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Actors' Thesaurus: Expanding Your Dramatic Vocabulary
Are you an actor struggling to find the perfect word to describe your character's emotional state? Do you feel your performance is limited by a repetitive vocabulary? Then you've come to the right place! This comprehensive Actors' Thesaurus will equip you with a rich and nuanced vocabulary to breathe life into your characters and elevate your performances. We’ll move beyond simple words like "happy" and "sad," delving into the subtle shades of emotion that make your characters believable and unforgettable. This guide isn't just a list; it's a tool to unlock the depth and complexity within your acting.
Understanding the Nuances of Emotion
Before we dive into the thesaurus itself, let's establish the importance of precision in acting. A single word can drastically alter the audience's perception of your character. Instead of relying on generic terms, consider the specific emotional context. Is your character simply "angry," or are they seething with rage, consumed by resentment, or simmering with bitter indignation? The difference is profound.
Beyond the Basics: Exploring Emotional Depth
Using a thesaurus effectively means moving beyond simple synonyms. We need to consider the intensity, the duration, and the cause of the emotion. For example, "fear" can manifest as:
Apprehension: A mild, anticipatory fear.
Terror: Overwhelming, paralyzing fear.
Panic: A sudden, overwhelming fear, often accompanied by a loss of control.
Dread: A deep, persistent fear of something anticipated.
Similarly, "happiness" can be expressed as:
Joy: A feeling of great pleasure and happiness.
Euphoria: An overwhelming feeling of well-being and happiness.
Bliss: Perfect happiness; utter contentment.
Contentment: A state of peaceful happiness.
The Actors' Thesaurus: A Practical Guide
This section provides a categorized list of words, designed to help you find the most precise and evocative terms for your characters' emotions.
Positive Emotions:
Instead of Happy: Exuberant, elated, joyful, blissful, delighted, cheerful, merry, gleeful, ecstatic, serene, content, tranquil, peaceful.
Instead of Love: Adoration, affection, devotion, passion, infatuation, tenderness, fondness, attachment, longing.
Instead of Excited: Thrilled, exhilarated, energized, enthusiastic, fervent, passionate, animated.
Negative Emotions:
Instead of Sad: Melancholy, dejected, sorrowful, grief-stricken, despondent, heartbroken, forlorn, desolate, wistful.
Instead of Angry: Furious, enraged, irate, indignant, resentful, wrathful, bitter, exasperated, frustrated, annoyed.
Instead of Fear: Terror, dread, apprehension, anxiety, panic, trepidation, phobia, unease.
Neutral Emotions:
Instead of Calm: Peaceful, tranquil, serene, composed, relaxed, at ease.
Instead of Confused: Bewildered, perplexed, disoriented, mystified, baffled.
Instead of Tired: Exhausted, fatigued, weary, drained, lethargic, sluggish.
Using Your Expanded Vocabulary
Don't just memorize this list; actively use it. Try incorporating these words into your monologues, scenes, and character analyses. Consider the subtext – what is your character really feeling beneath the surface? Experiment with different words until you find the one that perfectly captures the nuance of the emotion.
Expanding Beyond Emotion: Physicality and Action
Remember that your vocabulary should extend beyond emotions. Consider the physicality and actions of your character. Instead of saying "he walked," describe his gait: Did he stroll, stride, limp, saunter, or shuffle? This level of detail enhances your performance’s believability.
Conclusion
Mastering a nuanced vocabulary is crucial for any serious actor. This Actors' Thesaurus is just a starting point. Continue to explore dictionaries, thesauruses, and even literature to expand your understanding of language and its power to evoke emotion. Remember, precision in your word choice translates to precision in your performance.
FAQs
1. How can I practice using this expanded vocabulary? Try writing short scenes or monologues, focusing on using these words to express your character's emotions.
2. Is there a specific order to learn these words? No, focus on words relevant to your current roles or projects.
3. Can I use this thesaurus for other creative writing? Absolutely! This vocabulary is beneficial for any writing where nuanced emotion is crucial.
4. Where can I find more resources to improve my acting vocabulary? Explore acting textbooks, online resources, and even listen attentively to how characters speak in films and plays.
5. Is memorizing this list essential? No, the goal is to understand the subtle differences between these words and apply them intuitively. The list serves as a resource to trigger your memory and expand your vocabulary organically.
| actors thesaurus: Actions Marina Caldarone, Maggie Lloyd-Williams, 2004 An essential companion for actors in rehearsal - a thesaurus of action words to revitalise performance. Actors need actions. They cannot act moods. They need to be doing something with every line. They need verbs. They need an aim to achieve, and an action selected to help achieve that aim. 'Actions' are active verbs. 'I tempt you.' 'You taunt me.' In order to perform an action truthfully and therefore convincingly, an actor needs to find exactly the right action to suit that particular situation and that particular line. That is where this book comes in ... It is a thesaurus of active verbs, with which the actor can refine the action-word until s/he hits exactly the right one to help make the action come alive. It looks like this: taunt insult, tease, torment, provoke, ridicule, mock, poke, needle tempt influence, attract, entice, cajole, coax, seduce, lure, fascinate It is well known in the acting community that random lists of action-words circulate rehearsal rooms in dog-eared photocopies - as a sort of actor's crib. This book makes them available for the first time in an organised and comprehensive form. |
| actors thesaurus: Actions Marina Caldarone, 2011 |
| actors thesaurus: Actions Marina Caldarone, Maggie Lloyd-Williams, 2004 Actors need actions. They cannot act moods. They need to be doing something with every line. They need verbs. They need an aim to achieve, and an action selected to help achieve that aim. |
| actors thesaurus: A Practical Handbook for the Actor Melissa Bruder, Lee Michael Cohn, Madeleine Olnek, Nathaniel Pollack, Robert Previto, Scott Zigler, 2012-04-25 For anyone who has ever wanted to take an acting class, this is the best book on acting written in the last twenty years (David Mamet, from the Introduction). This book describes a technique developed and refined by the authors, all of them young actors, in their work with Pulitzer Prize-winning playwright David Mamet, actor W. H. Macy, and director Gregory Mosher. A Practical Handbook for the Actor is written for any actor who has ever experienced the frustrations of acting classes that lacked clarity and objectivity, and that failed to provide a dependable set of tools. An actor's job, the authors state, is to find a way to live truthfully under the imaginary circumstances of the play. The ways in which an actor can attain that truth form the substance of this eloquent book. |
| actors thesaurus: The Intent to Live Larry Moss, 2005-12-27 “I call this book The Intent to Live because great actors don’t seem to be acting, they seem to be actually living.” –Larry Moss, from the Introduction When Oscar-winning actors Helen Hunt and Hilary Swank accepted their Academy Awards, each credited Larry Moss’s guidance as key to their career-making performances. There is a two-year waiting list for his advanced acting classes. But now everyone–professionals and amateurs alike–can discover Moss’s passionate, in-depth teaching. Inviting you to join him in the classroom and onstage, Moss shares the techniques he has developed over thirty years to help actors set their emotions, imagination, and behavior on fire, showing how the hard work of preparation pays off in performances that are spontaneous, fresh, and authentic. From the foundations of script analysis to the nuances of physicalization and sensory work, here are the case studies, exercises, and insights that enable you to connect personally with a script, develop your character from the inside out, overcome fear and inhibition, and master the technical skills required for success in the theater, television, and movies. Far more than a handbook, The Intent to Live is the personal credo of a master teacher. Moss’s respect for actors and love of the actor’s craft enliven every page, together with examples from a wealth of plays and films, both current and classic, and vivid appreciations of great performances. Whether you act for a living or simply want a deeper understanding of acting greatness, The Intent to Live will move, instruct, and inspire you. |
| actors thesaurus: Actioning and how to Do it Nick Moseley, 2016 The indispensable companion to a vital component in every actor's toolkit. |
| actors thesaurus: The Great Acting Teachers and Their Methods Richard Brestoff, 2010 The Great Acting Teachers and Their Methods, Volume 2 features the innovative ideas and theories of: ¿ André Antoine ¿ Jacques Copeau ¿ Michel Saint-Denis ¿ Elia Kazan ¿ Uta Hagen ¿ David Mamet ¿ Anne Bogart ¿ Keith Johnstone BOOK SYNOPSIS In this follow-up to his first volume that has become an essential classroom text, Brestoff examines all new teachers and exposes the origin of today¿s ideas and exercises that acting students are practicing. What is the rationale behind the lesson? Why is it useful? Whether they can be called revolutionary or evolutionary, the conflicting theories of these teachers result from outrage and disgust. Andre Antoine, Jacques Copeau and Michel Saint-Denis represent a virtually unacknowledged yet powerful French influence on acting and actor training in the United States and abroad. American Realist teachers known as the passionate questioners, such as Elia Kazan, who is disgusted with Broadway¿s commercialism, Uta Hagen and David Mamet, and two influential ¿outside-the-box¿ teachers, Anne Bogart with her Viewpoints work and Keith Johnstone, creator of Theatre Sports, are also featured. While differences among the various acting theories and practices are noted and analyzed, so too are exciting and unexpected connections among them revealed. RICHARD BRESTOFF is Associate Professor of Drama and Associate Head of Acting University of California, Irvine. He is the author of four best-selling books for Smith and Kraus, including The Great Acting Teachers and Their Methods, The Camera Smart Actor, The Actor's Wheel of Connection and Acting Under the Circumstances. He has acted on Broadway and off, in Regional Theater and on camera, appearing on the 1991 Emmy Ballot for his Guest-Star performance on the CBS television series, thirtysomething. Richard holds an MFA in Acting form NYU where his teachers included Olympia Dukakis, Peter Kass, Joe Chaikin and Kristin Linklater. |
| actors thesaurus: The Actor's Checklist Rosary O'Neill, 2014 Based on the Constantin Stanislavki method of acting, THE ACTOR'S CHECKLIST examines Stanislavki's eight principles in an easily understood checklist format. This exciting acting guide also includes insights from other famous acting teachers, including Uta Hagen, Sanford Meisner, Lee Strasberg, Michael Chekov, and Stella Adler. Providing techniques for use in both classroom and production situations, this edition features new chapters on time, place, and history, as well as a new appendix that covers movement and vocal warmups. |
| actors thesaurus: The Emotion Thesaurus: A Writer's Guide to Character Expression (2nd Edition) Becca Puglisi, Angela Ackerman, 2019-02-19 The bestselling Emotion Thesaurus, often hailed as “the gold standard for writers” and credited with transforming how writers craft emotion, has now been expanded to include 56 new entries! One of the biggest struggles for writers is how to convey emotion to readers in a unique and compelling way. When showing our characters’ feelings, we often use the first idea that comes to mind, and they end up smiling, nodding, and frowning too much. If you need inspiration for creating characters’ emotional responses that are personalized and evocative, this ultimate show-don’t-tell guide for emotion can help. It includes: • Body language cues, thoughts, and visceral responses for over 130 emotions that cover a range of intensity from mild to severe, providing innumerable options for individualizing a character’s reactions • A breakdown of the biggest emotion-related writing problems and how to overcome them • Advice on what should be done before drafting to make sure your characters’ emotions will be realistic and consistent • Instruction for how to show hidden feelings and emotional subtext through dialogue and nonverbal cues • And much more! The Emotion Thesaurus, in its easy-to-navigate list format, will inspire you to create stronger, fresher character expressions and engage readers from your first page to your last. |
| actors thesaurus: The Actor and the Target Declan Donnellan, 2006 |
| actors thesaurus: Memorization for Actors Alexa Ispas, 2021-05-30 Imagine if you could learn your lines in half the time yet feel confident they will roll off your tongue when needed. Memorization for Actors provides you with a range of practical psychology tools and a bullet-proof memorization process that will put you miles ahead of the competition. Inside you will discover: · How to become a master at learning your lines · Simple tricks to learn more lines in less time · Advanced tools to turbo-charge your memorization process · Proven strategies to remember your lines in high stress situations · When to schedule your memorization sessions for maximum effect Short enough to read in an afternoon, yet jam-packed with practical advice, Memorization for Actors will transform your acting career. This is recommended reading for any actor, from acting students to experienced professionals. Alexa Ispas holds a PhD in psychology from the University of Edinburgh. The books in her Psychology for Actors Series provide actors with proven psychology techniques to thrive and build a successful career. |
| actors thesaurus: The Warner Loughlin Technique Warner Loughlin, 2018-01-12 For the first time in print, comes the revolutionary acting technique from the premiere acting coach of our era. Not a copy of the old masters, The Warner Loughlin Technique empowers the actor to create rich, nuanced and unique characters. Discover the technique used to help create some of the most remarkable performances of our time from actors such as Amy Adams, Ryan Reynolds, Kyra Sedgwick and countless other Oscar, Emmy, Golden Globe, Tony and Grammy nominees and winners. Loughlin debunks the myth of the tortured actor and guides you step by step through her groundbreaking technique revealing powerful ways to unlock your creativity in a psychologically safe way. Her insight into life and art is remarkable. The Warner Loughlin Technique changes the way acting will be taught for generations to come. Find out more at warnerloughlin.com. I was able to find my voice, and to find tears and to find levels, because I was able to have a safe place to go, that I could come back from. With your technique, in character prep, when I visit a character's life, her past and create an event good or tragic - that belongs to her. I don't take ownership of that pain with me. I don't take it on as my own...So this allows me not to be scared to go there, which allows me freedom as an actress to do anything, because I don't own it. It belongs to my character.-Amy Adams Working with Warner was a revelation. I doubted that I could ever work without observing and judging every moment. I will be forever grateful [to Warner] for helping me get back to the joy of living in the spontaneous truth of every scene.-Kyra Sedgwick I've been working with Warner Loughlin for years. Not only has she helped me become a better actor, but she's also helped me truly enjoy this work in ways I never imagined.-Ryan Reynolds Before I started working with Warner on the technique, I felt like acting was just something that I could some days do, and some days not do. It was only through doing deep emotion with detail on each of the characters I got, that I could act everyday how I wanted to, because I ended up knowing the character inside and out. The thoughts are no longer my own, but the characters', so I don't have to work as hard during the scenes. Now being on set and being the character is fun and never feels pushed. I love the technique and it has helped me immensely.-Sosie Bacon I met Warner over 10 years ago. She has coached me through comedy, drama, and even life! She has not only given me tools to be better at my job, but tools to be 100% confident through the process.-Emma Roberts Warner's Technique has become part of my creative process... It's simply the most intuitive way for me to find a character's base human emotion. Warner worked with us on Disney's Frozen for many months and helped us create truthful characters... I've never felt so comfortable animating a character before and I think the sophistication in the performance in the film speaks for itself.-Lino DiSalvo, Head of Animation for Disney's Frozen |
| actors thesaurus: True and False David Mamet, 2011-09-07 One of our most brilliantly iconoclastic playwrights takes on the art of profession of acting with these words: invent nothing, deny nothing, speak up, stand up, stay out of school. Acting schools, “interpretation,” “sense memory,” “The Method”—David Mamet takes a jackhammer to the idols of contemporary acting, while revealing the true heroism and nobility of the craft. He shows actors how to undertake auditions and rehearsals, deal with agents and directors, engage audiences, and stay faithful to the script, while rejecting the temptations that seduce so many of their colleagues. Bracing in its clarity, exhilarating in its common sense, True and False is as shocking as it is practical, as witty as it is instructive, and as irreverent as it is inspiring. |
| actors thesaurus: Truth Susan Batson, 2007 I first met Susan Batson in New York just a week before I made Peacemaker. We worked together in earnest for two years on Eyes Wide Shut in London and on every film I've done since, wherever they've taken us. This book you hold is called Truth, and that title precisely describes the core of the work Susan Batson and I do together. I can't create unless I have truth-I have to feel it. Susan helps me to find the truth in myself and use its purity, intimacy, and honesty to make my work real. She's helped me to nurture and protect truth in myself and in the characters that I've played. What I've learned from Susan is how to keep the truth alive no matter what. There's so much more to acting than just creative success. It runs thicker and deeper than that. It has to-it's in my blood, it beats through me. I know that it's in Susan's blood, too. I feel like we've been together my whole life. A great teacher can make anything seem possible. So many of the actors I've admired and idolized and, in a few lucky instances, been blessed to work with, were shaped and inspired by teachers who opened them to the possibilities of their art. Among actors, Lee Strasberg, Sanford Meisner, and Jeff Corey are just as legendary as their pupils Marilyn Monroe, Robert Duvall, and Jack Nicholson. I am confident that Susan Batson will go down in history as one of acting's legendary teachers. I only hope that my work can contribute to her legend. I'll always be grateful that I found her. And now, through this book, you've found her, too. Book jacket. |
| actors thesaurus: Tips: Ideas for Directors Jon Jory, 2017-09-22 Until very recently, directing wisdom was passed on in the form of tips. Continuing this tradition, you will find them ranging from the way set a scene to directing the actor on the way to laugh. The tips are clear, concise, evocative, and constructed to give you a better day in rehearsal and performance. A buffet of ways to improve immediately that you'll refer to over and over again! |
| actors thesaurus: Acting in Film Michael Caine, 2000-02-01 (Applause Books). A master actor who's appeared in an enormous number of films, starring with everyone from Nicholson to Kermit the Frog, Michael Caine is uniquely qualified to provide his view of making movies. This revised and expanded edition features great photos, with chapters on: Preparation, In Front of the Camera Before You Shoot, The Take, Characters, Directors, On Being a Star, and much more. Remarkable material ... A treasure ... I'm not going to be looking at performances quite the same way ... FASCINATING! Gene Siskel |
| actors thesaurus: Sanford Meisner on Acting Sanford Meisner, Dennis Longwell, 2012-11-07 Sanford Meisner was one of the best known and beloved teachers of acting in the country. This book follows one of his acting classes for fifteen months, beginning with the most rudimentary exercises and ending with affecting and polished scenes from contemporary American plays. Written in collaboration with Dennis Longwell, it is essential reading for beginning and professional actors alike. Throughout these pages Meisner is a delight—always empathizing with his students and urging them onward, provoking emotion, laughter, and growing technical mastery from his charges. With an introduction by Sydney Pollack, director of Out of Africa and Tootsie, who worked with Meisner for five years. This book should be read by anyone who wants to act or even appreciate what acting involves. Like Meisner's way of teaching, it is the straight goods.—Arthur Miller If there is a key to good acting, this one is it, above all others. Actors, young and not so young, will find inspiration and excitement in this book.—Gregory Peck |
| actors thesaurus: The Power of the Actor Ivana Chubbuck, 2005-08-18 In The Power of the Actor, a Los Angeles Times bestseller, premier acting teacher and coach Ivana Chubbuck reveals her cutting-edge technique, which has launched some of the most successful acting careers in Hollywood. The first book from the instructor who has taught Charlize Theron, Brad Pitt, Elisabeth Shue, Djimon Hounsou, and Halle Berry, The Power of the Actor guides you to dynamic and effective results. For many of today’s major talents, the Chubbuck Technique is the leading edge of acting for the twenty-first century. Ivana Chubbuck has developed a curriculum that takes the theories of the acting masters, such as Stanislavski, Meisner, and Hagen, to the next step by utilizing inner pain and emotions, not as an end in itself, but rather as a way to drive and win a goal. In addition to the powerful twelve-step process, the book takes well-known scripts, both classic and contemporary, and demonstrates how to precisely apply Chubbuck’s script-analysis process. The Power of the Actor is filled with fascinating and inspiring behind-the-scenes accounts of how noted actors have mastered their craft and have accomplished success in such a difficult and competitive field. |
| actors thesaurus: Exercises for Embodied Actors Scott Illingworth, 2020-03-10 Exercises for Embodied Actors: Tools for Physical Actioning builds on the vocabulary of simple action verbs to generate an entire set of practical tools from first read to performance that harnesses modern knowledge about the integration of the mind and the rest of the body. Including over 50 innovative exercises, the book leads actors through a rigorous examination of their own habits, links those discoveries to creating characters, and offers dozens of exercises to explore in classrooms and with ensembles. The result is a modern toolkit that empowers actors to start from their own unique selves and delivers specific techniques to apply on stage and in front of the camera. This step-by-step guide can be used by actors working individually or by teachers crafting the arc of a course, ensuring that students explore in physically engaged and dynamic ways at every step of their process. |
| actors thesaurus: Audition Michael Shurtleff, 2009-05-26 The casting director for Chicago, Pippin, Becket, Gypsy, The Graduate, the Sound of Music and Jesus Christ Superstar tells you how you can find your dream role! Absolutely everything an actor needs to know to get the part is here: What to do that moment before, how to use humour; create mystery; how to develop a distinct style; and how to evaluate the place, the relationships and the competition. In fact, Audition is a necessary guide to dealing with all the auditions we face in life. This is the bible on the subject. |
| actors thesaurus: Failing Up Leslie Odom, Jr., 2018-03-27 Leslie Odom Jr., burst on the scene in 2015, originating the role of Aaron Burr in the Broadway musical phenomenon Hamilton. Since then, he has performed for sold-out audiences, sung for the Obamas at the White House, and won a Tony Award for Best Leading Actor in a Musical. But before he landed the role of a lifetime in one of the biggest musicals of all time, Odom put in years of hard work as a singer and an actor. With personal stories from his life, Odom asks the questions that will help you unlock your true potential and achieve your goals even when they seem impossible. What work did you put in today that will help you improve tomorrow? How do you surround yourself with people who will care about your dreams as much as you do? How do you know when to play it safe and when to risk it all for something bigger and better? These stories will inspire you, motivate you, and empower you for the greatness that lies ahead, whether you’re graduating from college, starting a new job, or just looking to live each day to the fullest. |
| actors thesaurus: Acting Action Hugh O'Gorman, 2021-06-07 “What is it that we’re doing, when we’re acting well?” This is the question famously posed by Earle Gister, the legendary head of the acting department at Yale School of Drama from 1979 to 1999. In Acting Action, actor, director, and teaching artist Hugh O’Gorman invites readers to explore the question in detail. Focusing on playing action—one of the essential components of acting passed on to renowned acting teachers Earle Gister and Lloyd Richards by Paul Mann—Acting Action is divided into two parts: context and practice. The first section provides a thorough examination of the theory behind the core elements of playing action. The second section presents a step-by-step rehearsal guide for actors to integrate playing action into their preparation process. Acting Action offers a foundation for how to get started and build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of playing action, addressing a void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of acting. |
| actors thesaurus: The Actor's Life Jenna Fischer, 2017-11-14 Jenna Fischer's Hollywood journey began at the age of 22 when she moved to Los Angeles from her hometown of St. Louis. With a theater degree in hand, she was determined, she was confident, she was ready to work hard. So, what could go wrong? Uh, basically everything. The path to being a professional actor was so much more vast and competitive than she'd imagined. It would be eight long years before she landed her iconic role on The Office, nearly a decade of frustration, struggle, rejection and doubt. If only she'd had a handbook for the aspiring actor. Or, better yet, someone to show her the way—an established actor who could educate her about the business, manage her expectations, and reassure her in those moments of despair. Jenna wants to be that person for you. With amusing candor and wit, Fischer spells out the nuts and bolts of getting established in the profession, based on her own memorable and hilarious experiences. She tells you how to get the right headshot, what to look for in representation, and the importance of joining forces with other like-minded artists and creating your own work—invaluable advice personally acquired from her many years of struggle. She provides helpful hints on how to be gutsy and take risks, the tricks to good auditioning and callbacks, and how not to fall for certain scams (auditions in a guy's apartment are probably not legit—or at least not for the kind of part you're looking for!). Her inspiring, helpful guidance feels like a trusted friend who's made the journey, and has now returned to walk beside you, pointing out the pitfalls as you blaze your own path towards the life of a professional actor. |
| actors thesaurus: Actors Anonymous James Franco, 2013 Published by special arrangement with Amazon Publishing--Title page verso. |
| actors thesaurus: Stanislavski and the Actor Jean Benedetti, 2013-12-04 In Stanislavski and the Actor , Stanislavski scholar and biographer Jean Bendetti has recovered materials that can stand as a final, last work by the great director and teacher. In this volume readers will find the first English text of Stanislavski s notes and practical exercises from these last sessions. This is a major rediscovered work by Stanislavski, full of new ideas and insights about his working method. To the original materials Jean Benedetti adds his own analysis of Stanislavski's approach to acting and rehearsal methods.The master's own summary of a lifetime of theatrical experience, Stanislavski and the Actor will quickly become an essential tool for actors, students, and teachers everywhere. |
| actors thesaurus: Speaking Shakespeare Patsy Rodenburg, 2023-08-24 From A Midsummer Night's Dream's Puck to Othello's Desdemona, this new edition of Speaking Shakespeare gives you all the necessary tools to bring any of Shakespeare's eclectic characters to life. Patsy Rodenburg uses practical exercises and textual analysis to hone in on your dramatic resonance, breathing and placement in order to unlock your potential for playing these iconic characters. Speeches and scenes such as Mark Antony's 'O, pardon me, thou bleeding piece of earth' and the bloody scene in which Macbeth admits to Lady Macbeth that he has 'done the deed' are placed in context and discussed in depth. Combining clear practical, textual and imaginative work with a brilliant analysis of scenes and speeches from the whole range of Shakespeare's plays, this is an essential and inspiring guide for anyone working on his plays today. It brings a renewed focus on the language of power, so frequently spoken in the worlds of politicians and company directors, which will give readers insight into the potency of clear, direct communication, specifically in the context of Shakespeare. Each chapter has been revised following the author's 20 additional years of experience as a voice coach and includes techniques necessary for a clear and convincing performance. |
| actors thesaurus: The Emotional Wound Thesaurus: A Writer's Guide to Psychological Trauma Becca Puglisi , Angela Ackerman, 2017-10-25 Readers connect to characters with depth, ones who have experienced life’s ups and downs. To deliver key players that are both realistic and compelling, writers must know them intimately—not only who they are in the present story, but also what made them that way. Of all the formative experiences in a character’s past, none are more destructive than emotional wounds. The aftershocks of trauma can change who they are, alter what they believe, and sabotage their ability to achieve meaningful goals, all of which will affect the trajectory of your story. Identifying the backstory wound is crucial to understanding how it will shape your character’s behavior, and The Emotional Wound Thesaurus can help. Inside, you’ll find: * A database of traumatic situations common to the human experience * An in-depth study on a wound’s impact, including the fears, lies, personality shifts, and dysfunctional behaviors that can arise from different painful events * An extensive analysis of character arc and how the wound and any resulting unmet needs fit into it * Techniques on how to show the past experience to readers in a way that is both engaging and revelatory while avoiding the pitfalls of info dumps and telling * A showcase of popular characters and how their traumatic experiences reshaped them, leading to very specific story goals * A Backstory Wound Profile tool that will enable you to document your characters’ negative past experiences and the aftereffects Root your characters in reality by giving them an authentic wound that causes difficulties and prompts them to strive for inner growth to overcome it. With its easy-to-read format and over 100 entries packed with information, The Emotional Wound Thesaurus is a crash course in psychology for creating characters that feel incredibly real to readers. |
| actors thesaurus: How to Get the Part...Without Falling Apart! Margie Haber, Barbara Babchick, 1999-10-01 How to Get the Part...Without Falling Apart! is the answer to every actor's audition prayers. Acting coach Margie Haber has created a revolutionary phrase technique to get actors through readings without stumbling over the script. The book helps actors break through the psychological roadblocks to auditioning with a specific, 10-step method for breaking down the scene. Actors learn to prepare thoroughly, whether they have twenty minutes or two weeks. With a client list that includes Halle Berry, Brad Pitt, Kelly Preston, Heather Locklear, Vince Vaughn, Téa Leoni, Josie Bissett, Vondie Curtis-Hall, Laura Innes, and Tom Arnold, among others, Haber encourages and leads the reader through the audition process with helpful and oftentimes humorous examples. Includes script excerpts, audition stories from today's hottest stars, and tips from top industry professionals. |
| actors thesaurus: 100 Plays to Save the World Elizabeth Freestone, Jeanie O'Hare, 2023-11-07 This book is a guide to One Hundred Plays addressing the most urgent and important issue of our time: the climate crisis 100 Plays to Save the World is a book to provoke as well as inspire—to start conversations, inform debate, challenge our thinking, and be a launchpad for future productions. Above all, it is a call to arms—to step up, think big, and unleash theatre’s power to imagine a better future into being. Each play is explored with an essay illuminating key themes in climate issues: Resources, Energy, Migration, Responsibility, Fightback, and Hope. 100 Plays to Save the World is an empowering resource for theatre directors, producers, teachers, youth leaders, and writers looking for plays that speak to our present moment. |
| actors thesaurus: Acting as a Business, Fifth Edition Brian O'Neil, 2014-04-08 The essential handbook for actors—a modern classic—in a newly updated edition. Since its original publication, Acting as a Business has earned a reputation as an indispensable tool for working and aspiring actors. Avoiding the usual advice about persistence and luck, Brian O’Neil provides clear-cut guidelines that will give actors a solid knowledge of the business behind their art. It’s packed with practical information—on everything from what to say in a cover letter to where to stand when performing in an agent’s office—including: -- Tactics for getting an agent, including preparing for the interview -- How to research who will be casting what—and whether there is a role for you—well in advance -- Examples of correspondence to agents and casting directors for both beginning and advanced professionals -- A detailed analysis of the current trend of paying to meet industry personnel -- How to communicate effectively with an agent or personal manager -- Creative ways to use the internet and social media O’Neil has updated Acting as a Business to keep up with the latest show-business trends, making this fifth edition a reference no actor should be without |
| actors thesaurus: Acting Class Milton Katselas, 2008 Previously only available to Katselas' students at the prestigious Beverly Hills Playhouse, Acting Class presents the concepts and methods that have helped lead a generation of actors to success on stage, in cinema, and on television. Now for the first time, this all-encompassing book is available to the general public, taking readers and sitting them in the legendary acting class of Milton Katselas, where he not only covers techniques and methods, but also includes valuable discussions on the attitude any artist needs to fulfill his or her dream. |
| actors thesaurus: Broadway Laurence Maslon, Michael Kantor, 2010 (Applause Books). A companion to the six-part PBS documentary series, Broadway: The American Musical is the first comprehensive history of the musical, from its roots at the turn of the 20th century through the smashing successes of the new millennium. The in-depth text is lavishly illustrated with a treasure trove of photographs, sheet-music covers, posters, scenic renderings, production stills, rehearsal shots and caricatures, many previously unpublished. Revised and updated, with a brand-new foreword by Julie Andrews and new material on all the Broadway musicals through the 2009-2010 season. |
| actors thesaurus: Actors’ and Performers’ Yearbook 2025 , 2024-10-31 The 20th anniversary edition of this celebrated performing arts industry yearbook. This well-established and respected directory supports actors in their training and search for work in theatre, film, TV, radio and comedy. It is the only directory to provide detailed information for each listing and specific advice on how to approach companies and individuals, saving hours of further research. From agents and casting directors to producing theatres, showreel companies, photographers and much more, this essential reference book editorially selects only the most relevant and reputable contacts for the industry. Covering training and working in theatre, film, radio, TV and comedy, it contains invaluable resources such as a casting calendar and articles on a range of topics from your social media profile to what drama schools are looking for to financial and tax issues. With the listings updated every year, the Actors' and Performers' Yearbook continues to be the go-to guide for help with auditions, interviews and securing/sustaining work within the industry. Actors' and Performers' Yearbook 2025 is fully updated and includes a new foreword by Artistic Director and Chief Executive of The Big House Theatre Company, Maggie Norris, and four new industry new interviews, giving timely advice in response to today's fast-changing industry landscape. |
| actors thesaurus: The Story Grid Shawn Coyne, 2015-05-02 WHAT IS THE STORY GRID? The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult). The Story Grid is a tool with many applications: 1. It will tell a writer if a Story ?works? or ?doesn't work. 2. It pinpoints story problems but does not emotionally abuse the writer, revealing exactly where a Story (not the person creating the Story'the Story) has failed. 3. It will tell the writer the specific work necessary to fix that Story's problems. 4. It is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attic drawer. 5. It is a tool that can inspire an original creation. |
| actors thesaurus: The Positive Trait Thesaurus: A Writer's Guide to Character Attributes Becca Puglisi, Angela Ackerman, 2013-10-21 It’s a writer’s job to create compelling characters who can withstand life’s fallout without giving up. But building authentic, memorable heroes is no easy task. To forge realistic characters, we must hobble them with flaws that set them back while giving them positive attributes to help them achieve their goals. So how do writers choose the right blend of strengths for their characters—attributes that will render them admirable and worth rooting for—without making it too easy for them to succeed? Character creation can be hard, but it’s about to get a lot easier. Inside The Positive Trait Thesaurus, you’ll find: * A large selection of attributes to choose from when building a personality profile. Each entry lists possible causes for why a trait might emerge, along with associated attitudes, behaviors, thoughts, and emotions * Real character examples from literature, film, or television to show how an attribute drives actions and decisions, influences goals, and steers relationships * Advice on using positive traits to immediately hook readers while avoiding common personality pitfalls * Insight on human needs and morality, and how each determines the strengths that emerge in heroes and villains alike * Information on the key role positive attributes play within the character arc, and how they’re vital to overcoming fatal flaws and achieving success * Downloadable tools for organizing a character’s attributes and providing a deeper understanding of his past, his needs, and the emotional wounds he must overcome If you find character creation difficult or worry that your cast members all seem the same, The Positive Trait Thesaurus is brimming with ideas to help you develop one-of-a-kind, dynamic characters that readers will love. Extensively indexed, with entries written in a user-friendly list format, this brainstorming resource is perfect for any character creation project. |
| actors thesaurus: Freeing Shakespeare's Voice Kristin Linklater, 1993-01-01 A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
| actors thesaurus: The Monologue Audition Karen Kohlhaas, 2000 This manual is dedicated to teachers of two categories of acting students. Serious acting students who intend to become professional actors. Students studying acting for personal and professional growth who are interested in acting as a passionate hobby, as well as a means to becmoe effective communicators in all areas of their careers and lives. |
| actors thesaurus: Acting on Impulse: Reclaiming the Stanislavski approach John Gillett, 2007-10-29 A manual full of enabling, easing exercises - it will enable you to analyse any scene. The cry of the actor at sea `I don't know what I'm doing' should, with this book, become a thing of the past' Sam West I'd recommend this book to anyone wanting an introduction to Stanislavksi or Michael Chekhov or acting in general. Matt Peover, LAMDA trainer and theatre director. Contains all the important things that need to be said about learning to act...in an extremely logical and sensible manner. Simon Dunmore, Editor Actor's Yearbook An inspiring and technically thorough practical book for actors that sets down a systematic and coherent process for organic, experienced acting. The author offers a step-by-step and demystifying Stanislavski-based approach to text, role, rehearsal and performance to be used in everyday work, and gathers together in one volume the essential tools for recreating human experience. A nuts-and-bolts practical guide with exercises for the actor to work through sequentially. Contains a Foreword by Sam West. John Gillett builds on his experience of teaching at drama school level as well as many decades of acting. This book, by an actor for actors, is a comprehensive, clear and inspirational guide to creating a truthful, dynamic and audience-captivating performance. |
| actors thesaurus: To the Actor Michael Chekhov, In this practical guide, renowned actor and director Michael Chekhov shares his innovative approach to the craft of acting. Drawing on his extensive experience in the theater and his unique understanding of the actor's creative process, Chekhov presents a comprehensive system of techniques designed to help actors develop their physical, mental, and emotional abilities. Through a series of exercises and principles, actors can learn to create compelling, truthful performances that captivate audiences and bring characters to life on stage and screen. |
| actors thesaurus: From Stage to Screen Bill Britten, 2014-11-20 The camera enables us to see right into a character's soul, revealing his or her innermost thoughts and emotions. Screen acting requires a more rigorously truthful and spontaneous performance than the stage, as well as very different technical expertise. From Stage to Screen is a handbook for the professional actor packed with advice on how to make the transition and fully prepare for a TV or film role. The book is divided into three sections: the first examines the relationship between the actor and the camera and how it differs from that of a performer with a stage audience; the second addresses the technical skills the screen actor needs in order to work as part of a large collaborative team and 'make the shot work'; and the third explores the very different experience of an actor working on a screen project, including getting the job, how to prepare properly, what to expect and how to manage the whole process, from casting through to ADR, in order to deliver the very best work. |
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