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Sherman Alexie: "Do Not Go Gentle" – A Deep Dive into a Poetic Masterpiece
Introduction:
Sherman Alexie, a celebrated Native American author, is known for his powerful and poignant prose. His work often grapples with themes of identity, trauma, and resilience within the context of Indigenous life in America. While he penned many compelling novels and short stories, his poem, “Do Not Go Gentle,” stands as a testament to his lyrical skill and unflinching honesty. This blog post delves into the intricacies of this powerful poem, analyzing its themes, imagery, and lasting impact, providing a comprehensive understanding of Alexie's artistic expression within the context of his larger body of work. We will explore its meaning, analyze its structure, and examine its resonance with readers. Prepare to be moved.
H2: The Context of "Do Not Go Gentle"
Understanding the context of "Do Not Go Gentle" is crucial to appreciating its depth. Alexie's work frequently explores the complexities of Native American identity in a world shaped by colonialism and its lingering effects. This poem, while not explicitly detailing specific historical events, carries the weight of generational trauma and the persistent struggle for self-determination. This struggle is mirrored in the poem’s insistent defiance against death and the acceptance of one’s fate. The title itself, borrowed from Dylan Thomas’s famous villanelle, immediately establishes a connection to themes of mortality and the fight against oblivion. However, Alexie’s interpretation is distinctly his own, filtered through the lens of his unique cultural background and personal experiences.
H2: Analyzing the Imagery and Language
Alexie’s poetic style is characterized by its directness and emotional intensity. In "Do Not Go Gentle," he eschews flowery language in favor of stark, visceral imagery that resonates deeply with the reader. The poem is not a gentle exploration of death; rather, it is a furious rejection of it, a powerful assertion of life's inherent value, even in the face of inevitable mortality. This is reflected in the forceful verbs and emotionally charged language used throughout. The imagery, often drawn from the natural world, serves to amplify this feeling of resistance, creating a sense of both fragility and enduring strength.
H3: The Power of Repetition
The repeated phrase, "Do not go gentle into that good night," acts as a powerful refrain, driving home the central theme of resistance. This repetition isn't merely stylistic; it emphasizes the speaker's unwavering determination to fight against death's inevitability. It becomes a mantra, a defiant cry against the encroaching darkness. The repetition underscores the urgency and intensity of the speaker's plea, magnifying the emotional weight of the poem.
H2: Exploring the Themes of Resilience and Resistance
At its core, "Do Not Go Gentle" is a poem about resilience. It's a testament to the human spirit's capacity to fight back against overwhelming odds. The poem doesn't shy away from the harsh realities of life and death, but instead, it celebrates the fierce determination to live fully and resist the surrender to despair. This theme resonates particularly strongly within the context of Alexie’s broader work, which often portrays the enduring strength of Native American communities in the face of adversity.
H3: The Legacy of Trauma
The poem, while not explicitly detailing specific traumas, subtly hints at the weight of historical and personal hardships. This unspoken burden adds another layer of meaning to the struggle against death; it's not just a physical battle, but also a fight against the legacy of suffering. This subtle layering of meaning contributes to the poem’s overall power and emotional resonance.
H2: "Do Not Go Gentle" and Alexie's Larger Body of Work
"Do Not Go Gentle" aligns perfectly with Alexie's broader literary output. It embodies the themes of cultural identity, societal oppression, and the enduring spirit of his characters – themes consistently explored across his novels, short stories, and poems. The raw emotion and unflinching honesty present in the poem are hallmarks of his style, solidifying its place as a vital piece within his extensive and influential body of work.
Conclusion:
Sherman Alexie's "Do Not Go Gentle" transcends the typical exploration of mortality. It’s a powerful call to arms, a defiant rejection of passivity in the face of death, and a testament to the strength of the human spirit. Its concise yet impactful language, coupled with its resonant imagery, leaves a lasting impression, reminding us to embrace life with ferocious intensity and resist the quiet acceptance of oblivion. This poem remains a testament to Alexie's enduring literary legacy and his profound understanding of the human condition.
FAQs:
1. What inspired Sherman Alexie to write "Do Not Go Gentle"? While the specific inspiration remains unknown, the poem’s themes align closely with Alexie’s recurring exploration of mortality and resilience within the context of Native American experience. It likely reflects his personal reflections on life, loss, and the importance of resistance.
2. How does "Do Not Go Gentle" relate to Dylan Thomas's poem of the same title? Alexie’s poem uses the same title as Dylan Thomas's famous villanelle, creating an immediate intertextual connection. However, Alexie’s version offers a distinct perspective, emphasizing the cultural and historical context that shapes his own understanding of mortality and defiance.
3. What is the significance of the poem's title? The title, borrowed from Dylan Thomas, immediately establishes the central theme of the poem: the refusal to passively accept death. It sets the tone and underscores the central conflict of the poem – the struggle between life and death.
4. What literary devices are employed in "Do Not Go Gentle"? Alexie utilizes powerful imagery, repetition, and forceful verbs to convey the poem's central themes. The repetition of "Do not go gentle" emphasizes the speaker's insistence and determination.
5. How does "Do Not Go Gentle" contribute to Alexie's overall literary contribution? The poem showcases Alexie’s mastery of language and his ability to convey profound emotions with economy and precision. It aligns with his overarching themes of identity, resilience, and the enduring human spirit, solidifying his place as a significant voice in contemporary literature.
| sherman alexie do not go gentle: Ten Little Indians Sherman Alexie, 2013-10-15 Los Angeles Times Book Prize Finalist: A “stellar collection” of stories about navigating life off the reservation, filled with laughter and heartbreak (People). In these lyrical, affectionate tales from the author of The Absolutely True Diary of a Part-Time Indian and The Lone Ranger and Tonto Fistfight in Heaven, characters navigate the crossroads of culture, battle stereotypes, and find themselves through everything from politics to basketball. Richard, the narrator of “Lawyer’s League,” grows up in Seattle, the son of “an African American giant who played defensive end for the University of Washington Huskies” and “a petite Spokane Indian ballerina.” A woman is caught in a restaurant when a suicide bomb goes off in “Can I Get a Witness.” And Estelle Walks Above (née Estelle Miller), studies her way off the Spokane Indian Reservation and goes on to both enjoy and resent the company of the white women of Seattle—who see her as a shamanic genius, and look to her for guidance on everything from sex and fashion to spirituality. These and the other “warm, revealing, invitingly roundabout stories” in Ten Little Indians run the gamut from earthy wit to sobering emotional truth, mapping the outer reaches of the human heart (The New York Times Book Review). From a New York Times–bestselling and National Book Award–winning author, these tales, “rambunctious and exuberant, bristle with an edgy and mordant humor” (Chicago Tribune). This ebook features an illustrated biography including rare photos from the author’s personal collection. |
| sherman alexie do not go gentle: Make 'em Laugh! Zeke Jarvis, 2015-04-07 This lighthearted and eye-opening book explores the role of comedy in cultural and political critiques of American society from the past century. This unprecedented look at the history of satire in America showcases the means by which our society is informed by humor—from the way we examine the news, to how we communicate with each other, to what we seek out for entertainment. From biographical information to critical reception of material and personalities, the book features humorists from both literary and popular culture settings spanning the past 100 years. Through its 180 entries, this comprehensive volume covers a range of artists—individuals such as Joan Rivers, Hunter S. Thompson, and Chris Rock—and topics, including vaudeville, cartoons, and live performances. The content is organized by media and genre to showcase connections between writers and performers. Chapters include an alphabetical listing of humorists grouped by television and film stars, stand-up and performance comics, literary humorists, and humorists in popular print. |
| sherman alexie do not go gentle: Sherman Alexie Jeff Berglund, Jan Roush, 2011-10-31 A collection of critical essays on the writing and films of American Indian author Sherman Alexie. |
| sherman alexie do not go gentle: Teaching for Social Justice? Connie E. North, 2015-12-03 Teaching for Social Justice? Voices from the Front Lines examines the process of four K-12 educators and a university-based researcher discussing, studying, and acting on the potential power of social justice. Through frequent, lively, and complex meetings, these educators examine their varying educational philosophies, practices, and teaching sites. Using experimental writing methods and qualitative methodology, North bridges the great divide between teacher and academic discourse. She analyzes the complex, interconnected competencies pursued in the name of social justice, including functional, critical, relational, democratic, and visionary literacies. In doing so, she reveals the power of cross-institutional, democratic inquiry on social issues in education. |
| sherman alexie do not go gentle: Reading the Canon Philipp Löffler, 2017-03-02 ‘Reading the Canon’ explores the relation between the production of literary value and the problem of periodization, tracing how literary tastes, particular reader communities, and sites of literary learning shape the organization of literature in historical perspective. Rather than suggesting a political critique of the canon, this book shows that the production of literary relevance and its tacit hierarchies of value are necessary consequences of how reading and writing are organized as social practices within different fields of literary activity. ‘Reading the Canon’ offers a comprehensive theoretical account of the conundrums still defining contemporary debates about literary value; the book also features a series of historically-inflected author studies—from classics, such as Shakespeare and Thomas Pynchon, to less likely figures, such as John Neal and Owen Johnson—that illustrate how the idea of literary relevance has been appropriated throughout history and across a variety of national and transnational literary institutions. |
| sherman alexie do not go gentle: You Don't Have to Say You Love Me Sarra Manning, 2011 Sweet, bookish Neve Slater always plays by the rules. And the number one rule is that good-natured fat girls like her don't get guys like gorgeous, handsome William, heir to Neve's heart since university. But William's been in LA for three years, and Neve's been slimming down and re-inventing herself so that when he returns, he'll fall head over heels in love with the new, improved her. So she's not that interested in other men. Until her sister Celia points out that if Neve wants William to think she's an experienced love-goddess and not the fumbling, awkward girl he left behind, then she'd better get some, well, experience. What Neve needs is someone to show her the ropes, someone like Celia's colleague Max. Wicked, shallow, sexy Max. And since he's such a man-slut, and so not Neve's type, she certainly won't fall for him. Because William is the man for her... right? Somewhere between losing weight and losing her inhibitions, Neve's lost her heart - but to who? |
| sherman alexie do not go gentle: The Best American Poetry 2015 David Lehman, 2015-09-08 Title page verso indicates hardcover edition, but this ISBN is for the paperback printing. |
| sherman alexie do not go gentle: Indian Killer Sherman Alexie, 1996 A novel about a serial killer who is terrorizing Seattle, hunting and scalping white men. The story evolves around John Smith, who was born Indian and raised white, torn between two cultures and how he handles it. |
| sherman alexie do not go gentle: Short Story Index , 2004 |
| sherman alexie do not go gentle: A Good Man Irv Broughton, 1993 This collection of poetry, prose, and short stories expresses the passionate, sometimes conflicting emotions of fatherhood--love, yearning, anger, compassion, respect, and awe--in works by Frank O'Connor, James Dickey, Raymond Carver, John Updike, Ernest Hemingway, Dylan Thomas, and others. |
| sherman alexie do not go gentle: The Toughest Indian in the World Sherman Alexie, 2013-10-15 “Stunning” short stories by the National Book Award–winning author of The Lone Ranger and Tonto Fistfight in Heaven (The Atlanta Journal-Constitution). In this bestselling volume of stories, National Book Award winner Sherman Alexie challenges readers to see Native American Indians as the complex, modern, real people they are. The tender and tenacious tales of The Toughest Indian in the World introduce us to the one-hundred-eighteen-year-old Etta Joseph, former co-star and lover of John Wayne, and to the unnamed narrator of the title story, a young Indian journalist searching for togetherness one hitchhiker at a time. Countless other brilliant creations leap from Alexie’s mind in these nine stories. Upwardly mobile Indians yearn for a more authentic life, married Indian couples push apart while still cleaving together, and ordinary, everyday Indians hunt for meaning in their lives. The Toughest Indian in the World combines anger, humor, and beauty into radiant fictions, fiercely imagined, from one of America’s greatest writers. This ebook features an illustrated biography including rare photos from the author’s personal collection. |
| sherman alexie do not go gentle: Villanelles Annie Finch, Marie-Elizabeth Mali, 2012-03-06 The first of its kind--a comprehensive collection of the best of the villanelle, a delightful poetic form whose popularity ranks only behind that of the sonnet and the haiku. With its intricate rhyme scheme and dance-like pattern of repeating lines, its marriage of recurrence and surprise, the villanelle is a form that has fascinated poets since its introduction almost two centuries ago. Many well-known poets in the past have tried their hands at the villanelle, and the form is enjoying a revival among poets writing today. The poems collected here range from the classic villanelles of the nineteenth century to such famous and memorable examples as Dylan Thomas's Do not go gentle into that good night, Elizabeth Bishop's One Art, and Sylvia Plath's Mad Girl's Love Song. Here too are the cutting-edge works of contemporary poets, including Sherman Alexie, Lorna Dee Cervantes, Rita Dove, Seamus Heaney, Paul Muldoon, and many others whose poems demonstrate the dazzling variety that can be found within the parameters of a single, strict form. |
| sherman alexie do not go gentle: Balto and the Great Race (Totally True Adventures) Elizabeth Cody Kimmel, 2009-09-02 Balto has a quiet life as a sled dog—until tragedy strikes. Dozens of children in Nome become sick with diphtheria. Without antitoxin serum, they will perish—and the closest supply is 650 miles away! The only way to get the serum to Nome is by sled, but can the dogs deliver it in time? Heading bravely into a brutal blizzard, Balto leads the race for life. A Kansas City Children’s Book Award for Grades 1–3 |
| sherman alexie do not go gentle: Smoke Signals Perfection Learning Corporation, Sherman Alexie, 2010 Set in Arizona, Smoke Signals is the story of two Native American boys on a journey. Victor is the stoic, handsome son of an alcoholic father who has abandoned his family. Thomas is a gregarious, goofy young man who lost both his parents in a fire at a very young age. Through storytelling, Thomas makes every effort to connect with the people around him: Victor, in contrast, uses his quiet countenance to gain strength and confidence. When Victor's estranged father dies, the two men embark on an adventure to Phoenix to collect the ashes. Along the way, Smoke Signals illustrates the ties that bind these two very different young men and embraces the lessons they learn from one another. |
| sherman alexie do not go gentle: Contemporary Native American Authors Kay Juricek, Kelly J. Morgan, 1997 This comprehensive reference brings together more than 290 Native American writers. Brief biographies-often in the writers' own words-are furnished, along with background information such as tribal affiliations, birthdates and education, awards, and publication highlights. A broad range of fiction and nonfiction writers, poets, playwrights, storytellers, and writers of other genres who have published since 1961 are included. |
| sherman alexie do not go gentle: The Outlaw Bible of American Literature Alan Kaufman, Barney Rosset, Neil Ortenberg, 2004-12-30 The Outlaw Bible of American Literature will serve as a primer for generational revolt and an enduring document of the visionary tradition of authenticity and nonconformity in literature. This exuberant manifesto includes lives of the writers, on-the-scene testimony, seminal underground articles never before collected, photographs, cartoons, drawings, interviews, and, above all, the writings. Beat, Punk, Noir, Prison, Porn, Cyber, Queer, Anarchist, Blue Collar, Pulp, Sci-Fi, Utopian, Mobster, Political—all are represented. The Bible includes fiction, essays, letters, memoirs, journalism, lyrics, diaries, manifestoes, and selections from seminal film scripts, including Easy Rider, Apocalypse Now, and Taxi Driver. The editors have brought together an extravagant, eclectic, searing, and unforgettable body of work, showcasing Hustlers, Mavericks, Contrarians, Rockers, Barbarians, Gangsters, Hedonists, Provocateurs, Hipsters, and Revolutionaries—all in one raucous cauldron of rebellion and otherness. This prose companion to the best-selling award-winning Outlaw Bible of American Poetry features selections from Hunter S. Thompson, Exene Cervenka, Patti Smith, Dennis Cooper, Malcolm X, Sonny Barger, Maggie Estep, Lenny Bruce, Henry Miller, R. Crumb, Philip K. Dick, Iceberg Slim, Gil Scott-Heron, Kathy Acker, Jim Carroll, Charles Mingus, Norman Mailer, and many others. |
| sherman alexie do not go gentle: We Talk, You Listen Vine Deloria, 2007-05-01 We Talk, You Listen is strong, boldly unconventional medicine from Vine Deloria Jr. (1933-2005), one of the most important voices of twentieth-century Native American affairs. Here the witty and insightful Indian spokesman turns his penetrating vision toward the disintegrating core of American society. Written at a time when the traditions of the formerly omnipotent Anglo-Saxon male were crumbling under the pressures of a changing world, Deloria's book interprets racial conflict, inflation, the ecological crisis, and power groups as symptoms rather than causes of the American malaise: The glittering generalities and mythologies of American society no longer satisfy the need and desire to belong, a theory as applicable today as it was in 1970. American Indian tribalism, according to Deloria, was positioned to act as America's salvation. Deloria proposes a uniquely Indian solution to the legacy of genocide, imperialism, capitalism, feudalism, and self-defeating liberalism: group identity and real community development, a kind of neo-tribalism. He also offers a fascinating cultural critique of the nascent tribes of the 1970s, indicting Chicanos, blacks, hippies, feminists, and others as misguided because they lacked comprehensive strategies and were led by stereotypes rather than an understanding of their uniqueness. Vine Deloria Jr. (Standing Rock Sioux, 1933-2005) was the author of more than twenty books, including Custer Died for Your Sins, Behind the Trail of Broken Treaties, and God Is Red. Suzan Shown Harjo (Cheyenne & Muscogee) is a poet, lecturer, curator, columnist for Indian Country Today, policy advocate, and president of the Morning Star Institute, a national Indian rights organization. |
| sherman alexie do not go gentle: Literature Robert DiYanni, 2001-07 This anthology offers a lively introduction to the study of fiction, poetry, and drama, and is appropriate for introduction to literature courses as well as literature-based composition courses. Known for its clear presentation of the formal elements of literary analysis, DiYanni's Literature effectively balances classical, modern, and contemporary works across the three major genres, blending well-known writers with a diverse gathering of newer, international figures. This literary breadth is supplemented by extensive coverage of writing about literature, making DiYanni an excellent resource for literature instructors who want a full-featured anthology. |
| sherman alexie do not go gentle: The Publishers Weekly , 2003 |
| sherman alexie do not go gentle: War Dances Sherman Alexie, 2013-10-15 The bestselling, award-winning author’s “fiercely freewheeling collection of stories and poems about the tragicomedies of ordinary lives” (O, The Oprah Magazine). Winner of the PEN/Faulkner Award for Fiction, War Dances blends short stories, poems, call-and-response, and more into something that only Sherman Alexie could have written. Ordinary men stand at the threshold of profound change, from a story about a famous writer caring for a dying but still willful father, to the tale of a young Indian boy who learns to value his own life by appreciating the deaths of others. Perceptions change, too, as “Another Proclamation” casts a shadow over Abraham Lincoln’s Emancipation Proclamation, and “Invisible Dog on a Leash” limns the heartbreak of shattered childhood illusions. And nostalgia for antiquated technology is tenderly rendered in “Ode to Mix Tapes” and “Ode for Pay Phones.” With his versatile voice, Alexie explores love, betrayal, fatherhood, alcoholism, and art in this spirited, soulful, and endlessly entertaining collection, transcending genre boundaries to create something truly unique. This ebook features an illustrated biography including rare photos from the author’s personal collection. |
| sherman alexie do not go gentle: The Norton Anthology of American Literature Nina Baym, 2003 Includes outstanding works of American poetry, prose, and fiction from the Colonial era to the present day. |
| sherman alexie do not go gentle: Reservation Blues Sherman Alexie, 2013-10-15 DIVDIVWinner of the American Book Award and the Murray Morgan Prize, Sherman Alexie’s brilliant first novel tells a powerful tale of Indians, rock ’n’ roll, and redemption/div Coyote Springs is the only all-Indian rock band in Washington State—and the entire rest of the world. Thomas Builds-the-Fire takes vocals and bass guitar, Victor Joseph hits lead guitar, and Junior Polatkin rounds off the sound on drums. Backup vocals come from sisters Chess and Checkers Warm Water. The band sings its own brand of the blues, full of poverty, pain, and loss—but also joy and laughter.DIV It all started one day when legendary bluesman Robert Johnson showed up on the Spokane Indian Reservation with a magical guitar, leaving it on the floor of Thomas Builds-the-Fire’s van after setting off to climb Wellpinit Mountain in search of Big Mom./divDIV In Reservation Blues, National Book Award winner Alexie vaults with ease from comedy to tragedy and back in a tour-de-force outing powered by a collision of cultures: Delta blues and Indian rock. DIVThis ebook features an illustrated biography including rare photos from the author’s personal collection./div/divDIV/div/div |
| sherman alexie do not go gentle: Conversations with Sherman Alexie Sherman Alexie, 2009 Interviews with the Native American author of the short story collections Ten Little Indians and The Lone Ranger and Tonto Fistfight in Heaven; the National Book Award-winning young adult novel The Absolutely True Diary of a Part-Time Indian; and the screenplay Smoke Signals |
| sherman alexie do not go gentle: The British Museum Is Falling Down David Lodge, 2012-07-31 The British Museum is Falling Down is a brilliant comic satire of academia, religion and human entanglements. First published in 1965, it tells the story of hapless, scooter-riding young research student Adam Appleby, who is trying to write his thesis but is constantly distracted - not least by the fact that, as Catholics in the 1960s, he and his wife must rely on 'Vatican roulette' to avoid a fourth child. |
| sherman alexie do not go gentle: One Stick Song Sherman Alexie, 2000 Poetry. Native American Studies. Sherman Alexie's poems, fiction, and essays have won him an international following since his first book, THE BUSINESS OF FANCYDANCING, was published to great acclaim in 1992. SMOKE SIGNALS, the film he adapted from one of his stories and coproduced, enlarged his audience still further. Alexie's honors include awards from the NEA, the Lila Wallace-Reader's Digest Foundation, and the Washington State Arts Commission, and a citation as One of the 20 Best American Novelists Under the Age of 40 from GRANTA magazine. An enrolled Spokane/Coeur d'Alene Indian, Alexie lives in Seattle with his wife and son. |
| sherman alexie do not go gentle: Swallow the Air (EasyRead Super Large 18pt Edition) Tara June Winch, 2006 When May's mother dies suddenly, she and her brother Billy are taken in by Aunty. However, their loss leaves them both searching for their place in a world that doesn't seem to want them. While Billy takes his own destructive path, May sets off to find her father and her Aboriginal identity. Her journey leads her from the Australian east coast to the far north, but it is the people she meets, not the destinations, that teach her what it is to belong. In this startling debut, Tara June Winch uses a fresh voice and unforgettable imagery to share her vision of growing up on society's fringes. Swallow the Air is the story of living in a torn world and finding the thread to help sew it back together. |
| sherman alexie do not go gentle: First Indian on the Moon Sherman Alexie, 1993 The renowned Native American author offers a collection of poems, prose poems, mini-essays, and fragments of stories, woven together in a tapestry of pain about death by fire and survival by endurance on the Spokane Indian Reservation. |
| sherman alexie do not go gentle: The Gift of Rain Tan Twan Eng, 2022-02-03 LONGLISTED FOR THE MAN BOOKER PRIZE Penang, 1939. Being half Chinese and half English, Philip Hutton always felt like he never belonged. That is until he befriends Hayato Endo, a mysterious Japanese diplomat and master in the art of aikido. But when Japan invades Malaya, Philip realises Endo bears a secret, one powerful enough to jeopardise everything he loves. This masterful début conjures an unforgettable tale of courage, brutality, loyalty, deceit and love. |
| sherman alexie do not go gentle: Sex Museums Jennifer Tyburczy, 2016-01-11 Museums have lengthy history, going back to the Renaissance Cabinets of Curiosity, and they are indices of changing fashions of perception insofar as the categories museum curators use to classify objects change over time. The major focus of Tyburczy s study is sexuality on display, which sets up, in turn, her investigation of the effects of museum display on the history of sexuality. Historical context for the museum is one of her themes (and how categories of normacly and perversity change over time), with another themes being the work of sex museums n redefining what sex means in the modern public sphere; she also folds in consideration of the pleasures and dangers of exhibiting marginalized sexual subjects (women, nonwhite races, LGBT individuals, and the like); last, she explores the paradox of asserting (as she does) that all museums are sex museums bodies move around and toward objects on display, they reshape the typical dances of museum-goers along with their preconscious motivations in visiting a museum. She proposes that explicit display or restagings of sexual artifacts provides new ways for approaching and understanding issues of desire, sexual identity, and sexual practices as they intersect with the history of the modern museum and with sexual history during the past two centuries. Her fieldwork sites are: the Leather Archives & Museum in Chicago, the Museum of Sex in New York, the World Erotic Art Museum in Miami Beach, and El Museo del Sexo in Mexico City. Such institutions allow Tyburczy to show how alternative sexuality (inclusive of kink, fetish, and sadomasochistic cultures) and slavery dangerously crisscross on the surface of objects. There are plenty of cases here, in short, to keep the casual reader titillated and the erudite reader surprised. |
| sherman alexie do not go gentle: All Indians Do Not Live in Teepees (or Casinos) Catherine C. Robbins, 2011-10-01 Both a tribute to the unique experiences of individual Native Americans and a celebration of the values that draw American Indians together, this book explores contemporary Native life. Based on personal experience and grounded in journalism, this story begins with the repatriation of ancestral remains, excavated during an archaeological expedition nearly a century earlier, to the Pueblo peoples of New Mexico. This event, along with subsequent repatriations, has accelerated similar momentum across much of Native America. Author Catherine C. Robbins traces this restorative effect in areas such as economic development, urbanization, the arts, science, and health care. Through dozens of interviews, Robbins draws out the voices of Indian people, some well-known and many at the grassroots level, to speak against the background of the narrative's historical context. The result is a rich account of Native American life in contemporary America, revealing not a monolithic Indian experience, but rather a mosaic of diverse peoples existing on a continuum that marks both their distinctions and their shared realities.--From publisher description. |
| sherman alexie do not go gentle: Pleasure Dome Yusef Komunyakaa, 2004-09-20 Yusef Komunyakaa is best known for Neon Vernacular, which won the Pulitzer Prize for Poetry in 1994, and for Dien Cai Dau, poems chronicling his experiences as a journalist in Vietnam. Pleasure Dome gathers over two and a half decades of Komunyakaa'swork, 25 early uncollected poems and 18 new poems. |
| sherman alexie do not go gentle: Literature: Craft and Voice Alan Cheuse, Nicholas Delbanco, 2012-01-21 Bringing writers to readers brings readers to writing. Today’s students do read—we know that they read a significant amount of email, text messages, web pages, and even magazines. What many do not do is read in a sustained way. Many do not come to college prepared to read long texts, nor do they come with the tools necessary to analyze and synthesize what they read. Nick Delbanco and Alan Cheuse have proven in their own teaching that when you improve students’ ability and interest in reading, you will help them improve their writing. A new part 1 in this edition frontloads information for students on both the writing process and the critical use of sources. Bringing writers to students, brings students to writing. Literature: Craft and Voice is an innovative Introductory Literature program designed to engage students in the reading of Literature, all with a view to developing their reading, analytical, and written skills. Accompanied by, and integrated with, video interviews of dozens of living authors who are featured in the text, conducted by authors Nick Delbanco and Alan Cheuse specifically for use with their textbook, the book provides a living voice for the literature on the page and creates a link between the student and the authors of great works of literature. The first text of its kind, Literature: Craft and Voice offers a more enjoyable and effective reading experience through its fresh, inviting design and accompanying rich video program. Digital support is provided through CONNECT Literature which will be totally integrated with the Blackboard CMS. |
| sherman alexie do not go gentle: Fire in the Grass Lorraine A. Vail, 2009-11-09 LORRAINE VAILS book of poems, Fire in The Grass, is a page turner. Her centos are luminous, including Cento on Norton Anthology of Modern and Contemporary Poetry 2006, in one of her standout sections, The State of Poetry. Heartbreak embraces heart-wrenching poems such as Last Afternoon at the House, September 11, Six Years Later and the moving lines of Grandmother: I have traveled more than half-way past my life/ and realize now I was the/ granddaughter you never had. JUANITA TORRENCE-THOMPSON, Editor-in-Chief/Publisher, MOBIUS, THE POETRY MAGAZINE Author of New York and African Tapestries & Breath-Life Lorraine Vail is a poets poet in her very important book, Fire in the Grass. Not only has she mastered the form of the centos, she has enlivened it with a bold approach: the book itself is a tribute to other voices, other visions. It is the very thing that we hope poetry can do and be. But the marvel of Fire in the Grass isnt in the pyrotechnics of craft, but in the burning clarity of Vails accessible language. Here are poems of longing, memory, of the most common of experiences. Lorraine Vail invites us to sit with her and listen. Yes, we hear the echo of the poets, but we also hear something quite familiar, perhaps something close to our own hearts, our own burning. James Brock Author of four books of poetry, including the forthcoming Gods & Money, Professor of Creative Writing and Literature at Florida Gulf Coast University. Good poetry begins with observation and Lorraine Vail is a keen observer. She watches the beaches, the fields, the woodlands where she finds clues to lifes riddles which she shares with the reader in this smart collection of wonderfully accessible and finely crafted poems. Peter C. Leverich, Editor, Avocet A Journal of Nature Poems These poems clearly show what a first class poet Vail is. You will find grace, beauty, skill and wit in this collection. Go search these poems, look for what you need, for what shes written is so brilliant, it will probably find you first. Sidney B. Simon, Professor Emeritus, University of Massachusetts |
| sherman alexie do not go gentle: Mortality Christopher Hitchens, 2012-08-25 The world's greatest contrarian confronts his own death in this brave and unforgettable book. During the American book tour for his memoir, Hitch-22, Christopher Hitchens collapsed in his hotel room with excruciating pain in his chest. As he would later write in the first of a series of deeply moving Vanity Fair pieces, he was being deported 'from the country of the well across the stark frontier that marks off the land of malady.' Over the next year he experienced the full force of modern cancer treatment. Mortality is at once an unsparingly honest account of the ravages of his disease, an examination of cancer etiquette, and the coda to a lifetime of fierce debate and peerless prose. In this moving personal account of illness, Hitchens confronts his own death - and he is combative and dignified, eloquent and witty to the very last. |
| sherman alexie do not go gentle: The Snowy Day Ezra Jack Keats, 1976-10-28 Winner of the 1963 Caldecott Medal! No book has captured the magic and sense of possibility of the first snowfall better than The Snowy Day. Universal in its appeal, the story has become a favorite of millions, as it reveals a child's wonder at a new world, and the hope of capturing and keeping that wonder forever. The adventures of a little boy in the city on a very snowy day. Keats's sparse collage illustrations capture the wonder and beauty a snowy day can bring to a small child.—Barnes & Noble Ezra Jack Keats's classic The Snowy Day, winner of the 1963 Caldecott Medal, pays homage to the wonder and pure pleasure a child experiences when the world is blanketed in snow.—Publisher's Weekly The book is notable not only for its lovely artwork and tone, but also for its importance as a trailblazer. According to Horn Book magazine, The Snowy Day was the very first full-color picture book to feature a small black hero—yet another reason to add this classic to your shelves. It's as unique and special as a snowflake.—Amazon.com |
| sherman alexie do not go gentle: Senior High Core Collection Raymond W. Barber, Patrice Bartell, 2007 Features annotations for more than 6,200 works in the main volume (2007), and more than 2,400 new titles in three annual supplements published 2008 through 2010. New coverage of biographies, art, sports, Islam, the Middle East, cultural diversity, and other contemporary topics keeps your library's collection as current as today's headlines. |
| sherman alexie do not go gentle: AB Bookman's Weekly , 1997 |
| sherman alexie do not go gentle: Hell-Heaven Jhumpa Lahiri, 2015-05-11 A Vintage Shorts “Short Story Month” Selection Pranab Chakraborty was a fellow Bengali from Calcutta who had washed up on the shores of Central Square. Soon he was one of the family. From the winner of the Pulitzer Prize and the Frank O’Connor International Short Story Award, a staggeringly beautiful and precise story about a Bengali family in Cambridge, Massachusetts, the impossibilities of love, and the unanticipated pleasures and complications of life in America. “Hell-Heaven” is Jhumpa Lahiri’s ode to the intimate secrets of closest kin, from the acclaimed collection Unaccustomed Earth. An eBook short. |
| sherman alexie do not go gentle: The Lone Ranger and Tonto Fistfight in Heaven Sherman Alexie, 1997 Weaves characters, themes and language in 22 linked stories that evoke the complex density of life in and around the Spokane Indian Reservation. The author is one of Granta's 20 Best Young American Writers. |
| sherman alexie do not go gentle: How to Write Funny John Kachuba, 2001-07-15 A discussion of the basics and genres of the comic point of view includes essays and interviews with such authors as Dave Barry, Sherman Alexie, and Melissa Bank. |
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