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Saved: A War Reporter's Mission to Make it Home
The dust still clings to my memory, a gritty reminder of the countless days spent dodging bullets and navigating treacherous landscapes. This isn't a story of glory or heroism; it's a story of survival, of the relentless will to live, of a mission to make it home, a mission I dubbed, simply, "Saved." This post will delve into the harrowing experiences that defined my journey as a war reporter, the near-death encounters, the unwavering determination, and the ultimately triumphant return. We'll explore the physical and psychological battles fought, and the lessons learned amidst the chaos of conflict.
The Crucible of Conflict: Embracing the Danger
My work as a war reporter thrust me into the heart of active conflict zones. I witnessed unspeakable horrors – the devastation of war etched onto the faces of civilians, the relentless sounds of gunfire, and the chilling silence that followed explosions. It was a baptism by fire, a constant test of resilience and adaptability. My job wasn't just about reporting the facts; it was about bearing witness, about bringing the truth to a world often shielded from the brutal reality of war.
#### Navigating Ethical Dilemmas
The ethical challenges were as perilous as the physical ones. Deciding what to report, what images to show, and how to maintain objectivity in the face of overwhelming human suffering became a daily struggle. The line between observer and participant blurred at times, forcing me to confront my own mortality and the weight of responsibility that came with my profession.
Close Calls and Near Misses: Moments of Sheer Terror
There were countless near-death experiences. One incident stands out vividly: a nighttime ambush in a remote village. The sudden burst of gunfire, the chaos, the desperate scramble for cover – it was a terrifying ballet of survival. The adrenaline coursing through my veins felt like a life-giving force, pushing me to act, to think quickly, to escape the crossfire. Those moments, etched into my memory, highlight the constant threat that permeated my existence.
#### The Power of Human Connection Amidst Destruction
Even in the darkest moments, the human spirit shone through. I witnessed acts of incredible bravery, kindness, and resilience. The unwavering hope of the people I met, despite the horrors they faced, was both inspiring and humbling. These connections – forged in the crucible of conflict – provided a source of strength and fueled my determination to tell their stories and ensure they were not forgotten.
The Long Road Home: Recovery and Reflection
Returning home wasn't the end of my journey. The psychological toll of witnessing war was significant. Processing the trauma, confronting the memories, and rebuilding my life took time, patience, and professional support. The transition from the chaos of the battlefield to the relative quiet of civilian life was jarring and challenging.
#### Finding Healing and Purpose
Through therapy and the support of loved ones, I slowly began to heal. The experience, though deeply scarring, also profoundly shaped me. It instilled a deeper appreciation for life, a stronger sense of purpose, and a renewed commitment to using my voice to advocate for peace and understanding.
Lessons Learned: The Enduring Power of Hope
My journey, encapsulated in the title "Saved," is a testament to the resilience of the human spirit and the enduring power of hope. It's a reminder that even in the darkest corners of the world, there are glimmers of light, stories of courage, and the unwavering strength of the human will to survive. My mission to make it home was not merely a physical journey, but a deeply personal one, a testament to the enduring human spirit in the face of unimaginable adversity.
Conclusion:
The experience of being a war reporter is one of profound contrast – the stark beauty of landscapes juxtaposed with the ugliness of human conflict. The mission to make it home was a constant, underlying current that propelled me through the most challenging of circumstances. While the physical scars may fade, the emotional and psychological impact remains a constant reminder of the price of war and the enduring power of hope amidst despair.
FAQs:
1. Did you ever feel like giving up? Yes, there were moments of overwhelming despair and doubt. However, the stories of the people I met, their resilience and hope, kept me going.
2. What was the most challenging aspect of your work? The ethical dilemmas – deciding what to report and how to represent the complex realities of war without sensationalizing or misrepresenting the truth – were the most challenging.
3. How did you cope with the psychological trauma? Therapy, support from loved ones, and a gradual reintegration into civilian life were crucial to my recovery.
4. What advice would you give to aspiring war reporters? Thorough preparation, strong ethical awareness, and a robust support system are essential. Remember that self-care is not a luxury, but a necessity.
5. What is your hope for the future? My hope is that by sharing my experiences, I can contribute to a greater understanding of the human cost of war and encourage efforts toward peace and reconciliation.
| saved a war reporters mission to make it home: Saved Benjamin Hall, 2023-03-14 AN INSTANT #1 NEW YORK TIMES BESTSELLER An affecting, singular story...a bracing tale of life on the edge of death. —Kirkus Reviews When veteran war reporter Benjamin Hall woke up in Kyiv on the morning of March 14, 2022, he had no idea that, within hours, Russian bombs would nearly end his life. As a journalist for Fox News, Hall had worked in dangerous war zones like Syria and Afghanistan, but with three young daughters at home, life on the edge was supposed to be a thing of the past. Yet when Russia viciously attacked Ukraine in February 2022, Hall quickly volunteered to go. A few weeks later, while on assignment, Hall and his crew were blown up in a Russian strike. With Hall himself gravely injured and stuck in Kyiv, it was unclear if he would make it out alive. This is the story of how he survived—a story that continues to this day. For the first time, Hall shares his experience in full—from his ground-level view of the war to his dramatic rescue to his arduous, and ongoing, recovery. Going inside the events that have permanently transformed him, Hall recalls his time at the front lines of our world’s conflicts, exploring how his struggle to step away from war reporting led him back one perilous last time. Featuring nail-biting accounts from the many people across multiple countries who banded together to get him to safety, Hall offers a stunning look at complex teamwork and heartfelt perseverance that turned his life into a mission. Through it all, Hall’s spirit has remained undaunted, buoyed by that remarkable corps of people from around the world whose collective determination ensured his survival. Evocative, harrowing, and deeply moving, Saved is a powerful memoir of family and friends, of life and healing, and of how to respond when you are tested in ways you never thought possible. Benjamin Hall’s memoir includes a 16-page color photo insert. |
| saved a war reporters mission to make it home: Inside ISIS Benjamin Hall, 2015-03-10 A year ago, few people had heard of ISIS-- today, they are a major terrorist threat. Despite numerous warnings from intelligence services, ISIS's rise to power has left countries around the world floundering for solutions. Today, we face a threat that is more violent, powerful and financially stronger than ever before. In this book, Journalist Benjamin Hall will provide insights by answering the basic questions we still don't have the answers to; Who are they? Where did they come from? How are they so successful, so quickly? How can they be stopped? By embedding himself behind enemy lines, Hall provides a riveting narrative based on firsthand experience and personal interviews. He goes beyond the vicious jihadis, to reveal a generation of chaos, and uncover a volatile region engulfed in turmoil. Hall reveals why ISIS is a problem that will define the Middle East - and the West - for decades to come. |
| saved a war reporters mission to make it home: This Burning Land Greg Myre, Jennifer Griffin, 2011-03-08 A profoundly different way of looking the Israeli-Palestinian conflict Reporting from Jerusalem for The New York Times and Fox News respectively, Greg Myre and Jennifer Griffin, witnessed a decades-old conflict transformed into a completely new war. The West has learned a lot about asymmetrical war in the past decade. At the same time, many strategists have missed that the Israeli-Palestinian conflict has become one of them. This book shows the importance of applying these hard-won lessons to the longest running, most closely watched occupation and uprising in the world. The entire conflict can seem irrational -- and many commentators see it that way. While raising their own family in Jerusalem at the height of the violence, Myre and Griffin look at the lives of individuals caught up in the struggles to reveal how these actions make perfect sense to the participants. Extremism can become a virtue; moderation a vice. Factions develop within factions. Propaganda becomes an important weapon, and perseverance an essential defense. While the Israelis and the Palestinians have failed to achieve their goals after years of fighting, people on both sides are prepared to make continued sacrifices in the belief that they will eventually emerge triumphant. This book goes straight to the heart of the conflict: into the minds of suicide bombers and inside Israeli tanks. We hear from Palestinian informants who help the Israeli military track down and kill Palestinian militants. Israeli settlers in isolated outposts explain why they are there, and we hear the frustrations of a Palestinian farmer who has had his olive grove cut in half by Israel's security barrier Shows the important lessons that can be learned by viewing the Israeli-Palestinian conflict as an example of modern, asymmetrical war Authored by long-time reporters on the Middle East, the book provides a balanced and detailed look at the fighting based on first-hand experience and hundreds of interviews Explains how the landscape of the conflict changed and why the traditional approach to peacemaking is no longer valid With a new perspective on what's really going on in Israel and the Palestinian territories, The Familiar War is a book that will inform the debate on the Middle East and the future of the peace process, as well as our understanding of other conflicts around the world. |
| saved a war reporters mission to make it home: Plainsong Kent Haruf, 1999-12-01 In Holt, Colorado, Tom Guthrie is struggling to bring up his two young sons alone. In the same town, school girl Victoria Roubideaux finds herself pregnant and homeless. Whilst Tom's sons find their way forward without their mother, quiet and gentle Harold and Raymond McPheron agree to take Victoria in, unaware that their lives are about to change forever. A novel of haunting beauty, Plainsong explores the grace and hope of every human life and mankind's infinity capacity for love. |
| saved a war reporters mission to make it home: House to House David Bellavia, 2012-12-25 On 8 November 2004, the largest battle of the War on Terror began, with the US Army's assault on Fallujah and its network of tens of thousands of insurgents hiding in fortified bunkers, on rooftops, and inside booby-trapped houses. For Sgt. David Bellavia of 3rd Platoon, Alpha Company, it quickly turned into a battle on foot, from street to street and house to house. On the second day, he and his men laid siege to a mosque, only to be driven to a rooftop and surrounded, before heavy artillery could smash through to rescue them. By the third day, Bellavia charges an insurgent-filled house and finds himself trapped with six enemy fighters. One by one, he shoots, wrestles, stabs, and kills five of them, until his men arrive to take care of the final target. It is one of the most hair-raising battle stories of any age -- yet it does not spell the end of Bellavia's service. It would take serveral more weeks before the Battle of Fallujah finally came to a close, with Bellavia, miraculously, alive. In the words of the author: HOUSE TO HOUSE holds nothing back. It is a raw, gritty look at killing and combat and how men react to it. It is gut-wrenching, shocking and brutal. It is honest. It is not a glorification of war. Yet it will not shy from acknowledging this: sometimes it takes something as terrible as war for the full beauty of the human spirit to emerge. |
| saved a war reporters mission to make it home: The War Correspondent Greg McLaughlin, 2016 The War Correspondent looks at the role of the war reporter today: the attractions and the risks of the job; the challenge of objectivity and impartiality in the war zone; the danger of journalistic independence being compromised by military control, censorship, and public relations; as well as the commercial and technological pressures of an intensely concentrated, competitive news media environment. This new edition substantially updates the original, ending with an extended section on the return of history and ideology to the reporting of international conflict, and interviews with prominent war and foreign correspondents including John Pilger, Robert Fisk, Mary Dvesky, and Alex Thomson. |
| saved a war reporters mission to make it home: War Reporting for Cowards Chris Ayres, 2007-12-01 “Imagine George Costanza from Seinfeld being sent off to cover the Iraq War . . . Hilarious.” —Michiko Kakutani, The New York Times Chris Ayres is a small-town boy, a hypochondriac, and a neat freak with an anxiety disorder. Not exactly the picture of a war correspondent. But when his boss asks him if he would like to go to Iraq, he doesn’t have the guts to say no. After signing a one million dollar life-insurance policy, studying a tutorial on repairing severed limbs, and spending twenty thousand dollars on camping gear (only to find out that his bright yellow tent makes him a sitting duck), Ayres is embedded with a battalion of gung ho Marines who either shun him or threaten him when he files an unfavorable story. As time goes on, though, he begins to understand them (and his inexplicably enthusiastic fellow war reporters) more and more: Each night of terrifying combat brings, in the morning, something more visceral than he has ever experienced—the thrill of having won a fight for survival. War Reporting for Cowards tells, with “self-deprecating wit”, the story of Iraq in a way that is extraordinarily honest and bitterly hilarious (The New Yorker). “Heartbreakingly funny.” —Anthony Swofford, author of Jarhead “Chris Ayres has invented a new genre: a rip-roaring tale of adventure and derring-don’t.” —Toby Young, author of How to Lose Friends and Alienate People “Darkly entertaining.” —Los Angeles Times “Ayres’s stories of life with Marines are gripping—in part because he’s the perfect neurotic foil.” —People |
| saved a war reporters mission to make it home: Reporter Seymour M. Hersh, 2018-06-05 Reporter is just wonderful. Truly a great life, and what shines out of the book, amid the low cunning and tireless legwork, is Hersh's warmth and humanity. This book is essential reading for every journalist and aspiring journalist the world over. —John le Carré From the Pulitzer Prize-winning, best-selling author and preeminent investigative journalist of our time—a heartfelt, hugely revealing memoir of a decades-long career breaking some of the most impactful stories of the last half-century, from Washington to Vietnam to the Middle East. Seymour Hersh's fearless reporting has earned him fame, front-page bylines in virtually every major newspaper in the free world, honors galore, and no small amount of controversy. Now in this memoir he describes what drove him and how he worked as an independent outsider, even at the nation's most prestigious publications. He tells the stories behind the stories—riveting in their own right—as he chases leads, cultivates sources, and grapples with the weight of what he uncovers, daring to challenge official narratives handed down from the powers that be. In telling these stories, Hersh divulges previously unreported information about some of his biggest scoops, including the My Lai massacre and the horrors at Abu Ghraib. There are also illuminating recollections of some of the giants of American politics and journalism: Ben Bradlee, A. M. Rosenthal, David Remnick, and Henry Kissinger among them. This is essential reading on the power of the printed word at a time when good journalism is under fire as never before. |
| saved a war reporters mission to make it home: Ambushed Ian Stewart, 2002 With frankness, Stewart tells the story of his own remarkable recovery as well as the extraordinary risks he and other journalists take to report the news from remote war-ravaged countries.. |
| saved a war reporters mission to make it home: Thank You For Your Service David Finkel, 2013-09-30 No journalist is better situated to reckon with the psychology of war than David Finkel. In The Good Soldiers, his bestselling account from the front lines of Baghdad, Finkel shadowed the men of a US infantry battalion as they carried out a gruelling 15-month tour that changed all of them forever. Now, Finkel follows many of those same men back home, in a journey that is less about geography than of psychological terrain, undertaken by people trying to heal or at the very least survive. In Thank You for Your Service, Finkel writes with tremendous compassion about the soldiers, and about their partners and children: the heartbroken wife who wonders privately whether her returned husband is going to get better, or kill her; and the heroic victims, with the fresh taste of a gun in their mouths, who will either make the journey back to sanity or to final ruin. Finkel takes us everywhere that the war is seeping into as it infects America: to the courtrooms that are being filled with divorce and abuse cases, and worse; to bars; and to Fort Riley, in the mental-health clinic to which the army is outsourcing its post-traumatic stress disorder cases. Thank You for Your Service is an immense act of understanding — shocking but always riveting, unflinching but deeply humane. |
| saved a war reporters mission to make it home: In Extremis Lindsey Hilsum, 2018-11-01 The gripping life story of the great war correspondent Marie Colvin told by one of her closest friends SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD WINNER OF THE JAMES TAIT BLACK AWARD Marie Colvin was glamorous, hard-drinking, braver than the boys, with a troubled and rackety personal life. She reported from the most dangerous places in the world and her anecdotes about encounters with figures like Colonel Gaddafi and Yasser Arafat were incomparable. She was much admired, and as famous for her wild parties as for the extraordinary lengths to which she went to tell the story. Fellow foreign correspondent Lindsey Hilsum draws on unpublished diaries and interviews with friends, family and colleagues to produce a story of one of the most daring and inspirational women of our times. A Sunday Times Book of the Year 'A stunningly good biography' WILLIAM BOYD |
| saved a war reporters mission to make it home: Richard Jewell Marie Brenner, 2019-12-10 Now a major film from Academy Award–winning director Clint Eastwood—starring Sam Rockwell, Kathy Bates, Jon Hamm, Olivia Wilde, and Paul Walter Hauser! This collection of captivating profiles from Vanity Fair writer Marie Brenner spans her award-winning career and features larger-than-life figures such as Donald Trump, Roy Cohn, Malala Yousafzai, and Richard Jewell—the security guard whose dramatic heroism at the bombing of the 1996 Olympics made him the FBI’s prime suspect. Previously published as A Private War, Marie Brenner’s Richard Jewell tells a gripping true story of heroism and injustice. In the early morning hours of July 27, 1996, three pipe bombs exploded at the Summer Olympics in Atlanta, Georgia, killing one person and injuring 111 others. Hundreds more potential casualties were prevented by the vigilance and quick actions of security guard Richard Jewell, who uncovered the bombs and began evacuating the area. But no good deed goes unpunished. Desperate for a lead, investigators and journalists pursued Jewell as a potential suspect in the case, painting him as an obvious match for the infamous “lone bomber” profile. Accused of being a terrorist and a failed law enforcement officer who craved public recognition for his false heroics, he saw his reputation smeared across headlines and broadcasts nationwide. After a months-long investigation found no evidence against him, the US Attorney finally cleared Jewell’s name. Yet Jewell would not be fully exonerated in the eyes of the public until the actual bomber confessed in 2005, just two years before Jewell’s premature death at the age of forty-four. In Richard Jewell, veteran journalist Marie Brenner brilliantly chronicles Jewell’s ordeal to share the story of an ordinary man whose life was shattered by a false narrative. This collection also includes Brenner’s classic encounters with Donald Trump, Roy Cohn, Malala Yousafzai, Marie Colvin, and others. |
| saved a war reporters mission to make it home: After We Kill You, We Will Welcome You Back as Honored Guests Ted Rall, 2014-09-02 An unflinching account—in words and pictures—of America's longest war by our most outspoken graphic journalist Ted Rall traveled deep into Afghanistan—without embedding himself with U.S. soldiers, without insulating himself with flak jackets and armored SUVs—where no one else would go (except, of course, Afghans). He made two long trips: the first in the wake of 9/11, and the next ten years later to see what a decade of U.S. occupation had wrought. On the first trip, he shouted his dispatches into a satellite phone provided by a Los Angeles radio station, attempting to explain that the booming in the background—and sometimes the foreground—were the sounds of an all-out war that no one at home would entirely own up to. Ten years later, the alternative newspapers and radio station that had financed his first trip could no longer afford to send him into harm's way, so he turned to Kickstarter to fund a groundbreaking effort to publish online a real-time blog of graphic journalism (essentially, a nonfiction comic) documenting what was really happening on the ground, filed daily by satellite. The result of this intrepid reporting is After We Kill You, We Will Welcome You Back as Honored Guests—a singular account of one determined journalist's effort to bring the realities of life in twenty-first-century Afghanistan to the world in the best way he knows how: a mix of travelogue, photography, and award-winning comics. |
| saved a war reporters mission to make it home: The Face of War Martha Gellhorn, 2014-12-09 A collection of “first-rate frontline journalism” from the Spanish Civil War to US actions in Central America “by a woman singularly unafraid of guns” (Vanity Fair). For nearly sixty years, Martha Gellhorn’s fearless war correspondence made her a leading journalistic voice of her generation. From the Spanish Civil War in 1937 through the Central American wars of the mid-eighties, Gellhorn’s candid reporting reflected her deep empathy for people regardless of their political ideology. Collecting the best of Gellhorn’s writing on foreign conflicts, and now with a new introduction by Lauren Elkin, The Face of War is a classic of frontline journalism by “the premier war correspondent of the twentieth century” (Ward Just, The New York Times Magazine). Whether in Java, Finland, the Middle East, or Vietnam, she used the same vigorous approach. “I wrote very fast, as I had to,” she says, “afraid that I would forget the exact sound, smell, words, gestures, which were special to this moment and this place.” As Merle Rubin noted in his review of this volume for The Christian ScienceMonitor, “Martha Gellhorn’s courageous, independent-minded reportage breaks through geopolitical abstractions and ideological propaganda to take the reader straight to the scene of the event.” |
| saved a war reporters mission to make it home: Once Upon a Distant War William W. Prochnau, 1995 A study of young war correspondents and the early Vietnam battles. |
| saved a war reporters mission to make it home: You Don’t Belong Here Elizabeth Becker, 2021-03-02 The long-buried story of three extraordinary female journalists who permanently shattered the barriers to women covering war Kate Webb, an Australian iconoclast, Catherine Leroy, a French daredevil photographer, and Frances FitzGerald, a blue-blood American intellectual, arrived in Vietnam with starkly different life experiences but one shared purpose: to report on the most consequential story of the decade. At a time when women were considered unfit to be foreign reporters, Frankie, Catherine and Kate challenged the rules imposed on them by the military, ignored the belittlement of their male peers, and ultimately altered the craft of war reportage for generations. In You Don’t Belong Here, Elizabeth Becker uses these women’s work and lives to illuminate the Vietnam War from the 1965 American buildup, the expansion into Cambodia, and the American defeat and its aftermath. Arriving herself in the last years of the war, Becker writes as a historian and a witness of the times. What emerges is an unforgettable story of three journalists forging their place in a land of men, often at great personal sacrifice. Deeply reported and filled with personal letters, interviews, and profound insight, You Don’t Belong Here fills a void in the history of women and of war. ‘A riveting read with much to say about the nature of war and the different ways men and women correspondents cover it. Frank, fast-paced, often enraging, You Don’t Belong Here speaks to the distance travelled and the journey still ahead.’ —Geraldine Brooks, Pulitzer Prize–winning author of March, former Wall Street Journal foreign correspondent ‘Riveting, powerful and transformative, Elizabeth Becker’s You Don’t Belong Here tells the stories of three astonishing women. This is a timely and brilliant work from one of our most extraordinary war correspondents.’ —Madeleine Thien, Booker Prize finalist and author of Do Not Say We Have Nothing |
| saved a war reporters mission to make it home: Suite Française: Storm in June Emmanuel Moynot, 2015-12-07 Suite Française, an extraordinary novel about village life in France just as it was plunged into chaos with the German invasion of 1940, was a publishing sensation ten years ago; Irène Némirovsky completed the two-volume book, part of a planned larger series, in the early 1940s before she was arrested in France and eventually sent to Auschwitz, where she died. The notebook containing the novels was preserved by her daughters but not examined until 1998; it was finally published in France in 2004 and became a huge international bestseller, including in the US, where it has sold over one million copies. This dramatic and stirring graphic novel, translated from the French and faithful to the spirit of Némirovsky's story, focuses on Book 1, entitled Storm in June, in which a disparate group of Paris citizens flees the city ahead of the advancing German troops. However, their orderly plans to escape are eclipsed by the chaos spreading across the country, and their sense of civility and well-being is replaced by a raw desire to survive. A feature film version of Suite Française, starring Michelle Williams, Kristen Scott Thomas, and Margot Robbie, was recently released. Emmanuel Moynot is a graphic artist and the author of more than forty graphic novels published in France. |
| saved a war reporters mission to make it home: Japan's Carnival War Benjamin Uchiyama, 2019-03-14 This cultural history of the Japanese home front during the Asia-Pacific War challenges ideas of the period as one of unrelenting repression. Uchiyama demonstrates that 'carnival war' coexisted with the demands of total war to promote consumerist desire alongside sacrifice and fantasy alongside nightmare, helping mobilize the war effort. |
| saved a war reporters mission to make it home: Dispatches Michael Herr, 2015-03-01 We took space back quickly, expensively, with total panic and close to maximum brutality. Our machine was devastating. And versatile. It could do everything but stop. Michael Herr went to Vietnam as a war correspondent for Esquire. He returned to tell the real story in all its hallucinatory madness and brutality, cutting to the quick of the conflict and its seductive, devastating impact on a generation of young men. His unflinching account is haunting in its violence, but even more so in its honesty. First published in 1977, Dispatches was a revolutionary piece of new journalism that evoked the experiences of soldiers in Vietnam and has forever shaped our understanding of the conflict. It is now a seminal classic of war reportage. |
| saved a war reporters mission to make it home: Emergency Neil Strauss, 2010-05-16 Before The End of the World As We Know It, you'll want to read this book. After the last few years of ethnic hatred, tsunamis and financial meltdown, Neil Strauss came to the sobering realisation that anything can happen. Emergency traces his white-knuckled journey to reinvent himself as a gun-toting, plane-flying, government-defying survivor. |
| saved a war reporters mission to make it home: Travels with Herodotus Ryszard Kapuscinski, 2008-05-01 Travels with Herodotus records how Kapuscinski set out on his first forays – to India, China and Africa – with the great Greek historian constantly in his pocket. He sees Louis Armstrong in Khartoum, visits Dar-es-Salaam, arrives in Algiers in time for a coup when nothing seems to happen (but he sees the Mediterranean for the first time). At every encounter with a new culture, Kapuscinski plunges in, curious and observant, thirsting to understand its history, its thought, its people. And he reads Herodotus so much that he often feels he is embarking on two journeys – the first his assignment as a reporter, the second following Herodotus’ expeditions. |
| saved a war reporters mission to make it home: War Is a Force that Gives Us Meaning Chris Hedges, 2014-04-08 General George S. Patton famously said, Compared to war all other forms of human endeavor shrink to insignificance. God, I do love it so! Though Patton was a notoriously single-minded general, it is nonetheless a sad fact that war gives meaning to many lives, a fact with which we have become familiar now that America is once again engaged in a military conflict. War is an enticing elixir. It gives us purpose, resolve, a cause. It allows us to be noble. Chris Hedges of The New York Times has seen war up close -- in the Balkans, the Middle East, and Central America -- and he has been troubled by what he has seen: friends, enemies, colleagues, and strangers intoxicated and even addicted to war's heady brew. In War Is a Force That Gives Us Meaning, he tackles the ugly truths about humanity's love affair with war, offering a sophisticated, nuanced, intelligent meditation on the subject that is also gritty, powerful, and unforgettable. |
| saved a war reporters mission to make it home: Reporting Iraq Mike Hoyt, John Palattella, 2007 50 of the world's best known reporters tell the story of what really happened in Iraq in this gripping and gritty narrative history of the war. They discuss the war, the violence they faced and how it impacted their work. But perhaps the most chilling observation is that most saw the disaster unfolding in Iraq long before they were allowed to report it. Includes contributions from New York Times correspondent Dexter Filkins, Pulitzer Prize winner Anthony Shadid and Independent reporter Patrick Cockburn, as well as 21 stunning full-colour photographs. |
| saved a war reporters mission to make it home: Deliver Us From Evil William Shawcross, 2002-01-10 Reporting from war zones around the globe, acclaimed journalist William Shawcross gives us an unforgettable portrait of a dangerous world and of the brave men and women, ordinary and extraordinary, who risk their lives to make and keep the peace. The end of the Cold War was followed by a decade of regional and ethnic wars, massacres and forced exiles, and by constant calls for America to lead the international community as chief peace-keeper. The efforts of that community -- identified with the United Nations but often dominated by the world's wealthy nations -- have had mixed results. In Africa, the West is accused of indifference or too little, too late. In Cambodia, the UN presides over free elections, but the results are overridden. In Iraq, Saddam Hussein continues to defy the UN, and in Bosnia and Kosovo, the West acts hesitantly after terrible slaughter and ethnic cleansing. Shawcross, a veteran of many war zones, has had broad access to global policymakers, including UN secretary general Kofi Annan, high American diplomats, peacekeepers and humanitarian-aid professionals. He has traveled with them to some of the world's most horrifying killing fields. Deliver Us from Evil is his stark, on-the-ground report on the many crises faced by the international community and its servants as they struggle to respond around the world. He brings home the price many have paid attempting to restore peace and help alleviate terrible suffering. He illuminates the risks we face in a complex and dangerous world. Some critics have concluded that some interventions may prolong conflict and create further casualties. The lesson we learn from ruthless and vengeful warlords the world over is that goodwill without strength can make things worse. Shawcross argues that recent interventions -- in Kosovo and East Timor, for example -- provide reason for concern as well as hope. Still, the unmistakable message of the past decade is that we cannot intervene everywhere, that not every wrong can be righted merely because the international community desires it, or because we wish to remove images of suffering from our television screens. Nor can we necessarily rebuild failed states in our image. When we intervene, we must be certain of our objectives, sure of popular support and willing to expend the necessary resources -- even lives. If our interventions are to be effective and humane, they must last for more than the fifteen minutes of attention that the media accord to each succeeding crisis. That is a tall order. As Shawcross concludes, In a more religious time it was only God whom we asked to deliver us from evil. Now we call upon our own man-made institutions for such deliverance. That is sometimes to ask for miracles. |
| saved a war reporters mission to make it home: Unreasonable Behaviour Don McCullin, Lewis Chester, 2015 McCullin is required reading if you want to know what real journalism is all about. --Times Literary Supplement From the construction of the Berlin Wall through every conflict up to the Falklands War, photographer Don McCullin has left a trail of iconic images. At the Sunday Times Magazine in the 1960s, McCullin's photography made him a new kind of hero. The flow of stories every Sunday took a generation of readers beyond the insularity of post-war Britain and into the recesses of domestic deprivation: when in 1968, a year of political turmoil, the Beatles wanted new pictures, they insisted on using McCullin; when Francis Bacon, whose own career had emerged with depiction of the ravages of the flesh, wanted a portrait, he turned to McCullin. McCullin now spends his days quietly in a Somerset village, where he photographs the landscape and arranges still-lifes -- a far cry from the world's conflict zones and the war-scarred north London of Holloway Road where his career began. In October 2015, it will be twenty-five years since the first publication of his autobiography, Unreasonable Behaviour -- a harrowing memoir combining his photojournalism with his lifework. The time is right to complete McCullin's story. |
| saved a war reporters mission to make it home: Inside the Fortress a Soldier's Life in the Green Zone American Book Publishing Group, Steve Valley, 2009-11 |
| saved a war reporters mission to make it home: Diary of a Bad Year J.M. Coetzee, 2015-05-28 An eminent, ageing Australian writer is invited to contribute to a book entitled Strong Opinions. For him, troubled by Australia's complicity in the wars in the Middle East, it is a chance to air some urgent concerns: how should a citizen of a modern democracy react to their state's involvement in an immoral war on terror, a war that involves the use of torture? Then in the laundry room of his apartment block he encounters an alluring young woman. He offers her work typing up his manuscript. Anya is not interested in politics, but the job will be a welcome distraction, as will the writer's evident attraction towards her. Her boyfriend, Alan, is an investment consultant who understands the world in harsh economic terms. Suspicious of his trophy girlfriend's new pastime, Alan begins to formulate a plan... |
| saved a war reporters mission to make it home: Transfer of Power Vince Flynn, 2011-07-07 On a busy Washington morning, amid the shuffle of tourists and the brisk rush of government officials, the stately calm of the White House is shattered in a hail of gunfire. A group of terrorists has descended on the Executive Mansion, and gained access by means of a violent massacre that has left dozens of innocent bystanders murdered. The president is evacuated to his underground bunker - but not before almost one hundred hostages are taken. While the politicians and the military leaders argue over how to negotiate with the terrorists, one man is sent to break through the barrage of panicked responses and political agendas surrounding the crisis. Mitch Rapp, the CIA's top counterterrorism agent, makes his way into the White House and soon discovers that the president is not as safe as Washington's power elite had thought. And, in a race against time, he makes a chilling discovery that could determine the fate of America - and realizes that the terrorist attack is only the beginning of a master scheme to undermine an entire nation. Look out for the new Vince Flynn novel, The Survivor, published in autumn 2015! |
| saved a war reporters mission to make it home: How to Avoid Being Killed in a War Zone Rosie Garthwaite, 2011-06-21 Whether you're a war correspondent or an aid worker, a tourist worried about an increasingly hostile world or an armchair traveler concerned that your own backyard is fast becoming a war zone, How to Avoid Being Killed in a War Zone will help you survive some of the world's most volatile environments. Well-traveled journalist Rosie Garthwaite offers practical advice drawn from her own personal experience and that of others, including many seasoned colleagues, who have worked in some of the world's most hostile regions. Topics covered include everything from avoiding land mines and hostage situations to amputating a limb and foraging for safe food. The book is a true survival manual (all medical advice has been vetted by doctors from Doctors Without Borders), but it is also a transporting read, filled with vicarious thrills and written with brio and humor by a woman who has seen it all. Perfect for those planning short trips or extended stays in dangerous destinations, or-much like the popular Worst-Case Scenario handbooks-for readers who simply prefer to be thoroughly prepared, wherever life may take them. |
| saved a war reporters mission to make it home: Masters of Chaos Linda Robinson, 2009-03-05 Special Forces soldiers are daring, seasoned troops from America's heartland, selected in a tough competition and trained in an extraordinary range of skills. They know foreign languages and cultures and unconventional warfare better than any U.S. fighters, and while they prefer to stay out of the limelight, veteran war correspondent Linda Robinson gained access to their closed world. She traveled with them on the frontlines, interviewed them at length on their home bases, and studied their doctrine, methods and history. In Masters of Chaos she tells their story through a select group of senior sergeants and field-grade officers, a band of unforgettable characters like Rawhide, Killer, Michael T, and Alan -- led by the unflappable Lt. Col. Chris Conner and Col. Charlie Cleveland, a brilliant but self-effacing West Pointer who led the largest unconventional war campaign since Vietnam in northern Iraq. Robinson follows the Special Forces from their first post-Vietnam combat in Panama, El Salvador, Desert Storm, Somalia, and the Balkans to their recent trials and triumphs in Afghanistan and Iraq. She witnessed their secret sleuthing and unsung successes in southern Iraq, and recounts here for the first time the dramatic firefights of the western desert. Her blow-by-blow story of the attack on Ansar al-Islam's international terrorist training camp has never been told before. The most comprehensive account ever of the modern-day Special Forces in action, Masters of Chaos is filled with riveting, intimate detail in the words of a close-knit band of soldiers who have done it all. |
| saved a war reporters mission to make it home: I Was Told To Come Alone Souad Mekhennet, 2017-06-13 I was told to come alone. I was not to carry any identification, and would have to leave my cell phone, audio recorder, watch, and purse at my hotel . . . For her whole life, Souad Mekhennet, a reporter for the Washington Post who was born and educated in Germany, has had to balance the two sides of her upbringing - Muslim and Western. She has also sought to provide a mediating voice between these cultures, which too often misunderstand each other. In this compelling and evocative memoir, we accompany Mekhennet as she journeys behind the lines of jihad, starting in the German neighbourhoods where the 9/11 plotters were radicalised and the Iraqi neighbourhoods where Sunnis and Shia turned against one another, and culminating on the Turkish/Syrian border region where ISIS is a daily presence. In her travels across the Middle East and North Africa, she documents her chilling run-ins with various intelligence services and shows why the Arab Spring never lived up to its promise. She then returns to Europe, first in London, where she uncovers the identity of the notorious ISIS executioner 'Jihadi John', and then in France, Belgium and her native Germany, where terror has come to the heart of Western civilisation. Mekhennet's background has given her unique access to some of the world's most wanted men, who generally refuse to speak to Western journalists. She is not afraid to face personal danger to reach out to individuals in the inner circles of Al Qaeda, the Taliban, ISIS and their affiliates; when she is told to come alone to an interview, she never knows what awaits at her destination. Souad Mekhennet is an ideal guide to introduce us to the human beings behind the ominous headlines, as she shares her transformative journey with us. Hers is a story you will not soon forget. |
| saved a war reporters mission to make it home: The Story Judith Miller, 2015-04-07 Judith Miller—star reporter for The New York Times, foreign correspondent in some of the most dangerous locations, Pulitzer Prize winner, and longest jailed correspondent for protecting her sources—turns her reporting skills on herself in this “memoir of high-stakes journalism” (Kirkus Reviews). In The Story, Judy Miller turns her journalistic skills on herself and her controversial reporting, which marshaled evidence that led America to invade Iraq. She writes about the mistakes she and others made on the existence in Iraq of weapons of mass destruction. She addresses the motives of some of her sources, including the notorious Iraqi Chalabi and the CIA. She describes going to jail to protect her sources in the Scooter Libby investigation of the outing of CIA agent Valerie Plame and how the Times subsequently abandoned her after twenty-eight years. Judy Miller grew up near the Nevada atomic proving ground. She got a job at The New York Times after a suit by women employees about discrimination at the paper and went on to cover national politics, head the paper’s bureau in Cairo, and serve as deputy editor in Paris and then deputy at the powerful Washington bureau. She reported on terrorism and the rise of fanatical Islam in the Middle East and on secret biological weapons plants and programs in Iraq, Iran, and Russia. Miller shared a Pulitzer for her reporting. She describes covering terrorism in Lebanon, being embedded in Iraq, and going inside Russia’s secret laboratories where scientists concocted designer germs and killer diseases and watched the failed search for WMDs in Iraq. The Story vividly describes the real life of a foreign and investigative reporter. It is an account filled with adventure, told with bluntness and wryness. |
| saved a war reporters mission to make it home: The Shape of Things to Come H. G. Wells, 2016-09-14 First published in 1933, The Shape of Things to Come is science fiction novel written by H. G. Wells. Within it, world events between 1933 and 2106 are speculated with a single superstate representing the solution to all humanity's problems. A classic example of Wellsian prophesy, this volume is highly recommended for fans of his work and of the science fiction genre. Herbert George Wells (1866 - 1946) was a prolific English writer who wrote in a variety of genres, including the novel, politics, history, and social commentary. Today, he is perhaps best remembered for his contributions to the science fiction genre thanks to such novels as The Time Machine (1895), The Invisible Man (1897), and The War of the Worlds (1898). Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author. |
| saved a war reporters mission to make it home: The Powers That Be David Halberstam, 2012-12-18 A Pulitzer Prize winner’s in-depth look at four media-business giants: CBS-TV, Time magazine, the Washington Post, and the Los Angeles Times. In this fascinating New York Times bestseller, the author of The Best and the Brightest, The Fifties, and other acclaimed histories turns his investigative eye to the rise of the American media in the twentieth century. Focusing on the successes and failures of CBS Television, Time magazine, the Washington Post, and the Los Angeles Times, David Halberstam paints a portrait of the era when large, powerful mainstream media sources emerged as a force, showing how they shifted from simply reporting the news to becoming a part of it. By examining landmark events such as Franklin D. Roosevelt’s masterful use of the radio and the unprecedented coverage of the Watergate break-in, Halberstam demonstrates how print and broadcast media as a whole became a player in society and helped shape public policy. Drawn from hundreds of exhaustive interviews with insiders at each company, and hailed by the Seattle Times as “a monumental X-ray study of power,” The Powers That Be reveals the tugs-of-war between political ambition and the quest for truth in a page-turning read. This ebook features an extended biography of David Halberstam. |
| saved a war reporters mission to make it home: First with the News Michael Evans, 2016-11-30 A respected Fleet Street journalist with more than forty years of experience, Michael Evans' life and career have been shaped significantly by his experiences as a war reporter. Over the course of his career, Michael has developed a reputation for having some of the best contacts in the defence, military and intelligence world. He has covered six wars in the field. Michael's perilous yet thrilling experiences, from facing agonising dilemmas in the Bosnian war to flying with British paratroopers into Kosovo, have had a dramatic influence on his career and in his life. |
| saved a war reporters mission to make it home: Running Out of Time Margaret Peterson Haddix, 1995-10 When a diphtheria epidemic hits her 1840 village, thirteen-year-old Jessie discovers it is actually a 1996 tourist site under unseen observation by heartless scientists, and it's up to Jessie to escape the village and save the lives of the dying children. |
| saved a war reporters mission to make it home: Stonewalled Sharyl Attkisson, 2014-11-04 Seasoned CBS reporter Sharyl Attkisson reveals how she has been electronically surveilled while digging deep into the Obama Administration and its scandals, and offers an incisive critique of her industry and the shrinking role of investigative journalism in today’s media. Americans are at the mercy of powerful figures in business and government who are virtually unaccountable. The Obama Administration in particular has broken new ground in its monitoring of journalists, intimidation and harassment of opposition groups, and surveillance of private citizens. Sharyl Attkisson has been a journalist for more than thirty years. During that time she has exposed scandals and covered controversies under both Republican and Democratic administrations. She has also seen the opponents of transparency go to ever greater lengths to discourage and obstruct legitimate reporting. Attkisson herself has been subjected to “opposition research” efforts and spin campaigns. These tactics increased their intensity as she relentlessly pursued stories that the Obama Administration dismissed. Stonewalled is the story of how her news reports were met with a barrage of PR warfare tactics, including online criticism, as well as emails and phone calls up the network chain of command in an effort to intimidate and discourage the next story. In Stonewalled, Attkisson recounts her personal tale, setting it against the larger story of the decline of investigative journalism and unbiased truth telling in America today. |
| saved a war reporters mission to make it home: On All Fronts Clarissa Ward, 2020-09-08 “On All Fronts: The Education of a Journalist beautifully outlines . . . what it means to seek the truth. It gave me a new faith in the power of reporting.” —Oprah Winfrey The recipient of multiple Peabody and Murrow awards, Clarissa Ward is a world-renowned conflict reporter. In this strange age of crisis where there really is no front line, she has moved from one hot zone to the next. With multiple assignments in Syria, Egypt, and Afghanistan, Ward, who speaks seven languages, has been based in Baghdad, Beirut, Beijing, and Moscow. She has seen and documented the violent remaking of the world at close range. With her deep empathy, Ward finds a way to tell the hardest stories. On All Fronts is the riveting account of Ward’s singular career and of journalism in this age of extremism. Following a privileged but lonely childhood, Ward found her calling as an international war correspondent in the aftermath of 9/11. From her early days in the field, she was embedding with marines at the height of the Iraq War and was soon on assignment all over the globe. But nowhere does Ward make her mark more than in war-torn Syria, which she has covered extensively with courage and compassion. From her multiple stints entrenched with Syrian rebels to her deep investigations into the Western extremists who are drawn to ISIS, Ward has covered Bashar al-Assad’s reign of terror without fear. In 2018, Ward rose to new heights at CNN and had a son. Suddenly, she was doing this hardest of jobs with a whole new perspective. On All Fronts is the unforgettable story of one extraordinary journalist—and of a changing world. |
| saved a war reporters mission to make it home: Hello to All That John Falk, 2013-09-17 An off-the-wall, heartbreaking, and often hilarious memoir of a correspondent reporting from the front lines while also battling his lifelong nemesis-chronic depression His own chemistry was his worst enemy, and it took John Falk to some very strange places-from Garden City, Long Island, to sniper-infested Sarajevo during the Bosnian bloodbath. But through it all, in the face of chronic depression, he kept reaching out for the life he'd always wanted. Hello to All That is his story-crazed, comic, poignant, suspenseful, hopeful. Falk was an average Long Island kid, until depression left him ashamed and trapped behind an impenetrable chemical wall. Barely surviving on chin-up tips from his big, loyal, boisterous family, Falk tried to fight his disease-or hide it. But by twenty-four, he was alone, living on books by war correspondents, their adventures his only escape. Then he found a blue pill called Zoloft and set out on a mission to make his own name as a correspondent during one of the most dangerous conflicts in recent memory. Falk's journey has never been predictable, and neither is his moving, outrageous, and sometimes frightening memoir. Here is the riveting tale of a man's lifelong battle-the struggle to defeat his greatest enemy and to connect, cure himself, and finally live. |
| saved a war reporters mission to make it home: The Outpost Jake Tapper, 2012-11-13 The basis of the film starring Orlando Bloom and Scott Eastwood, The Outpost is the heartbreaking and inspiring story of one of America's deadliest battles during the war in Afghanistan, acclaimed by critics everywhere as a classic. At 5:58 AM on October 3rd, 2009, Combat Outpost Keating, located in frighteningly vulnerable terrain in Afghanistan just 14 miles from the Pakistani border, was viciously attacked. Though the 53 Americans there prevailed against nearly 400 Taliban fighters, their casualties made it the deadliest fight of the war for the U.S. that year. Four months after the battle, a Pentagon review revealed that there was no reason for the troops at Keating to have been there in the first place. In The Outpost, Jake Tapper gives us the powerful saga of COP Keating, from its establishment to eventual destruction, introducing us to an unforgettable cast of soldiers and their families, and to a place and war that has remained profoundly distant to most Americans. A runaway bestseller, it makes a savage war real, and American courage manifest. The Outpost is a mind-boggling, all-too-true story of heroism, hubris, failed strategy, and heartbreaking sacrifice. If you want to understand how the war in Afghanistan went off the rails, you need to read this book. -- Jon Krakauer |
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