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Sister Act Play Script: A Guide to Staging the Sparkling Sensation
Are you ready to unleash a wave of soulful singing and side-splitting laughter onto your stage? This blog post is your ultimate resource for everything related to securing and staging a successful production of the beloved musical, Sister Act. We’ll delve into where to find a Sister Act play script, discuss crucial elements for a captivating performance, and even offer tips to make your production truly shine. Get ready to transform your stage into a vibrant convent filled with gospel harmonies and unexpected twists!
Finding the Perfect Sister Act Play Script
The first, and arguably most important, step is securing the rights and acquiring the script. This isn't as simple as a quick Google search; navigating the legal aspects of theatrical productions requires careful attention.
#### Where to Find Legitimate Scripts:
Music Theatre International (MTI): MTI is the leading theatrical licensing agency for many well-known musicals, including Sister Act. Their website is your primary source for obtaining a legally licensed script and the necessary performance rights. Expect to pay a fee based on your venue size and anticipated audience numbers. This ensures you're operating within the law and supporting the creators of the work.
Concord Theatricals: Another major licensing agency, Concord Theatricals, may also offer Sister Act scripts depending on the specific version and regional rights. Check their website for availability.
Local Theatre Suppliers: Some local theatre supply stores might offer scripts, but always verify they're officially licensed to avoid legal issues. Directly contacting MTI or Concord Theatricals is the safest approach.
#### Avoiding Illegal Scripts:
Downloading pirated scripts from unauthorized websites is a serious offense and could lead to legal repercussions for your production. Never compromise on legality; the cost of a licensed script is a small price to pay compared to potential fines or lawsuits. Remember, supporting the artists and protecting copyright is essential for the future of theatre.
Bringing Sister Act to Life: Key Staging Considerations
With your legally obtained script in hand, it's time to bring the vibrant world of Sister Act to life on stage.
#### Casting and Character Development:
Casting is crucial. You need actors who can not only sing and act but also embody the spirit and personality of each character. Delve deep into the script to understand the nuances of each role. Consider holding auditions that allow actors to showcase both their vocal abilities and acting range.
#### Choreography and Musical Direction:
Sister Act features energetic choreography and powerful gospel music. Enlist the help of experienced professionals to guide your cast. Proper musical direction is key to delivering the emotional impact of the score. Don’t skimp on this crucial aspect; a skilled musical director ensures the music is performed correctly and adds energy and excitement to each number.
#### Set Design and Costumes:
The set should reflect the contrasting worlds of the nightclub and the convent. Consider using creative lighting and set pieces to transition seamlessly between these environments. Costumes need to be both accurate to the period and visually stunning, reflecting the characters’ personalities and evolving relationships.
#### Technical Aspects:
Sound is paramount in a musical like Sister Act. Ensure you have a quality sound system and skilled technicians to handle the audio elements. Similarly, lighting should enhance the mood and atmosphere of each scene.
Making Your Production Unique: Adding Your Own Spark
While staying true to the original spirit of Sister Act, consider adding your own unique touch.
#### Modernizing the Story:
While respecting the source material, subtle updates to the dialogue or set design can enhance the show's relatability to contemporary audiences. This could involve incorporating contemporary references or subtly adjusting certain aspects of the storyline.
#### Incorporating Local Talent:
Partner with local choirs or gospel groups to enhance the musical numbers. This can add authenticity and excitement to your production.
#### Creative Set Design Choices:
Don’t limit yourself to the traditional set design. Explore creative approaches to visually represent the world of the show in a new light.
Conclusion
Staging Sister Act is a rewarding experience, but obtaining a legitimate script is paramount. With careful planning, attention to detail, and a passion for the material, you can deliver a captivating production that will leave your audience singing and dancing in the aisles. Remember, the key to success lies in respecting the legal requirements, assembling a talented cast and crew, and injecting your own creative flair into this beloved musical.
FAQs
1. Can I use a freely available script online for a public performance? No, using unlicensed scripts is illegal and can lead to significant legal consequences. Always acquire a licensed script from MTI or a reputable source.
2. How much does a Sister Act play script cost? The cost varies based on your venue size and anticipated audience numbers. Check the licensing agency's website for accurate pricing information.
3. What type of technical equipment do I need? You'll need a sound system capable of handling amplified vocals and music, lighting equipment for scene transitions and mood setting, and potentially projection equipment.
4. How long does it typically take to stage a Sister Act production? The rehearsal time will depend on the experience of your cast and crew. Allow ample time for rehearsals, costume fittings, and set construction.
5. Where can I find resources for costumes and set design? Online resources, theatre supply stores, and local costume designers are all great places to start. You can also seek inspiration from past productions, remembering to adapt designs to your own unique vision.
| sister act play script: The Accidental Diary of B.U.G.: Sister Act Jen Carney, 2022-02-03 The third hilarious accidental diary from Billie Upton Green (don't call her BUG!) Ideal for fans of Tom Gates, or Pamela Butchart's books . . . a wonderful new series - The Week Junior Fun, funny, inclusive and warm-hearted, these books are pure, cheery joy - Sophie Anderson There's an exciting addition to the Upton Green family (and it's not whatever Mr Paws has left on the living room carpet...). But getting a new little sister isn't nearly as straightforward as Billie expects. Why are there so many rules? It's been weeks and weeks, and she still hasn't been able to hold the baby up at Show & Tell. Luckily, the school musical is in full swing, giving Billie the perfect distraction. She just needs to watch out for Painy Janey, who has her eyes on the main part and doesn't care what gets in her way... |
| sister act play script: The Complete Book of 2000s Broadway Musicals Dan Dietz, 2017-04-06 In the first decade of the twenty-first century, Broadway was notable for old-fashioned, feel-good shows (Hairspray, Jersey Boys), a number of family-friendly musicals (Little Women, Mary Poppins), plenty of revivals (Follies, Oklahoma!, Wonderful Town), a couple of off-the-wall hits (Avenue Q, Urinetown), several gargantuan flops (Dance of the Vampires, Lestat), and a few serious productions that garnered critical acclaim (The Light in the Piazza, Next to Normal). Unlike earlier decades which were dominated by specific composers, by a new form of musical theatre, or by numerous British imports, the decade is perhaps most notable for the rise of shows which poked fun at the musical comedy form, such as The Producers and Spamalot. In The Complete Book of 2000s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway from 2000 through the end of 2009. This book discusses the era’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Patti LuPone, Chita Rivera, and Martin Short. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of black-themed shows and Jewish-themed productions. This comprehensive book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 2000s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history. |
| sister act play script: Michael Curtiz Alan K. Rode, 2017-11-17 Academy Award--winning director Michael Curtiz (1886--1962) -- whose best-known films include Casablanca (1942), Yankee Doodle Dandy (1942), Mildred Pierce (1945) and White Christmas (1954) -- was in many ways the anti-auteur. During his unprecedented twenty-seven year tenure at Warner Bros., he directed swashbuckling adventures, westerns, musicals, war epics, romances, historical dramas, horror films, tearjerkers, melodramas, comedies, and film noir masterpieces. The director's staggering output of 180 films surpasses that of the legendary John Ford and exceeds the combined total of films directed by George Cukor, Victor Fleming, and Howard Hawks. In the first biography of this colorful, instinctual artist, Alan K. Rode illuminates the life and work of one of the film industry's most complex figures. He begins by exploring the director's early life and career in his native Hungary, revealing how Curtiz shaped the earliest days of silent cinema in Europe as he acted in, produced, and directed scores of films before immigrating to the United States in 1926. In Hollywood, Curtiz earned a reputation for his explosive tantrums, his difficulty communicating in English, and his disregard for the well-being of others. However, few directors elicited more memorable portrayals from their casts, and ten different actors delivered Oscar-nominated performances under his direction. In addition to his study of the director's remarkable legacy, Rode investigates Curtiz's dramatic personal life, discussing his enduring creative partnership with his wife, screenwriter Bess Meredyth, as well as his numerous affairs and children born of his extramarital relationships. This meticulously researched biography provides a nuanced understanding of one of the most talented filmmakers of Hollywood's golden age. |
| sister act play script: Catalog of the Theatre and Drama Collections: Theatre Collection: books on the theatre. 9 v New York Public Library. Research Libraries, 1967 |
| sister act play script: The One-Act Play Companion Colin Dolley, Rex Walford, 2015-01-30 The one-act play stands apart as a distinct art form with some well known writers providing specialist material, among them Bernard Shaw, Tom Stoppard, Harold Pinter, Caryl Churchill. Alan Ayckbourn, Edward Albee and Tennesee Williams. There are also lesser-known writers with plenty of material to offer, yet sourcing one-act plays to perform is notoriously hard. This companion is the first book to survey the work of over 250 playwrights in an illuminating A-Z guide. Multiple styles, nationalities and periods are covered, offering a treasure trove of compelling moments of theatre waiting to be discovered. Guidance on performing and staging one-act plays is also covered as well as essential contact information and where to apply for performance rights. A chapter introducing the history of the one-act play rounds off the title as a definitive guide. |
| sister act play script: A Study Guide for Paul Rudnick's "I Hate Hamlet" Gale, Cengage Learning, 2016 A Study Guide for Paul Rudnick's I Hate Hamlet, excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs. |
| sister act play script: Albert Square and Me Larry Jaffee, 2009-08-01 Fifty-two exclusive interviews with past and present cast members of EastEnders, including Barbara Windsor, Steve McFadden, June Brown, John Altman, Sid Owen, Patsy Palmer, Pam St. Clement, Perry Fenwick, Natalie Cassidy, James Alexandrou, Derek Martin, Laila Morse, Danniella Westbrook, John Bardon, Wendy Richard, Susan Tully, Todd Carty, Leslie Grantham, Anita Dobson, Gillian Taylforth, Michelle Collins, Martin Kemp, Gretchen Franklin, Nick Berry, Lucy Speed, Martine McCutcheon, Michael Greco, among many others. I usually don't do interviews. I really just called to tell you that I like your paper... -Steve McFadden (Phil Mitchell) |
| sister act play script: The Actor's Survival Handbook Patrick Tucker, Christine Ozanne, 2014-03-18 Worried about short rehearsal time? Think that fluffing your lines will be the end of your career? Are you afraid you'll be typecast? Is there such a thing as acting too much? How should a stage actor adjust performance for a camera? And how should an actor behave backstage? The Actor's Survival Handbook gives you answers to all these questions and many more. Written with verve and humor, this utterly essential tool speaks to every actor's deepest concerns. Drawing upon their years of experience on stage, backstage, and with the camera, Patrick Tucker and Christine Ozanne offer forthright advice on topics from breathing to props, commitment to learning lines, audience response to simply landing the job in the first place. The book is rich with examples - both technical and inspirational. And because a director and an actor won't always agree, the two writers sometimes even offer alternative responses to a dilemma, giving the reader both an actor's take and a director's take on a particular point. Like Patrick Tucker's Secrets of Screen Acting, this new book is written with wit and passion, conveying the authors' powerful conviction that success is within every actor's grasp. |
| sister act play script: The National Union Catalog, Pre-1956 Imprints Library of Congress, American Library Association. Committee on Resources of American Libraries. National Union Catalog Subcommittee, 1979 |
| sister act play script: Clyde Fitch and the American Theatre Kevin Lane Dearinger, 2016-07-29 Clyde Fitch (1865-1909) was the most successful and prolific dramatist of his time, producing nearly sixty plays in a twenty-year career. He wrote witty comedies, chaotic farces, homespun dramas, star vehicles, historical works, stark melodramas, and adaptations of European successes, but he was best known for his society plays, mirroring themes found in the novels of Henry James and Edith Wharton. In fact, Fitch collaborated with Wharton on a stage adaptation of her House ofMirth. He was also a gay man, although that gentler adjective was not the term of his time. He was bullied in school and baited by critics throughout his career for what they supposed of his private life. He responded with impressive strength and integrity. He was, at least for a short time, Oscar Wilde’s lover, and Wilde influenced his early plays, but Fitch’s study of Ibsen and other European dramatists inspired him to pursue the course of naturalism. As he became more successful, he took greater control of the staging and design of his plays. He was a complete man of the theatre and among the first names enrolled in New York’s theatrical hall of fame. |
| sister act play script: Crimes of the Heart Beth Henley, 1982 THE STORY: The scene is Hazlehurst, Mississippi, where the three Magrath sisters have gathered to await news of the family patriarch, their grandfather, who is living out his last hours in the local hospital. Lenny, the oldest sister, is unmarried |
| sister act play script: Vaudeville old & new Frank Cullen, Florence Hackman, Donald McNeilly, 2007 |
| sister act play script: Catalog of Copyright Entries Library of Congress. Copyright Office, 1959 |
| sister act play script: West Side Story Leonard Bernstein, Arthur Laurents, 1972 This series of contemporary plays includes structured GCSE assignments for use by individuals or groups. These include questions which involve close reading, writing and discussion. This play places the Romeo and Juliet story in a New York gang-warfare context. |
| sister act play script: Mean Girls Nell Benjamin, 2019-09-01 (Vocal Selections). This 2018 Broadway adaptation of the hit 2004 movie about the cut-throat social status of a group of teenage girls features lyrics by Nell Benjamin with music by Jeff Richmond and was nominated for several Tony Awards . Our folio includes 16 selections arranged for voice with piano accompaniment: Apex Predator * A Cautionary Tale * Fearless * I See Stars * I'd Rather Be Me * It Roars * Meet the Plastics * More Is Better * Revenge Party * Sexy * Someone Gets Hurt * Stop * Stupid with Love * What's Wrong with Me? * Where Do You Belong? * World Burn. |
| sister act play script: My Sister, the Dragon Bill Hayden, 1973 |
| sister act play script: Judy Garland on Judy Garland Randy L. Schmidt, 2014-09-01 “It's going to be one hell of a great—everlastingly great—book with humor, tears, fun, emotion, and love,” Judy Garland said of her plans to tell her life story. But she died at the age of forty-seven before seeing it through. Judy Garland on Judy Garland is the closest we will likely come to experiencing and exploring the legend's abandoned autobiography. Collecting and presenting the most important Garland interviews and encounters that took place between 1935 and 1969, this work opens with her first radio appearance under contract with Metro-Goldwyn-Mayer and concludes with her last known interview, one taped for Radio Denmark just months before her death. What makes this collection unique and distinguishes it from the plethora of Garland biographies is that it places Judy in the role of storyteller. She wrote a number of essays for various publications and sat for countless print, radio, and television interviews. These and the other autobiographical efforts she made are proof that Judy Garland wanted her story told, and wanted it told in her own words. Finally, here it is. |
| sister act play script: Dervish Dust Robyn L. Coburn, 2021-12 Dervish Dust is the first biography of Academy Award–winning Hollywood actor James Coburn. |
| sister act play script: Beyond Ridiculous Kenneth Elliott, 2023 Beyond Ridiculous tells the story of Theatre-in-Limbo. Elliott narrates in first-person the company's Cinderella tale of fun, heartbreak, and dishy drama. At the center of the book is a young Charles Busch, an unforgettable personality fighting to be seen, be heard, and express his unique style as a writer-performer. The tragedy of AIDS among treasured friends in the company, the struggle for mainstream acceptance of LGBTQ+ theatre during the reign of President Ronald Reagan, and the exploration of new ways of being a gay theatre artist make the book a bittersweet and joyous ride. |
| sister act play script: The Advocate , 1999-03-30 The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States. |
| sister act play script: Rob Wagner's Beverly Hills Script , 1939 |
| sister act play script: Catalog of Copyright Entries. Third Series Library of Congress. Copyright Office, 1969 |
| sister act play script: Catalogue of Title Entries of Books and Other Articles Entered in the Office of the Register of Copyrights, Library of Congress, at Washington, D.C. Library of Congress. Copyright Office, 1957 |
| sister act play script: My Own Directions Sheldon Epps, 2022-09-19 Life in the theatre is often a rollercoaster ride, with all the excitement and occasional anguish that come with the highs and lows. The author's journey in the American theatre has been amplified by his experience as a Black man who has frequently been one of the few, the first or even the only. His directing career has been full of rewards and opportunities as well as huge challenges and frustrations, along with the anger that has come from being chased by race for so many years. Much of the author's experience comes from two decades artistic director of Pasadena Playhouse, one of the oldest and well-known theatres in America, and for a time early in his career, one of the whitest. This is the story of how the author came into leadership at Pasadena Playhouse after a successful career directing on Broadway, in London and all over the world. It relates how the theatre was radically changed and reignited by his leadership, including his insistence on making diversity a priority onstage and off. This is the very personal story of a person who wanted his race to be recognized, but never used as a reason to be less than fully respected. In many ways, this memoir tells the story of what people of color in America must face repeatedly to make their lives matter. |
| sister act play script: Women Screenwriters Jill Nelmes, Jule Selbo, 2015-09-29 Women Screenwriters is a study of more than 300 female writers from 60 nations, from the first film scenarios produced in 1986 to the present day. Divided into six sections by continent, the entries give an overview of the history of women screenwriters in each country, as well as individual biographies of its most influential. |
| sister act play script: Inside Act Ken Womble, 2014-04-01 Why do some actors make it and others don't? Ken Womble sets out to find the answer to this question, one that has fascinated and tormented him for years, in his new book, INSIDE ACT: How Ten Actors Made it and How You Can Too. INSIDE ACT: How Ten Actors Made it and How You Can Too identifies what sets successful actors apart. For Womble it's about the inner choices, the inside acts of working actors acts that have propelled them to thriving careers in one of the most competitive professions on the planet. Ken Womble interviews actors Debra Monk, Eric Ladin, Krysta Rodriguez, Tony Yazbeck, James Earl, Gary Beach, John Tartaglia, Robert Clohessy, Jose Llana and Richard Portnow about their inside acts, the important choices of their acting careers. The interviews explore the intriguing journeys that have led these actors to successful careers, and to Tony, Emmy and Screen Actors Guild Awards, the most prestigious acting awards in theater and television. Actor interviews are followed by interviews with two of each actor's success team, the agents, managers, directors and coaches who know them well. Womble then identifies the actor's most frequently used actions, skills and beliefs the keys to each actor's success. |
| sister act play script: The Cinema of Robert Altman Robert Niemi, 2016-03-01 In a controversial and tumultuous filmmaking career that spanned nearly fifty years, Robert Altman mocked, subverted, or otherwise refashioned Hollywood narrative and genre conventions. Altman's idiosyncratic vision and propensity for formal experimentation resulted in an uneven body of work: some rank failures and intriguing near-misses, as well as a number of great films that are among the most influential works of New American Cinema. While Altman always professed to have nothing authoritative to say about the state of contemporary society, this volume surveys all of his major films in their sociohistorical context to reposition the director as a trenchant satirist and social critic of postmodern America, depicted as a lonely wasteland of fraudulent spectacle, exploitative social relations, and unfulfilled solitaries in search of elusive community. |
| sister act play script: Jet , 1991-09-16 The weekly source of African American political and entertainment news. |
| sister act play script: 3000 Facts about Actors James Egan, 2016-06-12 Benedict Cumberbatch was kidnapped while in South Africa. He convinced the kidnappers to let him go by pretending to be brain-damaged. Brad Pitt has a condition that prevents him from recognising faces. Michael Fassbender's character in Prometheus is based on David Bowie. Tom Cruise's real name is Thomas Mapother IV. Tom Hardy comes up with characters by watching reality tv shows. Morgan Freeman is a private pilot. During interviews with Robert De Niro, journalists are forbidden to talk to about wine. Until Jack Nicholson was 37, he thought his mother was his sister and his grandmother was his mother. Alan Rickman was 42 when he starred in his first movie. Robin Williams was voted the Least Likely to Succeed while he was in high school. |
| sister act play script: Doubt John Patrick Shanley, 2005 THE STORY: In this brilliant and powerful drama, Sister Aloysius, a Bronx school principal, takes matters into her own hands when she suspects the young Father Flynn of improper relations with one of the male students. |
| sister act play script: Theatre Magazine W. J. Thorold, Arthur Hornblow, Arthur Hornblow (Jr.), Perriton Maxwell, Stewart Beach, 1926 |
| sister act play script: The Best of Star Wars Insider Volume 7: Icons of the Galaxy Jonathan Wilkins, 2018-01-30 “[The Star Wars Films] are iconic representations of what we know about the complications of our lives.” – Harrison Ford Star Wars: Icons of the Galaxy celebrates some of the most memorable elements of the saga, whether it be timeless characters such as Princess Leia, Darth Vader, and Luke Skywalker, notable scenes, or even much-loved collectibles. This collection explores iconic highlights of the saga, including interviews with Carrie Fisher and Harrison Ford, a comprehensive look at the legendary Marvel comic-book adaptation, and even more extraordinary characteristics that make Star Wars so unique. The ultimate exploration of the space fantasy and its icon that changed the world! “This is the perfect gift for any Star Wars fan in your life.” – Seattle Book Review |
| sister act play script: Agatha Christie J.C. Bernthal, 2022-08-09 The undisputed Queen of Crime, Dame Agatha Christie (1890-1976) is the bestselling novelist of all time. As the creator of immortal detectives Hercule Poirot and Jane Marple, she continues to enthrall readers around the world and is drawing increasing attention from scholars, historians, and critics. But Christie wrote far beyond Poirot and Marple. A varied life including war work, archaeology, and two very different marriages provided the backdrop to a diverse body of work. This encyclopedic companion summarizes and explores Christie's entire literary output, including the detective fiction, plays, radio dramas, adaptations, and her little-studied non-crime writing. It details all published works and key themes and characters, as well as the people and places that inspired them, and identifies a trove of uncollected interviews, articles, and unpublished material, including details that have never appeared in print. For the casual reader looking for background information on their favorite mystery to the dedicated scholar tracking down elusive new angles, this companion will provide the most comprehensive and up-to-date information. |
| sister act play script: Joan Davis David C. Tucker, 2014-04-07 The Emmy-nominated star of the classic 1950s sitcom I Married Joan, Joan Davis (1912-1961) was also radio's highest paid comedienne in the 1940s--and she displayed her unique brand of knockabout comedy in more than forty films. This book provides a complete account of her career, including a filmography with critical commentary, and the most detailed episode logs ever compiled for her radio and television programs. A biographical chapter offers never-before-published information about her family background, marriage to vaudeville comedian Si Wills and relationships with other men, and her tragic early death. |
| sister act play script: The New York Times Film Reviews , 1969 |
| sister act play script: The Queer Encyclopedia of Film and Television Claude Summers, 2012-04-24 From Hollywood films to TV soap operas, from Vegas extravaganzas to Broadway theater to haute couture, this comprehensive encyclopedia contains over 200 entries and 200 photos that document the irrepressible impact of queer creative artists on popular culture. How did Liberace’s costumes almost kill him? Which lesbian comedian spent her high school years as “the best white cheerleader in Detroit?” For these answers and more, fans can dip into The Queer Encyclopedia of Film, Theater, and Popular Culture. Drawn from the fascinating online encyclopedia of queer arts and culture, www.glbtq.com — which the Advocate dubbed “the Encyclopedia Brittaniqueer” — this may be the only reference book in which RuPaul and Jean Cocteau jostle for space. From the porn industry to the Sisters of Perpetual Indulgence, from bodybuilding to Dorothy Arzner, it’s a queer, queer world, and The Queer Encyclopedia is the indispensable guide: readable, authoritative, and concise. And perfect to read by candelabra. (The answers to the two questions above: from the dry cleaning fumes, Lily Tomlin.) |
| sister act play script: Our Place Terry Gabbard, 2015 The unassuming location of a dock extending out onto a small lake serves as the backdrop for five different stories. On a cool autumn night, Jake arrives with Holly at a secluded spot. The couple feels an immediate connection to this place as if it were put there just for them. Things seem perfect until Anne and her date, Lyle, arrive. On another day, early in the morning, Beth has plans to spend the day with her dad at their favorite fishing place. She has high hopes for catching some sunshine, a few fish, and her dad's fading memories. The third story involves Al, who arrives at the dock with his family and has high expectations for their family canoe trip. The only problem is that his wife would rather stay inside, his son has a chip on his shoulder, and his daughter is really weird. In the fourth story, Cory and Liberty are having a picnic lunch out by the lake, but a realization about tuna-fish sandwiches sends a shockwave through their relationship and brings about questions of who they are and what lies ahead for them. In the fifth story, Stanley escapes the hardships of his life to blow off some steam on the dock when Sidney, his 6-year-old sister, arrives. All he wants is for her to go away, but she insists on staying with him. The entire ensemble gathers on the dock together for the final scene. In a poetic epilogue, they all discover the true meaning of Our Place-- both comedic and tragic. |
| sister act play script: Playbill , 2001-04 |
| sister act play script: The Dramatic Index for ... Frederick Winthrop Faxon, Mary Estella Bates, Anne C. Sutherland, 1941 Issues for 1912-16, 1919- accompanied by an appendix: The Dramatic books and plays (in English) (title varies slightly) This bibliography was incorporated into the main list in 1917-18. |
| sister act play script: Dictionary Catalog of the Harris Collection of American Poetry and Plays, Brown University Library, Providence, Rhode Island Brown University. Library, 1972 |
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to give credit to the Author as sole and exclusive Author of the Play on the title page of all programs distributed in connection with …
The Valiant - ProPlay
right, but he doesn’t act guilty. I feel as if tonight I was going to do something every bit as criminal as he did. …
Township High School District 113
Created Date: 11/5/2017 8:44:07 PM
A Christmas Carol by Charles Dicke…
When Scrooge’s nephew Fred finds some letters Scrooge had written to his sister Fan a long time ago the past is unlocked, and Scrooge …
STUDY GUIDE - New Stage Theatre
STEEL MAGNOLIAS is presented by special arrangement with Dramatic Play Services, Inc., New York. There will be one 10 …
Cat on a Hot Tin Roof - PBworks
ACT ONE . ACT TWO . ACT THREE (Original) ACT THREE (Updated) SHORT BIO . PERSON--TO--PERSON . EDITORIAL NOTE . STAGE …
i THE DIVINERS was written with the su…
The play takes place in the homes, fields, and public gathering places ofthe mythical southern …
AUGUST: OSAGE COUNTY BY TRA…
Aug 1, 2016 · Mattie Fae Aiken, Violet's sister, fifty-seven years old Charlie Aiken, Mattie Fay's husband, sixty years old Little Charles …
Tracks one-act script - NORTH P…
(The play opens with the sound of a subway train leav- ing the station. Ideally, the sound comes only from stage right. The stage is awash …
ENHANCEMENT NOTES - Common…
Harvard. Before Henri leaves home, her sister’s music triggers an inspiration that leads Henri to her great dis-covery: the Cepheid …
(TOURING VERSION – Abridged From O…
Areas suggested and/or portrayed in Act I: a Kansas farmyard which should include at least a corner of the house, ... enhances the …
Steel Magnolias - sactheatre.org
Steel Magnolias: a play he has called an homage to his sister. Steel Magnolias opened originally off-Broadway at the WPA Theatre in New York …
LITTLE WOMEN - HitPlays.com
LITTLE WOMEN 2 LITTLE WOMEN By Matt Buchanan SYNOPSIS: Based on the cherished novel by Louisa May Alcott, Little Women …
GREATEST SHOWMAN 4.20.1…
doing an insane teeter-board act. Bodies fly through the air. BARNUM (CONT’D) [BARNUM SINGS] * As the SONG ESCALATES, two FIRE …
Pride and Prejudice
MISS CAROLINE BINGLEY: 22; his not-so-kind sister; prone to “airs.” MR. DARCY: 23; a very proud, aristocratic man. MISS CHARLOTTE …
'TIS PITY SHE'S A WHORE - Public L…
[Exeunt.] Scene 2. [Enter Grimaldi and Vasques, with their swords drawn.] …
THE BROTHERS SIZE - Dramatists …
DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. ... World premiere of THE BROTHER/SISTER …
Dancing at Lughnasa - Block's Class
ACT ONE When the play opens MICHAEL is standing downstage left in a pool of light. The rest of the stage is in darkness. Immediately …
The theme for this script is friendship…
Dandini and the Prince are out to play. A wife he should find, now they’re back from the tropics, but on his mind there are ’other’ topics. You see …
Bye Bye Birdie: Working Script for …
Bye Bye Birdie: Working Script for Carlisle Musical, March 2010 1 1 ACT 1, Scene 1 – ALMAELOU MUSIC CORP. OFFICE 2 3 Albert: …
Easter Passion Play Script - Andrews …
University Easter Passion Play Executive Producer, Director, or individual appointed by the Executive Producer. When using this script, you must …
