo, Hollywood Rebel Peter Hanson, 2015-08-13 As a screenwriter, novelist, and political activist, Dalton Trumbo stands among the key American literary figures of the 20th century--he wrote the classic antiwar novel Johnny Got His Gun, and his credits for Spartacus and Exodus broke the anticommunist blacklist that infected the movie industry for more than a decade. By defining connections between Trumbo's most highly acclaimed films (including Kitty Foyle, Thirty Seconds Over Tokyo, and Roman Holiday) and his important but lesser-known movies (The Remarkable Andrew, He Ran All the Way, and The Boss), the author identifies how for nearly four decades Trumbo used the archetype of the rebel hero to inject social consciousness into mainstream films. This new critical survey--the first book-length work on Trumbo's screenwriting career--examines the scores of films on which Trumbo worked and explores the techniques that made him, at the time he was blacklisted in 1947, Hollywood's highest-paid writer. Hanson reveals how Trumbo dealt with major themes including rebellion, radical politics, and individualism--while also detailing lesser-known areas of Trumbo's screenwriting, such as his troubling portrayal of women, the dichotomy between his proletarian attitude and bourgeois lifestyle, and the almost surreptitious manner in which he included antiestablishment rhetoric in seemingly innocuous scripts. An extensive filmography is included. |
| six shooter screenplay: The Eye of the Mammoth Stephen Harrigan, 2019-10-01 In four decades of writing for magazines ranging from Texas Monthly to the Atlantic, American History, and Travel Holiday, Stephen Harrigan has established himself as one of America’s most thoughtful writers. In this career-spanning anthology, which gathers together essays from two previous books—A Natural State and Comanche Midnight—as well as previously uncollected work, readers finally have a comprehensive collection of Harrigan’s best nonfiction. History—natural history, human history, and personal history—and place are the cornerstones of The Eye of the Mammoth. But the specific history or place varies considerably from essay to essay. Harrigan’s career has taken him from the Alaska Highway to the Chihuahuan Desert, from the casinos of Monaco to his ancestors’ village in the Czech Republic. Texas is the subject of a number of essays, and a force in shaping others, as in “The Anger of Achilles,” in which a nineteenth-century painting moves the author despite his possessing a “Texan’s suspicion of serious culture.” Harrigan’s deceptively straightforward voice, however, belies an intense curiosity about things that, by his own admission, may be “unknowable.” Certainly, we are limited in what we can know about the inner life of George Washington, the last days of Davy Crockett, or the motives of a caged tiger, but Harrigan’s gift—a gift that has also made him an award-winning novelist—is to bring readers closer to such things, to make them less remote, just as a cave painting in the title essay eerily transmits the living stare of a long-extinct mammoth. |
| six shooter screenplay: A Cultural History of the Bushranger Legend in Theatres and Cinemas, 18282017 Andrew James Couzens, 2019-01-31 'A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017' is a multidisciplinary investigation into the history of cultural representations of the bushranger legend on the stage and screen, charting that history from its origins in colonial theatre works performed while bushrangers still roamed Australia’s bush to contemporary Australian cinema. It considers the influences of industrial, political and social disruptions on these representations as well as their contributions to those disruptions. The cultural history recounted in this book provides not only an insight into the role of popular narrative representations of bushrangers in the development and reflection of Australian character, but also a detailed case study of the specific mechanisms at work in the symbiosis between a nation’s values and its creative production. |
| six shooter screenplay: The Lieutenant of Inishmore Martin McDonagh, 2014-09-22 'There's more than one way to skin a theatrical cat; and McDonagh's chosen weapons are laughter and gore... Pushing theatre to its limits, McDonagh is making a serious point... a work as subversive as those Synge and O'Casey plays that sparked Dublin riots in the last century' Guardian 'A brave satire... Swiftianly savage and parodic... with explicit brutal actino and lines which sing with grace and wit' Observer Who knocked Mad Padraic's cat over on a lonely road on the island of Inishmore and was it an accident? He'll want to know when he gets back from a stint of torture and chip-shop bombing in Northern Ireland: he loves his cat more than life itself. The Lieutenant of Inishmore is a brilliant satire on terrorism, a powerful corrective to the beautification of violence in contemporary culture, and a hilarious farce. It premiered at the RSC's The Other Place, Stratford-upon-Avon, in May 2001. Commentary and notes by Patrick Lonergan |
| six shooter screenplay: Gregory Peck Gerard Molyneaux, 1995-06-30 Born in 1916 in La Jolla, California, Gregory Peck took up acting in college on a lark that would lead to a career. In his early years, he appeared in a series of summer stock engagements and Broadway shows. He became a star within a year after arriving in Hollywood during World War II, and he won an Academy Award nomination for his second film. From the 1940s to the present, he has played some of film's most memorable and admired characters. This volume provides complete information about Gregory Peck's work in film, television, radio, and the stage. Entries are included for all of his performances, with each entry providing cast and credit information, a plot summary, excerpts from reviews, and critical commentary. A biography and chronology highlight significant events in his life, while a listing of his honors and awards summarizes the recognition he has received over the years. For researchers seeking additional information, the book includes descriptions of special collections holding material related to Peck's work, along with an extensive bibliography of books and articles. |
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